| Photos (see all 128 | slideshow) | Videos (see all 13) |
Directed by | |||
| Wolfgang Petersen | |||
Writing credits(WGA) | ||
| Homer | (poem "The Iliad") | |
| David Benioff | (screenplay) | |
Produced by | |||
| Winston Azzopardi | .... | co-producer | |
| Barbara Huber | .... | associate producer | |
| Wolfgang Petersen | .... | producer | |
| Diana Rathbun | .... | producer | |
| Colin Wilson | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Paul Bond | (field sequence) | ||
| Roger Pratt | |||
Film Editing by | |||
| Peter Honess | |||
Casting by | |||
| Lucinda Syson | |||
Production Design by | |||
| Nigel Phelps | |||
Art Direction by | |||
| Julian Ashby | |||
| Jon Billington | |||
| Stephen Dobric | |||
| John King | (supervising art director) | ||
| Andy Nicholson | |||
| Adam O'Neill | |||
| Kevin Phipps | (supervising art director) | ||
| Cliff Robinson | |||
| Leslie Tomkins | (supervising art director) (as Les Tomkins) | ||
Set Decoration by | |||
| Anna Pinnock | |||
| Peter Young | |||
Costume Design by | |||
| Bob Ringwood | |||
Art Department | |||
| David Abbott | .... | stand-by carpenter: second unit | |
| Hideki Arichi | .... | junior draughtsman: marine | |
| Martin Asbury | .... | storyboard artist | |
| Alejandro Ayala | .... | construction intern | |
| Philip Babbage | .... | hod plasterer: Mexico | |
| Kenneth Bacon | .... | chargehand propman | |
| Charles Baldacchino | .... | props: Malta | |
| Ravi Bansal | .... | conceptual artist | |
| Celia Barnett | .... | art department researcher | |
| Frances Bennett | .... | mapmaker | |
| Les Benson | .... | chargehand propman | |
| Alice Biddle | .... | draughtsperson | |
| Alan Billam | .... | stand-by stagehand: second unit | |
| Dennis Bovington | .... | assistant construction manager | |
| Mark Brady | .... | stand-by carpenter | |
| Adam Brockbank | .... | concept artist | |
| Christopher Brown | .... | assistant construction manager: Mexico | |
| Alessio Buhagiar | .... | hod stagehand: Malta | |
| Frederick Buhagiar | .... | construction manager: Malta | |
| Colin Burgess | .... | stand-by props: second unit | |
| Julian Caldow | .... | conceptual artist | |
| Neal Callow | .... | stand-by art director | |
| Rob Cameron | .... | assistant set decorator (as Robert Cameron) | |
| Claudio Campana | .... | draughtsman | |
| Anthony Caron-Delion | .... | assistant art director | |
| Darryl Carter | .... | supervising carpenter | |
| Paul Catling | .... | concept artist | |
| Lawrence Cauchi | .... | props buyer: Malta | |
| Joe Ciantar | .... | hod carpenter: Malta | |
| Stuart Clark | .... | scenic artist | |
| James Clyne | .... | conceptual artist | |
| Ben Collins | .... | concept model maker | |
| Charles Cottrell | .... | stand-by painter (as Charlie Cottrell) | |
| Gary Crosby | .... | supervising painter | |
| Raymond Debono | .... | hod metal worker: Malta | |
| Anthony Paul Driver | .... | chargehand propman (as Anthony Driver) | |
| David Edwards | .... | hod carpenter: Mexico | |
| Raymond Ellul | .... | props: Malta | |
| John Field | .... | hod rigger: Malta | |
| Matthew Foster | .... | supervising props stand-by | |
| Kevin Fowler | .... | hod stagehand | |
| Mike Fowlie | .... | assistant property master (as Michael Fowlie) | |
| Dan Frye | .... | prop modeller | |
| James Gemmill | .... | head scenic artist | |
| Monica Goldschmidt | .... | graphic artist (as Monika Goldschmidt) | |
| Jorge Gonzalez | .... | property master: Mexico | |
| Bruce Gordon | .... | supervising sculptor | |
| Tony Graysmark | .... | construction manager: Mexico | |
| Alan Grenham | .... | hod painter | |
| Dave Gunn | .... | stand-by rigger | |
| Micky Guyett | .... | hod painter: Mexico (as Michael Guyett) | |
| David Haberfield | .... | hod scenic painter: Malta | |
| Emma Hanson | .... | sculptor | |
| Rosie Hardwick | .... | draughtsperson | |
| Toby Hawkes | .... | senior prop modeler | |
| Peter Hawkins | .... | propmaker | |
| Darren Hayward | .... | supervising carpenter | |
| Michael Hayward | .... | hod carpenter: Mexico | |
| Bernie Hearn | .... | supervising props stand-by (as Bernard Hearn) | |
