| Photos (see all 46 | slideshow) | Videos (see all 6 NEW) |
| Naomi Watts | ... | Rachel | |
| Martin Henderson | ... | Noah | |
| David Dorfman | ... | Aidan | |
| Brian Cox | ... | Richard Morgan | |
| Jane Alexander | ... | Dr. Grasnik | |
| Lindsay Frost | ... | Ruth | |
| Amber Tamblyn | ... | Katie | |
| Rachael Bella | ... | Becca | |
| Daveigh Chase | ... | Samara | |
| Shannon Cochran | ... | Anna Morgan | |
| Sandra Thigpen | ... | Teacher | |
| Richard Lineback | ... | Innkeeper | |
| Sasha Barrese | ... | Girl Teen #1 | |
| Tess Hall | ... | Girl Teen #2 | |
| Adam Brody | ... | Male Teen #1 | |
| Alan Blumenfeld | ... | Harvey | |
| Pauley Perrette | ... | Beth | |
| Joe Chrest | ... | Doctor | |
| Ronald William Lawrence | ... | Library Clerk | |
| Stephanie Erb | ... | Donna | |
| Sara Rue | ... | Babysitter | |
| Lindsey Stoddart | ... | Grad Student | |
| Joe Sabatino | ... | Orderly | |
| Joanna Lin Black | ... | Cashier | |
| Maura McNamara | ... | Girl on Ferry | |
| David Povall | ... | Girl's Father | |
| Keith Campbell | ... | Ship's Mate | |
| Chuck Hicks | ... | Ferry Worker | |
| Michael Spound | ... | Dave | |
| Gary Cervantes | ... | Painter | |
| Aixa Clemente | ... | Nurse | |
| Art Frankel | ... | Cal | |
| Billy Lloyd | ... | Darby | |
| Coleen Maloney | ... | Mourner #1 | |
| Catherine Paolone | ... | Mourner #2 | |
| Guy Richardson | ... | Librarian | |
| rest of cast listed alphabetically: | |||
| Maury Ginsberg | ... | Video Store Clerk (DVD deleted scenes) (uncredited) | |
Directed by | |||
| Gore Verbinski | |||
Writing credits(WGA) | ||
| Ehren Kruger | (screenplay) | |
| Kôji Suzuki | novel "The Ring" (as Koji Suzuki) & | |
| Hiroshi Takahashi | 1998 screenplay Ringu (uncredited) | |
Produced by | |||
| Benita Allen | .... | associate producer (as Benita Allen-Honess) | |
| Doug Davison | .... | executive producer | |
| Neal Edelstein | .... | co-executive producer | |
| Christine Iso | .... | co-producer | |
| Roy Lee | .... | executive producer | |
| Mike Macari | .... | executive producer | |
| Laurie MacDonald | .... | producer | |
| Walter F. Parkes | .... | producer | |
| J.C. Spink | .... | co-executive producer | |
| Michele Weisler | .... | executive producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Bojan Bazelli | (director of photography) | ||
Film Editing by | |||
| Craig Wood | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Tom Duffield | |||
Art Direction by | |||
| Patrick M. Sullivan Jr. | |||
Set Decoration by | |||
| Rosemary Brandenburg | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist | |
| Rick Baker | .... | special makeup effects artist | |
| Jean Ann Black | .... | key makeup artist (as Jean A. Black) | |
| Roland Blancaflor | .... | foam latex technician: Cinovation | |
| RaMona Fleetwood | .... | makeup artist: second unit (as Ramona Fleetwood) | |
| Michelle Garbin | .... | esthetician | |
| Glen Griffin | .... | project supervisor: Cinovation | |
| Jamie Kelman | .... | special makeup effects artist | |
| Medusah | .... | key hair stylist | |
| Sylvia Nava | .... | wig and hair department: Cinovation | |
| Amy Schmiederer | .... | makeup artist | |
| Susan Seligman | .... | makeup artist | |
| Bill Sturgeon | .... | project supervisor: Cinovation | |
| Kazuhiro Tsuji | .... | project supervisor: Cinovation | |
| Chad Waters | .... | project supervisor: Cinovation | |
| Roxanne Wightman | .... | hair stylist | |
| Hiroshi Yada | .... | mold department: Cinovation | |
| Eddie Yang | .... | project supervisor: Cinovation (as Edward Yang) | |
| RaMona Fleetwood | .... | key hair stylist: second unit (uncredited) | |
| Jennifer Gonzales | .... | hair stylist: still photos and pickups (uncredited) | |
| Jennifer Gonzales | .... | makeup artist: still photos and pickups (uncredited) | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
| Kazuhiro Tsuji | .... | sculptor: Cinovation (uncredited) | |
Production Management | |||
