| Photos (See all 33 | slideshow) | Videos (see all 9) |
| Mel Gibson | ... | Rev. Graham Hess | |
| Joaquin Phoenix | ... | Merrill Hess | |
| Rory Culkin | ... | Morgan Hess | |
| Abigail Breslin | ... | Bo Hess | |
| Cherry Jones | ... | Officer Paski | |
| M. Night Shyamalan | ... | Ray Reddy | |
| Patricia Kalember | ... | Colleen Hess | |
| Ted Sutton | ... | SFC Cunningham | |
| Merritt Wever | ... | Tracey Abernathy, the Pharmacist | |
| Lanny Flaherty | ... | Mr. Nathan | |
| Marion McCorry | ... | Mrs. Nathan | |
| Michael Showalter | ... | Lionel Prichard | |
| Kevin Pires | ... | Brazilian Birthday Boy | |
| Clifford David | ... | Columbia University Professor | |
| Rhonda Overby | ... | Sarah Hughes | |
| Greg Wood | ... | TV Anchor | |
| Paul L. Nolan | ... | Mexico City Reporter (voice) (as Paul Nolan) | |
| Ukee Washington | ... | Off-Screen TV Anchor (voice) | |
| Babita Hariani | ... | Car Radio Voice (voice) | |
| Adam Way | ... | Radio Eye Witness (voice) | |
| Angela Eckert | ... | Soda Commercial Girl | |
| Jose L. Rodriguez | ... | Radio Host (voice) | |
| Paul Wilson | ... | Soda Commercial Singer (voice) | |
| Thomas Griffin | ... | Soda Commercial Singer (voice) | |
| rest of cast listed alphabetically: | |||
| Chuck Pressler | ... | Fireman (uncredited) | |
| Samantha Steffen | ... | Bo Stand In (uncredited) | |
Directed by | |||
| M. Night Shyamalan | |||
Writing credits(WGA) | ||
| M. Night Shyamalan | (written by) | |
Produced by | |||
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Sam Mercer | .... | producer | |
| M. Night Shyamalan | .... | producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Tak Fujimoto | |||
Film Editing by | |||
| Barbara Tulliver | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Larry Fulton | |||
Art Direction by | |||
| Keith P. Cunningham | |||
Set Decoration by | |||
| Douglas A. Mowat | (as Douglas Mowat) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Don Kozma | .... | assistant makeup artist (as Donald A. Kozma) | |
| Bernadette Mazur | .... | key makeup artist | |
| Francesca Paris | .... | key hair stylist | |
| Waldo Sanchez | .... | assistant hair stylist | |
Production Management | |||
| Lynn Andrews | .... | production supervisor | |
| Abby Callahan | .... | post-production supervisor (as Abigail Callahan) | |
| Sam Mercer | .... | unit production manager | |
| Jose L. Rodriguez | .... | executive in charge of production: Blinding Edge Pictures | |
| Gerald Scaife | .... | location production supervisor (as Jim Scaife) | |
Second Unit Director or Assistant Director | |||
| Maya Choldin | .... | dga trainee | |
| Frank Ferro | .... | first assistant director: second unit | |
| Brick Mason | .... | second unit director | |
| Alison C. Rosa | .... | second assistant director (as Alison Rosa) | |
| John Rusk | .... | first assistant director | |
| Kathryn-Ann Oaks Shertzer | .... | second second assistant director (as Kathryn Shertzer) | |
Sound Department | |||
| Paul Berolzheimer | .... | foley editor (as Paul Beroizheimer) | |
| Andrew Bock | .... | second assistant sound editor | |
| Lee Dichter | .... | sound re-recording mixer | |
| John P. Fasal | .... | sound effects recordist (as John Fasal) | |
| Chris Fitzgerald | .... | adr recordist | |
| Eric Gotthelf | .... | adr mixer | |
| Frank Graziadei | .... | utility cable (as Frank J. Graziadei) | |
| Michael Haight | .... | adr supervisor | |
| Michael Haight | .... | dialogue supervisor | |
| Gary A. Hecker | .... | supervising foley artist (as Gary Hecker) | |
| Richard King | .... | sound designer | |
| Richard King | .... | supervising sound editor | |
| Caseline T. Kunene | .... | sound effects voices | |
| Patricio A. Libenson | .... | foley supervisor (as Patricio Libenson) | |
| Tod A. Maitland | .... | sound mixer | |
| Tony Martinez | .... | adr & dialogue editor | |
| Michael W. Mitchell | .... | sound effects editor | |