| Paul Hearn | .... | chargehand propman | |
| Kathy Heaser | .... | assistant art department coordinator | |
| Gary Hedges | .... | hod carpenter | |
| Harry Heeks | .... | hod rigger: Mexico | |
| Norrie Henderson | .... | hod boat builder: Malta | |
| Oliver Hodge | .... | supervising propmaker | |
| Arthur Holland | .... | supervising carpenter: Malta | |
| Michael Howlett | .... | hod boat builder: Malta | |
| Geoff Hubbard | .... | hod carpenter: Malta (as Martin Hubbard) | |
| Roger Hutt | .... | supervising plasterer | |
| Colin Jackman | .... | sculptor | |
| David Jones | .... | supervising plasterers laborer: Malta | |
| Mark Kimber | .... | dressing props | |
| Michael King | .... | props buyer | |
| Eva Kuntz | .... | art department assistant | |
| John Lanzer | .... | props buyer | |
| Andrew Laybats | .... | hod painter: Malta | |
| Jorge León | .... | assistant art director: Mexico (as Jorge Leon) | |
| Glenn Marsh | .... | property maker | |
| Jon Marson | .... | greensman | |
| Aleksandar Sasha Matic | .... | draughtsman | |
| Kate McColgan | .... | props coordinator | |
| Edward McFadden | .... | stand-by rigger: second unit | |
| Paul Mitchell | .... | hod rigger | |
| Steve Morris | .... | stand-by plasterer: second unit | |
| Keith Muir | .... | hod stagehand: Mexico | |
| Cleo Nethersole | .... | drapes master (as Cletus Nethersole) | |
| Marco Niro | .... | art director: Mexico | |
| Eddie O'Neill | .... | stand-by stagehand | |
| Russel Oxley | .... | scenic artist (as Russell Oxley) | |
| Stephen Page | .... | supervising plasterer: Malta | |
| Andrew Palmer | .... | dressing props | |
| Julie Philpott | .... | draughtsman | |
| Miguel Pineda | .... | props buyer: Mexico | |
| Francis Poirier | .... | supervising sculptor | |
| Rachid Quiat | .... | assistant art director | |
| Francisco Ramirez | .... | greens: Mexico | |
| Christopher Reed | .... | hod rigger: Malta | |
| Amin Rharda | .... | assistant production buyer | |
| Malcolm Roberts | .... | construction manager | |
| Matthew Robinson | .... | assistant art director | |
| Annushka Russell | .... | art department runner | |
| Mel Sansom | .... | supervising rigger: Malta (as Melvyn Sansom) | |
| Dave Skinner | .... | hod rigger: Mexico (as David Skinner) | |
| Martin Smeaton | .... | head sculptor | |
| Keith Smith | .... | hod stagehand: Malta | |
| Mike Sotheran | .... | supervising scenic painter: Malta (as Michael Sotheran) | |
| Alfred Spiteri | .... | hod plasterer: Malta | |
| Jim Stanes | .... | graphic artist | |
| Ray Staples | .... | stand-by plasterer: second unit | |
| Richard St. Clair | .... | supervising propmaker | |
| Kirstie Stephenson | .... | art department coordinator | |
| Gert Stevens | .... | conceptual artist | |
| Tom Still | .... | assistant art director | |
| Eric Strange | .... | chargehand propman | |
| Kevin Turner | .... | hod plasterer | |
| Robert Voysey | .... | assistant construction manager: Malta | |
| Clive Ward | .... | supervising painter: Malta | |
| Stephen Watts | .... | hod plasterer: Malta | |
| Jake Wells | .... | chargehand propman | |
| Terry Wells Jr. | .... | assistant property master | |
| Laurence Wells | .... | assistant property master | |
| Peter Wells | .... | supervising props stand-by | |
| Terry Wells | .... | property master | |
| William Wells | .... | dressing props | |
| Steve Westley | .... | dressing props | |
| Brian White | .... | stand-by plasterer | |
| Clive Wilson | .... | stand-by props: second unit | |
| Luis Amezquita | .... | greensman assistant (uncredited) | |
| Robert Philip Bonello | .... | rigger (uncredited) | |
| Mark Anthony Ellul | .... | assistant propmaker (uncredited) | |
| Claire Levinson | .... | set dresser (uncredited) | |
| Antonio Murer | .... | metal worker (uncredited) | |
| Edward Seychell | .... | props leather man: Malta (uncredited) | |
Visual Effects by | |||
| Nicolas Aithadi | .... | sequence supervisor: MPC | |
| Vania Alban-Zapata | .... | digital effects artist: MPC | |
| Vania Alban-Zapata | .... | lead dynamics artist | |