| Erica Frauman | .... | post-production supervisor | |
| Bill Johnson | .... | unit production manager | |
| Kimberly Rach | .... | production supervisor | |
Sound Department | |||
| Mike Anderson | .... | cable person | |
| Michael Axinn | .... | adr editor (as Mike Axinn) | |
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| Lindakay Brown | .... | dialogue editor (as LindaKay Brown) | |
| Tim Burby | .... | digital sound transferer | |
| Travis Crenshaw | .... | foley recordist | |
| David C. Eichhorn | .... | sound editor | |
| Sean England | .... | machine room operator | |
| Doug Ford | .... | engineering services | |
| Sue Fox | .... | foley editor | |
| Jonathan Greber | .... | digital sound transferer | |
| J.R. Grubbs | .... | sound effects editor | |
| Howie Hammerman | .... | engineering services (as Howie Hammermann) | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Tim Holland | .... | supervising sound editor | |
| David Hunter | .... | digital editorial services | |
| Tom Johnson | .... | sound re-recording mixer | |
| Noah Katz | .... | digital editorial services | |
| Noah Katz | .... | sound editorial technical support | |
| Bruce Lacey | .... | adr dialogue supervisor | |
| Frank 'Pepe' Merel | .... | foley mixer (as Frank Merel) | |
| Peter Miller | .... | sound designer | |
| Steve Morris | .... | engineering services | |
| Lee Orloff | .... | production sound mixer | |
| Paul Pavelka | .... | engineering services | |
| Juan Peralta | .... | sound mix technician | |
| Brandon Proctor | .... | sound mix technician | |
| Jurgen Scharpf | .... | sound mix technician | |
| Ewa Sztompke | .... | dialogue editor (as Ewa Sztompke-Oatfield) | |
| Addison Teague | .... | sound effects editor | |
| Dennie Thorpe | .... | foley artist | |
| John Torrijos | .... | video services | |
| Tami Treadwell | .... | adr recordist | |
| Jana Vance | .... | foley artist | |
| Knox White | .... | boom operator (as Knox Grantham White) | |
| Bruce Lacey | .... | dialogue editor (uncredited) | |
| Brian Magerkurth | .... | sound re-recordist (uncredited) | |
| Gene Radzik | .... | stereo sound consultant: Dolby (uncredited) | |
| Craig Wood | .... | sound designer (uncredited) | |
Special Effects by | |||
| William Aldridge | .... | special effects technician | |
| Scott Brines | .... | administration/facilities: Cinovation | |
| Jeffrey P. Buccacio Jr. | .... | designer/sculptor: Cinovation (as Jeff Buccacio) | |
| Rodney M. Byrd | .... | special effects foreman | |
| Terry Chapman | .... | special effects (as Terry P. Chapman) | |
| Jesus Chavez | .... | administration/facilities: Cinovation | |
| Carl Crandall Jr. | .... | mold technician: Cinovation | |
| Burt Dalton | .... | special effects supervisor | |
| Albert Delgado | .... | special effects foreman | |
| Mitch Devane | .... | designer/sculptor: Cinovation | |
| Dale Ettema | .... | special effects technician | |
| Ronald D. Goldstein | .... | special effects technician (as Ronald Goldstein) | |
| Jurgen Heimann | .... | animatronics: Cinovation | |
| Karen Keener | .... | seaming and patching department: Cinovation | |
| William A. Klinger | .... | special effects technician (as William Klinger) | |
| Gil Liberto | .... | mold technician: Cinovation | |
| Elizabeth MacGregor-Scott | .... | administration/facilities: Cinovation (as Elizabeth Macgregor-Scott) | |
| Garth Majors | .... | special effects technician | |
| Mike Manzel | .... | mold technician: Cinovation | |
| Jim McLoughlin | .... | mold technician: Cinovation | |
| Brian Morishita | .... | administration/facilities: Cinovation | |
| Arnold Peterson | .... | special effects: second unit | |
| Matt Rose | .... | designer/sculptor: Cinovation | |
| Frank Rydberg | .... | mold technician: Cinovation | |
| Jose Sandoval | .... | administration/facilities: Cinovation | |
| Bill Schepler | .... | special effects technician | |
| Tiffany Smith | .... | administration/facilities: Cinovation | |