| Douglas Murray | .... | adr recordist (as Doug Murray) | |
| Nancy Parker | .... | foley artist | |
| Eric Potter | .... | sound effects recordist | |
| Brian Ruberg | .... | foley artist | |
| Ambition Sandamela | .... | sound effects voices | |
| Michael Scott | .... | boom operator | |
| Michael Semanick | .... | sound re-recording mixer | |
| Marsha Sorce | .... | adr recordist | |
| Greg Steele | .... | adr mixer | |
| Hugo Weng | .... | dialogue editor | |
| Linda Yeaney | .... | first assistant sound editor | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Maurice Schell | .... | sound designer (uncredited) | |
Special Effects by | |||
| Michael Bird | .... | special effects technician | |
| Steve Cremin | .... | special effects supervisor | |
| Michael Frechette | .... | special effects technician | |
| Anh Le Hoang | .... | special effects technician | |
| Erik Jensen | .... | puppeteer (as E. Erik Jensen) | |
| William Lee | .... | special effects assistant supervisor | |
| Rodney Morgan | .... | puppeteer | |
| Andrew Mortelliti | .... | special effects technician | |
| Paul Sabourin | .... | special effects shop foreman | |
| Michael Steffe | .... | puppeteer | |
| John Stifanich | .... | special effects technician | |
| Thomas Viviano | .... | special effects technician | |
| Danny Wagner | .... | puppeteer (as Daniel J. Wagner) | |
| Mark Walas | .... | puppeteer | |
| Jim Boulden | .... | artificial dog replica (uncredited) | |
Visual Effects by | |||
| Charles Alleneck | .... | animator: ILM | |
| Joakim Arnesson | .... | computer graphics sequence supervisor: ILM | |
| Colin Benoit | .... | technical support: ILM | |
| Eric Brevig | .... | visual effects supervisor | |
| Carey Burens | .... | assistant visual effects editor | |
| Geoff Campbell | .... | digital modeler | |
| Robbie Clot | .... | practical effects: ILM | |
| Kingston Cole | .... | visual effects production assistant | |
| Rob Coleman | .... | animation supervisor | |
| Michael Conte | .... | digital compositor: ILM | |
| Ryan Cook | .... | technical director: ILM | |
| Jay Cooper | .... | digital compositor: ILM | |
| Marc Cooper | .... | technical director: ILM | |
| Gail Currey | .... | senior staff: ILM | |
| Beth D'Amato | .... | digital paint and roto supervisor | |
| Virgine d'Annoville | .... | animator: ILM (as Virginie Michel D'Annoville) | |
| Art David | .... | digital compositor: ILM | |
| Laura Denicke | .... | visual effects production assistant | |
| Andrew Doucette | .... | character animator: ILM | |
| C. Michael Easton | .... | character animator: ILM | |
| TyRuben Ellingson | .... | character designer: ILM | |
| Mike Ellis | .... | scanning operator | |
| Chrissie England | .... | senior staff: ILM | |
| Stefen Fangmeier | .... | visual effects supervisor | |
| Anthony Fung | .... | digital effects artist | |
| David Gainey | .... | animator: ILM | |
| Ryan Galloway | .... | digital artist | |
| Randy Gaul | .... | character designer: ILM | |
| Grantland Gears | .... | digital resource assistant: ILM | |
| Chris Goehe | .... | model maker: ILM | |
| Orin Green | .... | sabre artist | |
| Doug Griffin | .... | motion capture technician | |
| Nicholas Hasson | .... | visual effects technical assistant | |
| Carlos Huante | .... | character design supervisor: ILM | |
| Greg Hyman | .... | visual effects editor | |
| Edward Jones | .... | technical support: ILM (as Ed Jones) | |
| Maia Kayser | .... | animator: ILM | |
| Michael Kennedy | .... | digital compositor | |
| Audra Koklys | .... | motion capture coordinator | |
| Donna Lanasa | .... | technical director: ILM | |
| Lenny Lee | .... | creature developer | |
| Joshua Levine | .... | technical director: ILM (as Josh Levine) | |
| Sean MacKenzie | .... | digital compositor: ILM | |
| Tia L. Marshall | .... | digital compositor: ILM (as Tia Marshall) | |
