| Jeremy Northam | ... | Morgan Sullivan | |
| Lucy Liu | ... | Rita Foster | |
| Nigel Bennett | ... | Finster | |
| Timothy Webber | ... | Callaway | |
| David Hewlett | ... | Virgil C. Dunn | |
| Kari Matchett | ... | Diane | |
| Kristina Nicoll | ... | Amy | |
| Joseph Scoren | ... | Digicorp Technician #1 | |
| Stephen Brown | ... | Digicorp Technician #2 | |
| Arnold Pinnock | ... | Pilot In Mensroom | |
| Jocelyn Snowdon | ... | Stewardess to Buffalo | |
| Boyd Banks | ... | Fred Garfield | |
| Steve Jackson | ... | Waiter Buffalo | |
| Dan Duran | ... | Buffalo Speaker #1 | |
| Valerie Buhagiar | ... | Buffalo Speaker #2 | |
| Roberta Angelica | ... | Stewardess to Omaha | |
| George Santino | ... | Rita's Agent #1 | |
| Nelson Tynes | ... | Rita's Agent #2 | |
| Denis Akiyama | ... | Speaker Omaha | |
| Vickie Papavs | ... | Desk Clerk Boise | |
| Murray Furrow | ... | Hotel Janitor Boise | |
| Scott McLaren | ... | Convention Waiter Boise | |
| David Bolt | ... | Speaker #1 Boise | |
| Len Carlson | ... | Speaker #3 Boise | |
| Les Porter | ... | Man In White Coat Boise | |
| Bruce McFee | ... | Businessman Boise | |
| Judy Sinclair | ... | Elderly Woman In Elevator | |
| Shanly Trinidad | ... | Gate 15 Clerk Boise | |
| Anne Marie Scheffler | ... | Stewardess Boise | |
| Mike O'Shea | ... | Sunways Security Guard | |
| Andrew Moodie | ... | Sunways Neuro Technician | |
| Malcolm Xerxes | ... | Sunways Technician #1 | |
| Matthew Sharp | ... | Sunways Technician #2 | |
| Peter Mensah | ... | Vault Security | |
| David Bryant | ... | Pilot #2 In Washroom | |
| Alec Stockwell | ... | Digicorp Technician #2 | |
| Matt Cooke | ... | Digicorp Technician #3 | |
| Marcus Hutchings | ... | Jamison | |
| rest of cast listed alphabetically: | |||
| Sevaan Franks | ... | Tomas Street (uncredited) | |
Directed by | |||
| Vincenzo Natali | |||
Writing credits(WGA) | ||
| Brian King | (written by) | |
Produced by | |||
| Richard J. Anobile | .... | associate producer | |
| Shebnem Askin | .... | executive producer | |
| Paul Federbush | .... | producer | |
| E.K. Gaylord II | .... | executive producer | |
| Wendy Grean | .... | producer | |
| Casey La Scala | .... | producer (as Casey LaScala) | |
| Hunt Lowry | .... | producer | |
Original Music by | |||
| Michael Andrews | |||
Cinematography by | |||
| Derek Rogers | (director of photography) | ||
Film Editing by | |||
| Bert Kish | |||
Casting by | |||
| John Buchan | |||
| Junie Lowry-Johnson | (as Junie Lowry Johnson) | ||
Production Design by | |||
| Jasna Stefanovic | |||
Art Direction by | |||
| James Phillips | (as Jim Phillips) | ||
Set Decoration by | |||
| Megan Less | |||
Costume Design by | |||
| Robin Bigglestone | (as Robin Biggleston) | ||
| Tamara Winston | |||
Makeup Department | |||
| Julia Carter | .... | makeup artist | |
| Katarina Chovanec | .... | key hair stylist | |
| Debi Drennan | .... | key makeup artist | |
| Leslie Dumbleton | .... | makeup artist | |
| Paul Jones | .... | special makeup effects artist | |
| Danielle Lee | .... | hair stylist (as Daniele Goldschlager) | |
| Mira Lee | .... | makeup artist | |
| Tony Mastropietro | .... | hair stylist (as Toni Mastropietro) | |
| Ron Rhodda | .... | hair stylist (as Ron Rodda) | |
| Shawn Smandych | .... | hair stylist | |
Production Management | |||
| Lynn Mallay | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gregory Besky | .... | third assistant director | |
| Ray Elias | .... | first assistant director: second unit | |
| Jeremy Graham | .... | second assistant director: second unit | |
| Jennifer Kiefaber | .... | trainee assistant director | |
| Cameron Kuc | .... | trainee assistant director | |
| William Phillips | .... | second unit director | |
| Eric J. Robertson | .... | second assistant director | |
| William Spahic | .... | first assistant director (as Bill Spahic) | |
| Graham Tallman | .... | assistant director | |
| Sean Watson | .... | daily trainee assistant director | |
| Greg Sigurdson | .... | assistant director (uncredited) | |
Art Department | |||
| Jean Brophey | .... | set dresser | |
| Todd Cherniawsky | .... | conceptual illustrator | |
| Simon Corton | .... | assistant property master | |
| Dwight Doerksen | .... | construction coordinator | |
| Emerson Doerksen | .... | props | |
| Ed Doerkson | .... | head carpenter | |
| Craig Grant | .... | props: second unit | |
| Brad Greaves | .... | assistant art director | |
