| Photos (see all 56 | slideshow) | Videos (see all 7) |
| John Cusack | ... | Max Rothman | |
| Noah Taylor | ... | Adolf Hitler | |
| Leelee Sobieski | ... | Liselore von Peltz | |
| Molly Parker | ... | Nina Rothman | |
| Ulrich Thomsen | ... | Captain Mayr | |
| David Horovitch | ... | Max's Father | |
| Janet Suzman | ... | Max's Mother | |
| András Stohl | ... | NCO | |
| John Grillo | ... | Nina's Father | |
| Anna Nygh | ... | Nina's Mother | |
| Krisztián Kolovratnik | ... | Nina's Brother | |
| Peter Capaldi | ... | David Cohn | |
| Yuliya Vysotskaya | ... | Hildegard | |
| János Kulka | ... | Mr. Epp | |
| Katalin Pálfy | ... | Mrs. Epp | |
| Kevin McKidd | ... | George Grosz | |
| Heather Cameron-McLintock | ... | Ada Rothman (as Heather Cameron) | |
| Joel Pitts | ... | Paul Rothman | |
| Tamás Lengyel | ... | Franz | |
| Attila Árpa | ... | Wilhelm | |
| Daisy Haggard | ... | Heidi | |
| Gábor Harsai | ... | Waiter | |
| Paul Rattray | ... | Hans | |
| Derek Hagen | ... | Fritz | |
| Caroleen Feeney | ... | Saleslady | |
| Mike Kelly | ... | Herr Wulf | |
| Ben O'Brien | ... | Herr Eichinger (as Ben O'Brian) | |
| Agnes Becsei | ... | Singing Girl | |
| Tibor Soltenszky | ... | Antique Dealer | |
| Kerric Macdonald | ... | Heckler in Courtyard | |
| Matt Devere | ... | Freikorps Thug | |
| Judit Hernádi | ... | Frau Schmidt | |
| Kerry Shale | ... | Dr. Levi | |
| Heather Hermant | ... | Mrs. Levi | |
| László Borbély | ... | Erich | |
| Peter Linka | ... | Soldier in Courtyard | |
| László Görög | ... | Someone in Crowd | |
| Andor Tímár | ... | Ritter von Lieberfelt | |
| John Rado | ... | Organizer (as Janos Rado) | |
| Tamás Puskás | ... | Sidewalk Cafe Owner | |
| Pandora Colin | ... | Max's Sister-in-Law | |
| Rabbi Robert Frohlich | ... | Rabbi | |
| Róbertne Bánky | ... | Puppeteer | |
| Miklós Dörögdy | ... | Puppeteer | |
| Mariann Kovács | ... | Puppeteer | |
| Péter Bognár | ... | Puppeteer | |
| István Erdös | ... | Puppeteer | |
| rest of cast listed alphabetically: | |||
| Robert Whitelock | ... | Radio Announcer (uncredited) | |
Directed by | |||
| Menno Meyjes | |||
Writing credits(WGA) | ||
| Menno Meyjes | (written by) | |
Original Music by | |||
| Dan Jones | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Chris Wyatt | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Ben van Os | |||
Art Direction by | |||
| Tibor Lázár | |||
Set Decoration by | |||
| Ágnes Menyhárt | |||
Costume Design by | |||
| Dien van Straalen | |||
Makeup Department | |||
| Manyi Almássy | .... | additional hair stylist | |
| Manyi Almássy | .... | additional makeup artist | |
| Ildikó Aradi | .... | second assistant hair stylist | |
| Ildikó Aradi | .... | second assistant makeup artist | |
| Katalin Bakács | .... | additional hair stylist | |
| Katalin Bakács | .... | additional makeup artist | |
| Mara Bócz | .... | additional hair stylist | |
| Mara Bócz | .... | additional makeup artist | |
| Judit Endrényiné | .... | additional hair stylist (as Judit Endrényi) | |
| Judit Endrényiné | .... | additional makeup artist (as Judit Endrényi) | |
| Mariann Hufnágel | .... | additional hair stylist | |
| Mariann Hufnágel | .... | additional makeup artist | |
| Katalin Jakots | .... | key makeup artist: John Cusack | |
| János Jánosi | .... | additional hair stylist | |
| János Jánosi | .... | additional makeup artist | |
| Andrea Juhasz | .... | first assistant makeup artist | |
| Éva Kolontáry | .... | hair stylist | |
| Nóra Koltai | .... | additional hair stylist | |
| Nóra Koltai | .... | additional makeup artist | |
| Ildikó Makk | .... | hair stylist (as Ildiko Makk) | |
| Balázs Novák | .... | additional makeup artist | |
| Éva Szalai | .... | additional hair stylist | |
| Éva Szalai | .... | additional makeup artist | |
| Mónika Szatmári | .... | additional hair stylist | |
| Mónika Szatmári | .... | additional makeup artist | |
| Klára Takács | .... | additional hair stylist (as Takács Klári) | |
| Klára Takács | .... | additional makeup artist (as Takács Klári) | |
| Ancsa Tesner | .... | additional hair stylist | |
| Ancsa Tesner | .... | additional makeup artist | |
| Anna Tesner | .... | additional makeup artist | |
| Kati Tomola | .... | makeup supervisor | |
| Melinda Tompa | .... | additional hair stylist | |
| Melinda Tompa | .... | additional makeup artist | |
Production Management | |||
| Andrea Barzsó | .... | assistant unit manager | |
