| Kang-ho Song | ... | Park Dong-jin | |
| Ha-kyun Shin | ... | Ryu | |
| Doona Bae | ... | Cha Yeong-mi | |
| Ji-Eun Lim | ... | Ryu's Sister | |
| Bo-bae Han | ... | Yu-sun | |
| Se-dong Kim | ... | Chief of Staff | |
| Dae-yeon Lee | ... | Choe | |
| rest of cast listed alphabetically: | |||
| Ju-bong Gi | |||
| Gyu-su Jeong | |||
| Jae-yeong Jeong | ... | Husband of Dong-jin's ex-wife's | |
| Kan-hie Lee | ... | Park Dong-jin's ex-wife | |
| Kwang-rok Oh | ... | Anarchist | |
| Seung-wan Ryoo | ... | Delivery Boy | |
| Seung-beom Ryu | ... | Retarded Boy at River | |
Directed by | |||
| Chan-wook Park | |||
Writing credits(in alphabetical order) | ||
| Jae-sun Lee | ||
| Jong-yong Lee | ||
| Mu-yeong Lee | ||
| Chan-wook Park | ||
Produced by | |||
| Jae-sun Lee | .... | producer | |
| Kang-bok Lee | .... | executive producer | |
| Jin-gyu Lim | .... | producer | |
| Dong-jun Seok | .... | executive producer | |
Cinematography by | |||
| Byeong-il Kim | |||
Film Editing by | |||
| Sang-beom Kim | |||
Production Design by | |||
| Jung-hwa Choe | |||
Art Direction by | |||
| Sang-man Oh | |||
Costume Design by | |||
| Seung-heui Shin | |||
Sound Department | |||
| Seok-weon Kim | .... | sound | |
| Seung-cheol Lee | .... | sound | |
Visual Effects by | |||
| Seongho Jang | .... | visual effects supervisor: Mofac Studio | |
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| The Professional: Golgo 13 | Oldboy | Blade of the Ripper | Repo Men | Twitch of the Death Nerve |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb South Korea section |
Sympathy for Mr. Vengeance is, simply put, the best film I have seen all year.
Chan-wook Park's mastery of cinematic language is stunning. I Recently saw Oldboy, and was intrigued by the style and freshness of that film. but where Oldboy sometimes degenerates (albeit in a very entertaining fashion) into simple violence and visceral satisfaction, Mr. Vengeance does not.
Those not accustomed to a slower paced film may say that there is too much postulation and ambiguity in this film, but they would be completely wrong. Never has a film managed to capture my attention so fully as this one. The majority of the time, we are left in quiet reflection of the events hat have taken place. The setting is rich and South Korea is shown in all its glory as a culture emerging from a somewhat torn past.
Every moment is beautifully framed and executed, and there are multiple ways in which the viewer is drawn into the lives of the characters that exist in this space. Colour is obviously very important to park, as each moment is perfectly balanced and flows from frame to frame in a way that would make most Hollywood directors green with envy.
The themes of vengeance and tragic fate are intertwined in such a way that almost numbs the senses after a time. Even though there is no "hero" or "villian" in this film, each character shares the spotlight in turn and the motivations for their actions are slowly revealed, justified, and then torn apart as fate intervenes to bring everything to a point of complete helplessness and futility.
A very powerful, beautiful film.