| Scott McNamara | .... | model maker: ILM | |
| Richard Miller | .... | character designer: ILM | |
| Todd Mitchell | .... | scanning operator: ILM (as Todd Mitchel) | |
| Terry Molatore | .... | viewpaint artist | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Rick O'Connor | .... | CG animator | |
| Michael Olague | .... | visual effects gaffer | |
| Jeff Olson | .... | visual effects producer: ILM | |
| Hiromi Ono | .... | technical director: ILM | |
| Eddie Pasquarello | .... | compositing supervisor: ILM | |
| Mark Powers | .... | animator: ILM | |
| Corey Rosen | .... | creature developer | |
| Corey Rosen | .... | creature technical director: ILM | |
| Jeff Saltzman | .... | 3D matchmove artist (as Jeffrey Saltzman) | |
| Victor Schutz | .... | visual effects technical director | |
| Amy Shepard | .... | lead digital paint and roto artist: ILM | |
| M. Zachary Sherman | .... | digital effects artist | |
| Kenneth Smith | .... | digital color timing supervisor: ILM | |
| Scott Smith | .... | production engineering | |
| Rick Sparr | .... | opticals | |
| Tim Stevenson | .... | animator: ILM | |
| Jeff Sutherland | .... | digital compositor | |
| Stephanie Taubert | .... | digital plate restorator | |
| Lisa Todd | .... | visual effects production coordinator: ILM | |
| Tristan Tom | .... | digital matte technical support: ILM | |
| Hans Uhlig | .... | computer graphics sequence supervisor: ILM | |
| Paola Varvaro | .... | digital plate restorator | |
| Todd Vaziri | .... | compositor: ILM | |
| Omz Velasco | .... | digital modeler | |
| Lauren Vogt | .... | character designer: ILM | |
| Christopher Waters | .... | visual effects production accountant | |
| John Whisnant | .... | location matchmove technician: ILM | |
| Huck Wirtz | .... | animation supervisor | |
| Kevin Wooley | .... | motion capture technician | |
| Habib Zargarpour | .... | associate visual effects supervisor: ILM | |
| Salvatore Catanzaro | .... | apprentice editor: ILM (uncredited) | |
| Zachary Cole | .... | technical support: ILM (uncredited) | |
| Stuart Lowder | .... | manager (uncredited) | |
| Kristen Millette | .... | sabre artist (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| Mike Sanders | .... | motion capture (uncredited) | |
| Danny Wagner | .... | character design group: ILM (uncredited) | |
Stunts | |||
| Jake Brake | .... | stunt rigger (as Jack 'Jake' Brake) | |
| Jeff Chase | .... | stunts intruder | |
| Jeff Habberstad | .... | stunt coordinator (as Jeff Haberstad) | |
| Shane Habberstad | .... | stunt double: Morgan Hess | |
| Keii Johnston | .... | stunt double: Graham Hess | |
| Derek Mears | .... | stunt intruder | |
| Brian Smrz | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sheridan Braxton | .... | company grip | |
| Michael W. Brennan | .... | company electrician | |
| Richard Brooks Burton | .... | first assistant camera: second unit (as Richard Burton) | |
| Patrick Capone | .... | director of photography: second unit | |
| Brian Carmichael | .... | video assist operator | |
| Mark Catania | .... | grip | |
| Jian Cong | .... | second assistant camera: second camera | |
| Andrew Reed Conner | .... | company electrician | |
| Daniel C. Cook | .... | additional second assistant camera | |
| Jason Cortazzo | .... | additional best boy grip | |
| David A. Darrowski | .... | rigging grip | |
| Glenn Davis | .... | company electrician (as Glenn R. Davis) | |
| Thomas Devine | .... | additional electrician | |
| John Duncan Jr. | .... | rigging electrician | |
| Mark Fiedler | .... | company electrician | |
| William P. Fiedler | .... | generator operator | |
| Carlos Omar Guerra | .... | first assistant camera: second camera (as Carlos Guerra) | |
| Brian Heller | .... | aerial director of photography | |
| Brian Heller | .... | camera operator: second unit | |
| Gregory F. Johnson | .... | rigging grip | |
| Bill Jones | .... | dolly grip | |
