4 out of 5 people found the following comment useful :- Simply Brilliant, 22 August 2005
Author:
mullur1729 from United States
This is one of the most brilliant movies that I have seen in recent
times. Goes way above even any international movie of any repute. I am
really surprised why this has not received the recognition it deserved.
Sonali Kulkarni winning the National Award is perhaps the only
consoling fact. Renuka Daftardar simply amazes as she speaks volumes
through her eyes. There are a few scenes that stand out: When Gauri
comes back from the city on Krishna's wedding, she and Krishna meet for
the first time in many years. Krishna notices a change in Gauri, but
not a single line of dialogue is said. The entire gamut of emotions is
conveyed through subtle mannerisms and the eyes. There's another
towards the end when Krishna pleads to Abhay Kulkarni to marry Gauri
instead. If you are not moved by that scene, you don't have a heart.
Watch this movie for sheer movie-making brilliance and acting
capabilities.
Excellent Movie, 13 December 2006
Author:
mohitesv from Switzerland
This is one of the best movie I have ever seen. My parents comes from
rural India and to some extend I have seen the life of the villagers.
Peoples are really poor and have financial and social problems.
The movie just reflects exactly the same. Full credit to the director
and the actor. They have done an excellent job. I just wonder how can
movies like Lagaan and Paheli can go for Oscar and not Doghi. I don't
understand the criteria on which the movies are selected. Is the money
that makes the difference or having some big names in the movie makes
the difference.
Hope to see more movies like this in the future.
Terrific, 19 May 2006
Author:
shyamasdaughter from Australia
Doghi is a wonderful movie and Renuka Daftardar is excellent. So is
Uttara Baokar who is usually excellent in most of her roles. Along with
Kairee, its an example of Marathi cinema at its best. There are certain
parts in both movies that tend to the didactic - it would have probably
enhanced the movie to not have the few scenes where the social message
is hammered in. These scenes probably emerge from the film-maker's
political concerns but the movie is realistic and moving enough to not
need it. But apart from such minor quibbles, its a movie that deserves
to be seen more and one I strongly recommend. Sumitra Bhave's concern
and humanism shines through.
This is what a good movie is., 11 January 2005
Author:
wilson49
This is a really well made movie. Sumitra Bhave has always made
sensible cinema and this is my favourite film by her. This movie should
have won the National Award and would have been my pick to represent
India at the Oscars. It is at least a thousand times better than
'Shaaws', which is going to the Oscars, from India, this year.
It is such a pity that the information about this (and all other Indian
movies) on IMDb is lacking and sometimes even wrong. Sadashiv
Amrapurkar played a very important character in this movie and he is
not even credited on these pages. The rest of the cast and crew too are
not mentioned at all. Awards and nominations for this movie are not
given even when Sonali Kulkarni won the Indian National Award for this
movie. There was not even a single vote cast for 'Doghi'.
'Doghi' is not a Hindi movie. It is Marathi, and thankfully escapes the
song and dance sequence, does not get tangled up in glitzy glamour and
half-witted designer ware. It is a real life, soulful story that is
made with a rare understanding and respect.
'Doghi' which can roughly be translated as 'two women' is a story of
two sisters, Gauri and Krishna. It is actually a very simple story,
Sumitra Bhave does not venture into many sub plots, and that makes it a
very difficult film to direct. The entire movie is set in a
non-descript remote village in Maharashtra and the screen rarely
ventures far from the house of the two female protagonists. No
aesthetic sunsets in this one.
The movie opens and we are introduced to the entire house, which is
preparing for Gauri's wedding. Gauri and Krishna's father being a hard
working farmer, the house is full and happy; there is nothing wanting
in their simple lives. However on the eve of the wedding Gauri's
to-be-husband meets with a fatal accident. Gauri's father cannot bear
the tragic news and suffers a major stroke. Without a strong, working
member the house could have fallen apart but Gauri's mother shoulders
the responsibility. She works as and when she can, but cannot make ends
meet. But her life still, is easier than Gauri's. Superstitions, that
people half-heartedly try to forget, make Gauri an evil luck bringer.
She is outcast from the society.
