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Harold G. Moore (book) and
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Fathers, Brothers, Husbands & Sons. more
The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it. full summary | full synopsis
1 win & 5 nominations more
Veteran’s Day: Movies Veterans Love
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Among the best war films in recent memory more (694 total)
| Mel Gibson | ... | Lt. Col. Hal Moore | |
| Madeleine Stowe | ... | Julie Moore | |
| Greg Kinnear | ... | Maj. Bruce 'Snake' Crandall | |
| Sam Elliott | ... | Sgt. Maj. Basil Plumley | |
| Chris Klein | ... | 2nd Lt. Jack Geoghegan | |
| Keri Russell | ... | Barbara Geoghegan | |
| Barry Pepper | ... | Joe Galloway | |
| Duong Don | ... | Lt. Col. Nguyen Huu An | |
| Ryan Hurst | ... | Sgt. Ernie Savage | |
| Robert Bagnell | ... | 1st Lt. Charlie Hastings | |
| Marc Blucas | ... | 2nd Lt. Henry Herrick | |
| Josh Daugherty | ... | Sp4 Robert Ouellette | |
| Jsu Garcia | ... | Capt. Tony Nadal | |
| Jon Hamm | ... | Capt. Matt Dillon | |
| Clark Gregg | ... | Capt. Tom Metsker | |
| Desmond Harrington | ... | Sp4 Bill Beck | |
| Blake Heron | ... | Sp4 Galen Bungum | |
| Erik MacArthur | ... | Sp4 Russell Adams | |
| Dylan Walsh | ... | Capt. Robert Edwards | |
| Mark McCracken | ... | Capt. Ed 'Too Tall' Freeman | |
| Edwin Morrow | ... | Pfc. Willie Godboldt | |
| Brian Tee | ... | Pfc. Jimmy Nakayama | |
| Sloane Momsen | ... | Cecile Moore | |
| Bellamy Young | ... | Catherine Metsker | |
| Simbi Khali | ... | Alma Givens (as Simbi Kali Williams) | |
| Jim Grimshaw | ... | Maj. Gen. Henry Kinnard | |
| Forry Smith | ... | Sfc. Carl Palmer | |
| Steven Nelson | ... | Sp5 Charlie 'Doc' Lose | |
| Vincent Angell | ... | Capt. Robert 'Doc' Carrera | |
| Michael Tomlinson | ... | Col. Tim Brown | |
| Keith Szarabajka | ... | Diplomatic Spook | |
| Tim Abell | ... | Army Intelligence Officer | |
| Patrick St. Esprit | ... | General in Hallway | |
| Mike White | ... | Sfc. Bob White, Mortar Sergeant (as Michael John White) | |
| Daniel Roebuck | ... | Medevac CO | |
| Maia Lien | ... | Army Wife | |
| Dan Beene | ... | Cab Driver (as Danny Beene) | |
| Taylor Momsen | ... | Julie Moore | |
| Joshua McLaurin | ... | Greg Moore (as Josh McLaurin) | |
| Devon Werkheiser | ... | Steve Moore | |
| Luke Benward | ... | David Moore | |
| Billinjer C. Tran | ... | Viet Minh Sergeant | |
| Vien Hong | ... | Mr. Nik | |
| Joseph Tran | ... | NVA Prisoner | |
| Joseph Hieu | ... | NVA Officer | |
| Lam Nguyen | ... | NVA Soldier with Bayonet | |
| Diep Bui | ... | NVA Wife (as Zoë Bui) | |
| Andrew Wallace | ... | French Bugler | |
| Nicholas Hosking | ... | French Captain | |
| Michael Giordani | ... | French Lieutenant | |
| Shepard Koster | ... | Reporter (as Shep Koster) | |
| Kate Lombardi | ... | Reporter | |
| Ingrid Semler | ... | Reporter | |
| Jason Powell | ... | Sgt. Robert Stokes | |
| Doug C. Cook | ... | Capt. Ray Lefebvre | |
| Sean Bunch | ... | Trooper on Fire (as Sean Thomas Bunch) | |
| F. Lee Reynolds | ... | Chopper Crewman | |
| Stephen Zapotoczny | ... | Edwards' Radio Operator | |
| Frank Kostenko Jr. | ... | Foxhole Trooper | |
| rest of cast listed alphabetically: | |||
| Ben Allison | ... | Lt. Cochran (uncredited) | |
| Brian Carpenter | ... | Sec. of Defense Robert McNamara (uncredited) | |
| Chris Cate | ... | Soldier (uncredited) | |
| Cliff Fleming | ... | Capt. Jon Mills (uncredited) | |
| Brendan Ford | ... | Jump Coordinator (uncredited) | |
| Kelli Franklin | ... | Mrs. Charlie Hastings (uncredited) | |
| Christian Gibson | ... | Soldier (uncredited) | |
| Justin Gordon | ... | French Officer (uncredited) | |
| Lyndon Johnson | ... | Himself (archive footage) (uncredited) | |
| Derrell Keith Lester | ... | Black Private (uncredited) | |
| Will Klipstine | ... | Private Davey (uncredited) | |
| Matthew Lang | ... | 1st Lt. John Arrington (uncredited) | |
| Danny Le Boyer | ... | Sergeant (uncredited) | |
| Matt Mangum | ... | Pvt. Soprano (uncredited) | |
| Johnny Nguyen | ... | Young NVA Lieutenant (uncredited) | |
