A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.
Director:
Writers:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Max Beesley | ... |
Antonio
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| Fabrizio Bentivoglio | ... |
Very Important Doctor
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| Brian Bovell | ... |
Cardinal
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| Saffron Burrows | ... |
Duchess of Malfi
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Elisabetta Cavallotti | ... |
Abducted Hotel Guest
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| Valentina Cervi | ... |
Hotel Maid
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| George DiCenzo | ... |
Boris
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| Andrea Di Stefano | ... |
Assassin
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Nicola Farron | ... |
Hotel Guest
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| Christopher Fulford | ... |
Steve Hawk
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| Valeria Golino | ... |
Italian Actress
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| Jeremy Hardy | ... |
Flamenco Troupe Administrator
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| Salma Hayek | ... |
Charlee Boux
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| Danny Huston | ... |
Hotel Manager
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| Rhys Ifans | ... |
Trent Stoken
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| Jason Isaacs | ... |
Australian Actor
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Paco Jarana | ... |
Flamenco Guitarist
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| Lucy Liu | ... |
Kawika
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Mark Long | ... |
Hotel Kitchen Manager
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| Mía Maestro | ... |
Cariola
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| John Malkovich | ... |
Omar Jonnson
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| Chiara Mastroianni | ... |
Hotel Nurse
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| Laura Morante | ... |
Greta
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| Ornella Muti | ... |
Flamenco Spokesperson
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| Burt Reynolds | ... |
The Flamenco Manager
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| Stefania Rocca | ... |
Sophie
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| Julian Sands | ... |
Tour Guide
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| Danny Sapani | ... |
AJ
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| David Schwimmer | ... |
Jonathan Danderfine
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| Alexandra Staden | ... |
Film PA
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| Mark Strong | ... |
Ferdinand
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| Heathcote Williams | ... |
Bosala
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Eva Yerbabuena | ... |
Flamenco Dancer
(as Eva La Yerbabuena)
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Directed by
| Mike Figgis | ||
Written by
| Heathcote Williams | ... | (adaptation) |
| Mike Figgis | ... | (story) |
| John Webster | ... | (play "The Duchess of Malfi") (uncredited) |
Produced by
| Andrea Calderwood | ... | executive producer |
| Mike Figgis | ... | producer |
| Annie Stewart | ... | producer |
| Lesley Stewart | ... | co-producer |
| Ernst Etchie Stroh | ... | producer (as Etchie Stroh) |
Music by
| Mike Figgis | ||
| Anthony Marinelli | ||
Cinematography by
| Patrick Alexander Stewart | ... | director of photography (as Patrick Stewart) |
Editorial Department
| Clive Ashenden | ... | assistant to avid editor: 4MC |
| Adam Barton | ... | editor: avid |
| Chris Beeton | ... | colorist: Pepper Ltd. |
| Ian Differ | ... | digital post-production: Digital Film Lab. |
| Jaime Estrada Torres | ... | assembly editor (as Jaime Estrada-Torres) |
| Steve Harrow | ... | post-production consultant: Steeple Post Production Service |
| Shane Warden | ... | on-line editor (uncredited) |
Casting By
| Celestia Fox | ||
Production Design by
| Franco Fumagalli | ||
Set Decoration by
| Susanna Codognato | ||
Costume Design by
| Catherine Buyse Dian | ||
Production Management
| Andrea Borella | ... | production supervisor |
| Rosa Romero | ... | production manager |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Paola Barbaglia | ... | second assistant director |
| Susie Liggat | ... | first assistant director |
| Giorgia Marangoni | ... | second assistant director |
Art Department
| Daniele Carrer | ... | property master (as Daniele Carreer) |
| Alberto Tomasini | ... | stand-by props |
| Alessandro Toso | ... | assistant property master |
| Antonio Viola | ... | art department production assistant |
Sound Department
| Ronald Bailey | ... | sound consultant |
| Paul Carr | ... | adr and foley mixer |
| Felicity Cottrell | ... | foley artist |
| James Feltham | ... | dubbing mixer / supervising sound editor |
| Paul Golding | ... | location sound supervisor |
| Nigel Heath | ... | dubbing mixer / supervising sound editor |
| Michael Mandalis | ... | sound editor |
| Ruth Sullivan | ... | foley artist |
| Richard Taylor | ... | sound IT support |
| Mark Tucker | ... | location sound supervisor |