| Marcus Alexander | .... | visual effects editorial: Framestore CFC | |
| Grahame Andrew | .... | digital effects artist: Lola | |
| Laya Armian | .... | visual effects coordinator: Warner Bros. | |
| Asregadoo Arundi | .... | compositor: MPC (as Arundi Asregadoo) | |
| Dasha Ashley | .... | paint artist: Framestore CFC | |
| Jonathan Attenborough | .... | lighting technical director: MPC | |
| Andrew Baggarley | .... | data wrangler: MPC | |
| Jason Baker | .... | technical director: Framestore CFC | |
| Murray Barber | .... | compositor: MPC | |
| Steve Barnes | .... | rotoscoper: MPC (as Steven Barnes) | |
| Judy Barr | .... | rotoscope artist: MPC | |
| Angela Barson | .... | compositing supervisor: MPC | |
| Angela Barson | .... | sequence supervisor: MPC | |
| Giles Bartlett | .... | camera technical director: Framestore CFC | |
| Gary E. Beach | .... | lead matchmover (as Gary Beach) | |
| Lyse Beck | .... | digital compositor: MPC | |
| Lizzie Bentley | .... | matte painter: MPC | |
| Rodrigo Bernardo | .... | systems engineer | |
| Carl Bianco | .... | technical director: Framestore CFC | |
| Alex Bicknell | .... | visual effects producer: Warners | |
| Agnès Billard | .... | camera technical director: Framestore CFC | |
| Paul Birkett | .... | rotoscope artist: MPC | |
| Charlie Bradbury | .... | sequence producer: MPC | |
| Charlie Bradbury | .... | visual effects production manager: MPC | |
| Paul Brannan | .... | data operator: MPC | |
| Paul Brannan | .... | render wrangler: MPC | |
| Jessica Braun | .... | matchmover: MPC | |
| Steven Bray | .... | rotoscope artist: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Andre Brizard | .... | digital compositor: MPC (as Andre Brizzard) | |
| Will Broadbent | .... | lighting artist: MPC | |
| Gary Brozenich | .... | CG supervisor: MPC | |
| William Burdis | .... | lighting artist: MPC (as Bill Burdis) | |
| Andy Burrow | .... | scanning manager | |
| Cathy Burrows | .... | compositor: MPC (as Catherine Burrow) | |
| Amedeo Califano | .... | rotoscoper: MPC | |
| Jordi Cardus | .... | lighting technical director: MPC | |
| Chas Cash | .... | 3D Animator: Cinesite | |
| Tim Catchpole | .... | matchmover: MPC | |
| Klaudija Cermak | .... | digital compositor: MPC | |
| Martin Chamney | .... | sequence supervisor: MPC | |
| Andrew Chapman | .... | senior technical director: Framestore CFC | |
| Gordon Chapman | .... | technical director: Framestore CFC | |
| Edward Xi Chen | .... | data operator | |
| Alessandro Cioffi | .... | digital compositor: MPC | |
| Dani Cohen | .... | digital compositor: Cinesite | |
| Dan Copping | .... | technical director: Framestore CFC | |
| Joe Cork | .... | matchmover: Lola | |
| Kate Cuffin | .... | paint artist: Framestore CFC | |
| Aimee Dadswell-Davies | .... | visual effects coordinator: Cinesite (as Aimee Dadswell) | |
| Ken Dailey | .... | visual effects producer: Cinesite | |
| Haslina Dasley | .... | modeller: Framestore CFC | |
| Nick Davis | .... | visual effects supervisor | |
| Martin R. Davison | .... | digital compositor: Cinesite (as Martin Davison) | |
| Gavin Digby | .... | digital compositor: MPC | |
| Alex Doyle | .... | camera technical director: Framestore CFC | |
| Julia Egerton | .... | compositor: Framestore CFC | |
| Michael Elson | .... | head of production: MPC | |
| Michael Elson | .... | sequence producer: MPC | |
| Nick Epstein | .... | render support | |
| Richard Etchells | .... | online film editor | |
| Joe Eveleigh | .... | render wrangler | |
| Ellie Faustino | .... | matchmover: MPC | |
| Andy Feery | .... | digital effects artist: MPC | |
| Sharon Fitzgerald | .... | senior visual effects producer: Framestore CFC | |
| Steven Forrester | .... | additional visual effects editor: Framestore CFC | |
| Juan Jesus Garcia | .... | digital matte artist: MPC | |
| Matthew Gidney | .... | lead technical director: Framestore CFC (as Matt Gidney) | |
| Julien Goldsbrough | .... | compositor: MPC | |
| David Gordon | .... | technical director: Framestore CFC | |
| Jeff Gordon | .... | system support engineer | |
| Kim Gordon | .... | rotoscoper: MPC | |
