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The Dreamers
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The Dreamers (2003) More at IMDbPro »

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The Dreamers (2003) -- A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister. Set against the background of the '68 Paris student riots.
The Dreamers (2003) -- Home Video Preview
The Dreamers (2003) -- Sinematurk - Trailer (Flash)

Overview

User Rating:
7.1/10   22,677 votes
MOVIEmeter: ?
Down 11% in popularity this week. See why on IMDbPro.
Writers:
Gilbert Adair (novel)
Gilbert Adair (screenplay)
Contact:
View company contact information for The Dreamers on IMDbPro.
Release Date:
10 October 2003 (Italy) more
Genre:
Plot:
A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister. Set against the background of the '68 Paris student riots. full summary | add synopsis
Plot Keywords:
Awards:
8 nominations more
NewsDesk:
(27 articles)
Indie Roundup: 'Cracks,' 'Harry Brown' Deals and Trailers
 (From Cinematical. 18 November 2009, 4:03 PM, PST)

Eva Green Claims Her Shyness Almost Made Her Pass Out
 (From iCelebz. 11 November 2009, 11:00 PM, PST)

User Reviews:
Sex, Cinema, Politics - A True Molotov Cocktail more (218 total)

Cast

  (Complete credited cast)

Michael Pitt ... Matthew

Eva Green ... Isabelle
Louis Garrel ... Theo
Anna Chancellor ... Mother
Robin Renucci ... Father
Jean-Pierre Kalfon ... Himself
Jean-Pierre Léaud ... Himself (as Jean-Paul Leaud)
Florian Cadiou ... Patrick
Pierre Hancisse ... First Buff
Valentin Merlet ... Second Buff
Lola Peploe ... The Usherette
Ingy Fillion ... Theo's Girlfriend
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Create a character page for: ?

Additional Details

Also Known As:
Innocents (France)
Paris '68 (UK) (working title)
The dreamers - I sognatori (Italy)
more
MPAA:
Rated NC-17 for explicit sexual content.; Rated R for strong sexual content and graphic nudity, language and some drug use. (edited version)
Runtime:
115 min | USA:112 min (R-rated version)
Country:
Language:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Filming Locations:

Fun Stuff

Trivia:
The scene where Isabelle's hair catches fire happened unplanned. Eva Green was supposed to lean forward and kiss Matthew goodnight but accidentally caught her hair on fire on the candle on the table. She didn't let it worry her and acted so natural that Bernardo Bertolucci decided to leave it in as he felt it demonstrated perfectly the cross over in the film that things are about to get a bit crazy! more
Goofs:
Continuity: At the end of the movie, inside the tent, Matthew was lying almost naked covered only by the flower robe between his legs. When he woke up, the robe somehow was already on his left arm. more
Quotes:
[first lines]
Matthew: The first time I saw a movie at the cinématèque française I thought, "Only the French... only the French would house a cinema inside a palace."
more
Movie Connections:
References Pierrot le fou (1965) more
Soundtrack:
Les Quatre cent coups more

FAQ

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117 out of 133 people found the following review useful.
Sex, Cinema, Politics - A True Molotov Cocktail, 20 July 2004
Author: Radu Olievschi from New York, NY

The decor for The Dreamers, Bertolucci's sensual and narcotic film is represented by effervescent moments that took place in Paris in 1968. In the same manner in which the house inhabited by the three main protagonists represents a character, so do the Parisian streets, with their trepidation and demonstrations. Contrary to other films directed by this director - who has promised much and delivered even more throughout his career - The Dreamers opens in a fast-paced and provocative manner. The director establishes the cinematic convention precisely, eloquently, and elegantly. It becomes clear that the film deals with furious and beautiful young people who live through the films they devour. In the first five minutes, the heroine of the picture (played impeccably by Eva Green, a theatre actress reminiscent of Isabella Rossellini) announces that she was born in 1959. Logically, it is impossible, seeing that the year is 1968 and she seems to be at least 19 years old. Therefore, she explains further: 1959, Champs-Elysee, where she yelled "New York Herald Tribune!" Suddenly the film cuts to a scene from the classic Breathless (A bout de soufflé) by Godard, where Belmondo's feminine partner sells American newspapers on Champs-Elysee. Consequently, Bertolucci's feminine character believes that she has not been alive until seeing the afore-mentioned film, considered by many the beginning of the New Wave. The idea of interposing images and references to classic films is augmented in The Dreamers. It becomes a means of communication between the characters and in fact it ignites the entire "action" of the film.

As in The Last Tango in Paris or Stealing Beauty, sex and sensuality also represent means of expression on which the director relies heavily. Yet The Dreamers rejects the desperation of The Last Tango through a seductive irreverence that indeed characterizes the so-called "enfants terrible" of 1968 Paris. It should be noted that The Dreamers contains various sexual and nude scenes, but that these are by no means as shocking as the sex scenes in The Last Tango were, when that film was released in the 1960s. Since then, video and Internet pornography have occurred and shocking audiences through nudity has become something of a moot point. It is only the MPAA that hasn't grown up. It gave The Dreamers basically the same rating that The Last Tango got, 30 years ago.

Undoubtedly, the angles of the shots in The Dreamers are what impresses the most. As in other films by Bertolucci, practically every shot could be cut out and studied hours at an end for its elegance. The three main characters (all played beyond reproach) live their menage-a-trois through concrete gestures and attitudes, as well as through emotions that are suggested by the sublime cinematography.

The ending of the film, considered by some critics a weak point, is in fact quite accomplished. American viewers (including some critics) are used to American films, in which the build-up leading to the climax is essentially dynamic, suspenseful or tragic. But the European cinema is different. It often shows how feelings are condensed in a quiet but explosive mixture. This description fits The Dreamers like a glove.

Finally, a note for film buffs. In the initial scenes, at the demonstration in front of the Cinematheque, Bertolucci used news reel footage from the '60s with Jean-Pierre Leaud si Jean-Pierre Kalfon (known actors of the New Wave). They are seen giving speeches and throwing paper leaflets to the crowd. In 2003, when shooting the film, Bertolucci got Leaud and Kalfon, now aged, to "reenact" the images from the news reels. The end result is a mixture of new and old images, the former in color, the latter black and white. It is such tricks that Bertolucci uses throughout this nostalgic film that celebrates a certain period, during which the young generation had more meaningful things to fight than computer-simulated monsters.

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