| Bob Stoker | .... | special effects technician (as Bob Stoker Jr.) | |
| Clark Templeman | .... | special effects technician | |
| Jeffrey Watts | .... | special effects technician (as Jeff Watts) | |
| Hiroshi Yada | .... | foam latex department: Cinovation | |
| Diana Yun Soo Yoo | .... | special effects makeup | |
| Chet Zar | .... | designer/sculptor: Cinovation | |
Visual Effects by | |||
| Jude Adamson | .... | CG lighter: Rhythm & Hues | |
| Blondel Aidoo | .... | effects producer: Asylum | |
| Chris Anderson | .... | visual effects coordinator (as Christopher Anderson) | |
| Steve Baker | .... | CG animator: Rhythm & Hues | |
| Gil Baron | .... | 3D department: Method Studios | |
| Tony Barraza | .... | roto artist: Rhythm & Hues | |
| Ben Barron | .... | 3D modeler: Matte World Digital | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Jimmy Batchelder | .... | visual effects coordinator: Asylum | |
| Andrew Bell | .... | technical support: Method Studios | |
| Hatem Benabdallah | .... | 3D department: Method Studios | |
| Lee Berger | .... | executive producer: Rhythm & Hues | |
| Laurent Briet | .... | 3D department: Method Studios | |
| Lindsay Burnett | .... | visual effects producer: Asylum | |
| Bernadette Castillo | .... | visual effects coordinator: Method Studios | |
| Dan Cayer | .... | digital compositor: Tippett Studio | |
| Jennifer Chantnicki | .... | digital painter: Pacific Title & Arts | |
| Raymond Chih | .... | pipeline setup: Rhythm & Hues | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Glenn Cotter | .... | 3D artist: Matte World Digital | |
| Mike Coulter | .... | data management: Method Studios | |
| Brandon Criswell | .... | roto artist: Asylum | |
| Chris Crowell | .... | compositor: Pacific Title & Arts | |
| Paul Curley | .... | digital opticals: Pacific Title & Arts | |
| Brian Cuscino | .... | I/O: Asylum | |
| Michael Degtjarewsky | .... | compositor: Pacific Title & Arts | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Alessandra de Souza | .... | visual effects producer | |
| Brian Dowrick | .... | CG animator: Rhythm & Hues | |
| Andrew Eksner | .... | 2D department: Method Studios | |
| Christopher Evans | .... | digital matte artist: Matte World Digital | |
| Russ Fell | .... | 2D department: Method Studios | |
| Mark Felt | .... | 2D department: Method Studios | |
| Chris Flynn | .... | compositor: Pacific Title & Arts | |
| Andy Foster | .... | assistant visual effects coordinator: Asylum | |
| Adam Francis | .... | motion control technician | |
| Alex Frisch | .... | visual effects supervisor: Method Studios | |
| Joe Gareri | .... | executive producer: Pacific Title & Arts | |
| George Gervan | .... | digital painter: Pacific Title & Arts | |
| Richard Gervan | .... | digital painter: Pacific Title & Arts | |
| Renee Gharib | .... | visual effects coordinator: Method Studios | |
| Charles Gibson | .... | visual effects supervisor | |
| David Gutman | .... | digital compositor: Rhythm & Hues | |
| Brian Hanable | .... | Inferno artist: Asylum | |
| Landis Hartman | .... | projection: Pacific Title & Arts | |
| Maureen Healy | .... | compositor: Pacific Title & Arts | |
| Alex Hegedus | .... | engineering: Asylum | |
| Michael Hemschoot | .... | animator: Asylum | |
| Phil Holland | .... | scan/record operator: Rhythm & Hues (as Phillip Holland) | |
| Neysa Horsburgh | .... | executive producer: Method Studios | |
| Keith Hunter | .... | 3D modeler: Rhythm & Hues | |
| Chandra Irving | .... | production assistant: Method Studios | |
| David Jones | .... | visual effects supervisor: Asylum (as David M.V. Jones) | |
| Peter Juneau | .... | effects compositor: Matte World Digital (as Peter Juno) | |
| Zach Justman | .... | assistant editor: Asylum (as Zachary Justman) | |
| Brad Kalinoski | .... | digital painter: Pacific Title & Arts | |
| Nori Kaneko | .... | texture painter: Rhythm & Hues | |
