| Photos (see all 36 | slideshow) | Videos (see all 10) |
Directed by | |||
| Wes Anderson | |||
Writing credits(WGA) | ||
| Wes Anderson | (written by) & | |
| Noah Baumbach | (written by) | |
Produced by | |||
| Wes Anderson | .... | producer | |
| Dan Beers | .... | associate producer | |
| Barry Mendel | .... | producer | |
| Scott Rudin | .... | producer | |
| Rudd Simmons | .... | executive producer | |
| Enzo Sisti | .... | co-producer | |
Original Music by | |||
| Mark Mothersbaugh | |||
Cinematography by | |||
| Robert D. Yeoman | (director of photography) (as Robert Yeoman) | ||
Film Editing by | |||
| David Moritz | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Stefano Maria Ortolani | |||
| Marco Trentini | |||
| Eugenio Ulissi | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Jana Carboni | .... | assistant makeup artist | |
| Maria Teresa Corridoni | .... | key hair stylist | |
| Maurizio Damiani | .... | assistant hair stylist | |
| Frances Hannon | .... | hair stylist: Bill Murray | |
| Frances Hannon | .... | makeup artist: Bill Murray | |
| Enrico Jacoponi | .... | assistant makeup artist (as Enrico Iacoponi) | |
| Rosa Luciani | .... | hair stylist | |
| Vincenzo Mastrantonio | .... | makeup artist | |
| Emanuel Millar | .... | hair stylist: Cate Blanchett | |
| Belinda Parish | .... | hair stylist: Marineland, Antibes | |
| Belinda Parish | .... | makeup artist: Marineland, Antibes | |
| Corrado Pastore | .... | hair production assistant | |
| Mario Pegoretti | .... | hair stylist | |
| Francesco Scaramella | .... | assistant hair stylist | |
| Katia Sisto | .... | assistant makeup artist (as Caterina Sisto) | |
| Gino Tamagnini | .... | key makeup artist (as Gino Tomagnini) | |
| Heba Thorisdottir | .... | makeup artist: Cate Blanchett | |
| Cristina Patterson Ceret | .... | contact lens painter (uncredited) | |
Production Management | |||
| Manuela Cacciamani | .... | assistant unit manager | |
| Vito Colazzo | .... | unit production manager | |
| Federico Foti | .... | unit manager | |
| Marco Olivieri | .... | unit manager: second unit | |
Art Department | |||
| Alessia Anfuso | .... | assistant set decorator | |
| Maria-Teresa Barbasso | .... | assistant art director | |
| Simone Braguglia | .... | art department assistant | |
| Cristina Cecili | .... | painter | |
| Barbara Cicero | .... | art buyer | |
| Giulia Chiara Crugnola | .... | assistant art director | |
| Sandro Erdolini | .... | painter | |
| Roberta Federico | .... | set designer | |
| Antonio Fraulo | .... | assistant property master | |
| Sandy Hamilton | .... | property master | |
| Simona Migliotti | .... | set designer | |
| Kris Moran | .... | assistant property master (as Kristine Moran) | |
| Stefano Morbidelli | .... | on-set dresser | |
| Antonio Murer | .... | set dresser | |
| Sebastiano Murer | .... | props | |
| Mark Pollard | .... | graphic art director | |
| Alessandra Querzola | .... | assistant set decorator | |
| Saverio Sammali | .... | assistant art director | |
| Briseide Siciliano | .... | assistant set decorator | |
| Andrea Tolomei | .... | set dressing runner | |
| Bill Roth | .... | sculptor (uncredited) | |
Sound Department | |||
| Olivier Burgaud | .... | boom operator | |
| David V. Butler | .... | dialogue editor | |
| Kevin E. Carpenter | .... | sound re-recording mixer | |
| Kim Drummond | .... | dialogue editor | |
| David Giammarco | .... | sound re-recording mixer | |
| David Giammarco | .... | supervising sound editor | |
| Wayne Griffin | .... | adr supervisor | |
| Scott A. Jennings | .... | supervising sound editor | |
| Jonathan Klein | .... | sound effects editor (as Jonathan A. Klein) | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Rupert Nadeau | .... | assistant sound editor | |
| Michael O'Farrell | .... | sound effects editor | |