| James Seddon | ... | dolby consultant (uncredited) |
Visual Effects by
| Helle Absalonsen | ... | production coordinator: Digital Film Lab |
| Vicci Allen | ... | production coordinator: Digital Film Lab |
| Steen Lyders Hansen | ... | inferno operator |
| Sam Smith | ... | inferno operator: Digital Film Lab. |
Camera and Electrical Department
| Martha Aldridge | ... | camera assistant |
| Lucy Bristow | ... | camera operator |
| Mike Figgis | ... | camera operator / digital camera rig designer |
| Reuben Garrett | ... | gaffer |
| Cath Le Couteur | ... | camera assistant |
| James O'Keeffe | ... | camera operator (as Jim O'Keefe) |
| Edgar Pablos | ... | camera assistant |
| Ben Wilson | ... | digital camera rig designer |
| Flavia Vitali | ... | still photographer (uncredited) |
Casting Department
| Alex Johnson | ... | assistant to casting director |
Costume and Wardrobe Department
| Beatrice Giannini | ... | wardrobe assistant |
Location Management
| Nicola Rosada | ... | location manager |
Music Department
| David Carpenter | ... | musician: bass |
| Lenny Castro | ... | musician: percussion (as Leonard Castro) |
| Vinnie Colaiuta | ... | musician: drums |
| Mark Curry | ... | music recordist-mixer |
| Arlen Figgis | ... | additional music mixer |
| Mike Figgis | ... | musician: guitar, trumpet and keyboards |
| Louise Hammar | ... | music supervisor |
| Anthony Marinelli | ... | musician: keyboards |
| Brice Martin | ... | musician: flute |
| Robert Sheppard | ... | musician: flute |
| Mark Tucker | ... | music recordist-mixer |
| Anthony Marinelli | ... | music producer (uncredited) |
Additional Crew
| Stefania Antonini | ... | production coordinator: Italy |
| Lesley Broderick | ... | production accountant |
| Carmela Compagnone | ... | payroll clerk |
| Eric D'Souza | ... | data transfer: Digital Film Lab. |
| Michele De Leo | ... | cashier |
| Jude Figgis | ... | cast liaison |
| Louis Figgis | ... | assistant: Ms. Stewart / technical coordinator |
| Louisa Garnier | ... | assistant: Mr. Figgis |
| Martin Haines | ... | legal services: Davenport Lyons |
| Jethro Harris | ... | operations manager |
| Nigel Horn | ... | laboratory contact: Soho Images |
| Tibor Kuo | ... | supervisor: DV |
| Giacomo Montanari | ... | office production assistant |
| Kevin O'Shea | ... | insurance services: AON/Albert G. Ruben |
| Nik Panic | ... | technical assistant |
| Helen Phelps | ... | business manager: Pepper Ltd. |
| Andreas Rostock | ... | data re-recording: Digital Film Lab. |
| Susan Schrader | ... | assistant accountant |
| Jacqueline Thorogood | ... | production coordinator: UK |
| Giorgio Tregnaghi | ... | production accountant |
| Shane Warden | ... | title designer: Pepper Ltd. |
| Sylvester Weekes | ... | supervisor: DV |
| David Wilder | ... | completion bond services: Film Finances |
| Marco Zanon | ... | set production assistant (as Marco 'Bobo' Zanon) |
| Lillian Awa | ... | production assistant (uncredited) |
Thanks
| Harriet Cruickshank | ... | special thanks |
| Mark Foligno | ... | special thanks: Sony UK |
| George Hayum | ... | special thanks |
| Danny Huston | ... | special thanks |
| John Smith | ... | special thanks: The Whitehouse, London |
| Bart Walker | ... | special thanks |
Production Companies
- Moonstone Entertainment (presents)
- Hotel Productions (co-producer)
- Cattleya
- Red Mullet Productions
- Channel 4 Television Corporation (in association with)
Distributors
- CDA Entertainment (2002) (United Kingdom) (DVD)
- Gallery Motion Pictures (United States) (tv)
- Innovation Film Group (IFG) (2003) (United States)
- Metro-Goldwyn-Mayer (MGM) (United States) (tv)
- Moonstone Entertainment
Special Effects
Other Companies
- AON/Albert G. Ruben Insurance Services (insurance services by)
- Davenport Lyons (legal services by)
- Digital Film Lab (digital outputting facilities)
- Fairlight Instruments USA (sound editing services: MFX3 editor provided by)
- Film Finances (completion guarantor)
- Giorgio Armani (special thanks)
- Goldcrest Post Production London (sound re-recorded at)
- Hackenbacker Audio Post Production (sound editing and mixing facilities)
- Hotel Hungaria (catering)
- Midnight Transfer (post-production facilities provided by)
- Omnitel (special thanks: cellular phones)
- Pepper (post-production facilities)
- Prada (special thanks)
- Red Mullet Studios (music recorded at)
- Soho Images (prints)
- Sony U.K. Ltd. (special thanks)
- Steeple Post Production Services (post-production consultant)
- Summit Entertainment (foreign sales)
- Swatch (special thanks: watches)
- The Grand Hotel Hungaria Palace (special thanks)
- The Whitehouse (special thanks)
Storyline
| Plot Summary |
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals which consist of human meat. Then there is the hit man, the call girl and the Hollywood producer all managing to become part of the madness... Written by Andrew Main |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | John Webster's play "The Duchess of Malfi" was first performed in 1614 at the Globe Theatre in London, and first published in 1623. The onscreen credits simply list the title followed by the author's name, and omit the word "play". See more » |
| Movie Connections | References Citizen Kane (1941). See more » |
| Soundtracks | Charlee Boux See more » |