| Kristopher Kasper | .... | visual effects editor: Asylum | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Rick Kim | .... | digital I/O: Pacific Title & Arts (as Rick Kim) | |
| Whitney Kitchen | .... | production coordinator: Rhythm & Hues | |
| Gene Kozicki | .... | digital effects coordinator: Rhythm & Hues | |
| Steve Langius | .... | digital I/O: Pacific Title & Arts | |
| Bill Laverty | .... | engineering: Asylum | |
| Jennifer Law-Stump | .... | compositor: Pacific Title & Arts (as Jennifer Law Stump) | |
| James LeBloch | .... | 3D department: Method Studios | |
| Laurent Ledru | .... | 3D department: Method Studios | |
| Janice Lee | .... | production assistant: Method Studios | |
| Jennifer Lee | .... | visual effects coordinator | |
| Kymber Lim | .... | visual effects producer: Method Studios | |
| Yann Mallard | .... | 3D department: Method Studios | |
| John Marcos | .... | digital I/O: Pacific Title & Arts | |
| Lisa Markou | .... | digital coordinator: Pacific Title & Arts | |
| Lisa McElroy | .... | production assistant: Matte World Digital | |
| Emma McGuinness | .... | executive producer: Asylum | |
| Nathan McGuinness | .... | senior visual effects supervisor: Asylum | |
| Scott McNiel | .... | 2D department: Method Studios | |
| Joel Román Mendías | .... | production executive: Rhythm & Hues (as Joel Mendias) | |
| Brian Miller | .... | digital I/O: Pacific Title & Arts (as Bryan C. Miller) | |
| Rob Moggach | .... | Inferno artist: Asylum | |
| Raul Moreno | .... | previsualization artist: Pixel Liberation Front | |
| Joe Morrison | .... | 2D department: Method Studios | |
| Darren Mortillaro | .... | technical artist: Matte World Digital | |
| Steve Muangman | .... | Inferno artist: Asylum | |
| Greg Mucino | .... | I/O: Asylum | |
| Cedric Nicolas | .... | visual effects lead artist: Method Studios | |
| Gary Nolin | .... | visual effects producer: Rhythm & Hues | |
| Chris Paizis | .... | matchmove supervisor | |
| Garrett Pendergraft | .... | render I/O coordinator: Rhythm & Hues | |
| Nicholas Peterson | .... | motion control producer | |
| Patrick Phillips | .... | compositor: Pacific Title & Arts | |
| Haunt Rama | .... | digital I/O: Matte World Digital | |
| Rich Rama | .... | production assistant: Method Studios | |
| Mark P. Renton | .... | Inferno artist: Asylum | |
| Orson Rheinfurth | .... | projection: Pacific Title & Arts | |
| Daniel Riha | .... | visual effects coordinator | |
| Paul Rivera | .... | chief technical artist: Matte World Digital | |
| Gary Robbins | .... | Bischoff's taxidermy: Tippett Studios | |
| Gary Robbins | .... | animal effects: Tippett Studios | |
| Tracey Roberts | .... | lead character setup | |
| Lee Robinson | .... | video: Asylum | |
| Mike Roby | .... | CG lighter: Rhythm & Hues | |
| Mark Rodahl | .... | digital effects supervisor: Rhythm & Hues | |
| Ken Rogerson | .... | effects editorial: Matte World Digital | |
| Michael Root | .... | software engineer: Matte World Digital (as Mike Root) | |
| Rob Salvage | .... | engineering: Asylum | |
| Brandon Sanders | .... | 2D department: Method Studios | |
| David Santiago | .... | cg artist: Asylum | |
| Fred Simon | .... | systems support: Rhythm & Hues | |
| Colleen Smith-Brattesani | .... | Inferno artist: Rhythm & Hues | |
| Todd R. Smith | .... | technical artist: Matte World Digital | |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Arts | |
| Chris Staves | .... | videotape lead artist: Method Studios | |
| David Stephens | .... | cg artist: Asylum (as David J. Stephens) | |
| Chris Stoski | .... | digital matte artist: Matte World Digital | |
| Bridget M. Taylor | .... | roto artist: Asylum (as Bridget Taylor) | |
| Scott Taylor | .... | technical lead: Method Studios | |
| Will Telford | .... | animation Setup: Rhythm & Hues | |
| Deborah Thomas | .... | data wrangler: Tippett Studio | |
| Paul G. Thuriot | .... | character technical director | |
| James D. Tittle | .... | digital coordinator: Pacific Title & Arts | |
| Morgan Trotter | .... | 3D artist: Matte World Digital | |