| Joe Schiff | .... | first assistant sound editor | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Pawel Wdowczak | .... | sound mixer | |
| Don White | .... | foley recording mixer | |
| Paul Berolzheimer | .... | sound editor (uncredited) | |
Special Effects by | |||
| Daniel Acon | .... | special effects coordinator | |
| Renato Agostini | .... | special effects supervisor | |
| Danilo Bollettini | .... | special effects technician | |
| Massimo Cardajoli | .... | special effects technician | |
| Maurizio Corridori | .... | special effects | |
| Stefano Corridori | .... | special effects technician | |
| Damien Fitzpatrick | .... | dolphin technican | |
| Andy Lawless | .... | shoot supervisor: animation unit | |
| Marco Moneta | .... | special effects technician | |
| Franco Ragusa | .... | special effects foreman | |
| Silvano Scasseddu | .... | special effects | |
| Pieter Folkens | .... | dolphin designer/sculptor (uncredited) | |
Visual Effects by | |||
| Jacqueline Allard | .... | rotoscope: Gray Matter FX | |
| Margaret Lily Andres | .... | assistant editor: animation unit | |
| Christian T. Andrews | .... | motion control engineer: stop motion unit | |
| Arthur Argote | .... | compositor: Gray Matter FX | |
| Adam Avitabile | .... | digital compositor | |
| Joseph Brattesani | .... | compositor: Gray Matter FX | |
| Kevin R. Browne | .... | digital artist | |
| Chad Buehler | .... | digital compositor | |
| Patrick Clancey | .... | digital opticals | |
| Walt Conti | .... | animatronic effects supervisor | |
| Pierre Couture | .... | digital producer: Gray Matter FX | |
| Sean C. Cunningham | .... | digital artist: Gray Matter Effects | |
| Jeremy Dawson | .... | visual effects supervisor | |
| Mark S. Driscoll | .... | visual effects producer: LOOK! Effects Inc. (as Mark Driscoll) | |
| Travis Dutch | .... | scanning and recording | |
| Henrik Fett | .... | visual effects supervisor: LOOK Effects, Inc. (as Henrik R. Fett) | |
| Ray Giarratana | .... | visual effects supervisor | |
| William Higgins | .... | rotoscope: Gray Matter FX | |
| Timothy Hittle | .... | stop-motion animator | |
| Nancy Hyland | .... | compositor: Gray Matter FX | |
| Christopher Ivins | .... | digital compositor: Look! Effects, Inc. | |
| Joni Jacobson | .... | compositor: Gray Matter FX | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| Danny S. Kim | .... | compositor | |
| Perry M. Kimura | .... | digital scanning and recording: Efilm/Deluxe | |
| Justin Kohn | .... | lead stop-motion animator | |
| Keith Lackey | .... | character modeler/rigger | |
| Jay Lalime | .... | digital I/O: Gray Matter FX | |
| Tom Lynnes | .... | CG artist: Gray Matter FX | |
| Tom Lynnes | .... | CG supervisor: Gray Matter FX | |
| Margaux Mackay | .... | visual effects producer: Gray Matter | |
| Diane Macke | .... | project manager: EFilm | |
| Gray Marshall | .... | visual effects supervisor: Gray Matter FX | |
| Caleb Owens | .... | modeler: Gray Matter FX | |
| César Romero | .... | compositor: Gray Matter FX | |
| Robert Scifo | .... | digital matte painter: Gray Matter FX | |
| Henry Selick | .... | visual effects: underwater scenes | |
| Tefft Smith | .... | digital artist | |
| Giuseppe Squillaci | .... | digital artist: Proxima | |
| Nancy St. John | .... | visual effects producer | |
| Eben Stromquist | .... | model maker | |
| Pat Sweeney | .... | director of photography: animation unit (as Patrick Sweeney) | |
| Eric Swenson | .... | visual effects director of photography | |
| Thomas Tannenberger | .... | digital compositor | |
| Dan Trezise | .... | digital compositor: Gray Matter | |
| Paolo Verrucci | .... | telecine colorist dailies | |
| Ntana Key | .... | second digital colorist: EFILM (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| David Ambrosi | .... | stunt double | |
| Giorgio Antonini | .... | stunt double | |