| Craig Ligget | .... | rigging gaffer (as Craig Heston Ligget) | |
| Steven Litecky | .... | assistant chief lighting technician (as Steve Litecky) | |
| David W. Lowe | .... | company grip | |
| Rob Mabin | .... | rigging electrician | |
| Frank Masi | .... | still photographer | |
| Ken McCallum | .... | company grip | |
| Tom McCarthy | .... | rigging electrician | |
| Joe Mellon | .... | rigging grip (as Joseph Mellon) | |
| Billy Miller | .... | key grip | |
| Vincent Morsillo | .... | rigging grip | |
| Christopher Murphy | .... | 24 frame video operator | |
| Christopher Murphy | .... | video assist operator | |
| Cheri Cameron Newell | .... | still photographer | |
| Richard Nordaby | .... | rigging grip | |
| David B. Nowell | .... | aerial director of photography: second unit | |
| David B. Nowell | .... | camera operator: second unit | |
| Scott H. Ramsey | .... | chief lighting technician (as Scott Ramsey) | |
| Kimberly A. Rial | .... | company grip | |
| Daniel Rieser | .... | company grip (as Daniel E. Rieser) | |
| Kyle Rudolph | .... | camera operator | |
| Darren Ryan | .... | 24 frame video operator | |
| Leon Sanginiti | .... | additional second assistant camera (as Leon S. Sanginiti Jr.) | |
| Jon Sibert | .... | best boy grip | |
| Jon Sibert | .... | key rigging grip | |
| Baird Steptoe | .... | camera technician (as Baird Benton Steptoe Sr.) | |
| Jill Tufts | .... | first assistant camera: second unit | |
| Jarvis B. Wilsher | .... | rigging electrician | |
| John Young | .... | second assistant camera | |
| Michael M. Silver | .... | electrician (uncredited) | |
Animation Department | |||
| TyRuben Ellingson | .... | character designer: ILM | |
| Rick O'Connor | .... | animator | |
Casting Department | |||
| Jordan Beswick | .... | casting associate | |
| Brandon E. Brooks | .... | extras casting intern | |
| Barbara Harris | .... | voice casting | |
| Diane Heery | .... | extras casting associate | |
| Mike Lemon | .... | extras casting | |
| Mike Lemon | .... | local casting | |
| Cindy Tolan | .... | casting associate | |
Costume and Wardrobe Department | |||
| Amy Andrews | .... | costume supervisor | |
| Myron Baker | .... | costumer: Mr. Gibson | |
| Teresa Binder | .... | key costumer (as Teresa Binder-Westby) | |
| Melissa Haley | .... | costumer production assistant | |
| Iris Horta Lemos | .... | costumer | |
| Michelle Matland | .... | assistant costume designer | |
| Kara Morasco | .... | seamstress | |
| Amy Roth | .... | costumer | |
Editorial Department | |||
| Kate Eales | .... | second assistant editor | |
| Conor Guy | .... | apprentice film editor (as J. Conor Guy) | |
| May Kuckro | .... | assistant editor | |
| Joe Landauer | .... | first assistant editor: avid | |
| Mary Beth Smith | .... | negative cutter | |
| Jeff Smithwick | .... | color timer | |
| Dennis Thorlaksen | .... | assistant editor | |
| Renannah Weinstein | .... | first assistant editor: film (as Renannah Seliger) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Tom Boyd | .... | musician: oboe soloist | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Thomas S. Drescher | .... | music editor (as Thomas Drescher) | |
| James T. Hill | .... | electronic score producer | |
| James Newton Howard | .... | score producer | |
| Kira Lewis | .... | assistant recording engineer | |
| Shawn Murphy | .... | score recordist | |
| Shawn Murphy | .... | scoring mixer | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: French horn | |
| Mark Graham | .... | music copyist (uncredited) | |
Transportation Department | |||
| Gregory J. Cimino | .... | driver: cast trailer | |
| William McCleery | .... | driver: grip truck | |
| John Morrone III | .... | transportation coordinator (as John F. Morrone III) | |
| John Tarlini Sr. | .... | transportation co-captain | |
Other crew | |||
| Dawn Barkan | .... | animal coordinator | |
