| Christopher Lambert | ... | Ruy de Mendoza | |
| Blanca Marsillach | ... | Carmen de Jaramillo | |
| Brian Blessed | ... | Lord Francisco del Ruiz | |
| Szonja Oroszlán | ... | Isabel de Mendoza | |
| James Faulkner | ... | Friar Anselmo | |
| Ben O'Brien | ... | Donoso Cabral | |
| Phyllida Law | ... | Esperanza de Mendoza | |
| Lukács Bicskey | ... | Miguel de Alvarado | |
| Géza Schramek | ... | Father Manuel | |
| John Rado | ... | Lord Huelva | |
| Benjamin Thiel | ... | Santiago | |
| Joshua Brownwood | ... | Juan | |
| Rebeka Kárpáti | ... | Maria | |
| Fruzsina Fridel | ... | Carmen's Maid | |
| Viorel Paunescu | ... | Pablo | |
| Dorka Gryllus | ... | Graciela Cabral | |
| George Mendel | ... | Jorge Cabral | |
| László Áron | ... | Count of Vallegos | |
| Irén Bordán | ... | Pilar de Santa Fe | |
| Sándor Téri | ... | Raul de Jaramillo | |
| Pál Makrai | ... | José de Santa Fe | |
| István Göz | ... | Friar Gonzalez | |
| Miklós Székely B. | ... | Lord Garcia | |
| Adam Webb | ... | Lord Jonas | |
| Zoltán Benkóczy | ... | Don Martinez | |
| János Holl | ... | Prince Rivera | |
| Peter Linka | ... | Prince Tomas | |
| Nóra Trokán | ... | Ruy's Maid | |
| Eszter Zakariás | ... | Monica | |
| Levente Törköly | ... | Governor's Soldier | |
| Sam Sleiman | ... | The Jester | |
| Richard Rifkin | ... | Lord Rodriguez | |
| Viktor Dénes | ... | Teenager | |
| Ferenc Elek | ... | Young Monk | |
| Ferenc Köles | ... | Town Crier | |
| Balázs Lázár | ... | Governor's Doctor | |
| Attila Szatmari | ... | The Puppeteer (as Attlia Szatmári) | |
| Andras Toth | ... | Messenger Boy | |
| rest of cast listed alphabetically: | |||
| Ruby Bodócs | ... | Alejandra | |
| Fernanda Dorogi | ... | Carmen's Maid | |
| Kriszta Dorogi | ... | Carmen's Maid | |
| Hajnalka Kurán | ... | Rosa | |
Directed by | |||
| Adrian Rudomin | |||
Writing credits(in alphabetical order) | ||
| Adrian Rudomin | written by | |
Produced by | |||
| Mujzer András | .... | executive producer (as András Mujzer) | |
| Martin J. Barab | .... | executive producer | |
| Céline De La Pena | .... | co-producer | |
| Dana Dubovsky | .... | executive producer | |
| José Miguel Juárez | .... | executive producer | |
| Zsófia Kende | .... | co-producer | |
| Christopher Lambert | .... | executive producer | |
| Mark L. Lester | .... | executive producer | |
| Blanca Marsillach | .... | associate producer | |
| Adrian Rudomin | .... | producer | |
| Ashley Sidaway | .... | producer | |
| Robert Sidaway | .... | executive producer | |
| Kornél Sipos | .... | producer | |
| Sam Sleiman | .... | producer | |
| Tamás Sztano | .... | executive producer | |
Original Music by | |||
| David Schweitzer | |||
Cinematography by | |||
| Tamás Lajos | (director of photography) | ||
Film Editing by | |||
| Clive Barrett | |||
Casting by | |||
| Veronika Varjasi | |||
Production Design by | |||
| Márton Ágh | |||
Art Direction by | |||
| Judit Varga | |||
Costume Design by | |||
| Györgyi Szakács | |||
Makeup Department | |||
| Réka Görgényi | .... | makeup artist | |
| Katalin Jakots | .... | key makeup artist | |
| Gabi Nemeth | .... | key hair stylist | |
| Balázs Novák | .... | makeup artist | |
| Iván Pohárnok | .... | special makeup effects artist | |
| Klári Szinek | .... | hair stylist (as Klara Szinek) | |
Production Management | |||
| Alan Roberts | .... | post-production supervisor | |
| Károly Rozsnyay | .... | production manager | |
| Rita Sinkó | .... | unit production manager | |
| Virág Varga | .... | unit manager | |
Art Department | |||
| József Kiss | .... | construction supervisor | |
| Beatrix Petõ | .... | draughtsperson | |
| Gabor Toth | .... | property master | |
| István Tóth | .... | set dresser | |
Sound Department | |||
| Colette Dahanne | .... | adr mixer | |
| Peter Gleaves | .... | adr mixer | |
| Nigel Holland | .... | supervising sound editor | |
| Philip Jenkins | .... | sound mix technician | |
| György Mihályi | .... | cable person | |
| Mac Ruth | .... | sound mixer | |
| Pál Szûrös | .... | boom operator | |
| Sven Taits | .... | sound re-recording mixer | |
Special Effects by | |||
| Gabor Kiszelly | .... | special effects technician | |
| Gyula Krasnyánszky | .... | pyro supervisor | |
| Ferenc Ormos | .... | special effects supervisor | |
| Norbert Orosz | .... | trainee pyrotechnician | |
Stunts | |||
| Mike Gunther | .... | stunt performer | |
| László Imre | .... | stunts | |
| Roland Kollárszky | .... | stunts | |
| Levente Lezsák | .... | stunt double: Christopher Lambert | |
| Levente Lezsák | .... | stunts | |
| Béla Unger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| István Bese | .... | electrician | |
| József Buczkó | .... | electrician | |
| István Gottmann | .... | second assistant camera | |
| Ákos Gulyás | .... | second assistant camera | |