| Paolo Antonini | .... | stunt double | |
| Massimiliano Bianchi | .... | stunt rigger | |
| Danilo Capuzi | .... | stunt double | |
| Gionata Marzeddu | .... | utility stunts | |
| Stefano Maria Mioni | .... | assistant stunt coordinator (as Stefano Mioni) | |
| Alessandro Novelli | .... | stunt double | |
| Emiliano Novelli | .... | stunt double | |
| Franco Maria Salamon | .... | stunt coordinator | |
Animation Department | |||
| Mike Cachuela | .... | animatic artist | |
| Roger Udwin | .... | assistant coordinator: animation unit | |
Casting Department | |||
| Stephanie Holbrook | .... | casting associate | |
| Béatrice Kruger | .... | casting: Italy | |
Costume and Wardrobe Department | |||
| Barbara Adducci | .... | costume department coordinator | |
| Johanna Bronner | .... | costume assistant | |
| Claudio Manzi | .... | costume assistant | |
| Bojana Nikitovic | .... | assistant costume designer | |
| Uliva Pizzetti | .... | costume supervisor | |
| Annie Yun | .... | costume assistant | |
Editorial Department | |||
| Jason Barnoski | .... | post-production assistant | |
| Luke Borghi | .... | assistant editor | |
| Charles Bunn | .... | assistant editor | |
| Dale E. Grahn | .... | film color timer | |
| Jennifer Hatton | .... | assistant editor | |
| Natasha Leonnet | .... | digital color timer (as Natasha Leonett) | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| Daniel R. Padgett | .... | additional film editor | |
| Lorene Simpson | .... | digital intermediate producer | |
| Mary Beth Smith | .... | negative cutter | |
| Michael R. Taylor | .... | post-production assistant | |
| Gina Zappala | .... | assistant editor | |
| Jamie Mitchell | .... | video post-production editor (uncredited) | |
Music Department | |||
| Jim Dunbar | .... | music coordinator | |
| Walt Fowler | .... | musician: trumpet | |
| Christopher Guardino | .... | musician: piano, celeste, harpsichord, organ | |
| Christopher Guardino | .... | orchestrations (as Chris Guardino) | |
| Richard Henderson | .... | music editor | |
| Jonathan Karp | .... | additional music editor | |
| Stewart Lerman | .... | music recording mixer | |
| Randall Poster | .... | music supervisor | |
| Booker White | .... | music preparation | |
| Reggie Wilson | .... | music contractor | |
Transportation Department | |||
| Daniele Abeille | .... | transportation coordinator | |
| Massimiliano Rocchetti | .... | transportation captain | |
Other crew | |||
| Andrea Alunni | .... | assistant marine coordinator | |
| Daren Bailey | .... | assistant marine coordinator | |
| Eleonora Baldwin | .... | script supervisor: second unit | |
| Matteo Bardelli | .... | set production assistant | |
| Jaclyn Bashoff | .... | assistant: Anjelica Huston | |
| Milena Bono | .... | location coordinator | |
| Rebecca Booth | .... | production assistant | |
| Giorgio Catalano | .... | production accountant | |
| Ted Cella | .... | assistant: Scott Rudin | |
| Carmela Compagnone | .... | assistant accountant | |
| Molly Cooper | .... | assistant: Barry Mendel | |
| Ian Creed | .... | marine coordinator | |
| Chris Cussen | .... | executive assistant: Mr. Rudin | |
| Steve Eckelman | .... | assistant: Owen Wilson | |
| Johnny Egan | .... | production assistant | |
| Jules Eggli | .... | assistant: Scott Rudin | |
| Willy Faso | .... | production assistant | |
| Nicola Fedrigoni | .... | assistant location manager | |
| Max Fink | .... | assistant production coordinator | |
| Alessandro Fiorito | .... | accountant | |
| Maria Fiorito | .... | production accountant | |
| Alessandra Fortuna | .... | assistant: Rudd Simmons | |
| Alex Fratar | .... | assistant: Scott Rudin | |
| Brandon Hollyer | .... | assistant post-production accountant | |
| Dean Hood | .... | financial controller | |
| Aaron Janus | .... | assistant: Scott Rudin | |
| Mike Larocca | .... | executive assistant: Scott Rudin | |
