Roger Dodger (2002)

Director:

Dylan Kidd

Writer:

Dylan Kidd (written by)

Release Date:

6 March 2003 (Australia)

Genre:

Comedy | Drama

Tagline:

Sex is everywhere.

Plot:

After breaking up with his lover and boss, a smooth-talking man takes his teenaged nephew out on the town in search of sex.

Plot Keywords:

Uncle Nephew Relationship | Boyfriend Girlfriend Relationship | Break Up | Toilet | New Yorker

Awards:

12 wins & 8 nominations

Cast

Campbell Scott	...	Roger Swanson
Jesse Eisenberg	...	Nick
Isabella Rossellini	...	Joyce
Elizabeth Berkley	...	Andrea
Jennifer Beals	...	Sophie
Mina Badie	...	Donna
Ben Shenkman	...	Donovan
Chris Stack	...	Chris
Morena Baccarin	...	Girl in Bar
Lisa Emery	...	Woman in Bar
Flora Diaz	...	Young Working Girl
Stephanie Gatschet	...	Angela - High School Beauty
Colin Fickes	...	Angus
Tommy Savas	...	Darren
Gabriel Millman	...	Felix

MPAA:

Rated R for sexual content and language.

Runtime:

106 min

Country:

USA

Language:

English | German

Colour:

Colour (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Singapore:NC-16 | Netherlands:12 | Canada:14A | Denmark:7 | New Zealand:M | Sweden:11 | UK:15 | USA:R | Australia:M | Norway:15 | Argentina:16 | Chile:14 | Portugal:M/12

Filming Locations:

New York City, New York, USA

Company:

Holedigger Films

Trivia:

Jesse Eisenberg was sick during the filming of most of the nightclub scene, and can be seen sweating in different parts of the scene from his illness.

Quotes:

[Advice to some high school losers]
Roger: In ten years, you won't even remember what this place looks like. Trust me.

Movie Connections:

Referenced in "American Dad!: Roger Codger (#1.5)" (2005)

Soundtrack:

Jazz Fx

The Artful Roger

Roger Swanson is a coldhearted, fast-talking yuppie businessman who has cynically reduced the man-woman equation to its Darwinian essentials. To Roger, women are objects to be conquered not people to be respected, and he has learned to employ his good looks, charm and over-analytical mind in the service of getting laid. When Nick, his naïve, inexperienced 16-year old nephew comes to town, Roger decides to train the boy in the fine art of manipulation and seduction, taking him out for a night on the town that the youngster will not soon forget.

As conceived by first time writer/director Dylan Kidd, `Roger Dodger' is less a full-fledged narrative and more a series of extended conversations. And I, for one, couldn't be happier, for the dialogue Kidd has come up with is sharp, observant, insightful and witty, as Roger opens up and reveals his unique perspective on the dating scene. He uses his mouth like a machine gun, shooting rounds of rapid-fire, staccato comments, indifferent to who's left standing when he's done. He really has no qualms about `corrupting' his underage nephew, never seeing or caring about the corrosive effect he may be having on him. In the process, we learn quite a bit about Roger as a person, most especially the aloofness he feels from others and his inability to make any kind of emotional connection that really works. Long estranged from his father and sister, Roger is also facing a breakup with the older woman he's recently come to fancy (his boss in fact). Roger is a humorous figure but also an immensely sad one, for he really does seem - for all his bravado and bluster to the contrary - to be a lonely, unhappy guy. We are simultaneously drawn to him by his confidence and charisma and repelled by his smarminess and coldness, just like the characters in the film. As Roger, Campbell Scott does a superb job bringing out both of those seemingly contradictory qualities. A non-stop talker, Roger knows how to draw all the attention in the room to himself; he is (at the risk of mixing my metaphors here) like a chattering vortex up there on the screen and we can't help but be sucked in by his personality and presence. No wonder Scott won the 2002 award for Best Actor from the National Board of Review. In fact, I haven't seen a performance this smooth, alive and energetic in a very long time. Equally impressive is young Jesse Eisenberg whose wide-eyed innocence and youthful decency provide an effective counterpoint to the brash but empty Roger. Isabella Rossellini, Elizabeth Berkley and Jennifer Beals also turn in outstanding performances as the various ladies who play a part in the two men's adventure.

In his debut film, Kidd shows himself to be in full control of his medium. He employs a jittery, handheld camera in almost every scene, a technique that may bother some people but which heightens the sense of realism so essential to the nature of the story. In this way, the audience is made to feel almost like an eavesdropper on the various conversations. Kidd should also be commended - in this day of maximum special effects and minimal verbiage - for allowing his characters to speak at great length on any number of topics. Many another filmmaker would have felt intimidated by such a heavy reliance on dialogue. Kidd, obviously, feels intoxicated by the beauty of language and his intoxication becomes ours.

Roger is a fascinating case study mainly because we feel so ambivalent in our attitude towards him. Just as we are about to consign him to the category of heartless, cold-blooded b***ard, he wins us over by showing us that barest glimmer of humanity that peeks out every so often from beneath his well-oiled exterior.

`Roger Dodger' is not only an intriguing, amusing and poignant tale of realtionships and sex in the modern world, but a confident first film that augurs well for its gifted young maker.