| Photos (see all 17 | slideshow) |
| Yuji Okumoto | ... | Pestilence | |
| Marcus Chong | ... | War | |
| Tito Ortiz | ... | Famine | |
| Tara Reid | ... | Lola Byrne | |
| David Boreanaz | ... | Luc Crash / Death / Satan | |
| Rosemberg Salgado | ... | The Priest | |
| Edward Furlong | ... | Jimmy Cuervo / The Crow | |
| Emmanuelle Chriqui | ... | Lilly | |
| Danny Trejo | ... | Harold | |
| Dave Baez | ... | Tanner (as Dave L. Ortiz) | |
| David Lea | ... | Bartender (as Dave Lea) | |
| Richard Cumba | ... | Moses | |
| Kristina Santoro | ... | Pregnant Bride | |
| Kelsey Landry | ... | Waitress #1 (as Kelsy Landry) | |
| Ashley Christensen | ... | Waitress #2 | |
| Gil Medina | ... | Tribal Council #1 | |
| Rena Owen | ... | Mary | |
| Marty Fresca | ... | Tribal Council #2 | |
| Jorge Jimenez | ... | Cortez | |
| Ryan Smith | ... | Native Teen | |
| Macy Gray | ... | Carman | |
| Vanessa Sorensen | ... | Cat Girl #1 | |
| Dennis Hopper | ... | El Niño | |
| Liz Katz | ... | Cat Girl #2 | |
| Candace Rea | ... | Cat Girl #3 | |
| Erin Balentine | ... | Cat Girl #4 | |
| rest of cast listed alphabetically: | |||
| Daymond John | ... | Proud Foot Joe | |
Directed by | |||
| Lance Mungia | |||
Writing credits(WGA) | ||
| Norman Partridge | (novel "The Crow: Wicked Prayer") (inspiration) | |
| James O'Barr | (comic book series and comic strip The Crow) | |
| Lance Mungia | (screenplay) & | |
| Jeff Most | (screenplay) and | |
| Sean Hood | (screenplay) | |
Produced by | |||
| Stephen Belafonte | .... | co-producer | |
| Blanca Camacho | .... | associate producer | |
| L.M. Kit Carson | .... | co-producer (as Kit Carson) | |
| Beau J. Genot | .... | associate producer | |
| Daymond John | .... | executive producer | |
| Jon Katz | .... | executive producer | |
| Jeff Most | .... | producer | |
| Edward R. Pressman | .... | producer | |
| John Saviano | .... | co-producer | |
| Gregory G. Woertz | .... | executive producer (as Gregory Woertz) | |
Original Music by | |||
| Jamie Christopherson | |||
Cinematography by | |||
| Kurt Brabbee | |||
Film Editing by | |||
| Dean Holland | |||
Casting by | |||
| Sig De Miguel | |||
Production Design by | |||
| Fred Andrews | |||
Art Direction by | |||
| Russell M. Jaeger | |||
Set Decoration by | |||
| Effney Gardea | |||
Makeup Department | |||
| Karrieann Heisner | .... | key makeup artist | |
| Erin Lyons | .... | key hair stylist | |
Production Management | |||
| Scott E. Chester | .... | production supervisor: additional photography | |
| Cassidy Lunnen | .... | production manager | |
| Audra Rodgers | .... | production manager (as Audra Cervantes) | |
| Douglas Salkin | .... | post-production supervisor | |
Art Department | |||
| Brad Bench | .... | swing gang | |
| Lana C. Berg | .... | lead swing | |
| Jennifer R. Blair | .... | art department coordinator | |
| Xavier Corby | .... | assistant property master | |
| Kathy Crandall | .... | lead swing | |
| Rick Curtis | .... | on-set dresser | |
| Chris Dechert | .... | assistant property master | |
| Michael DeLuca | .... | swing gang | |
| Mike Drufee | .... | swing gang | |
| Jakub Durkoth | .... | lead welder | |
| Jonathan Hallett | .... | storyboard artist | |
| Tracy Herzberg | .... | swing gang | |
| Julie K. Horton | .... | on-set dresser | |
| Lee Lazarow | .... | property master | |
| Calley McCarty | .... | construction labor | |
| Landis Miller | .... | construction labor | |
| Patrick 'Robby' Perry | .... | construction labor | |
| Jeffery Pulsipher | .... | construction labor | |
| Glenn Warner | .... | construction foreman | |
Sound Department | |||
| Steven Avila | .... | sound designer | |
| James Bailey | .... | foley walker | |
| Trip Brock | .... | supervising sound editor | |
| C. Douglas Cameron | .... | boom operator | |
| Michael J. Fox | .... | adr supervisor | |
| Peter D. Lago | .... | foley editor | |
| Peter D. Lago | .... | sound effects editor | |
| Darrin Mann | .... | foley mixer | |
| Diane Marshall | .... | foley walker | |
| Whit Norris | .... | sound mixer | |
| Jackie Oster | .... | adr editor | |
| Andy Potvin | .... | sound consultant: Dolby | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Geordy Sincavage | .... | foley mixer | |
| Geordy Sincavage | .... | sound effects editor | |
| Kurt Thum | .... | sound designer | |
| Kurt Thum | .... | sound effects editor | |
| Les Udy | .... | sound mixer: second unit | |
| Kelly Vandever | .... | sound re-recording mixer | |
Special Effects by | |||
| Giuliano Fiumani | .... | special effects supervisor | |
| Ryan Ghuodte | .... | special effects assistant | |
| Lee McConnell | .... | special effects assistant | |
Visual Effects by | |||
| Mark S. Driscoll | .... | digital effects (as Mark Driscoll) | |
| Henrik Fett | .... | digital effects | |
| Todd Hall | .... | opticals | |
Stunts | |||
| Robert Alonzo | .... | stunt double | |
| Jane Austin | .... | utility stunts | |
| Frank L. Bare II | .... | stunts (as Frank Bare) | |