| Joseph Barry | .... | stand-in: Rory Culkin | |
| Thomas 'Doc' Boguski | .... | production coordinator | |
| Adrienne Boyd | .... | office production assistant | |
| Jesse Russell Brooks III | .... | production assistant | |
| Abby Callahan | .... | assistant: Mr. Mercer | |
| James D. Carter | .... | location projectionist | |
| Colleen Casey | .... | production assistant | |
| John Catron | .... | production accountant | |
| Andrew Cinquino | .... | production assistant | |
| Richard A. Clark | .... | key assistant location manager | |
| Brad Clements | .... | production assistant | |
| Jason Currie | .... | office production assistant | |
| Josh Dorn | .... | set production assistant | |
| Dianne Dreyer | .... | script supervisor | |
| Megan Fenerty | .... | assistant production coordinator | |
| Frances Fiore | .... | unit publicist | |
| Jennifer Zolten Freed | .... | post-production accountant | |
| Tim Hussar | .... | production assistant | |
| Felicity Jones | .... | double: intruder | |
| Tudor Jones | .... | set production assistant | |
| Meghan Keener | .... | additional set production assistant | |
| Chance Kelly | .... | double: intruder | |
| Kathleen Kelly | .... | key medic | |
| Mara Kerum | .... | caterer | |
| Audrey Kerwood | .... | accounting clerk | |
| Elyse Klaits | .... | assistant: Ms. Kennedy | |
| Laura MacDonald | .... | stand-in | |
| Paul Manion | .... | additional production assistant | |
| Paula M. Mastrocola | .... | assistant: Mr. Shyamalan | |
| Mark Mayer | .... | first assistant accountant | |
| Patrick McDonald | .... | set production assistant | |
| Maureen McEvoy | .... | set production assistant | |
| Brett McKenzie | .... | office production assistant | |
| Amanda Miller | .... | double: intruder | |
| Chuck Morris | .... | assistant: Mr. Gibson | |
| Patricia Navone | .... | craft service | |
| Alex Nikolic | .... | media producer: Yugoslavia, Macedonia | |
| Paul L. Nolan | .... | voice-over | |
| Sharon Pinkenson | .... | film commissioner | |
| Alan D. Purwin | .... | helicopter pilot (as Alan Purwin) | |
| Mary T. Radford | .... | assistant: Mr. Marshall (as Mary Radford) | |
| David Raynor | .... | production secretary | |
| Michael Riley | .... | teaser designer | |
| Margo Romano | .... | second assistant accountant | |
| Julian Ruhe | .... | location assistant: second unit | |
| Carmen S. Santoro | .... | shop foreman | |
| Gerald Scaife | .... | facilities supervisor (as Jim Scaife) | |
| Jonathan Schwartz | .... | assistant: Ann Roth | |
| Saleka Shyamalan | .... | art works | |
| Penni Smith | .... | payroll accountant (as Penni M. M. Smith) | |
| Christopher Sneade | .... | set production assistant | |
| Shannon Stewart | .... | craft service | |
| Jessica Stone | .... | double: intruder | |
| Andrew L. Ullman | .... | location manager (as Andrew Ullman) | |
| Paul Vigay | .... | researcher | |
| David Vogt | .... | helicopter pilot (as David C. Vogt) | |
| Danny Wagner | .... | puppeteer | |
| Kevin P. Williams | .... | office production assistant | |
| Tim Ballou | .... | script clearance manager (uncredited) | |
| Van Cameron | .... | stand-in: Mel Gibson (uncredited) | |
| Brad Clements | .... | additional set production assistant (uncredited) | |
| Bill Richards | .... | helicopter pilot (uncredited) | |
| Tim Williams | .... | animal trainer (uncredited) | |
Thanks | |||
| Steve Garfinkel | .... | special thanks | |
| Bill Nisselson | .... | in memory of | |
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| Hate Crime | In Cold Blood | The Reaping | Dreamcatcher | The War of the Worlds |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
My thoughts on M. Night Shyamalan's SIGNS
Rated: PG (Canada), PG-13 (U.S.)
Starring: Mel Gibson, Joaquin Phoenix, Rory Kulkin, Abigail Breslin, Cherry Jones and M Night Shayamalan
"Daddy there's a monster beside my bed, can I have a glass of water?"