| Dave Griffiths | .... | visual effects programmer: MPC | |
| Alex Guri | .... | rotoscope artist: MPC | |
| John Haddon | .... | software developer | |
| Jonathan Hairman | .... | compositor: Framestore CFC | |
| Robert Hall | .... | rotoscope artist: MPC (as Rob Hall) | |
| Dan Harrod | .... | compositor: Cinesite | |
| Andrew Harvey | .... | visual effects programmer: MPC | |
| Rob Harvey | .... | visual effects supervisor: Lola | |
| Nic Hatch | .... | previs supervisor | |
| Rachael Haupt | .... | matte painter: MPC | |
| Kieron Helsdon | .... | lighting artist: MPC | |
| Kieron Helsdon | .... | visual effects artist: MPC | |
| Richard Hince | .... | motion capture supervisor: Artem Digital | |
| Sean Hince | .... | motion capture team leader: Artem Digital | |
| Martin Hobbs | .... | visual effects producer: MPC | |
| Kay Hoddy | .... | paint artist: Framestore CFC | |
| Robin Hollander | .... | roto/prep supervisor | |
| Vlad Holst | .... | technical director: Framestore CFC | |
| Rudi Holzapfel | .... | compositing supervisor: MPC | |
| Garrett Honn | .... | digital compositor: MPC | |
| Graham Hopkins | .... | technical director: Framestore CFC | |
| Jason Horley | .... | digital matte artist: Framestore CFC | |
| Russell Horth | .... | digital compositor: Framestore-CFC | |
| Max Horton | .... | digital colourist | |
| Pete Howlett | .... | rotoscope artist: MPC | |
| Nathan Hughes | .... | digital matte artist: Framestore CFC | |
| Laurent Hugueniot | .... | TD supervisor: Framestore CFC | |
| Adam Inglis | .... | colorist | |
| Zoe Izzard | .... | data operator | |
| Elie Jamaa | .... | technical director | |
| Gilbert James | .... | sequence producer: MPC | |
| Suzanne Jandu | .... | digital compositor: MPC | |
| Chas Jarrett | .... | visual effects supervisor: MPC | |
| Lorraine Johnson | .... | scanning manager | |
| Simon Johnson | .... | scanning: Cinesite | |
| Drew Jones | .... | executive producer: Framestore CFC | |
| Jon Jones | .... | animator: Cinesite | |
| Theo Jones | .... | technical director: Framestore CFC | |
| Tim Jones | .... | visual effects artist: MPC | |
| Sarah Juniper | .... | digital paint & roto artist | |
| Barry Kane | .... | lighting artist: MPC | |
| Barry Kane | .... | rendering technical director: MPC | |
| Lucinda Keeler | .... | data operator: Framestore CFC | |
| Tim Ketzer | .... | lighting artist: MPC (as Tim 'Eagle-Eye' Ketzer) | |
| Uzma Khalid | .... | lighting artist: MPC | |
| Greg King | .... | digital effects artist: MPC | |
| Jens Klein | .... | previsualisation artist | |
| Jens Klein | .... | visual effects production assistant | |
| Ryan Knowles | .... | rotoscope artist | |
| Ryan Knowles | .... | visual effects runner | |
| Alec Knox | .... | CGI lighting supervisor: Framestore CFC | |
| Carsten Kolve | .... | crowd simulation research and development: MPC | |
| Carsten Kolve | .... | crowd simulation technical director: MPC | |
| Vicky Kwan | .... | matchmover: MPC | |
| Paul Ladd | .... | visual effects coordinator | |
| Ben Lambert | .... | senior technical director: Framestore CFC | |
| Kirsty Lamb | .... | digital compositor: MPC | |
| Serena Lam | .... | rotoscope artist: MPC | |
| Douglas Larmour | .... | digital compositor: MPC (as Doug Larmour) | |
| Stuart Lashley | .... | digital compositor: MPC | |
| Chris Lawrence | .... | technical director: Framestore CFC | |
| Christopher Learmonth | .... | visual effects editor: Cinesite | |
| Philippa Leathers | .... | data operator | |
| Grant Legassick | .... | rotoscoper: MPC | |
| Alex Lemke | .... | compositor: Framestore CFC | |
| Phillip Leonhardt | .... | digital compositor | |
| Bruno Lesieur | .... | lighting artist: MPC | |
| Luke Letkey | .... | rotoscope artist: MPC | |
| Jarrod Linton | .... | lighting artist: MPC | |
| Jarrod Linton | .... | previs | |
| David Lloyd | .... | render engineer: MPC | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Charlotte Loughnane | .... | sequence producer: MPC | |
| Diego Vazquez Lozano | .... | digital compositor | |
| Diego Vazquez Lozano | .... | rotoscoper: MPC | |