| Marla Valentine | .... | systems operator: Rhythm & Hues | |
| Andreas Wacker | .... | technical supervisor: Method Studios | |
| Mark Welser | .... | matchmover: Rhythm & Hues | |
| Jeff Werner | .... | CG producer: Asylum | |
| Ryan Yoshimoto | .... | 2D department: Method Studios | |
| Nathan Abbot | .... | I/O supervisor: Tippett Studio (uncredited) | |
| Brandon Craig | .... | render supervisor (uncredited) | |
| Robert Dorris | .... | production assistant: Tippett Studio (uncredited) | |
| Derek Fisher | .... | previsualization designer (uncredited) | |
| Adam Gerardin | .... | digital color corrector: Tippett Studio (uncredited) | |
| Andy Harbeck | .... | painter (uncredited) | |
| Traci Horie | .... | character animator: Tippett studio (uncredited) | |
| Patrick Kavanaugh | .... | digital artist: Asylum (uncredited) | |
| Kirk Larkins | .... | lead matchmove: Tippett Studio (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
| Mike Pemberton | .... | video/computer graphics production assistant (uncredited) | |
| Frank Petzold | .... | visual effects supervisor: Tippett Studio (uncredited) | |
| Chris B. Schnitzer | .... | motion control technician: Image G Crew (uncredited) | |
| Helder Sun | .... | motion control technician (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
| Matthew Tomlinson | .... | digital imaging supervisor: Tippett Studio (uncredited) | |
| Kenneth Voss | .... | digital paint and rotoscope artist: Tippett Studio (uncredited) | |
| Vicki Wong | .... | digital film I/O manager: Tippett Studio (uncredited) | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Dan Barringer) | |
| Greg Brickman | .... | stunts | |
| Keith Campbell | .... | stunt coordinator | |
| Gary Combs | .... | horse stunt sequence coordinator | |
| Gilbert B. Combs | .... | stunts (as Gil Combs) | |
| Ritchie Copenhaver | .... | stunts | |
| Audrey Marie Crouse | .... | stunts | |
| Debbie Evans | .... | stunts | |
| Art Hickman | .... | stunts | |
| Michael Hilow | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Robert Jauregui | .... | stunts (as Bobby Jauregui) | |
| Svetla Krasteva | .... | stunts | |
| Brad Martin | .... | stunts | |
| Cliff McLaughlin | .... | stunts | |
| Julia Milova | .... | stunts (as Julia Seaver) | |
| Darwin Mitchell | .... | stunts | |
| Jamie Jo Mitchell | .... | stunts (as Jamie Mitchell) | |
| Keli Murphy | .... | stunts | |
| Kelly Stables | .... | stunts | |
| Matthew Taylor | .... | stunts | |
| Nick Brett | .... | utility stunts (uncredited) | |
| Kevin Derr | .... | stunts (uncredited) | |
| Rob Mars | .... | stunts and stunt rigger (uncredited) | |
| Keli Murphy | .... | stunt double: Shannon Cochran (uncredited) | |
| Pat Romano | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Dena Berman | .... | casting associate | |
| Leslee Feldman | .... | casting executive | |
| Jodi Rothfield | .... | casting: Washington | |
| Steve Spiker | .... | extras casting: Central Casting | |
| Danny Stoltz | .... | extras casting: Washington | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly J. Adams) | |
| Linda S. Cormany | .... | set costumer | |
| Beate Eisele | .... | costumes: Cinovation | |
| Nancy McArdle | .... | costume supervisor | |
| Jalene Murphy | .... | set costumer: second unit | |
| Eva Prappas | .... | set costumer | |
| Jonny Pray | .... | costume supervisor (as Jon Pray) | |
| Dalhia Schuette | .... | set costumer | |
| Jeanne Vosloo | .... | costumes: Cinovation | |
| Marienne O'Brien | .... | set costumer: second unit (uncredited) | |
Editorial Department | |||
| Tony Bacigalupi | .... | first assistant film editor | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Sven E. Fahlgren | .... | post-production coordinator (as Sven E.M. Fahlgren) | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Kindra Marra | .... | second assistant editor | |
| Simon Morgan | .... | first assistant editor: avid | |