| Csaba Benedek | .... | unit manager | |
| John Nabereznyj | .... | post-production supervisor | |
| György Sánta | .... | unit production manager | |
| Gábor Szántó | .... | unit production manager | |
Art Department | |||
| Balázs Bajnok | .... | construction crew | |
| Victor Barabás | .... | construction crew | |
| István Berkes | .... | construction crew | |
| Béla Blazsej | .... | props | |
| Attila Budavári | .... | construction crew | |
| Attila Budavári | .... | construction manager | |
| László Bukor | .... | construction crew | |
| István Cicze | .... | construction crew | |
| Jane Clark | .... | storyboard artist | |
| Judit Csák | .... | assistant art director | |
| Miklós Diá | .... | construction crew | |
| Zoltán Hardy | .... | property master (as Zoltán Hardi) | |
| Richárd Tamás Janó | .... | construction crew | |
| Róbert Jász | .... | stand-by constructor | |
| Attila Kertész | .... | construction crew | |
| Tamás Kiss | .... | construction crew | |
| András Korein | .... | construction crew | |
| Géza Kotán | .... | construction crew | |
| Péter Kovács | .... | construction manager | |
| Mándor Kreidl | .... | props | |
| József Kudron | .... | construction crew | |
| Rajmund Kuszkó | .... | storyboard artist | |
| Antal Lakatos | .... | construction crew | |
| László Mohovics | .... | props | |
| László Molnár | .... | assistant property master | |
| Tamás Monori | .... | props | |
| Pál Ferenc Nagy | .... | props | |
| József Ócsai | .... | props | |
| Gábor Paul | .... | construction crew | |
| Zsolt Pocsai | .... | construction crew | |
| Imre Popovics | .... | construction crew | |
| Tibor Rigó | .... | construction crew | |
| Miklós Roszoka | .... | construction crew | |
| Zsolt Sajgó | .... | assistant construction manager | |
| Zoltán Sárközi | .... | construction crew | |
| Ferenc Simiglai | .... | construction crew | |
| Ferenc Simiglai | .... | painter | |
| András Sule | .... | construction crew | |
| Lajos Surányi | .... | construction crew | |
| Eszter Szabó | .... | painter | |
| Tamás Szabó | .... | construction crew | |
| Krisztina Szilágyi | .... | draft person | |
| János Szivák | .... | construction crew | |
| Tamás Tamási | .... | assistant set decorator | |
| Károly Turzai | .... | construction crew | |
| Péter Újvári | .... | props | |
| Karin Van Der Werff | .... | assistant to production designer | |
| Todd Van Hulzen | .... | artwork coordinator: pre-production | |
| Csaba Vásári | .... | stand-by constructor | |
Sound Department | |||
| Fred Brennan | .... | dialogue and adr editor | |
| Fred Brennan | .... | supervising sound editor | |
| Steph Carrier | .... | sound re-recording mixer | |
| Kathy Choi | .... | assistant dialogue editor | |
| Sue Conley | .... | adr editor | |
| Colin Cooper | .... | adr mixer | |
| Colin Cooper | .... | adr recordist | |
| Stacy Coutts | .... | assistant sound re-recording mixer | |
| Eliot Crackower | .... | control room operator | |
| Roderick Deogrades | .... | sound effects editor | |
| Frederic Gibert | .... | adr recordist | |
| Barry Gilmore | .... | adr editor | |
| Martin Gwynn Jones | .... | assistant sound effects editor | |
| Garrett Kerr | .... | dialogue editor | |
| Thomas Kodros | .... | sound consultant: Dolby (as Thomas G. Kodros) | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| David McCallum | .... | sound effects editor | |
| Bogi Móricz | .... | post-production sound recording coordinator | |
| György Simon | .... | boom operator | |
| Gábor Sipos | .... | boom operator | |
| István Sipos | .... | production sound mixer | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Ted Swanscott | .... | adr mixer | |
| Jane Tattersall | .... | sound effects editor | |
| Paul Virostek | .... | sound effects recordist | |
| Don White | .... | foley recording mixer | |
| Rebecca Wright | .... | foley mixer assistant | |
| David Yonson | .... | adr recordist | |
Special Effects by | |||
| Gábor Balogh | .... | special effects | |
| János Berki | .... | special effects (as Janos Berki-Berkenye) | |
| Furedi Csaba | .... | special effects technician (2002) | |
| Paul Denomme | .... | visual effects executive producer | |
| Attila Erczkovi | .... | special effects | |
| Gabor Kiszelly | .... | special effects technician | |
| Gyula Krasnyánszky | .... | special effects (as Gyula Krasnyanski) | |
| Ferenc Ormos | .... | special effects supervisor | |
| Iván Pohárnok | .... | prosthetics | |