| Adam Lucas | .... | technical director: Framestore CFC | |
| Alex MacDonald | .... | cablecam operator | |
| Steve MacPherson | .... | head of technology | |
| Rebecca Manning | .... | data operation assistant: Framestore CFC | |
| Julian Mann | .... | head of research and development: MPC | |
| Julian Mann | .... | sequence supervisor: MPC | |
| Tony Man | .... | rotoscope artist: MPC | |
| Gary Marshall | .... | render wrangler: MPC | |
| Zebedee Massey | .... | matchmover | |
| Christoph Matthiesen | .... | lighting artist: MPC | |
| Marian Mavrovic | .... | digital compositor: MPC | |
| David Mayhew | .... | camera technical director: Framestore CFC | |
| Jason Mayo | .... | technical director: Framestore CFC | |
| Doug McCarthy | .... | motion capture staff | |
| Merrin McLeod | .... | compositor: Cinesite | |
| Alasdair McNeill | .... | rotoscope artist: MPC | |
| Dan McRae | .... | digital lab | |
| Craig Mepham | .... | lighting artist: MPC | |
| Evonne Merlicek | .... | digital effects artist | |
| Adrian Metzelaar | .... | compositor: Framestore CFC | |
| Ellie Meure | .... | paint artist: Framestore CFC | |
| Sarah Micallef | .... | visual effects coordinator: Framestore CFC | |
| Brett Miller | .... | sequence supervisor: MPC | |
| Paolo Mitton | .... | camera technical director: Framestore CFC | |
| Steve Moncur | .... | sequence supervisor: MPC | |
| Andrew Morley | .... | sequence supervisor: MPC | |
| Ben Morris | .... | CG supervisor: Framestore CFC | |
| Mike Morrison | .... | data operator | |
| Peter Muyzers | .... | pre-visualization technical director: MPC | |
| Dan Neal | .... | digital matte painter: MPC | |
| Jonathan Neill | .... | CG supervisor: Cinesite (as Jon Neill) | |
| Catherine Nelson | .... | digital compositor | |
| Roxanne Newsham | .... | matchmover: MPC | |
| Sarah Norton | .... | digital compositor: MPC | |
| Rich Nosworthy | .... | render wrangler | |
| Cenay Oekmen | .... | lighting artist: MPC | |
| Steve Parsons | .... | visual effects | |
| Isaac Partouche | .... | lighting artist: MPC | |
| Isaac Partouche | .... | motion capture supervisor: MPC | |
| Stuart Partridge | .... | compositor: Cinesite | |
| Tom Partridge | .... | visual effects Avid operator: Framestore CFC | |
| Lorna Paterson | .... | visual effects coordinator: Framestore CFC | |
| Alex Payman | .... | compositor: Framestore CFC | |
| Geoff Pedder | .... | digital effects artist: MPC | |
| Geoff Pedder | .... | technical director: crowd simulation/lighting: MPC | |
| Hannah Peirce | .... | compositor: MPC | |
| Venetia Penna | .... | scanning: Cinesite | |
| Craig Penn | .... | lighting artist: MPC | |
| Nikki Penny | .... | visual effects producer: Warners | |
| Adrian Pinder | .... | render wrangler: MPC | |
| Mark Pinheiro | .... | rotoscoper: MPC | |
| Tim Pounds-Cornish | .... | assistant visual effects editor | |
| Samy Ben Rabah | .... | programmer: Framestore-CFC | |
| David Radcliffe | .... | rotoscoper: MPC | |
| Ollie Rankin | .... | crowd simulation technical director | |
| Ollie Rankin | .... | lighting artist: MPC | |
| Matt Redhead | .... | 3D technical assistant: Cinesite | |
| Saul Reid | .... | junior technical director | |
| Mark Richardson | .... | compositing supervisor: Lola | |
| Rob Richardson | .... | render support | |
| Michael Ridgwell | .... | rotoscope artist: MPC | |
| Martin Riedel | .... | digital compositor: MPC | |
| Gary Roberts | .... | motion capture | |
| Dave Robinson | .... | systems engineer | |
| Duncan Robson | .... | animator: Framestore CFC | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Rajat Roy | .... | digital compositor | |
| Rajat Roy | .... | rotoscoper: MPC | |
| Matthew Sagar | .... | sequence producer: MPC | |
| Afonso Salcedo | .... | digital effects artist | |
| Afonso Salcedo | .... | render support | |
| Mark Sanger | .... | visual effects editor: Warner Bros. | |
| Elsa Santos | .... | digital artist: Framestore CFC | |
| Elsa Santos | .... | technical director: Framestore CFC | |
| Jeremy Sawyer | .... | data operator | |
| Eduardo 'Lalo' Schmidek | .... | digital effects artist: MPC (as Eduardo Schmidek) | |
