The Life and Death of Peter Sellers (2004)

User Rating:

6.9/10   

Director:

Stephen Hopkins

Writers (WGA):

Roger Lewis (book)
Christopher Markus (teleplay) ...

Release Date:

26 August 2004 (Australia)

Genre:

Biography | Drama

Tagline:

Never judge a man by his cover.

Plot:

The feature adaptation of Roger Lewis' book about the actor best remembered as Inspector Clouseau in the Pink Panther movies.

Plot Keywords:

Actor | Clouseau | Show Business | Personality | Bumbling

Awards:

Won 2 Golden Globes. Another 17 wins & 23 nominations

Cast

Geoffrey Rush	...	Peter Sellers
Charlize Theron	...	Britt Ekland
Emily Watson	...	Anne Sellers
John Lithgow	...	Blake Edwards
Miriam Margolyes	...	Peg Sellers
Peter Vaughan	...	Bill Sellers
Sonia Aquino	...	Sophia Loren
Stanley Tucci	...	Stanley Kubrick
Stephen Fry	...	Maurice Woodruff
Henry Goodman	...	Dennis Selinger
Alison Steadman	...	Casting Agent
Peter Gevisser	...	Ted Levy
David Robb	...	Dr. Lyle Wexler
Edward Tudor-Pole	...	Spike Milligan (as Edward Tudor Pole)
Steve Pemberton	...	Harry Secombe

Runtime:

122 min

Country:

USA | UK

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Argentina:13 | Germany:12 | Switzerland:14 (canton of Zurich) | Iceland:L | Portugal:M/12 | Spain:13 | Australia:M | Canada:14A | Czech Republic:12 | Finland:K-11 | Netherlands:12 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | Singapore:M18

Filming Locations:

Biltmore Estate - 1 Approach Road, Asheville, North Carolina, USA

Company:

HD Vision Studios

Trivia:

The motorcycle Peter Sellers gives to Sarah Sellers as a gift is a 1959 Triumph Bonneville, the first year of production of that iconic motorcycle.

Goofs:

Anachronisms: The soundtrack does not match Peter's life chronology. He couldn't listen to Tom Jones's "It's not Unusual" when he met Britt Ekland in 1964 (one year before it was released), Marvin Gaye's "I heard it through the grapevine" the same year (actually released in 1967) and David Bowie's "Space Oddity" divorcing Britt in 1968 (actually released one year later).

Quotes:

[last lines]
Peter Sellers: You can't come in here.

Movie Connections:

References Caccia alla volpe (1966)

Soundtrack:

Fly Me to the Moon (In Other Words)

Not worthy of its great subject

It might be impossible to capture every aspect of a man's life in a two-hour film (A & E Biography frequently fails at this in the one-hour format with the bigger stars) while giving everything its proper weight. Peter Sellers' life is of such extraordinary dimensions that "The Life and Death of Peter Sellers" even fails at being a scrapbook. This is not necessarily the film's fault; the movie is mostly well-cast (only John Lithgow as Blake Edwards didn't seem quite right) and beautiful to look at, from the opening credits on.

The movie serves mostly as a sampler of Sellers' oddball behavior. Incidents are selected from his life (or slightly fabricated) to stand for the whole; one slap across Britt Ekland's face is meant to represent a lifetime of spousal abuse, but those unfamiliar with Sellers personal life will assume that he was merely temperamental off-camera. In fact, it doesn't even come close to the truth: Anne Sellers reported that Peter once fought her for 14 hours straight (she took a nap in between) and Britt says Peter pointed a loaded gun at her in Rome, only capitulating after she told him 'if you shoot me, you'll ruin your own career'. His mistreatment of his family is grossly underweighted compared to such trivial items as Sellers not quite getting the Texas accent required for the bomber role in Dr. Strangelove, then faking a broken leg to Kubrick so he wouldn't be able to climb the ladder to the elevated cockpit on the movie set and avoid having to admit his failure with the voice. Other things are not clearly explained; for instance, that the "clairvoyant" Maurice Woodruff was in the employ of the movie studios to get Sellers to do the pictures they wanted him to do, or the fantasy sequence after his seven consecutive heart attacks in LA, which relates to Sellers insisting that he had an out-of-body experience during he time his heart stopped. The asides to the camera by the Kubrick and Bill Sellers characters, and Sellers (in funny voices) indicate the director straining for depth; perhaps a documentary on Sellers' life would have been better.

On the plus side, Geoffrey Rush is nothing short of superb as Sellers. Everything about Sellers seems exactly right, including the voice, which is no small feat, since I don't think Sellers is all that doable. The voice certainly wouldn't be recognized as Sellers if done out of context, say, as a stage impersonation, yet it works, even though I can't really recall what Sellers' actual voice did sound like. (It was this lack of personality that made him such a great instrument for creating characters) Charlize Theron is also a dead ringer for Britt, though she's not given much to do.

This movie is mostly for Peter Sellers enthusiasts, like myself, who can pick out the obscure trivia (like the Texas accent sequence), explain it to other people and feel superior. The movie isn't bad, really; its extremely well-acted and well-crafted, but it fails miserably at explaining the man. Why was he the way he was? How does one reconcile his genius with his brutality and selfishness. Sellers is of such depth and magnitude that a two-hour movie just doesn't cut it. For a true picture of the man, I would recommend the Roger Lewis book on which the movie is "based", Ed Sikov's more sympathetic biography on Sellers, and Michael Sellers' memoir "P.S. I Love You". Sellers once described himself as being an "empty vessel", a body through which one of his great characters came to life. I feel the same way about this movie.