| Jason Summers | .... | editorial production assistant | |
| Fulvio Valsangiacomo | .... | assistant editor (uncredited) | |
Other crew | |||
| Lea Anderson | .... | additional craft service | |
| Jason Bierfeld | .... | assistant: Mr. Parkes | |
| Chamonix Bosch | .... | production assistant | |
| Michael E. Boyle | .... | head horse wrangler (as Mike Boyle) | |
| Alex Brandenburg | .... | production assistant (as Alexandra Brandenburg) | |
| Richard Brooks Burton | .... | aerial assistant: second unit (as Richard Burton) | |
| Sara Burton | .... | unit location manager | |
| Kaiser Clark | .... | production assistant | |
| Jesse Cook | .... | researcher | |
| Marcia Craig | .... | studio teacher | |
| Karen Leigh Crutcher | .... | first aid (as Karen L. Crutcher) | |
| Cris De Arce | .... | production assistant: second unit | |
| Maria DeVane | .... | post-production accountant | |
| David Diamond | .... | assistant location manager | |
| Clay Duncan | .... | assistant: Hans Zimmer | |
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Gregg Edler | .... | production coordinator | |
| Kirby C. Fortenberry | .... | production assistant | |
| Tyler W. Gaisford | .... | production assistant | |
| Page Gehrke | .... | production assistant: second unit | |
| Michael A. George | .... | marine crew | |
| Michael George | .... | marine crew (as Michael A. George) | |
| Orlando R. Gonzales | .... | assistant production coordinator | |
| René González | .... | projectionist (as Renee Gonzalez) | |
| Bernie Granados | .... | first aid (as Bernie Granados Jr.) | |
| Lindsay Greitzer | .... | assistant: Mr. Verbinski | |
| Michael Grillo | .... | head of feature production | |
| Leilani Gushiken | .... | assistant: Ms. MacDonald | |
| McJoel Hamilton | .... | production assistant | |
| Ronald M. Haynes | .... | assistant location manager | |
| Rusty Hendrickson | .... | horse wrangler | |
| Daren Hicks | .... | production coordinator | |
| Elizabeth Himelstein | .... | dialect coach | |
| Heidi Holicker | .... | assistant: Rick Baker, Cinovation | |
| Teresa Jaime Drapkin | .... | payroll accountant | |
| Joy Johnson | .... | assistant: Mr. Parkes | |
| Jen Jones | .... | additional office production assistant | |
| Michael Judd | .... | production assistant | |
| Afnahn Khan | .... | production secretary | |
| Brian King | .... | title designer | |
| Samantha C. Kirkeby | .... | script supervisor: second unit | |
| Jennifer Koenig | .... | second assistant accountant (as Jennifer Anne Koenig) | |
| Linda Kroll | .... | assistant: Ms. MacDonald | |
| Paul Kuzmich | .... | caterer: Hat Trick Catering | |
| John LaBrucherie | .... | production assistant | |
| Mike Lane | .... | client services | |
| Benjamin Lehman | .... | stand-in (as Ben Lehman) | |
| Jayme Lemons | .... | assistant: Ms. Weisler | |
| Jim Lipman | .... | marine crew | |
| Kevin Lum | .... | production assistant: second unit | |
| Michael C. Lund | .... | production secretary (as Michael Lund) | |
| Traci Martin | .... | additional accountant | |
| Blair Mastbaum | .... | assistant: Ms. Watts | |
| Thomas John McGowan | .... | studio teacher (as Thomas McGowan) | |
| Sam McMullen | .... | production assistant | |
| David Mendoza | .... | production assistant | |
| Jeffrey Meyer | .... | horse wrangler (as Jeffrey M. Meyer) | |
| Murray Miller | .... | location manager | |
| Kathryn Mindala | .... | production accountant | |
| Steven Moder | .... | editorial systems manager (as Steven B. Moder) | |
| Steven R. Molen | .... | production executive | |
| Candace Moon | .... | stand-in | |
| Leslie A. Morrow | .... | key assistant location manager | |
| Melissa Muik | .... | assistant: Hans Zimmer | |
| Moanike'ala Nakamoto | .... | assistant: Hans Zimmer | |
| Eva Napolean | .... | client services | |
| Boone Narr | .... | animal trainer | |
| Gordon Ng | .... | client services | |
| Matthew H. O'Connor | .... | assistant marine coordinator | |
| Matt O'Connor | .... | assistant marine coordinator | |
