Manderlay (2005)

User Rating:

7.6/10   

Director:

Lars von Trier

Writer:

Lars von Trier (writer)

Release Date:

3 June 2005 (Denmark)

Genre:

Drama

Tagline:

A case of mistaken identity

Plot:

A story of slavery, set in the 1930s American South.

Plot Keywords:

Red Pubic Hair | Hostility | Gangster | Metaphor | Employment

Awards:

1 win & 15 nominations

Cast

Bryce Dallas Howard	...	Grace Margaret Mulligan
Isaach De Bankolé	...	Timothy
Danny Glover	...	Wilhelm
Willem Dafoe	...	Grace's Father
Michaël Abiteboul	...	Thomas
Lauren Bacall	...	Mam
Jean-Marc Barr	...	Mr. Robinsson
Geoffrey Bateman	...	Bertie
Virgile Bramly	...	Edward
Ruben Brinkmann	...	Bingo (as Ruben Brinkman)
Doña Croll	...	Venus (as Dona Croll)
Jeremy Davies	...	Niels
Llewella Gideon	...	Victoria
Mona Hammond	...	Old Wilma
Ginny Holder	...	Elisabeth

Also Known As:

Manderlay (France) (Germany)

Runtime:

139 min

Country:

Denmark | Sweden | Netherlands | France | Germany | UK

Language:

English

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Philippines:R-18 | Finland:K-15 | Sweden:11 | Germany:12 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Brazil:16 | Czech Republic:15 | UK:15 | Italy:VM14 | Japan:R-18 | Hong Kong:III | Singapore:R21 | Hungary:16 | Canada:14A (Ontario) | Netherlands:12 | Australia:MA | South Korea:18 | Portugal:M/16

Filming Locations:

Denmark

Company:

Zentropa Entertainments

Trivia:

British actors were cast as nine out of the twelve slaves portrayed in the film because African-American actors steered away from the film because of its content.

Quotes:

[first lines]
Narrator: It was in the year of 1933, when Grace and her father were heading southward with their army of gangsters.

Movie Connections:

Referenced in The Road to Manderlay (2005) (TV)

Soundtrack:

Young Americans

it's a von Trier - so what do you expect

I have already several years ago decided that Lars von Trier's movies can neither be called good or bad, they are always different and thought provoking but most certainly also irritating and annoying. Manderlay is no exception.

Our heroin spots a dictator on the axis of evil, storms in with light sabers and an ever-optimistic smile, brushes away the dictator and her regime, and is proud of having brought freedom and democracy to yet another place (any similarities with other persons - living or dead - are fully intentional and of course debatable).

But how do you make democracy work when people have not learned it through practice and the collective memory of democracy's fallacies since the ancient Greek city states. How do you make people value their freedom and be responsible for their own fortune, when it is much more comfortable to blame someone else for their fate.

Von Trier brilliantly and ironically discusses these issues with surprising twists in the plot. But he will most definitely offend all kinds of Americans who will be too rash to judge this movie as anything between a misunderstanding and an insult of the American people of whatever color.

Bryce Dallas Howard (Grace) delivers a great performance.

To make a movie on an almost naked stage with imaginary doors etc. is very different from anything else and it actually could contribute to focus more on the actors performance (as on a theater stage). But I think that the hasty cutting of scenes and the annoyingly shaky hand-held camera actually diminish the actors chances of delivering a forceful performance. I don't mind the hand-held camera of the Dogma movies, but this is no Dogma movie. It has "artificial" music, sound effects, lightning, requisites, etc. So why bother to have a hand-held camera.

Manderlay is an excellent movie for anybody who enjoys being provoked or how wants to confirm her/his prejudice about von Trier as a weird director with tendencies to be proud-to-be-old-Europe.