IMDb RATING
6.9/10
1.5K
YOUR RATING
The third film of a five-part art-installation epic -- it's part-zombie movie, part-gangster film.The third film of a five-part art-installation epic -- it's part-zombie movie, part-gangster film.The third film of a five-part art-installation epic -- it's part-zombie movie, part-gangster film.
Peter Donald Badalamenti II
- Fionn MacCumhail
- (as Peter D. Badalamenti)
Todd Christian Hunter
- Mason
- (as Todd Hunter)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsAfter the teeth have begun to exit the Apprentice's prolapsed intestine, there is an overhead shot of the hitmen standing around the Apprentice on the dentist's chair. The view of the intestine is slightly blocked by the back of one of the hitmen, but as he shifts from side to side, the teeth are nowhere to be seen.
- ConnectionsEdited into The Cremaster Cycle (2003)
Featured review
The Unshaven Mole
I suppose you have to have already made a decision about who you a re and how cinema fits in your life to lucidly decide the first things about this. What is it and how will it speak to you?
I've now seen the "long" version and a 30 minute cut that was apparently done for exhibiting at The Guggenheim for patrons with less patience. Actually, with a different score that short version would be something useful. It isn't that the score is offensive. It is, but that's not what I'm trying to avoid. (Bjork's handling of "Restraint" was apt while annoying.) What he needs is something that plays with his symbol-universe sonically.
The short version cuts out the whole Chrysler erection sequence and shortens the Guggenheim. There's less Crisco tossing.
You may like this. It reeks of importance. It has layers of symbology, at least so far as notations and is very much like those paintings from that era when you could say: those grapes "stand for" so and so and that reclining lamb next to them "means" such and such. So okay: scots freemasonry as dedeconstruction, punk fried eggs, Dante's circles of museum hell, manufactured women except one beast goddess...
It seems for some of these he comes up with the symbol systems first, then surveys what material he has and then forms a performance out of that based on objects and himself. That's weak tea for me. "Cremaster 1" was an important and rich experience for me. That's because I believe he started with the images and built everything around that. Its really quite brilliant and I recommend it to you.
But not this. Its his own yard sale. Don't go.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
I've now seen the "long" version and a 30 minute cut that was apparently done for exhibiting at The Guggenheim for patrons with less patience. Actually, with a different score that short version would be something useful. It isn't that the score is offensive. It is, but that's not what I'm trying to avoid. (Bjork's handling of "Restraint" was apt while annoying.) What he needs is something that plays with his symbol-universe sonically.
The short version cuts out the whole Chrysler erection sequence and shortens the Guggenheim. There's less Crisco tossing.
You may like this. It reeks of importance. It has layers of symbology, at least so far as notations and is very much like those paintings from that era when you could say: those grapes "stand for" so and so and that reclining lamb next to them "means" such and such. So okay: scots freemasonry as dedeconstruction, punk fried eggs, Dante's circles of museum hell, manufactured women except one beast goddess...
It seems for some of these he comes up with the symbol systems first, then surveys what material he has and then forms a performance out of that based on objects and himself. That's weak tea for me. "Cremaster 1" was an important and rich experience for me. That's because I believe he started with the images and built everything around that. Its really quite brilliant and I recommend it to you.
But not this. Its his own yard sale. Don't go.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
helpful•57
- tedg
- Jan 27, 2007
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Details
Box office
- Gross US & Canada
- $120,308
- Opening weekend US & Canada
- $9,787
- May 21, 2010
- Runtime3 hours 2 minutes
- Color
- Sound mix
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