| Randy Oglesby | ... | Lt. Col. List (uncredited) | |
| Jonathan Parks Jordan | ... | White Private (uncredited) | |
| John Paul Rice | ... | Pvt. John Henry (uncredited) | |
| Keni Thomas | ... | Sergeant (uncredited) | |
Directed by | |||
| Randall Wallace | |||
Writing credits(WGA) | ||
| Harold G. Moore | (book "We Were Soldiers Once... and Young") (as Lt. Gen. Harold G. Moore) and | |
| Joseph L. Galloway | (book "We Were Soldiers Once... and Young") | |
| Randall Wallace | (screenplay) | |
Produced by | |||
| Eveleen Bandy | .... | associate producer | |
| Bruce Davey | .... | producer | |
| William Hoy | .... | associate producer | |
| Jim Lemley | .... | executive producer | |
| Stephen McEveety | .... | producer | |
| Arne Schmidt | .... | executive producer (as Arne L. Schmidt) | |
| Randall Wallace | .... | producer | |
| Danielle Lemmon Zapotoczny | .... | co-producer (as Danielle Lemmon) | |
| Stephen Zapotoczny | .... | co-producer | |
Original Music by | |||
| Nick Glennie-Smith | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| William Hoy | |||
Casting by | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
Production Design by | |||
| Thomas E. Sanders | (as Tom Sanders) | ||
Art Direction by | |||
| Daniel T. Dorrance | (supervising art director) | ||
| Kevin Kavanaugh | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Michael T. Boyd | |||
Makeup Department | |||
| Jane Aull | .... | makeup artist: second unit | |
| Hallie D'Amore | .... | makeup artist: Ms. Stowe | |
| Garrett Immel | .... | makeup artist | |
| Kerry Mendenhall | .... | hair stylist | |
| Beth Miller | .... | key hair stylist | |
| Michael Mills | .... | character makeup creator | |
| Michael Mills | .... | makeup supervisor | |
| Craig Reardon | .... | key makeup artist | |
| Michael Burnett | .... | special makeup effects artist: dead soldier bodies (uncredited) | |
Production Management | |||
| Gregg Edler | .... | production supervisor | |
| Angel Pine | .... | post-production supervisor | |
| Arne Schmidt | .... | unit production manager (as Arne L. Schmidt) | |
Second Unit Director or Assistant Director | |||
| Cliff Fleming | .... | director: aerial unit | |
| Allan Graf | .... | second unit director | |
| Frank Kostenko Jr. | .... | second second assistant director | |
| Allen Kupetsky | .... | second assistant director | |
| Michelene Mundo | .... | additional second second assistant director: second unit | |
| Nilo Otero | .... | first assistant director | |
| Bill Purple | .... | second assistant director: second unit (as William Purple) | |
| Shannon Speaker | .... | dga trainee | |
| Jey Wada | .... | second second assistant director: second unit | |
| Kim H. Winther | .... | first assistant director (as Kim Winther) | |
| Lars P. Winther | .... | additional second second assistant director (as Lars Winther) | |
| Lars P. Winther | .... | first assistant director: second unit (as Lars Winther) | |
Visual Effects by | |||
| Paul Abatemarco | .... | visual effects coordinator: Digital Domain | |
| Nancy Adams | .... | 3D integration lead: Digital Domain | |
| Francois Antoine | .... | 3D effects animator: Cinesite | |
| Randall Bahnsen | .... | visual effects editor: Cinesite (as Randy Bahnsen) | |
| Lynn Basas | .... | CG supervisor: Cinesite | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Terra Bliss-Alvarez | .... | project manager: efilm | |
| Cris Blyth | .... | 3D digital model lead: Digital Domain | |
| Steve Bowen | .... | digital color timer: efilm | |
| Tom Bristow | .... | digital asset management: efilm | |
| Bob Buckner | .... | digital mastering technologist: efilm | |
| Shannan Burkley | .... | digital paint artist: Digital Domain | |
| Dick Caine | .... | digital mastering technologist: efilm | |
| Martin Clark | .... | technical services supervisor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain (as Chad Collier) | |
| John Michael Courte | .... | 3d effects animator: Digital Domain (as John Courte) | |
| C. Marie Davis | .... | visual effects executive producer: CIS | |
| Aaron Dorn | .... | project manager: efilm | |
| Jason Doss | .... | 3D integration artist: Digital Domain | |