When Graham (Mel Gibson) and Merill Hess (Joaquin Phoenix) discover 50 ft circle and square shapes carved in their crops, the two try and find out the truth behind what is going on. However, what Graham learns soon is that the battle he will soon be facing is not that of extra terrestrial beings but that within his own self.
In facing a universal theme of life on other planets, Shyamalan's handling is different from your ordinary type of supernatural movie. This is because the underlying theme of this movie is not aliens, but in fact, it is faith. Faith in something larger, faith of miracles, faith that nothing in this life is coincidental and everything happens for a reason. The theme of this movie is not survival of outer forces rather than survival of internal and seemingly more powerful than what is even happening outside.
There is not a single movie that is out there which scares the viewer on a level of things they are NOT seeing rather than what they do see. It does not deserve to be classified in any category because this film is in a league of its own. The base of supernatural and extra terrestrial beings in this case forms the base for human self exploration and finding who they truly are.
PERFORMANCES
In all sequences, Shyamalan concentrates on character development and even from the first scene, we seemingly have a look into the world of a man, who is emotionally wounded, and yet silent and powerful. Shyamalan has gone with Mel Gibson to play the title role, which some fans of M. Night would have rather gone with Bruce Willis who has played the quiter type role in Sixth Sense and even starred in Shyamalan's "Unbreakable". However, from the very first frame, you can see that Gibson becomes the role and lives through the role. In terms of his performance, the transformation he goes through the entire frame of the movie really is a true testament to the powerful skill that this actor embodies. In many scenes, his eyes do the talking, and it takes a powerful director to really capitalize on what Gibson does in this type of role.
Joaquin Phoenix, playing Graham's brother Merill, is a powerful support in the movie. His character gains a lot of sympathy. Even as he is trying to find his place in the world, his support for his family is unwavering, making this role one of the most sympathetic and yet powerful roles the talented actor has ever faced.
Once again, Shyamalan gets unbelievably powerful performances from his child artistes in this movie. Rory Culkin, playing Graham's son in the movie, as well as Abigial Breslin, give such emotion filled performances that it really surprises us that Shyamalan can extract performances of this calibre from them.
Even Cherry Jones, who plays the local police officer, puts in a realistic and heartfelt performance as the local police officer in Graham's community.
Finally, Shyamalan himself makes a mark in the film. His role is an essential one and yet does not require many scenes. Shyamalan pulls them off with full ease and power.
DIRECTION/SCREENPLAY
If you try and compare "Signs" to any previous movies you may be able to find some ground from this movie in Shyamalan's first movie, "The Sixth Sense". However, in terms of comparisons, this is where they end. Shyamalan knows how to create and move in terms of environment, which is very important for all his movies. Shyamalan's direction is powerful and really gets under the skin of the characters.
Being a thriller, Shyamalan has used an older technique, where he uses comedy to offset a particular mood, even in the gravest of scenes. Shyamalan pulls this off extremely well, even as the screenplay pulls into frightening moments. It takes a brilliant filmmaker to do something like this even when the mood of the scene is totally contrasting to that of what the audience is experiencing.
Its something refreshing to see a brand new director like Shyamalan using the rules of filmmaking that have been forgotten by many of the newer filmmakers these days into making something so powerful and so refreshingly different for the summer. While many new filmmakers base their movies on subjects that really don't take any risks, Shyamalan has made a seemingly new genre, one of self exploration and discovery while in the face of fear or adversity. There is no other film like this one, as it takes two genres and really powers itself into making a seemingly hard hitting combination.
Even the title of the film has a meaning, as the signs are everywhere. There are subtle and hidden messages everywhere, from the scene where Merill is in the Army office and the Recruiter is speaking, or the flashback sequences which Mel Gibson has of a particular incident in his life.
OVERALL EFFECT
This film is unlike any other film to have ever come out in the genre of supernatural thriller or drama. Its something that lets you leave the cinema thinking truly that in this life there are no coincidences and things happen for a reason. As Gibson said in the film, there are two kinds of people. There are those who believe that everything happens for a reason and that we are not alone; and there are those who believe that we live in metaphysical solitude. There are people with faith and without it. He now has to figure out which group he belongs to, and so he does in the chilling climax.
The film is one of the most powerful pieces of cinema I have witnessed and simply put is a much watch.
Rating: 10 out of 10