| Craig Harris | .... | set dresser | |
| Rob Hepburn | .... | assistant decorator | |
| Jason Herriott | .... | key scenic | |
| Dan Norton | .... | set designer | |
Sound Department | |||
| Stephen Barden | .... | supervising sound editor | |
| Steve Bourne | .... | sound mixer (as Stephen Bourne) | |
| Joe Bracciale | .... | sound editor | |
| Alex Bullick | .... | trainee assistant sound editor | |
| Christian Carruthers | .... | sound re-recording mixer | |
| Kate Cripps | .... | trainee assistant sound editor | |
| J.R. Fountain | .... | first assistant sound editor | |
| Rose Gregoris | .... | assistant sound editor | |
| Craig Henighan | .... | supervising sound editor | |
| Jorge Muniz | .... | boom operator | |
| Peter Persaud | .... | foley recordist | |
| Jill Purdy | .... | sound editor | |
| John Sievert | .... | foley artist | |
| Andrew Tay | .... | sound re-recording mixer | |
| Todd Warren | .... | sound re-recording mixer | |
| Larry Winer | .... | adr mixer | |
Special Effects by | |||
| Jon Davis | .... | special effects technician | |
| Brock Jolliffe | .... | special effects supervisor | |
| Rudy Rivas | .... | key special effects | |
Visual Effects by | |||
| Michael Alkan | .... | technical director | |
| Paul Anderson | .... | visual effects artist: C.O.R.E. Digital Pictures | |
| Jesse Bradstreet | .... | visual effects | |
| Lisa Carr-Harris | .... | digital effects artist | |
| Bret Culp | .... | visual effects director | |
| Paul DeOliveira | .... | digital compositor | |
| Mark Goldberg | .... | digital effects artist | |
| Maria A. Gordon | .... | visual effects | |
| Dipankar Goswamy | .... | lead animator | |
| Dipankar Goswamy | .... | technical director | |
| Rob Gyorgy | .... | digital effects artist | |
| Nick Hsieh | .... | digital compositor | |
| Kelvin Kanagaraj | .... | visual effects animator | |
| Chad Malbon | .... | digital film producer | |
| Bob Munroe | .... | visual effects supervisor | |
| David E. Nunez | .... | 3D animator | |
| Ken Ouellette | .... | compositor | |
| Ken Ouellette | .... | technical director | |
| Sarah Ruddle | .... | visual effects production manager | |
| Brian A. Smeets | .... | digital artist | |
| Laurel A. Smith | .... | houdini artist: C.O.R.E. digital pictures | |
| Jay Stanners | .... | digital effects artist | |
| Martin Tori | .... | on set visual effects supervisor | |
| Tracey Vaz | .... | digital paint artist | |
| Kurt D. Williams | .... | 3D animator | |
| David Willows | .... | visual effects artist | |
| Alphonso Young | .... | digital compositor | |
Stunts | |||
| Tom Farr | .... | stunts | |
| Sandra Feldman | .... | stunts (as Sandy Feldman) | |
| Jamie Jones | .... | stunts | |
| John MacDonald | .... | stunt double: Jeremy Northam | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunts | |
Camera and Electrical Department | |||
| Jordan Cushing | .... | second assistant camera | |
| Dave Erlichman | .... | key rigging grip | |
| Michael Fylyshtan | .... | Steadicam operator | |
| Neil Kilpatrick | .... | camera trainee | |
| Tim Merkle | .... | Steadicam operator | |
| Robert Mountjoy | .... | first assistant camera | |
| Brooke Palmer | .... | still photographer | |
| Derek Porter | .... | best boy electric | |
| Derek Rogers | .... | camera operator | |
| Carl Savage | .... | dolly grip | |
| James Tamblyn | .... | video playback operator | |
| Christopher J. Toudy | .... | key grip: second unit | |
| Scott Tremblay | .... | electrician | |
| David Watts | .... | electrician | |
| Greg Whiteside | .... | video playback operator | |
| David Perkins | .... | camera operator: "b" camera (uncredited) | |
Costume and Wardrobe Department | |||
| Frances Cabezas Miller | .... | wardrobe buyer (as Frances Cabezas-Miller) | |
| Darci Cheyne | .... | seamstress (as Darcy Cheyne) | |
| Laura Wentzell | .... | wardrobe | |
| Kafi Wilson | .... | seamstress | |
Editorial Department | |||
| Kenn Elliott | .... | digital intermediate colorist | |
| Colin Kish | .... | assistant editor | |
Music Department | |||
| Debra Baum | .... | executive music producer (as Debra A. Baum) | |
Transportation Department | |||
| Rick Anglin | .... | production driver | |
| Jeff Blake | .... | driver: honeywagon (2001) | |
Other crew | |||
| Dave Asling | .... | model shop supervisor | |
| Louis Berger | .... | assistant: Mr. Federbush | |
| Dan Brooks | .... | key model maker | |
| Lisa Burling | .... | script supervisor | |
