| Aleksandra Gietner | ... | Tereska | |
| Karolina Sobczak | ... | Renata | |
| Zbigniew Zamachowski | ... | Edek | |
| Malgorzata Rozniatowska | ... | Tereska's Mother | |
| Krzysztof Kiersznowski | ... | Stasiek, Tereska's Father | |
| Violetta Arlak | ... | Sewing-School Teacher Jola (as W. Arlak) | |
| Andrzej Chudy | (as A. Chudy) | ||
| Janusz Hamerszmit | ... | Policeman Interrogating Tereska (as J. Hamerszmit) | |
| Elzbieta Kijowska | ... | Sewing-School Director (as E. Kijowska) | |
| Monika Kisla | ... | Shopkeeper (as M. Kisla) | |
| Slawomir Orzechowski | ... | Neighbour Kucharski (as S. Orzechowski) | |
| Zbigniew Modej | ... | Szary (as Z. Modej) | |
| Arkadiusz Nader | ... | Cop at Police Station (as A. Nader) | |
| Andrzej Szopa | ... | Choir Manager (as A. Szopa) | |
| Michal Górski | (as M. Górski) | ||
| D. Kapera | |||
| K. Kolodziej | |||
| A. Milewski | |||
| M. Niemyjski | |||
| A. Nowak | |||
| P. Sawicka | |||
| D. Staszewski | |||
| Mariusz Wojtan |
Directed by | |||
| Robert Glinski | |||
Writing credits | ||
| Jacek Wyszomirski | (screenplay and dialogue) & | |
| Robert Glinski | (screenplay and dialogue) | |
Produced by | |||
| Filip Chodzewicz | .... | executive producer | |
Original Music by | |||
| Jacek Kusmierczyk | |||
Cinematography by | |||
| Petro Aleksowski | |||
Film Editing by | |||
| Krzysztof Szpetmanski | |||
Production Design by | |||
| Elwira Pluta | |||
Costume Design by | |||
| Dorota Galezia | |||
Makeup Department | |||
| Janina Dybowska-Person | .... | makeup artist | |
Production Management | |||
| Lidia Gibas-Ber | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Karolina Bendera | .... | assistant director | |
| Witold Iwaszkiewicz | .... | assistant director | |
| Bozena Walinowicz-Pacholska | .... | assistant director | |
Art Department | |||
| Izabela Dowgielewicz | .... | assistant production designer | |
| Jan Kuklinski | .... | assistant production designer | |
| Grzegorz Witczak | .... | assistant production designer | |
Stunts | |||
| Zbigniew Modej | .... | stunts | |
Editorial Department | |||
| Robert Kruczek | .... | assistant editor | |
Music Department | |||
| Malgorzata Przedpelska-Bieniek | .... | music supervisor | |
Other crew | |||
| Adam Banach | .... | title designer | |
| Marta Jaroslawska | .... | production assistant | |
| Robert Kruczek | .... | video transfer | |
| Jacek Kwiatkowski | .... | production assistant | |
| Beata Ochmanska | .... | production assistant | |
| Malgorzata Powalka | .... | production assistant | |
| Jacek Szymanski | .... | title designer | |
| Aneta Wisniewska | .... | production assistant | |
| Andrzej Tarasewicz | .... | medical consultant (uncredited) | |
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| Crime and Punishment in Suburbia | River's Edge | My One and Only | Mystic River | Peau d'homme coeur de bête |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Poland section |
Hi Tereska is a bitter coming-of-age story set in the working-class neighborhood of a post-industrial Warsaw. Full of a talent that promises the possibility of a brighter future, Tereska, an aspiring fashion designer enrolls in a tailor-training program with dreams of fleeing her sordid surroundings for the glamorous fashion world of Paris. Yet how can she escape when everywhere she looks there is a no-exit sign? With its stunning black and white cinematography, the bleakness of Tereska's world is aptly depicted. From the pathetic figure of her drunken father and tired, working-class mother to the sting of betrayal by her only friend, the bright 15-year old is slowly tarnished and worn away by an environment that strips away her humanity because it offers her nothing else.
However, it would be too easy to write off Tereska as just another victim. Polish director Robert Glinski takes the film a step beyond the trappings of an oh-so sad too bad ruination of a bright kid, and genuinely shocks the audience with his uncompromising portrayal of the vicious cycle of poverty and violence. By the end of the film I was left reeling as I watched the downward spiral of a sweet girl becoming increasingly sadistic and cruel, her vulnerability a threat to not only herself, but to others as well.
First time actor Aleksandra Gietner, cast at a reform school, delivers a genuine and powerful performance that is at times painful to watch. Her style of acting is largely understated-emotions are not cheaply posed on the features, yet often swim just below the surface, contained by Tereska's hardened exterior, to escape only occasionally in an unadorned tear. The guardedness of Tereska's emotions does more to reveal her secret hopes and fears then out-right expression ever could.
Innocence lost is a common theme in cinema, yet rarely is it as bleak and unadorned as Hi Tereska. A bitter pill to swallow without any of the inane albeit soothing comic relief that often candy coats difficult issues in Hollywood film, Hi Tereska is not easy to stomach, but its stark honesty makes it worth the discomfort.