| John Schoonraad | .... | prosthetic crew | |
| Alex Schott | .... | lighting technical director: MPC | |
| Alex Schott | .... | texture and matte paint artist: MPC | |
| David Scott | .... | rotoscope artist: MPC | |
| Alexander Seaman | .... | lighting artist: MPC (as Alex Seaman) | |
| Dan Seddon | .... | senior technical director: Framestore CFC | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Kevin Shepherd | .... | lighting artist: MPC | |
| Matina Skouteri | .... | digital lab operator | |
| John Slattery | .... | compositor: Cinesite | |
| Daniel Smollan | .... | render support | |
| Jason Snyman | .... | animator: Cinesite | |
| Mark Spevick | .... | lead matchmover: MPC | |
| Jon Stanley | .... | senior systems engineer | |
| Alexander L. Stephan | .... | senior technical director: Framestore CFC (as Alex Stephan) | |
| Penn Stevens | .... | render wrangler: MPC | |
| Maria Stroka | .... | film recording producer | |
| Lee F. Sullivan | .... | lighting technical director: MPC | |
| Blake Sweeney | .... | crowd simulation technical director | |
| Blake Sweeney | .... | digital effects artist: MPC | |
| Kat Szuminska | .... | compositing supervisor: MPC | |
| Kat Szuminska | .... | sequence supervisor: MPC | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Ljubica Temelkoska | .... | camera technical director: Framestore CFC | |
| Jon Thum | .... | visual effects supervisor: Framestore CFC | |
| Chris Thunig | .... | digital matte artist: MPC | |
| Jan Toensmann | .... | digital compositor: Cinesite | |
| Jensen Toms | .... | lighting technical director: MPC | |
| Gavin Toomey | .... | compositing supervisor: Framestore CFC | |
| Davide Tromba | .... | lighting artist: MPC | |
| Katie Tucker | .... | digital effects producer: Framestore CFC | |
| Katie Tucker | .... | visual effects line producer: Framestore CFC | |
| Abbie Tucker-Williams | .... | visual effects producer: Lola | |
| Ben Turner | .... | digital compositor | |
| James Turner | .... | visual effects artist: MPC | |
| Jan Urbanowski | .... | camera technical director: Framestore CFC | |
| Thomas Urbye | .... | online film editor | |
| John Van Hoey Smith | .... | rotoscope artist | |
| Paola Varvaro | .... | digital cleanup artist | |
| Giuliano Dionisio Vigano' | .... | roto/prep supervisor | |
| Oskar Wahlberg | .... | senior technical director: Framestore CFC | |
| Tara Walker | .... | digital lab operator | |
| Daniel Walton | .... | digital artist | |
| Ian Ward | .... | lighting techical director: MPC (as Ian T. Ward) | |
| Neil Weatherley | .... | technical director: Framestore CFC (as Neil Weatherly) | |
| Joern Weisspfennig | .... | digital effects artist: MPC | |
| Andrew Whitehurst | .... | senior technical director: Framestore CFC | |
| Sheila Wickens | .... | compositor: MPC (as Sheila Gorman) | |
| Stephen Willey | .... | systems engineer | |
| Jason Williams | .... | matchmover: MPC (as Jason Hannen-Williams) | |
| Gina Willis | .... | visual effects coordinator: Warner Bros. | |
| Oliver Winwood | .... | render wrangler: Cinesite | |
| Aubrey Woodiwiss | .... | digital clean-up | |
| Annabel Wright | .... | digital lab operator | |
| Tim Zaccheo | .... | digital effects artist: Lola | |
| George Zwier | .... | compositor: Framestore CFC | |
| Keith Barton | .... | senior technical support: Cinesite (uncredited) | |
| Howard Berry | .... | visual effects runner: MPC (uncredited) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Dianne Gordon | .... | data operator: Framestore CFC (uncredited) | |
| Elysia Greening | .... | titles support (uncredited) | |
| Jan Hogevold | .... | visual effects producer: Framestore CFC (uncredited) | |
| Sian Lawson | .... | biomechanist (uncredited) | |
| Brendan Lonergan | .... | armour painter/finisher (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Kathy Wise | .... | digital systems manager (uncredited) | |
Animation Department | |||
| Jason Snyman | .... | animator | |
Casting Department | |||
| Alejandro Ayala | .... | extras casting coordinator | |
| Louis Elman | .... | adr voice casting | |