Gauri's mother writes to her brother. Desperate for help she accepts
his suggestion. He takes Gauri off to Mumbai where she is made to work
in brothels. Gauri sends home the money she earns and their conditions
improve. Gauri gives her life for that of her family's.
However when Gauri returns home for Krishna's wedding, her mother does
not come out to meet her. She does not allow Krishna near her and does
not allow Gauri in front of the guests. She loves Gauri but fears for
Krishna's life. This breaks Gauri completely and she decides to return
to her unfortunate life. But Krishna runs out and holds Gauri. She begs
her beloved sister to return. Krishna promises to stand by her.
Promises that they would face the world together.
There is nothing that is not required in this movie. Everything is
necessary and sufficient. Gauri goes off to Mumbai but what she does
there is never told the subtle dialogues tell us what there is to
know. It just the bare story, which is profound in its simplicity.
'Doghi' is responsible cinema. It is respectful to the subject it
handles. It is respectful towards its audience it does not think them
to have the mental capability of a four year old.
The acting is first rate. The direction is marvelous the silences
carry the story forward in a way, no words could have. The script is
well researched.
Anyone who appreciates good cinema is bound to like 'Doghi'.
0 out of 1 people found the following comment useful :- brilliant, 28 December 2005
Author:
thusspokezhatathustra from oh
excellent movie...sumitra bhave accomplishes a feet here. the movie is
profound due to its simplicity. set in rural Indian village in
maharashtra state it essays a story of two sisters who stand by each
other through the good times and the bad. everything about this movie
is phenomenally simple. there's no technical extravagance, lighting,
camera-work, no brilliant shots but simply a story told very well. the
screenplay is strong and solid. even the dialogues are just enough to
convey the thought. the acting is simply superb. sonali kulkarni does a
magnificent job for which she even got a national award. however renuka
daftardar in my opinion surpass all in this one. she has few dialogues
as compared to kulkarni, according to the character, but does her job
bloody well. the best scene in my opinion is when, gauri comes from
mumbai and meets Krishna for the first time near the
"vrindavan"...there is no dialog spoken...but man is that a powerful
scene. again a must watch for those who prefer sensible thought
provoking movies. the marathi in this movie is typically rural which
makes it even better.
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4 out of 5 people found the following comment useful :-

Simply Brilliant, 22 August 2005
Author: mullur1729 from United States
This is one of the most brilliant movies that I have seen in recent times. Goes way above even any international movie of any repute. I am really surprised why this has not received the recognition it deserved. Sonali Kulkarni winning the National Award is perhaps the only consoling fact. Renuka Daftardar simply amazes as she speaks volumes through her eyes. There are a few scenes that stand out: When Gauri comes back from the city on Krishna's wedding, she and Krishna meet for the first time in many years. Krishna notices a change in Gauri, but not a single line of dialogue is said. The entire gamut of emotions is conveyed through subtle mannerisms and the eyes. There's another towards the end when Krishna pleads to Abhay Kulkarni to marry Gauri instead. If you are not moved by that scene, you don't have a heart.
Watch this movie for sheer movie-making brilliance and acting capabilities.
Excellent Movie, 13 December 2006

Author: mohitesv from Switzerland
This is one of the best movie I have ever seen. My parents comes from rural India and to some extend I have seen the life of the villagers. Peoples are really poor and have financial and social problems.
The movie just reflects exactly the same. Full credit to the director and the actor. They have done an excellent job. I just wonder how can movies like Lagaan and Paheli can go for Oscar and not Doghi. I don't understand the criteria on which the movies are selected. Is the money that makes the difference or having some big names in the movie makes the difference.
Hope to see more movies like this in the future.
Terrific, 19 May 2006

Author: shyamasdaughter from Australia
Doghi is a wonderful movie and Renuka Daftardar is excellent. So is Uttara Baokar who is usually excellent in most of her roles. Along with Kairee, its an example of Marathi cinema at its best. There are certain parts in both movies that tend to the didactic - it would have probably enhanced the movie to not have the few scenes where the social message is hammered in. These scenes probably emerge from the film-maker's political concerns but the movie is realistic and moving enough to not need it. But apart from such minor quibbles, its a movie that deserves to be seen more and one I strongly recommend. Sumitra Bhave's concern and humanism shines through.