| Scott Edelstein | .... | 3D integration artist: Digital Domain | |
| Christopher Edwards | .... | operations manager: efilm (as Chris Edwards) | |
| Bob Eicholz | .... | executive in charge of production: efilm | |
| Bill Feightner | .... | vice president of technology: efilm | |
| Larry Gaynor | .... | digital paint supervisor: CIS | |
| Swen Gillberg | .... | 3D integration artist: Digital Domain | |
| David Goldberg | .... | visual effects supervisor | |
| Kacie Haggerty | .... | editorial: efilm | |
| Bruce Halstead | .... | film scanner and recorder operator: efilm | |
| Jessica Harris | .... | digital compositor: Digital Domain | |
| John Herndon | .... | film scanner and recorder operator: efilm | |
| Christopher Holsey | .... | scan/record supervisor: Digital Domain (as Chris Holsey) | |
| Chris Howard | .... | senior flame artist | |
| Joni Jacobson | .... | lead digital compositor | |
| Kenneth Jones | .... | digital effects supervisor: CIS (as Dr. Ken Jones) | |
| Nikos Kalaitzidis | .... | 3d effects animator: Digital Domain | |
| Jeffrey Kalmus | .... | digital imaging supervisor: Digital Domain | |
| Michael Kanfer | .... | digital mastering supervisor: efilm (as Michael D. Kanfer) | |
| Sophie Leclerc | .... | visual effects producer | |
| Michael F. Lehman | .... | film scanner and recorder operator: efilm (as Michael Lehman) | |
| Dan Lemmon | .... | computer graphics supervisor: Digital Domain | |
| Kelly L'Estrange | .... | visual effects producer: Digital Domain | |
| Kevin Lingenfelser | .... | visual effects supervisor: Cinesite | |
| Dawn Llewellyn | .... | editorial: efilm | |
| Chris Logan | .... | 3D integration artist: Digital Domain | |
| Narbeh Mardirossian | .... | video I/O operator: Digital Domain | |
| Craig Mathieson | .... | compositor: Cinesite | |
| Joe Matza | .... | executive in charge of production: efilm | |
| Bekki Misiorowski | .... | visual effects auditor: Digital Domain | |
| Suzanne Mitus-Uribe | .... | digital compositing supervisor: CIS | |
| Carl S.G. Moore | .... | visual effects associate producer: Cinesite (as Carl Moore) | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain (as Heather Morrison) | |
| Robert Nederhorst | .... | digital compositor: Digital Domain (as Rob Nederhorst) | |
| Gregory Oehler | .... | digital compositing supervisor: CIS | |
| Martin Olah | .... | film scanner and recorder operator: efilm | |
| Dan Patterson | .... | data I/O operator: Digital Domain | |
| Darren Poe | .... | compositing supervisor: Digital Domain (as Darren M. Poe) | |
| Erik Pope | .... | visual effects coordinator: Digital Domain | |
| Kelly Port | .... | digital effects supervisor: Digital Domain | |
| Dante Quintana | .... | digital artist: Cinesite | |
| David Robinson | .... | visual effects coordinator: Cinesite | |
| David Santiago | .... | effects technical director: titles | |
| Steve Siracusa | .... | assistant visual effects editor: Digital Domain | |
| Ken Sjogren | .... | compositor: Cinesite | |
| Albert Soto | .... | digital mastering technologist: efilm | |
| David Stearn | .... | digital compositor: Digital Domain (as Dave Stern) | |
| Kenny Sutherland | .... | digital artist: Cinesite | |
| Chris Taft | .... | digital mastering assistant: efilm | |
| Amy Tompkins | .... | visual effects editor: efilm | |
| Renée Tymn | .... | digital compositor: Cinesite (as Renee Chamblin) | |
| Casey Vanover | .... | technical services coordinator: Digital Domain | |
| Mary E. Walter | .... | visual effects editor | |
| Jessica Dara Westbrook | .... | digital effects coordinator: Digital Domain (as Jessica Westbrook) | |
| Bryan Whitaker | .... | 3D digital modeler: Digital Domain | |
| Mark Wilson | .... | 3D digital modeler: Digital Domain | |
| Jann Wimmer | .... | technical assistant: Digital Domain | |
| Doug F. Wolf | .... | 3D digital modeler: Digital Domain (as Doug Wolf) | |
| Adam Young | .... | digital asset management: efilm | |
| Kit Young | .... | digital system manager: CIS | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite (uncredited) | |
| Timothy Michael Cairns | .... | 2D paint artist: Matador, EFILM (uncredited) | |