| Bonello Gordon | .... | extras casting | |
| Janet Hirshenson | .... | casting consultant: USA | |
| Jane Jenkins | .... | casting consultant: USA | |
| Edward Mercieca | .... | casting: Malta | |
| Berenice Percival | .... | casting assistant | |
| Reg Poerscout-Edgerton | .... | casting assistant | |
| Lucinda Syson | .... | casting: UK | |
| Julio Toledo | .... | extras casting | |
| Michelle Lewitt | .... | casting associate: USA (uncredited) | |
| Russell Sharp | .... | life casting (uncredited) | |
| Jocelyn E. Thomas | .... | casting assistant: USA (uncredited) | |
Editorial Department | |||
| Marcus Alexander | .... | digital intermediate production coordinator | |
| Jonathan Brayley | .... | pre-visualization editor | |
| Mark Cullis | .... | editor trainee | |
| Rus Ekkel | .... | additional trainee assistant editor | |
| John Ensby | .... | color timer | |
| Steve Farman | .... | negative cutter | |
| Simon Harris | .... | assistant editor | |
| Peter Hunt | .... | color timer | |
| Jonathan Lucas | .... | supervising first assistant editor | |
| Jane Winkles | .... | first assistant editor | |
| James Winnifrith | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Dick Bernstein | .... | music editor | |
| Stephen Coleman | .... | music librarian | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Marc Gebauer | .... | scoring technician | |
| Jim Henrikson | .... | supervising music editor | |
| James Horner | .... | conductor | |
| James Horner | .... | orchestrator | |
| Edward Karam | .... | orchestrator (as Eddie Karam) | |
| Randy Kerber | .... | orchestrator | |
| Rick Kline | .... | music re-recording mixer | |
| Jon Kull | .... | orchestrator | |
| Jason Lloyd | .... | scoring crew | |
| David Marquette | .... | score recordist | |
| Barbara McDermott | .... | assistant music editor | |
| Conrad Pope | .... | orchestrator | |
| Roy Prendergast | .... | music editor (director's cut) | |
| Simon Rhodes | .... | music recording mixer | |
| Jay Selvester | .... | scoring crew | |
| Steven L. Smith | .... | music preparation | |
| Sylvia Wells | .... | scoring supervisor | |
| Gabriel Yared | .... | composer: additional music (director's cut) | |
| Simon Changer | .... | music editor: temp score (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| John Atkins | .... | transportation coordinator | |
| Carmen Bobadilla | .... | transportation captain: Mexico | |
| George Bolton | .... | transportation captain: Mexico | |
| Billy Bonifield | .... | transportation coordinator: Mexico | |
| Francisco Castill | .... | transportation captain: Mexico | |
| Arthur Dunne | .... | transportation coordinator: Malta | |
| Wayne Flowers Jr. | .... | transportation captain: Mexico (as Wayne Flowers) | |
| Brano Kollar | .... | transportation manager: Malta | |
| Lorraine Kollar | .... | transportation manager: Malta | |
| Terry Nafzger | .... | assistant transportation coordinator | |
| Cecil O'Reilly | .... | assistant transportation coordinator | |
| Gilberto Pulido | .... | transportation captain: Mexico | |
| Tom Siemens | .... | transportation captain: Mexico | |
| Mario Simon | .... | transportation coordinator: Mexico | |
| Billy Turner | .... | assistant transportation coordinator | |
| Bruce Callahan | .... | driver (uncredited) | |
| Abiff Salcedo | .... | driver: basecamp (uncredited) | |
| Gerry Turner | .... | crew driver (uncredited) | |
| Tony Wadsworth | .... | driver (uncredited) | |
Thanks | |||
| Johann Benét | .... | special thanks | |
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| Beowulf | 300 | Kingdom of Heaven | Gladiator | The Lord of the Rings: The Return of the King |
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"Troy" (2004) Dir. Wolfgang Petersen I, like so many others, was expecting A LOT out of "Troy" when I headed along to opening night and sat in the dark cinema, watching the action unfold. Initially, I didn't think as much of the movie as I now do. I gave it a 7/10 on first viewing, but I knew I had to see it again, it is just one of those films that demands multiple viewings.