| Ferenc Sárik | .... | special effects | |
| György Solymosi | .... | special effects | |
| László Takács | .... | special effects | |
| Ferenc Török | .... | special effects | |
| Attila Varsányi | .... | special effects | |
Visual Effects by | |||
| Jeff Baker | .... | technical supervisor | |
| Ian Britton | .... | digital compositor | |
| Drake Conrad | .... | scanning and recording | |
| Graham Cunningham | .... | lead 3D artist: Calibre Digital Pictures | |
| Peter Denomme | .... | visual effects producer: Calibre Digital Pictures | |
| Mark Fordham | .... | lead matte artist | |
| Rick Hannigan | .... | project coordinator | |
| Felix Heeb | .... | scanning and recording | |
| Noel Hooper | .... | lead digital compositor/supervisor | |
| Ariel Joson | .... | digital artist | |
| Gerry Legros | .... | visual effects producer | |
| Diana Madureira | .... | production coordinator: Cine-Byte | |
| Andrew Nguyen | .... | digital matte artist | |
| Anthony Paterson | .... | visual effects supervisor: Calibre Digital Pictures | |
| Chris Ross | .... | digital opticals effects | |
| Rick Saulnier | .... | visual effects coordinator | |
| Matt Schofield | .... | matte artist | |
| Mark Tureski | .... | digital opticals effects | |
| Rainy Venne | .... | roto/rig removal | |
| Allan Walker | .... | matte artist | |
Stunts | |||
| Zoltán Bodor | .... | stunts | |
| László Imre | .... | stunts | |
| Levente Lezsák | .... | stunt performer | |
| Domonkos Pardanyi | .... | stunts | |
| Erzsébet Szloboda | .... | stunts | |
| Béla Unger | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Andrea Bényi | .... | dresser | |
| Andrea Friebert | .... | dresser | |
| György Homonnay | .... | wardrobe supervisor | |
| Marie-Therese Jacobse | .... | assistant costume designer | |
| Péter Kincs | .... | dresser (as Peter Kincs) | |
| Gabi Komoróczy | .... | dresser | |
| József Lender | .... | dresser | |
| Andrea Nárai | .... | assistant wardrobe master | |
| Móni Simkó | .... | dresser | |
| Dóra Szóke | .... | dresser | |
| Nelli Szolnoki | .... | dresser | |
| Zoltán Trubel | .... | dresser | |
| József Varjú | .... | dresser | |
Editorial Department | |||
| Juliane Brown | .... | post-production assistant | |
| Kenn Elliott | .... | final colorist | |
| Chad Glastonbury | .... | negative cutter | |
| Chris Hinton | .... | color timer | |
| Chris Petrenko | .... | post-production assistant | |
| Catherine Rankin | .... | negative cutter | |
| Viola Regéczy | .... | color timer | |
| Jay Steckel | .... | post-production assistant | |
| Ron Wisman Jr. | .... | assistant editor | |
Music Department | |||
| Christopher Austin | .... | conductor | |
| Christopher Austin | .... | orchestrator | |
| Ben Foskett | .... | music preparation | |
| Dan Jones | .... | score mixer | |
| Oliver Ledbury | .... | orchestrator | |
| Dénes Rédly | .... | assistant recording engineer | |
| Jonathan Stokes | .... | music recording engineer | |
| Wayne Swingle | .... | music editor | |
| Attila Tõzsér | .... | score mixing engineer | |
Transportation Department | |||
| Sándor Panyi | .... | transportation captain | |
Thanks | |||
| Consuelo Accetti | .... | thanks | |
| Jeff Berg | .... | thanks | |
| Cassian Elwes | .... | thanks | |
| Mark Horowitz | .... | thanks | |
| Ken Kamins | .... | thanks | |
| Zsolt Kézdi-Kovács | .... | thanks | |
| John Lieberman | .... | thanks | |
| István Mikó | .... | thanks | |
| Gaby Morgerman | .... | thanks | |
| Sándor Pozsgay | .... | thanks | |
| János Reichenberger | .... | thanks | |
| Julia Rosenberg | .... | thanks | |
| Arthur Schneier | .... | thanks | |
| Jozsef Schweitzer | .... | thanks (as Professor Rabbi Jozsef Schweitzer) | |
| Eli Selden | .... | thanks | |
| Richard Soames | .... | thanks | |
| Trudie Styler | .... | thanks | |
| Gustâv Zoltai | .... | thanks | |
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| Die Blechtrommel | Sunshine | La grande illusion | Novecento | Mr. & Mrs. Bridge |
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First impressions can be deadly. Promises broken can cause real pain. Watch what you say and do because you never know who's watching. As a mainline protestant I believe that man, while he may strive to be good is essentially evil. `The road to hell is paved with good intentions,' if you will. I believe jealousy, greed, and avarice are very much a part of the human condition and its only through the grace of God we are not lost.