| Thomas R. Dickens | .... | lead prop modeler: missiles, Digital Domain (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant: Cinesite Hollywood (uncredited) | |
| Kama Moiha | .... | digital compositor: Cinesite (uncredited) | |
| Alex G. Ortoll | .... | main title sequence compositor (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
| Todd Sarsfield | .... | digital artist (uncredited) | |
| Aaron Singer | .... | 3D data integrator (uncredited) | |
| Orvis Slack | .... | construction medic: Monterey County (uncredited) | |
| Tess Spaulding | .... | system administrator (uncredited) | |
| Richard Wardlow | .... | technical director: Digital Domain (uncredited) | |
| Bjorn Zipprich | .... | digital artist (uncredited) | |
Casting Department | |||
| Sig De Miguel | .... | casting associate: New York | |
| Denice Kumagai | .... | voice casting | |
| Elizabeth Lang | .... | additional casting (as Liz Lang Fedrick) | |
| Danny Le Boyer | .... | background casting: Vietnamese (as Danny Boyer) | |
| Caitlin McKenna-Wilkinson | .... | voice casting (as Caitlin McKenna) | |
| Wendy Weidman | .... | casting associate | |
| Chris Gray | .... | extras casting (uncredited) | |
| Kim McCray | .... | casting assistant: Georgia (uncredited) | |
| Kim Petrosky | .... | casting: Georgia (uncredited) | |
| Rebecca Quick | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Anthony Almaraz | .... | costumer | |
| Javier Arrieta | .... | costumer | |
| Frank Avanzo | .... | costumer | |
| Myron Baker | .... | costumer: Mr. Gibson | |
| James 'Mike' Balker | .... | costumer | |
| Elizabeth Clark | .... | costumer | |
| Carmen Cuebello | .... | tailor | |
| Mike Evans | .... | costumer | |
| Kirstin Gallo | .... | costumer | |
| Debbie Holbrook | .... | costumer | |
| Joe McCloskey | .... | costume supervisor | |
| Stanley Moore | .... | costume supervisor (as Stanley L. Moore) | |
| Suzanne Robertson | .... | set costumer (as Suzy Robertson) | |
| Gerardo Rosette | .... | tailor | |
| Barnaby Smith | .... | set costumer (as Barnaby Smith Jr.) | |
| Larry Velasco | .... | chief costumer (as Lawrence Velasco) | |
| Conan Castro Jr. | .... | costumer (uncredited) | |
| Will James Moore | .... | costumer (uncredited) | |
| Kate Sawyer | .... | seamstress (uncredited) | |
Editorial Department | |||
| Steve Bowen | .... | digital color timer | |
| Adam M. Duthie | .... | assistant editor | |
| Danny Rafic | .... | first assistant editor | |
| Mike Stanwick | .... | color timer | |
| Craig Wood | .... | additional film editor | |
| Craig Tanner | .... | assistant editor (uncredited) | |
Music Department | |||
| Catherine Bott | .... | musician: soprano | |
| Nick Glennie-Smith | .... | conductor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ashley Irwin | .... | orchestrator | |
| Malcolm Luker | .... | music scoring mixer | |
| Laura Perlman | .... | music editor | |
| Gavyn Wright | .... | orchestra leader | |
| Karen Han | .... | musician: erhu solo (uncredited) | |
| Bart Hendrickson | .... | additional composer: score (uncredited) | |
| Michael Lustig | .... | music consultant (uncredited) | |
| Lee Scott | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Charley Bob Burnham | .... | transportation coordinator | |
| Edward O'Neal | .... | transportation co-captain | |
| Edward O'Neal | .... | transportation co-captain: Georgia | |
| Teddy J. Ritchie | .... | transportation captain: Georgia (as Teddy J. Richie) | |
| Lee Stepp | .... | transportation captain | |
| Morris Aroesti | .... | driver (uncredited) | |
| Lance Cherniet | .... | driver (uncredited) | |
| Michael Coady | .... | driver (uncredited) | |
| Tina Peterson | .... | driver (uncredited) | |
| Windi Robinson | .... | driver: cast trailer (uncredited) | |
| Christina Rollo | .... | transportation office administrator (uncredited) | |
| Hank Van Apeldoorn | .... | driver: Georgia (uncredited) | |
The Lost Patrol (USA) (original script title)
We Were Soldiers Once... and Young (USA) (working title)
Wir waren Helden (Germany)
more
Rated R for sustained sequences of graphic war violence, and for language.
