Directed by | |||
| Oxide Pang Chun | (as Pang Brothers) | ||
| Danny Pang | (as Pang Brothers) | ||
Writing credits | ||
| Jo Jo Yuet-chun Hui | (written by) (as Jojo Hui) and | |
| Danny Pang | (written by) (as Pang Brothers) & | |
| Oxide Pang Chun | (written by) (as Pang Brothers) | |
Produced by | |||
| Peter Chan | .... | producer (as Peter Ho-Sun Chan) | |
| Lawrence Cheng | .... | producer | |
| Allan Fung | .... | executive producer | |
| Jo Jo Yuet-chun Hui | .... | associate producer (as Jojo Hui) | |
| Udom Piboonlapudom | .... | co-producer | |
| Eric Tsang | .... | executive producer | |
| Daniel Yun | .... | executive producer | |
Original Music by | |||
| Orange Music | |||
Cinematography by | |||
| Decha Srimantra | (director of photography) | ||
Film Editing by | |||
| Oxide Pang Chun | (as Pang Brothers) | ||
| Danny Pang | (as Pang Brothers) | ||
Art Direction by | |||
| James David Goldmark | |||
| Simon So | |||
| Kritapas Suttinet | |||
Costume Design by | |||
| Jittima Kongsri | |||
| Stephanie Wong | |||
Makeup Department | |||
| Fung-yin Cheng | .... | makeup artist (as Cheng Fung Yin) | |
| Scntava Chuminjong | .... | key makeup artist: Thailand | |
| Rachel Kong | .... | hair stylist (as Rachael Kwong) | |
Production Management | |||
| Wing-Wai Chin | .... | production manager (as Chin Wing Wai) | |
| Ekarat Hirancharoen | .... | production manager: Thai unit (as Ekarat Hiransharoen) | |
| Eric Huen | .... | assistant production manager | |
| Jittaima Leelahawan | .... | production manager: Thai unit | |
Second Unit Director or Assistant Director | |||
| Cub Chin | .... | assistant director | |
Art Department | |||
| Thongyog Boonpalitpol | .... | storyboard artist: Thailandt | |
| Ahiggha Boonyuun | .... | model builder | |
| Penny Chan | .... | assistant art director | |
| Komkrit Chugnum | .... | props: Thailand | |
| Santipab Danyiboon | .... | props: Thailand | |
| Teesawai Duangauam | .... | set builder: Thailand | |
| Jaruwan Jitchaivisut | .... | property master: Thailand | |
| Wai Kin Lam | .... | property master (as Lam Wai Kin) | |
| Vithaya Navathong | .... | assistant art director: Thailand | |
| Tan Srieam | .... | props: Thailand | |
| Vallop Sudaysh | .... | model builder | |
| Thann Wrong | .... | model builder | |
Sound Department | |||
| Thanasak Julakate | .... | foley artist | |
| Petpong Keawkoon | .... | foley recordist | |
| Sooksun Klinkhajohn | .... | sound effects | |
| Narcing Krajoguum | .... | foley recordist | |
| Chart Mahapichayakul | .... | foley artist | |
| Oxide Pang Chun | .... | sound (as Oxide Pang) | |
| Somsak Pimpalai | .... | sound effects | |
| Surawan Sricharoen | .... | foley artist | |
| Somsak Supakpong | .... | boom operator | |
| Sumit Suparangsimakul | .... | sound recordist | |
| Nipa Wichusupaksirikul | .... | foley artist | |
Visual Effects by | |||
| Patiporn Anuvanitravel | .... | quality control | |
| Angie Chan | .... | 3D computer animator | |
| Sornrop Chankeewong | .... | optical effects | |
| Vivian Cheuk | .... | digital visual effects producer | |
| Tommy Chin Wing Cheung | .... | digital compositor (as Tommy Cheung) | |
| Rubens Chiu | .... | 3D computer animator | |
| Frankie Chung | .... | digital visual effects supervisor | |
| Sannucha Dhisayabutr | .... | optical effects | |
| Dennis Fong | .... | 3D computer animator | |
| Jack Ho | .... | 3D computer animator | |
| Suchart Hongsmut | .... | optical effects | |
| Pravit Jaivijit | .... | optical effects (as Pravit Jaivuit) | |
| Josephine Leung | .... | 3D computer animator | |
| Wai Kit Leung | .... | 3D computer animator (as Leung Wai Kit) | |
| Uthit Netwong | .... | optical effects | |
| Atta Wong | .... | digital compositor | |
| Jaco Wong | .... | digital compositor | |
| Passakorn Yaisiri | .... | color grader | |
| Alex Yip | .... | film scanning | |