| Kathleen O'Reilly | .... | education department manager | |
| Eric Persons | .... | assistant location manager | |
| Rex Peterson | .... | head horse wrangler | |
| Gordon Pomroy | .... | first aid: second unit (as Gordon Pomeroy) | |
| Liz Radley | .... | video and computer graphics supervisor | |
| Angela Randazzo | .... | payroll accountant | |
| Sonia Randazzo | .... | second assistant accountant | |
| Sharron Reynolds | .... | script supervisor (as Sharron Reynolds-Enriquez) | |
| Jennessa Richert | .... | production assistant | |
| Deborah Ricketts | .... | stock footage researcher | |
| Christina Rollo | .... | assistant production coordinator | |
| Chris Romberg | .... | assistant accountant (as Christopher Romberg) | |
| Renee Russo | .... | client services | |
| Scott Safechuck | .... | marine crew (as Scott J. Safechuck) | |
| Jennifer Sanger | .... | executive production coordinator | |
| Chad Saxton | .... | production assistant: second unit | |
| Gina Segall | .... | solo voice | |
| Calvin Shatto | .... | marine crew | |
| George Shockley | .... | assistant location manager | |
| Christine Siemucha | .... | production assistant: second unit | |
| Stefanie Sparks | .... | payroll assistant | |
| Trish 'The Dish' Stanard | .... | production assistant (as Trish Stanard) | |
| Sheri St Lawrence | .... | second assistant accountant | |
| John H. Strahm | .... | assistant location manager | |
| Tony Swatton | .... | jeweller | |
| Rex M. Teese | .... | projectionist (as Rex Teese) | |
| Patience Thoreson | .... | script supervisor: second unit | |
| Dan Tipton | .... | production assistant | |
| Jim Turner | .... | production controller | |
| Lisette J. Vail | .... | stand-in: Naomi Watts | |
| Anne Van Den Avond | .... | additional accountant | |
| Daniel Villarreal | .... | production assistant | |
| Robert Warberg | .... | assistant location manager | |
| Robert Warberg | .... | location scout | |
| Troy Waters | .... | marine coordinator | |
| Alex L. Worman | .... | unit publicist (as Alex Worman) | |
| Ted Yonenaka | .... | craft service | |
| Robert 'Bobby Z' Zajonc | .... | helicopter pilot (as Robert Zajonc) | |
| Kurt Zelnak | .... | travel coordinator | |
| Annie Noel Applegarth | .... | location scout (uncredited) | |
| Carlos A. Aragon | .... | production assistant (uncredited) | |
| Carlos P. Cunha | .... | production assistant (uncredited) | |
| Kevin Du Toit | .... | assistant to post-production (uncredited) | |
| Jason Farrar | .... | production assistant: Seattle (uncredited) | |
| Erin Hemenway | .... | production assistant: second and third unit (uncredited) | |
| Elizabeth Jurado | .... | set production assistant (uncredited) | |
| Lorelei LaBella | .... | production assistant: Seattle (uncredited) | |
| Benjamin Lehman | .... | photo double: Martin Henderson (uncredited) | |
| Julia Milova | .... | body double: Naomi Watts (uncredited) | |
| Ben Pomeroy | .... | production assistant (uncredited) | |
| Bobby Ravanshenas | .... | assistant to cast (uncredited) | |
| Kait Raymond | .... | photo double: Daveigh Chase (uncredited) | |
| Kait Raymond | .... | stand-in: Daveigh Chase (uncredited) | |
| Lora Somoza | .... | assistant to director (uncredited) | |
| Lisette J. Vail | .... | photo double: Naomi Watts (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
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| Ringu | The Grudge 2 | Chakushin ari | La coda dello scorpione | Rasen |