138 min | Argentina:140 min | Germany:126 min (cut) | Spain:143 min | Turkey:124 min (TV version)
English | Vietnamese | French
2.35 : 1 more
Australia:M (TV rating) | Iceland:16 | Portugal:M/12 | Argentina:16 | Australia:MA | Canada:13+ (Quebec) | Canada:14A (Alberta) | Canada:14 (Nova Scotia) (appeal) | Canada:18A (British Columbia) | Canada:18 (Nova Scotia) (original rating) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Finland:K-15 | France:-12 | Germany:18 | Hong Kong:IIB | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:PG | South Korea:15 | Spain:18 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R
Castle Green - 99 S. Raymond Ave., Pasadena, California, USA more
A total of three soldiers were awarded the Congressional Medal of Honor for the battle represented in this film. Joseph Marm Jr. received his award shortly after the battle. Bruce Crandall and Ed Freeman received their's in 2007 and 2006, respectively. more
Factual errors: At the beginning of the film, the officers of French Groupement Mobile 100 are wearing white képis. White képis were, and are, only worn by caporals (corporals) and below. Legionnaires above Caporal, including officers, wear dark blue képis. more
[first lines]
French Captain:
Anything?
French Lieutenant:
No, Captain.
French Captain:
Fucking heat. Fucking grass. Fucking country.
[Vietnamese bullet hits him in the head]
more
Referenced in Battlefield: Vietnam (2004) (VG) more
Mansions of the Lord more
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`Saving Private Ryan' redefined the war genre and opened the floodgates to a new generation of war movies. It pushed the boundaries of acceptability by frankly showing war in all its grisly glory. As such it gave us a better understanding of how terrible and frightening war is. `Black Hawk Down' took the graphic violence to a new level, with an intensity that matched the beach landing of SPR, but of a duration that was almost unbearable.
`We Were Soldiers' is the latest big budget war offering from Hollywood. In many ways, I consider this to be the most complete of the three. Writer/Director Randall Wallace (who wrote "Braveheart", "Pearl Harbor" and the screenplay for this film), takes the understanding of war to the next level, by offering more than one perspective to the events. Of the three films, this film has the best workup, the best character development, and the most nuanced look at the battle. He brings all the sustained intensity of BHD in the action sequences, but introduces the NVA perspective, the wives' perspective and a far more charismatic and heroic central figure in Lt. Col. Hal Moore.
Based on real events, this film shows war as being horrendous and heartless to both sides. It expands outside the combat zone to visit the ramifications on the families as well. The scenes with the wives getting the telegrams are poignant reminders of how war reaches beyond the battlefield. Wallace's treatment grabs us on an emotional level and shocks the senses. Unlike BHD, which presented the characters in a very anonymous way, we come to know these characters and their families and identify with them.
Of course, the film lacks the hard edge that would make it starkly believable. It is after all a Hollywood production and not a documentary. However, Wallace pours enough realism into the depictions to assure that this doesn't turn into another sappy melodrama like `Pearl Harbor', which was really nothing more than a romance with a long battle scene in the middle. Wallace finds the optimal balance between engaging storytelling and the brutality of combat.
The acting is excellent. Mel Gibson offers the right combination of hard nosed officer and father figure (both to his children and his men). Gibson is steadfast and courageous without being harsh. His portrayal of Moore is so well played, so charismatic and heroic, that it is impossible to believe that such a person could actually exist.
Sam Elliot follows an outstanding performance in `The Contender' with this gem as Sergeant Major Plumley, the tough as nails warhorse who serves as Moore's non commissioned adjutant. Elliot plays the intransigent career soldier to the hilt, where nothing including life itself is more important than honor and discipline. Barry Pepper also turns in a fine performance as Joe Galloway, the photo journalist who hops on a helicopter to take pictures in the center of the battle and finds himself with a rifle in his hands fighting for his life.
This is among the best war films in recent memory and probably the best film on the Vietnam War film since `Full Metal Jacket'. I rated it a 10/10. This film is not for everyone. It contains graphic violence and disturbingly realistic battle scenes. It is a gripping and distressing film that should be required viewing for statesmen and generals alike.