So I saw it again for History class (since it's not historically accurate, perhaps that wasn't the best idea). And I bought the DVD.
And look what happened.
I strongly suggest to anyone who was looking forward to "Troy" in cinemas to rent or buy the DVD and give it another chance in your home. It is truly a much richer, perhaps even exciting experience, as your expectations have been lowered, and often this makes a movie-watching experience better.
Anyone who is not tired of the two-huge-armies-face-off battles we've been seeing in "The Lord of the Rings" films and now many other films following in that trilogy's footsteps will sure love the battles in "Troy". "Troy" takes it's battle sequences very seriously and while they have an epic grandeur look about them, at the heart of the battle - men are dying, men are killing other men. It's not all about kicking ass in this film. The battle sequences are a little more graphic than you might expect, and they are certainly brutal.
Brad Pitt, looking absolutely incredible here (the months of training sure paid off), shoulders the movie with much confidence and adds layers to his arrogant, self-centred Achilles. It's refreshing that Pitt, though technically the central hero of the piece, plays the character in a less likable way than you might expect. Achilles is unpredictable and dangerous, he was "born to end lives". As the greatest warrior in history, he is most definitely convincing.
Eric Bana and Orlando Bloom play more emotional heroes, and while Bana manages to give Hector an awesome kick-ass edge, strong nobility and adds many dimensions to his heroic part, Bloom doesn't quite handle the job as well. I do not dismiss Bloom's part in the film to be the "pussy" as so many have put it, but in emotional scenes, Bloom simply falls flat. His lines ("I'll hunt deer and rabbit, we can live off the land!") are often laughable due to bad delivery. It is more likely Bloom was put in this part for his looks rather than his talent, which is still in question by yours truly. I did like, though, that Bloom had a more realistic touch, the scene in which he faces Menelaus and fails to defeat him, running back to his brother, is nerve-wracking and powerful, not all men were great butt-kicking heroes, even back then, so it's good to see that put into the film, even if he does play the more "pussy" role.
One of my main complaints about the film the first time around was the unnecessary relationship between Briseis and Achilles. With more viewings, I have come to appreciate this subplot a lot more. As Achilles puts it, she gave him peace in a time of violence and war. Achilles is a character so often covered in other men's blood, constantly killing and fighting, that Briseis allows for Pitt to show the more sensitive side is actually useful to the character's development. Their final scene together is very emotional and the actors have genuine chemistry.
Wolfgang Petersen was criticised for being too much of a claustrophobic director to take on one of the biggest films ever made, but he handles the epic, large scale of the film nicely, if perhaps maybe not using as many swooping, stunning shots as he could. I certainly would've liked to have seen more of the set of Troy exposed. In the inevitable fire-fuelled finale it is showcased brilliantly, but more of these kinds of sequences would've been useful for Petersen to shut his critics up. He does a good job with the film, rooting the battles in genuine emotion and intelligence, and giving it a distinctive, memorable atmosphere and artistic look.
Perhaps as a historical piece, "Troy" isn't the film you're looking for. But for sheer entertainment value, it is one of the best films of 2004. Again, I urge anyone who was disappointed by the film to rent/buy it on DVD and give it another spin, it's not a decision you'll regret, I know I didn't.
9/10