| Rob Brennan | .... | utility stunts | |
| Jeff Chumas | .... | stunts | |
| Bret Davidson | .... | stunts | |
| James Gregory | .... | stunts (as James Gregory Jr.) | |
| Oliver Keller | .... | stunt double | |
| Theo Kypri | .... | utility stunts | |
| David Lea | .... | fight stunt coordinator | |
| David Lea | .... | stunt fight coordinator | |
| Don Lee | .... | stunt double | |
| Kurt D. Lott | .... | key stunt rigger (as Kurt Lott) | |
| Kurt D. Lott | .... | utility stunts (as Kurt Lott) | |
| Gary Paul | .... | stunt coordinator | |
| Gregg Sargeant | .... | stunts | |
| Don Shanks | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
Casting Department | |||
| Lia Diana | .... | casting assistant | |
| Nicole Fisher | .... | casting assistant: Los Angeles | |
| Marty Fresca | .... | extras casting | |
| Catrine McGregor | .... | casting director: Utah | |
Costume and Wardrobe Department | |||
| Debra Box | .... | costumer: second unit | |
| Amy Fegely | .... | key set costumer | |
| Jodi Greorge | .... | seamstress | |
| Shantell Guy-Rowland | .... | costumer | |
| Rebecca Hunt | .... | wardrobe assistant | |
| Kresta Lins | .... | assistant: costume designer | |
| Amy Jean Roberts | .... | costume supervisor | |
| Nikki Van Pelt | .... | assistant: costume designer | |
Editorial Department | |||
| Alex Blatt | .... | assistant editor | |
| Carmelo Casalenuovo | .... | assistant editor | |
| Jeff Einhorn | .... | editorial intern | |
| Ryan Growney | .... | post-production assistant | |
| John M. Valerio | .... | additional editor | |
| Chuck Winston | .... | color timer | |
Music Department | |||
| Jamie Christopherson | .... | orchestrator | |
| Jeff Most | .... | music supervisor | |
| Ronald J. Webb | .... | music editor | |
Transportation Department | |||
| Brad Costill | .... | transportation coordinator | |
| Teri Costill | .... | transportation office manager | |
| Kenny Maw | .... | transportation captain | |
| Jennifer Janee Sackett | .... | transportation office assistant | |
Thanks | |||
| Nick Phillips | .... | special thanks (as Nick Philips) | |
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| The Crow: City of Angels | The Crow | The Crow: Salvation | Batman Begins | X-Men |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Greetings I'm afraid Crow fans are going to be in for a disappointment. 'Wicked Prayer', it starts out quite strong but rapidly loses steam. David Boreanaz, who should be well known by now at the very least for excellent villains, is not given much room here. I don't think it was his fault; what he could do, he did do but the role just didn't have much.
The plot is lacking seriously, the mythology is entirely corrupted (The Crows power does NOT come from love thank you very much), and the fight scenes, aside from the initial murder, are pathetic.
Which is a shame really because there was a half hearted effort to make the four bad guys, Famine, Pestilence, War and Death more than just another series of bad guys like T-Bird's gang, and Curve's boys or those cops in the underrated third movie. They were, from time to time unnerved by the violence, but this plot thread was crushed by how easily and half-heartedly they were lured back to evil deeds.
The biggest disappointment was their ends; perhaps it was budget constraints but there was near zero visceral satisfaction. I'm bloodthirsty, sue me.
Also a lot of the drama, what little of it was built up, was totally savaged by Danny Tregjo's native American 'Crow Dance'. Tregjo makes one of the bad-assest Mexican bag-guys/evil doers/violence loving vigilantes on screen today. He can even pull off a good priest and a so-so mourning father. What he cannot do, tattoo laden pectoral muscles flopping around like half empty water balloons, is a American Indian ceremonial dance. Not, at least, without my jaw hitting the floor before I follow after holding my ribs in a fit of hysterics.
I was incredibly sceptical of Eddie Furlong in the title role but heard good things from the crew on the film and, having seen him in the irony mask, felt my concern ebb. Truth be told he did have a few good moments but his pain was never convincing, not for one. single. second. Acting enraged, pained, tormented is a key part of the Crow's character and he just did not have it. He can't even compare to Vincent Perez's little tantrum in front of Spider Monkey. Don't even try to contrast Furlong with Mabius' first humorous curiosity, then growing rage, or God Forbid, Brandon Lee's near perfect representation of pain.
My biggest beef? The lighting. The entire movie was well lit. No darkness, no shadows. Everyone meandered about either in full time sun, or well lit night scenes. And that was a physical representation of this entire film: It wasn't dark enough.
The Crow: Wicked Prayer, easily the weakest of the four. While I hate to admit it I think this franchise has gone as far as it can.
I remain, as always, Mad-Hamlet