This is what a good movie is., 11 January 2005

Author: wilson49
This is a really well made movie. Sumitra Bhave has always made sensible cinema and this is my favourite film by her. This movie should have won the National Award and would have been my pick to represent India at the Oscars. It is at least a thousand times better than 'Shaaws', which is going to the Oscars, from India, this year.
It is such a pity that the information about this (and all other Indian movies) on IMDb is lacking and sometimes even wrong. Sadashiv Amrapurkar played a very important character in this movie and he is not even credited on these pages. The rest of the cast and crew too are not mentioned at all. Awards and nominations for this movie are not given even when Sonali Kulkarni won the Indian National Award for this movie. There was not even a single vote cast for 'Doghi'.
'Doghi' is not a Hindi movie. It is Marathi, and thankfully escapes the song and dance sequence, does not get tangled up in glitzy glamour and half-witted designer ware. It is a real life, soulful story that is made with a rare understanding and respect.
'Doghi' which can roughly be translated as 'two women' is a story of two sisters, Gauri and Krishna. It is actually a very simple story, Sumitra Bhave does not venture into many sub plots, and that makes it a very difficult film to direct. The entire movie is set in a non-descript remote village in Maharashtra and the screen rarely ventures far from the house of the two female protagonists. No aesthetic sunsets in this one.
The movie opens and we are introduced to the entire house, which is preparing for Gauri's wedding. Gauri and Krishna's father being a hard working farmer, the house is full and happy; there is nothing wanting in their simple lives. However on the eve of the wedding Gauri's to-be-husband meets with a fatal accident. Gauri's father cannot bear the tragic news and suffers a major stroke. Without a strong, working member the house could have fallen apart but Gauri's mother shoulders the responsibility. She works as and when she can, but cannot make ends meet. But her life still, is easier than Gauri's. Superstitions, that people half-heartedly try to forget, make Gauri an evil luck bringer. She is outcast from the society.
Gauri's mother writes to her brother. Desperate for help she accepts his suggestion. He takes Gauri off to Mumbai where she is made to work in brothels. Gauri sends home the money she earns and their conditions improve. Gauri gives her life for that of her family's.
However when Gauri returns home for Krishna's wedding, her mother does not come out to meet her. She does not allow Krishna near her and does not allow Gauri in front of the guests. She loves Gauri but fears for Krishna's life. This breaks Gauri completely and she decides to return to her unfortunate life. But Krishna runs out and holds Gauri. She begs her beloved sister to return. Krishna promises to stand by her. Promises that they would face the world together.
There is nothing that is not required in this movie. Everything is necessary and sufficient. Gauri goes off to Mumbai but what she does there is never told the subtle dialogues tell us what there is to know. It just the bare story, which is profound in its simplicity.
'Doghi' is responsible cinema. It is respectful to the subject it handles. It is respectful towards its audience it does not think them to have the mental capability of a four year old.
The acting is first rate. The direction is marvelous the silences carry the story forward in a way, no words could have. The script is well researched.
Anyone who appreciates good cinema is bound to like 'Doghi'.
0 out of 1 people found the following comment useful :-
brilliant, 28 December 2005
Author: thusspokezhatathustra from oh
excellent movie...sumitra bhave accomplishes a feet here. the movie is profound due to its simplicity. set in rural Indian village in maharashtra state it essays a story of two sisters who stand by each other through the good times and the bad. everything about this movie is phenomenally simple. there's no technical extravagance, lighting, camera-work, no brilliant shots but simply a story told very well. the screenplay is strong and solid. even the dialogues are just enough to convey the thought. the acting is simply superb. sonali kulkarni does a magnificent job for which she even got a national award. however renuka daftardar in my opinion surpass all in this one. she has few dialogues as compared to kulkarni, according to the character, but does her job bloody well. the best scene in my opinion is when, gauri comes from mumbai and meets Krishna for the first time near the "vrindavan"...there is no dialog spoken...but man is that a powerful scene. again a must watch for those who prefer sensible thought provoking movies. the marathi in this movie is typically rural which makes it even better.
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