| Károly Kamerda | .... | first assistant camera | |
| Károly Kamerda | .... | focus puller | |
| Tibor Kecskeméti | .... | grip | |
| András Khin | .... | camera operator | |
| András Khin | .... | steadicam operator | |
| Gusztáv Kirsch | .... | first assistant camera | |
| Gusztáv Kirsch | .... | focus puller | |
| Tibor Krautwurst | .... | gaffer | |
| Ferenc Laczkó | .... | best boy | |
| Tamas Nyerges | .... | camera operator | |
| Zoltán Pataki | .... | video assist operator | |
| Pal Perlaki | .... | grip | |
| Zsolt Speier | .... | key grip | |
| Álmos Szirti | .... | electrician | |
Costume and Wardrobe Department | |||
| Mari Csáki | .... | dresser / set supervisor | |
| Zsoka Hoka | .... | wardrobe master | |
| Timea Luzsi | .... | assistant costume designer | |
Editorial Department | |||
| Kia Coates | .... | second assistant editor | |
| Mo Henry | .... | negative cutter | |
| Benedek Kabán | .... | telecine colorist | |
| Benedek Kabán | .... | telecine dailies | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Mark Tucker | .... | score recording engineer | |
| Graham Walker | .... | music supervisor | |
Other crew | |||
| Céline De La Pena | .... | assistant: Mr. Lambert | |
| Kriszta Dorogi | .... | production assistant | |
| Sophie Evans | .... | co-production coordinator | |
| Gábor Kökényesi | .... | production assistant | |
| Viktor Kovács | .... | set production assistant | |
| Szandra Nagyházi | .... | set production assistant | |
| Agnes Ng | .... | production coordinator | |
| Szabó Sándor | .... | location manager | |
| Szonja Szekerák | .... | assistant to director | |
| Gabriella Winkler | .... | script supervisor | |
Thanks | |||
| Jonathan Channon | .... | special thanks | |
| Chris Dibble | .... | special thanks | |
| David Goldberg | .... | dedicatee | |
| Ruth Goldberg | .... | dedicatee | |
| Howard Price | .... | special thanks | |
| Kate Sidaway | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Trailer?? | Raven1492 |
| Different versions? | Zargo |
| Any news about this movie ? | connor_immortal |
| Based on a true story? | dadenney |
| first release date | kickboxer2003 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Hungary section | Add this title to MyMovies |
A 16th century Spanish town is plagued by some mysterious murders involving important town figures and when the sheriff Rudy de Mendoza starts his investigation on the mutilated bodies, he learns that no one else seems to want to help him out, as there's a cover up, which leaves him all in the dark. As the deaths grow, Rudy goes on to learns more. The web of deceit grows larger and secrets are being revealed. In his path is a mercenary group, which Rudy is trying to figure out who's the man behind it all and his intrusion could cost the lives of those his loves.
Christopher Lambert as an actor hasn't done anything that has really grabbed my attention, other then the sci-fi flick "Fortress". His most well-known involvement in "The Highlander" series, did nothing for me. Anyhow I decided to take a chance on this medieval B-film and was pleasantly surprised with the overall effort, even though some frustrating strokes cropped up.
Enchantingly sharp-etched period back-sets, props and costumes have a rich awe to them, despite the cheap origins. The premise holds up remarkably well with a broodingly elaborate mystery within a well thought up concept of effective twists and sustained involvement of the story's progression. This is because there's so much more going on behind the scenes in this conspiracy laced-script, which keeps things really tight and nebulous. The brisk location photography is genuinely polished and covered the beautifully picturesque Hungry backdrop with vivid scope. A blazingly elastic musical score paints the period and moody precisely. A solidly low-key Christopher Lambert plays in a husky and rundown portrayal of his character Rudy de Mendoza. He sounded like he needed a cough drop. Blanca Marsillach charms in her glassy part and James Faulkner weasels in. The acting while not great, is workably stable and watchable.
Now what brought it down was that in patches the limp direction couldn't come to terms with the promising material, and was weakly conjured up and lacked real gusto in its delivery. Some unorthodox set-pieces flourished with atmospheric flashes of intrigue and foreboding terror, but more often it came across as frosty, repetitive and stiff. Some nasty and mutilated violence livens up the show, but the bustling action feels torpid, even though the pacing is always busy. The idea behind it is a stimulating pot-boiler, but for most part the execution is rather muddled and dry.
While the material and production design is up to par, it's basically undone by feeble direction. Anyhow, it's not-too-bad and keeps you highly involved.