The Aviator (2004)

Director:

Martin Scorsese

Writer (WGA):

John Logan (written by)

Release Date:

25 December 2004 (USA)

Genre:

Biography | Drama | Romance

Tagline:

For some men, the sky was the limit. For him, it was just the beginning.

Plot:

A biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920s to the mid-1940s.

Plot Keywords:

Film Studio | Based On History | Male Female Relationship | Historical | Nostalgic

Awards:

Won 5 Oscars. Another 45 wins & 63 nominations

Cast

Leonardo DiCaprio	...	Howard Hughes
Cate Blanchett	...	Katharine Hepburn
Kate Beckinsale	...	Ava Gardner
John C. Reilly	...	Noah Dietrich
Alec Baldwin	...	Juan Trippe
Alan Alda	...	Senator Ralph Owen Brewster
Ian Holm	...	Professor Fitz
Danny Huston	...	Jack Frye
Gwen Stefani	...	Jean Harlow
Jude Law	...	Errol Flynn
Adam Scott	...	Johnny Meyer
Matt Ross	...	Glenn Odekirk
Kelli Garner	...	Faith Domergue
Frances Conroy	...	Katharine Martha Houghton Hepburn
Brent Spiner	...	Robert Gross

Also Known As:

Aviator (Germany)

MPAA:

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence.

Runtime:

170 min

Country:

USA | Germany

Language:

English

Colour:

Black and White | Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Taiwan:PG-12 | Canada:PG (Alberta/British Columbia/Manitoba) | France:U | Portugal:M/12 | Malaysia:U | Canada:14A (Ontario) | Argentina:13 | Australia:M | Brazil:12 | Canada:G (Quebec) | Chile:TE | Czech Republic:15 | Finland:K-11 | Germany:12 | Hong Kong:IIA | Iceland:12 | Ireland:12 (video rating) | Ireland:15 (original rating) | Netherlands:12 | Norway:11 | Philippines:PG-13 | Singapore:PG | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:12A (original rating) | UK:12 (video rating) (2005) | USA:PG-13 (certificate #41156) | Indonesia:Dewasa | Sweden:11 | South Korea:15 | Denmark:11

Filming Locations:

Los Angeles, California, USA

Company:

Forward Pass

Trivia:

CAMEO: Thelma Schoonmaker (editor of "The Aviator") appears as one of Howard Hughes' editors putting together the initial cut of "Hell's Angels."

Goofs:

Anachronisms: When Howard is in the hospital, Trippe sends a flower arrangement that contains Gerber Daisies. Gerber Daisies are a hybrid and were not bred until after the 1950s.

Quotes:

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.

Movie Connections:

References Bringing Up Baby (1938)

Soundtrack:

Yellow Dog Blues

A GREAT American TRAGEDY

This is an astonishingly beautiful and moving film. Martin Scorcese has created a seminal work -- one that brings the harrowing, big-studio, adult movie making of the 1970's and totally reinvents and reinvigorates it for today's audience.

The story traces the rise and demise of billionaire Howard Hughes as he struggles to find meaning and purpose in a life unfettered by concerns of money, talent or opportunity. Whether trying to get a plane off the ground or a young starlet into bed, Hughes attacks life with a fierce gusto -- plagued and prodded by obsessive compulsive germphobia that constantly threatens to consume and defeat him.

DiCaprio is amazing! It's the performance no one thought he was capable of. It is a dynamic, smart, funny, articulate, intense, mature and ultimately harrowing performance that relaunches his career as one of American's finest actors. At the end of the film, you just want to take him in your arms and sob. It's really that good.

Cate Blanchett is incredible as Katherine Hepburn. At first, I was a little thrown by how bravely she attacked the Hepburn trademark voice, but I was completely won over by the second line. It is a tender, funny, incredibly convincing star turn that supplies the heart for the first half of the film. The scene where she takes Howard home "for dinner" with the family is a classic! Kate Beckinsale does a surprisingly fine job with Eva Gardner -- conveying the slow burning passion of this Hollywood icon without ever lapsing into mere mimicry.

But, in the end, this isn't a love story -- it's a war story -- a war between Howard's unstoppable will and his fierce inner demons battling for Howard's soul. It is the major relationship in the movie and the true heart of the film -- one that fuels his eccentric genius and yet constantly threatens to rip his life apart. He tries to ignore it by sleeping with every beauty in town. He tries to outrun it, building faster and faster airplanes. Yet, it is his one constant companion from early childhood to his ultimate, inescapable end. And it is this relationship that leaves you devastated at the end of the film.

Brilliant!