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IMDb > Lara Croft Tomb Raider: The Cradle of Life (2003)
Lara Croft Tomb Raider: The Cradle of Life
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Lara Croft Tomb Raider: The Cradle of Life (2003)

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User Rating: 5.2/10 (21,316 votes)
Photos (see all 116 | slideshow) Videos (see all 3 videos)

Overview

Director:
Jan de Bont
Writers (WGA):
Steven E. de Souza (story) and
James V. Hart (story) ...
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Release Date:
25 July 2003 (USA) more view trailer
Plot:
Lara Croft is on a quest to save Pandoras box. full summary | add synopsis
Awards:
1 win & 2 nominations more
User Comments:
Jan De Bont, thy name is wasted potential... more

Cast

 (Cast overview, first billed only)
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Additional Details

Also Known As:
Lara Croft Tomb Raider: Die Wiege des Lebens (Germany)
Tomb Raider 2 (USA) (working title)
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MPAA:
Rated PG-13 for action violence and some sensuality.
Runtime:
117 min
Language:
English | Mandarin
Colour:
Colour
Aspect Ratio:
2.35 : 1 more
Sound Mix:
DTS | Dolby Digital
Filming Locations:
London, England, UK more
MOVIEmeter: ?
^ 36% since last week why?

Fun Stuff

Trivia:
Robson Green read for this film. more
Goofs:
Continuity: When Terry and Lara are on the ship, and Terry steps into the room when Lara is looking out the window and we see that the top bunk has white and red patterned sheets. Terry goes to put a gun under Lara's pillow but finds she's already put two there. THe next time we see it, the top bunk is made up like Lara's, with a white sheet and a khaki blanket. more
Quotes:
[first lines]
Jimmy Petraki: They found another one. There's going to be no treasure left by the time she gets here.
more
Movie Connections:
References The Matrix (1999) more
Soundtrack:
Tears From the Moon more

FAQ

This FAQ is empty. Add the first question.
40 out of 59 people found the following comment useful:-
Jan De Bont, thy name is wasted potential..., 16 October 2004
2/10
Author: mentalcritic from Southern Hemisphere

When I look at Jan De Bont's resumé, I think of all the brilliant Dutch projects he has worked upon, and then I think of the films he has directed in America. The gulf between the two is such that even the less discerning can't help but be amazed. This is, after all, the guy who worked alongside one of Holland's favourite sons, the legendary Paul Verhoeven, on such indisputable triumphs as Turks Fruit or Flesh + Blood. To call directing such dreck as Speed or Tomb Raider 2 a comedown is a form of flattery.

Lara Croft, Tomb Raider: The Cradle Of Life, also proves one of a certain critic's rules regarding appreciating film based on their titles. The rule basically states that the longer the title is, the worse the film will be. Just as RoboCop, clocking in at a mere seven characters, is one of the greatest films the American film industry has ever been blessed with, Tomb Raider 2's full title clocks in at a whopping forty-two. Believe me, the quality level indicated by this under the aforementioned rule is very much in force here.

A classic example of this film's idiocy is when Lara, bleeding from one leg and stranded outside an underwater crypt, punches a shark in the face before riding on his back and finding a quiet place to sleep out on the ocean for an unspecified period. I'm no expert on sharks, but I would have thought that the impediment to motion that being under several hundred feet of water poses would make a punch in the face feel to a shark what a light poke in the nose would feel to us under normal circumstances. Not to mention the fact that, after lying out in such a large body of water for so long with an open wound, at least another shark is bound to come along sooner or later.

One area where Jan deserves credit is that I've never seen him resort to the use of shaky-cam. Thankfully, directors of European origin saw right through the party line that this puts the audience into the action, and realized that it does nothing of the kind. As a result, while many shots are too close for comfort during action sequences, they are at least stable enough that one can make sense of the actors' motions. The fight scene choreography is of such a quality that it doesn't need to be hidden from the audience.

Angelina Jolie seems to have a lock on strong woman characters that are so generic she can portray them all alike, yet she does this template so well that at least this audience member fails to notice. The problem here is that every character in this film is so generic that you cannot help but notice. Jolie's acting is never that brilliant, but she looks like Anna Paquin next to Gerard Butler. Noah Taylor is another classic example of a reason why I am not surprised that Australian entertainers rarely manage to get out of the isolation tank that is Australia. Seriously, this guy could be reading a description of Angelina's naked body and bore the hell out of me.

I gave Lara Croft: Tomb Raider: The Cradle Of Life a two out of ten. Don't mistake this to mean that it is necessarily better than the films I gave a one out of ten. When I give something a two out of ten, that means its mediocrity makes it seem like a deliberate waste of a good hundred million. Aside from Angelina Jolie in skin-tight lycra and a clever twist ending, there ain't nothing to see here, folks.

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