| Koreann Ciandre | .... | set supervisor | |
| Peter Edmonds | .... | key electronics technician | |
| Gabe Fallus | .... | location manager | |
| Paul Franklin | .... | assistant location manager | |
| Peter Gmehling | .... | assistant video playback operator | |
| Katharine Gray | .... | assistant production coordinator (as Katherine Gray) | |
| Amy Green | .... | head of production: Headspace Films | |
| Pamela Hackwell | .... | contact lens technician | |
| Sacha Hindle | .... | assistant video playback operator (as Sasha Hindle) | |
| Michael Joffe | .... | intern | |
| Hal Kay | .... | assistant video playback operator | |
| Aileen Kiernan | .... | assistant: Hunt Lowry | |
| Darron Leiren-Young | .... | first assistant production coordinator | |
| Linda Lockett | .... | production coordinator | |
| Andrei Natali | .... | assistant: Vincenzo Natali | |
| Marie A. Nazar | .... | publicist | |
| Peter Olczak | .... | assistant set supervisor | |
| Shannon Ratcliffe | .... | assistant: Ms. Liu | |
| Steve Robinson | .... | VP operations: TOYBOX | |
| Kiri Stenberg | .... | assistant video playback operator | |
| Charles Taylor | .... | armorer | |
| Charles Taylor | .... | gun handler | |
| Dave Tommasini | .... | helicopter pilot | |
| Vanessa Brustolin | .... | production coordinator (uncredited) | |
| George Ploszczansky | .... | assistant location manager (uncredited) | |
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| Inception | Mr. & Mrs. Smith | Three Days of the Condor | Original Sin | Salt |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
Morgan Sullivan is a businessman who, rather than work for his father-in-law, takes a strange job working as a corporate spy for a company called Digicore. His assignments are simple and boring; attend a conference and use a covert device to transmit the speeches back to HQ. At one conference he meets a mysterious woman called Rita and flirts with her. On his flights and during his sleep he is bothered by vivid dreams and voices in his head; he thinks nothing of it but then his next meeting with Rita reveals something much more sinister than the basic assignments he thought he was getting and he soon finds himself in deep.
I had never heard of this film at all before watching it, nor did I even know anything about it whatsoever and I only ended up watching it because I had FilmFour free one weekend and this was one of the few films that they showed that was worth seeing. I'm glad I came to it with nothing because I found myself engaged from the start and the twisty plot was great fun even if the final five minutes could never have hoped to have delivered above and beyond what had come before. There are those that complain about the ending being "terrible" are perhaps being too harsh although I will acknowledge that it is a bit too tidy for its own good. The plot requires a lot of suspension of belief (and I mean a lot) but once you get into it it moves along really well and does keep you watching to see where it goes. It is helped by the way that it starts out in a "normal" world that many of us will relate to boring business presentations and conferences that you wonder why you bothered. If you can keep up with it from here on then it is enjoyable even if logic and sense.
Visually the film really works even if the budget constraints are clear here and there. Director Natali injects a lot of style and imagination into it and also delivers a real sense of urgency and paranoia that helps the material work. The cast are a mixed bunch, although in this sort of film the characters tend not to be that well developed in all parts. Northam takes the lead role and does it well, making his character a drag little everyman but also convincingly changing him gradually across the film. Lucy Liu is not as good; she is a bit flat but fortunately she has limited screen time and was only what I'd call really bad one time. The support cast are all OK, delivering the required mix of the ordinary and the sinister to good effect even if they are all pretty straightforward.
Overall this is a nice little thriller in the style of things like Usual Suspects, Memento and the like. You do need to suspend belief and, if you can, it is enjoyably twisty and slick and is pretty exciting. Of course if you dislike the genre (the sort that has to keep moving for fear of getting caught by its own lack of logic) then you'll hate it but everyone else should at least get a fun 90 minutes from it.