| Enrico Latella | .... | location manager | |
| Valeria Leonardi | .... | additional assistant: Wes Anderson | |
| Nicola Marzano | .... | key set production assistant | |
| Norma Marie Mascia | .... | production coordinator | |
| Grant McFadden | .... | assistant: Wes Anderson | |
| Karin Mercurio | .... | accountant | |
| Paolo Merosi | .... | extras supervisor | |
| Nata More | .... | set production assistant | |
| Claudia Moscatello | .... | set dressing coordinator/estimator | |
| Cariddi Nardulli | .... | assistant: Enzo Sisti | |
| Erik Paoletti | .... | location manager | |
| Lillian Parker | .... | assistant: Wes Anderson | |
| Andrea Passalacqua | .... | location manager | |
| Giampiero Pelusi | .... | set production assistant | |
| Cory Poccia | .... | production office intern | |
| Connor Price | .... | executive assistant: Scott Rudin | |
| Silvia Riolo | .... | assistant production coordinator | |
| Eugene Rizzo | .... | publicist | |
| Patrizia Roletti | .... | assistant to coordinators | |
| Adam Rosenberg | .... | assistant: Scott Rudin | |
| Amina Runyan-Shefa | .... | additional assistant: Barry Mendel | |
| Sarah Schechter | .... | executive in charge | |
| Annalisa Schmid | .... | accommodation coordinator | |
| Cristiano Sebastianelli | .... | cashier | |
| Jon Silk | .... | assistant: Scott Rudin | |
| Massimiliano Sisti | .... | accounts assistant | |
| Stefania Sisti | .... | production secretary | |
| Valentina Testa | .... | payroll assistant | |
| Annemarie van de Mond | .... | script supervisor | |
| Joan Washington | .... | pre-production coach: Cate Blanchett | |
| Danlee Winegar | .... | assistant: Cate Blanchett | |
| Tim Ballou | .... | senior script clearance manager (uncredited) | |
| Andrew Kahn | .... | assistant: Scott Rudin (uncredited) | |
Thanks | |||
| Eric Chase Anderson | .... | special thanks | |
| Jacques-Yves Cousteau | .... | dedicatee | |
| George Drakoulias | .... | special thanks | |
| Maya Forbes | .... | special thanks | |
| Mitch Glazer | .... | special thanks | |
| Kelly Lynch | .... | special thanks | |
| Tara Subkoff | .... | special thanks | |
| Gore Vidal | .... | special thanks | |
| Wallace Wolodarsky | .... | special thanks (as Wally Wolodarsky) | |
| Recent Posts (updated daily) | User |
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Although one person I was with at the pre-screen hated it, I absolutely loved it. I think it will just be one of those kinds of films (but hey, I also loved "The Adventures of Baron Munchausen" which this reminded me of). Pure crazy fantastical stuff and I was completely taken with it.
It's a visually beautiful film with loads of odd little CG touches and subtle visual gags. The cutaway tour of the ship was a classic. Murray gives an amazing, energetic, yet deadpan performance and I also liked the richness of the smaller roles like "Klaus." The soundtrack was quirky and wonderful with unexpectedly hilarious Bowie covers and pounding, rocking tracks in the action scenes.
I think the gorgeous locations, sets and props nearly steal the show--kind of reminded me of "Brazil" in that way and I think it is destined to become a cult film in the same way "Brazil" has.
I can't wait to take some friends of mine and see what they think once it opens--this is one of those movies that's so different and off the wall that it will be interesting to see how it plays out. Although I realize it's getting mixed reviews, I'll stick my neck out and call it a masterpiece.
Being old enough to have grown up with Jacques Cousteau, I felt Anderson really captured the look and feel he was after with the the "movie within the movie" sequences and the yellow typographical stuff was spot-on.
If, like me, you're bored with the usual metroplex fare, this odd, unexpected movie is for you. What a blast! Wheeeeee!