Michael Moore meets Irwin Allen courtesy of "The Day After Tomorrow", a curious hybrid of sociopolitical cautionary tale and good old-fashioned disaster flick complete with state-of-the-art special effects and the kind of hokey dialogue that, for better or worse, often tends to go with the territory.
While all producer Allen needed were capsized cruise ships ("The Poseidon Adventure"), flaming skyscrapers... Read the full review and more at hollywoodreporter.com.
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