Brookside: The Lost Weekend (1997 Video) User Reviews

Brookside: The Lost Weekend

[La-Luz · 9/10 · 6 February 2022]

When the home video was first released, it was yet again a first by Phil Redmond - a spin off, that would later be emulated by other British soaps. Cleverly, the story involves a one that has elements in it far too strong for terrestrial TV. Voilence, kidnap, guns and gangsters - plus the eventual development of Barry Grant, which went a long way to satisfying the hardcore and long time viewers of Brookside.

It is more than that though. Sheila Grant comes back in an extended role to try to make things right, meaning the relationship between the Grants and the Corkhills finally is laid to bare. Questions are asked, some are resolved. Some are not. Some never can be. It is a good idea and bringing back Sheila Grant really adds depth. If only Billy (John McArdle) could have been involved: wow. He did partake in a Brookside video 'The Men' in a 1997 release.

But...

The Lost Weekend was part of an arc that happened in late 1997 and centered around the Bar Brookie and the Finnegans who were leaning on the Dixons who owned it. It took Brookside in a new direction for a couple of years until 1999/2000, when it reacehed new heights for must see TV.

So, for those who have not watched it or have forgotten, the pretext for the plot is as follows...Glaswegian - Callum Finnegan of 'Finnegan Security' - is a bit tasty and looking to 'protect' Bar Brookie. Barry Grant gets paid by Jacqui Dixon to help dissuade him (and the Finnegans) and it escalates into a turf war. Lindsay Corkhill is later kidnapped by the Finnegan mob. Number 10 Brookside Close (home of Jimmy Corkhill), becomes the home base and eventually a plan is put together and Barry rescues Lindsay. The problem of Callum Finnegan is eventually "contained".

The video was shot to create a movie style feel so there are no commercial interruptions and the dialogue at times makes full usage of the home release rating, so its a bit of a treat to hear the likes of Jimmy Corkhill, Barry Grant and others swearing in certain scenes.

There is also a montage segment concerning Barry Grant (in a b&w flashback), that adds depth to the story.

Sue Johnston, Dean Sullivan, Sue Jenkins, Paul Usher, Gerard Kelly star. With strong performaces from Brian Regan, Michael Starke, Claire Sweeney in supporting roles, it makes this a Brookside video that is a cult classic. It does not quite end here though - the finale to this story would take place with the 1997 Christmas special, four weeks later, in probably the best ever episode of Brookside.

Worthwhile and ambitious attempt.

[The_Movie_Cat · 5/10 · 27 April 2001]

Brookside, while being very variable as a soap opera, proved leagues ahead of its contemporaries in the spin-off video world.

Where feeble money-grabbers like The Dingles Down Under eventually flooded the market, Brookside possessed something that only a soap on a minority channel could have: ambition. The Lost Weekend, shot entirely on film, is an attempt to produce a low-budget thriller utilising key characters from the programme. A far more impressive concept than Mandy Dingle travelling to Australia.

However, while the conception is great, the execution is stifled slightly. Opening with a fictitious television programme - Sing Like A Star - doesn't do a lot for credibility, though it does give a chance to see Claire Sweeney (now famous after appearing in 2001's Celebrity Big Brother) in leather spandex.

The eighteen certificate is taken up by liberal bad language, Paul Usher's first three real lines being a succession of "Ey, yew, yer w*****!"; "S***!" and "F*****' 'Ell!" The story seems to take place in a disconcerting parallel universe where the normal soap parameters are lifted. That said, with the entire regular cast who have a large role uttering some expletive during the proceedings, it does feel a little forced. Some of the lines are also a bit clunky, particularly the pop culture references, and the ill-advised comedy moments, which undermine the inherent drama.

Disappointment can be felt as the movie's promotion as an integral part of the continuing storyline doesn't quite hold up. The serial made perfect sense even without watching this spin-off. However, The Lost Weekend's strict adherence to Brookside continuity means it cannot really be watched in isolation. It also fulfils little of the promised action and instead opts more for the serials' fallback of maudlin speech making and cod philosophising.

However, the realistic surroundings (Brookside being shot in real houses not sets) do add to the pace. The scant moments of actual violence - a man being shot in the genitals, a car bomb and a car ram - are viscous but ineffectively directed. Usher's gun-waving and Gerard Kelly's comedy villain also lack believability, while using rape as a plot point, but then using potential victim Sweeney as titillation is morally questionable.

Ultimately, while the film wants to be an edgy gangster thriller in its own right, it lacks the conviction to break away from its origins. While maintaining the trademark style and pace of the show itself it falls somewhat short. However, the video was successful enough to generate two further spin-off Brookside films. The first, Friday The 13th, saw Claire Sweeney's character assume similar properties to that of Barry Grant, an interesting development. Dean Sullivan too had a more proactive role, and the whole thing was generally better written. And it was worthwhile just to see original series grump Harry Cross use the f word in a hilarious cameo. Sue Johnston appears oddly calm in a crisis during both films, and provides tenuous excuses for the absence of Billy, John McArdle presumably being too busy, or unwilling, to reprise his role.

The final film to date was 99's Double Take! (Q.v.), a spoof deconstruction of the show, which seemed to kill off interest in Brookside special releases. A shame, as all three, while far from perfect, were commendable attempts to do something different within the format.