Sennen joyû (2001)

User Rating:

7.9/10   

Director:

Satoshi Kon

Writers:

Satoshi Kon (writer)
Sadayuki Murai (writer)

Release Date:

14 September 2002 (Japan)

Genre:

Animation | Drama | Romance

Plot:

A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star...

Plot Keywords:

Key | Actress | Cameraman | Candy Store | Real Movie Shown In Fictional Situation

Awards:

4 wins & 8 nominations

Cast

Miyoko Shôji	...	Chiyoko Fujiwara (70's) (voice)
Mami Koyama	...	Chiyoko Fujiwara (20-40's) (voice)
Fumiko Orikasa	...	Chiyoko Fujiwara (10-20's) (voice)
Shôzô Îzuka	...	Genya Tachibana (voice)
Shouko Tsuda	...	Eiko Shimao (voice)
Hirotaka Suzuoki	...	Junichi Ootaki (voice)
Hisako Kyôda	...	Mother (voice)
Kan Tokumaru	...	Senior Manager of Ginei (voice)
Tomie Kataoka	...	Mino (voice)
Masamichi Sato	...	Young Genya (voice)
Masaya Onosaka	...	Kyoji Ida (voice)
Masane Tsukayama	...	The Man with the Scar (voice)
Kôichi Yamadera	...	The Man of the Key (voice)
rest of cast listed alphabetically:
Stephen Bent	...	Junichi Otaki (voice: English version)
Matt Devereaux	...	The Man with the Scar (voice: English version)
Felicity Duncan Smith	...	Mother (voice: English version) (as Felicity Duncan)
Takkô Ishimori	...	Head Clerk (voice)
Jo Lee	...	Eiko Shimao (voice: English version)
Stuart Milligan	...	Kyoji Ida (voice: English version)
Regina Reagan	...	Chiyoko (Manga Entertainment 2005) (voice: English version)
Samantha Shaw	...	Mino (voice: English version)
John Vernon	...	Genya Tachibana / Senior Manager of Ginei (voice: English version)

Also Known As:

Millennium Actress (International: English title) (USA)

MPAA:

Rated PG for thematic elements, violence and brief mild language.

Runtime:

87 min

Country:

Japan | South Korea

Language:

Japanese

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:PG | UK:PG | Germany:12 | Portugal:M/6 | Finland:K-7 | South Korea:All | USA:PG | Canada:G | Singapore:PG

Company:

Bandai Visual Company

Trivia:

Commercially, the film performed modestly on its US release, earning $37,285 during its 3 week release. The film was shown almost exclusively in New York and Los Angeles, and received a minimal advertising campaign from Go Fish Pictures.

Goofs:

Plot holes: In the Chiyoko's home, two cameras are used, but there is only one camera operator.

Quotes:

Genya Tachibana: [Dressed and acting like a wandering medieval samurai] I always think that I would die for the woman I love.
Kyoji Ida: Maybe I will shoot him

Movie Connections:

Referenced in Paprika (2006)

Mastery of storytelling

Satoshi Kon is the extremely talented director who brought us the memorable Perfect Blue (1997) and perhaps changed the face of Japanimation forever. Here at his second feature film, ripe after a four years hiatus, he makes the wait well-worthed with a cunning cinematographic experience that literally plunges the viewer into the wonderful world of film.

Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.

This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.

I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...

A suivre...