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These last years, apart from the rendering of popular comic strips and the adaptation of TV series for the big screen, American cinema feels a vivacious interest for Oriental culture, especially the Japanese one. Quentin Tarantino's violent and hollow "Kill Bill" (2003/2004) was supposed to be an homage to the samurai movie (but I'm not a Tarantino buff by a long shot). In the derivative "the Last Samurai" (2003), Tom Cruise discovered the secrets and treasures of Japanese civilization while Sofia Coppola used the city of Tokyo as the backdrop for her triumphant "Lost in Translation" (2003). Gore Verbinski chose a more direct and easy way to get interested in Japanese culture: to make a remake of a Japanese movie which became a sleeper: "Ringu" (1998). Against all odds, he made a killing with it although he's an uneven director. "Mousehunt" (1997) was a formulaic but enjoyable comedy but "the Mexican" (2001) was a lame movie. Some friends had told me: "don't watch "the Ring", it's a hokey movie". I think they misjudged it and I found this supernatural thriller quite intriguing and gripping. It has enough commendable stuff in store to grab the audience. I haven't seen the original movie and so I will avoid any comparison.
The starting point promises great things and Verbinski will deliver them throughout his flick. The main character, Rachel wants to investigate about a mysterious and cursed videotape which causes the death of the viewer seven days after the latter watched it. What do these outlandish and eerie images mean? What lies beneath them? At her own risk, she and her son watch the video. She has one week to find out the meaning and the omen of the video. "The Ring" could well illustrate this famous premise: "to understand evil, we've got to go back to the sources...".
What distinguishes "the Ring" from other horror stuff of these last years is that there's a solid scenario which holds water until the very last minutes of Rachel's adventure and shelves quite an important number of formulaic ingredients. Special effects which have seemed to become the backbone for many horror flicks are used only when necessary and without flashy effects. Still better, Verbinski shows respect for the audience by clarifying as much as possible obscure points of the story. On an unhurried pace, Verbinski takes all his time to film Rachel's investigation. His directing is also worth the price of admission. It is well-crafted and set with clockwork precision for the schedule of spooky moments. Besides, what is notable in "the Ring" is that Verbinski delays as much as possible chilling sequences to better play with the viewer's nerves. This entails an unsettling aura which helps to convey a latent tension. Lighting and makeup shouldn't also be forgotten.
The thrust of "the Ring" isn't only to entertain and to make shiver. It is also doubled by a reflexion on the power of the image. One of the images of the film depicts a woman in front of a mirror looking at the camera. So, she's also looking at the viewer. This is unhealthy voyeurism that the movie denounces like the insensible media which expose to the mainstream, woes and sorrows of the victims and so manipulate the viewers' fears. The sequence during which Ann Morgan's husband is incensed by Rachel's will to learn more about Samara rings thoroughly true. Moreover, these seemingly maladjusted images embody symbols: the chair and the lighthouse illustrate loneliness, the figure at the window (a hint at "Psycho"?, 1960) might symbolize parental severity.
That said, Verbinski's genteel piece of work isn't exempted of drawbacks. Rachel's little boy is a cardboard character, a vague cousin of Haley Joel Osment in "the Sixth Sense" (1999). When Samara gets out of the well and the screen to kill Rachel's companion, it's nearly Punch and Judy and the first sequence with the two female students in their twenties something, all alone in a house in which strange phenomena and false alarms occur... well, you get the picture. But they're minor quibble and don't overflow too much on the thrill of the vision.
I repeat it: I haven't seen the Japanese ambassador but when a remake is able both to scare with reserve, without flashy special effects and to make the viewer think about what he watches, it can be gratifying. And in the case of "the Ring", rightly so...
A sequel "the Ring 2" opened last year. Is it worthwhile?