I say this to illustrate a point. MAX is the story of two men, each on a quest to do something good. Each has a noble goal and yet both end up on a collision course with History. The first man is Max Rothchild (John Cusak, High Fidelity) a German Jew who has just returned from WWI missing an arm. He has settled back into his comfortable life of wealth and prosperity, with his beautiful wife (Molly Parker, Kissed) and his beautiful children. He has a mistress (Leelee Sobieski, My First Mister), and is a chain smoker. He probably drinks more than he should as well. He is also unable to do what he really loves, which is paint, so he does the next best thing. He becomes an art dealer. If he cannot create art why not discover the next great artist.
The other man is Adolph Hitler (Noah Taylor, Almost Famous) a German, who has returned from the war with nothing. He lives in the army barracks because he cannot afford a home for himself. He follows the rules and is straitlaced. He will not smoke. He does not drink (not even coffee) and he loves his country, a German all the way. But he does long to be a great artist.
One day these two men start a relationship. It is amicable if strained. Max takes Hitler under his wing. Trying to get him to open up and embrace his art. Hitler becomes fed up and is dragged away from his art by the army. They have given him the platform he's always wanted, and with this platform Hitler begins to rail against the Jews, and those that threaten the great country that is Germany. In the end this one man is forced to chose between art and power. Real history tells us what decision he made.
MAX is a fictional account of the early life of one of history's most evil men. But what I really liked about it is that it makes an attempt to get to heart of why people make the decisions that they do. Why did German nationalism lead to violence and genocide? Why do some people who are tested by pain survive and thrive, and others can be in the same place and become bitter? Why and what turned Hitler himself into a monster? Did he have a run in with a Jew that broke a promise or treated him like crud? All these questions come to mind and MAX tries to come to gripes with them.
What I also like about this movie is it has no hero, but allows you as the audience to be empathetic to these men. Maybe Hitler has a point. Maybe he has the right the feel put upon by the world. Why, when he plays by the rules, does he live in the gutter, while a fast talking, hard drinking, chain smoking, adulterer has a warm bed? It would make me mad too and doesn't jealousy make us do some pretty drastic things.
Writer/ first time Director Menno Meyjes (The Seige `Screenplay') has crafted a compelling and challenging story. The film makes a monster into a human being, not by praising him but by asking the one question we all ask, why? It doesn't begin to editorialize on what Hitler became, but presents us with a man who can make the right decision or walk down the wrong road. Of course we can never change the past, but we can try to find out where it all went wrong.
John Cusack does a marvelous job of painting the picture of a good guy with a great heart, but too many flaws. There is a great scene near the end of the film where his wife confronts him with his adultery. Max never once says he's sorry, and I don't think his wife expects him too. But she loves him too much to run away. Will Max change his ways, maybe?
Noah Taylor's Hitler has the perfect nuance. On one hand he's a bottled up ball of rage about to explode, on the other he's this wide-eyed dreamer looking for a shot. This is the hardest kind of part to play because the audience already comes in with the picture of what and who Hitler is, and not who he is at this moment. While he is an object of scorn, and rightly so. You can and must empathize with him, or the performance is lost. Taylor plays the right chords, and it works.
My favorite scene in the films comes as Hitler is giving a speech about the supremacy of the Aryan race and Germany in a local bar and nobody is paying attention to him. Except one kid. Later in the film Hitler is giving a similar speech to a room of about a hundred people and guess who's sitting there. That single kid has turned into hundreds. An idea, no matter how wrong and misguided, has power. It reminds me of those KKK rallies, they show on the local news. Sure hundreds show up to berate these people, but if one person hears and is mad at the world, they can be easily swayed. Makes you think, that maybe what we say and do can have an effect on the people around us.
MAX was my favorite film from last year and rightly so. It's bold, controversial, and asks a lot of questions, other films haven't. But mostly it's a human story about two men and their unlikely friendship. It's about striving to do what's right and it's about the power of art. It's about propaganda and politics--Hero's and madmen. MAX is a great film. ***** (Out of 5)