Camera and Electrical Department | |||
| Michael Chui | .... | gaffer | |
| Thcingchai Epuminsat | .... | focus puller: second unit | |
| Kin Kwong Ho | .... | focus puller (as Ho Kin Kwong) | |
| Tha Wan Inpuwa | .... | gaffer | |
| Chut Kumcharoen | .... | focus puller | |
| Sermpong Nimjaroenpong | .... | camera operator: second unit (as Sermpong Nimcharcenbong) | |
| Kultida Punfuk | .... | still photographer: Thailand | |
| Wichien Reungwichayakul | .... | camera operator: second unit (as Wichean Reungwitchayakul) | |
| Somsak Srisawat | .... | Steadicam operator: Thailand | |
| Pocinlert Tcihpratip | .... | focus puller: third unit | |
| Jimmy Wong | .... | Steadicam operator | |
| Wang-Fai Wong | .... | still photographer (as Wong Hung Fei) | |
Animation Department | |||
| Ronald To | .... | main titles animation and design | |
| King Ho Tse | .... | main titles animation and design (as Tse Kin Ho) | |
| Manda Wai Suk Fan | .... | main titles animation and design (as Manda Wai) | |
| Mokana Wong | .... | main titles animation and design | |
Casting Department | |||
| Samart Tunsadee | .... | casting director: Thailand | |
Costume and Wardrobe Department | |||
| Anud Sanardhan | .... | wardrobe: Thailand | |
| Napat Sangoiang | .... | wardrobe: Thailand | |
| Yu Ho Tang | .... | costumes (as Tang Yu Ho) | |
| Manaporn Thiparksate | .... | wardrobe: Thailand | |
Editorial Department | |||
| Sakchai Nuengsawad | .... | negative cutter | |
| Manop Petchiu | .... | negative cutter (as Manop Petchyu) | |
| Panutat Wisetwong | .... | assistant editor | |
Transportation Department | |||
| Scmsak Tantipongsa | .... | transportation: Thailand | |
| Chi Leung Wan | .... | transportation (as Wun Chi Leung) | |
Other crew | |||
| Wrawut Churchom | .... | craft service: Thailand | |
| Yuk Ha Lau | .... | craft service (as Lau Yuk Ha) | |
| Pisit Lixibunnakorn | .... | laboratory consultant (as Pisit Liobunnakorn) | |
| Kent Lui | .... | location manager (as Ken Lui) | |
| Emilie Maison | .... | press attache france | |
| Aorawan Maneerat | .... | craft service: Thailand | |
| Nutcha Meansaiyad | .... | continuity | |
| Sandy Ng | .... | continuity | |
| Pairoj Prempri | .... | laboratory consultant (as Dr. Pairoj Prempri) | |
| Anuway Sanaraadhan | .... | location manager: Thailand | |
| Pison Santawanpas | .... | laboratory consultant | |
| Pancimkrit Udomsangpeth | .... | location manager: Thailand | |
| Chung-yiu Yeung | .... | production assistant (as Yeung Chung Yiu) | |
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| The Eye | The Gift | La corta notte delle bambole di vetro | The Omen | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hong Kong section |
This is a good little Asian horror film that I would definitely recommend renting or even buying, if you like foreign films. A young blind woman receives a cornea transplant and soon finds out that she got way more than she bargained for when she starts being visited by some very unhappy dead souls. It's not very original, true, but the acting is good, the lead character (played by Angelica Lee, is that her name?) is adorable, as is the little girl who plays Ying Ying; there is some serious tension and dread here, especially in the first half hour. The scene in the hospital hallway had my skin trying to crawl off my body, as well as the "Why are you sitting in my chair?" scene. We're talking serious chills. Some of the music IS a bit cheesy and over the top, but hey, you can't have everything, right? The scenes where we see through Mun's eyes in the first few minutes are very effective; we know someone is standing there, we just don't know who it is, and we feel her fear and uncertainty. Not the best movie ever made, but it's definitely worth seeing.
Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.
Watch this movie, it's good.