In the spirit of the stunningly beautiful "Cave of Forgotten Dreams" comes the similarly striking "The Final Passage," an immersive 3D exploration of the Chauvet-Pont d'Arc Cave in France. Read More: Review | A Natural Museum In 3-D: Werner Herzog's "Cave of Forgotten Dreams" Offering a full view of the original cave using 3D models, special effects and what looks to be a single 28-minute shot as the camera traverses the ancient art and carvings of a civilization long gone, the film provides a unique look at the rich past of the historic cave. Watch the eerily beautiful trailer above. "The Final Passage" will have its U.S. premiere at the Getty Center in Los Angeles on Dec 4. Read More: 6 Ways Virtual Reality Will Change Filmmaking...
- 11/5/2015
- by Aubrey Page
- Indiewire
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Fandor: Keyframe
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Keyframe
Hanif Kureishi's muse has long been transgression: dazzling early success was followed by a sex-and-drugs phase, family falling-out and a lacerating novel about marital breakdown. Now, with The Last Word, has he finally pinned down who he really is?
The first time I met Hanif Kureishi it was the mid-80s, and we talked about writing fiction for Faber and Faber whose list I was directing. Kureishi came into my office like a rock star and I remember thinking that he did not seem in need of a career move. He was already riding high on the international success of his screenplay, My Beautiful Laundrette.
In fact, Kureishi was cannily pondering his next step. He was on the lookout for a means of self-expression that might sustain a way of life and over which he could have some control. Movies, he said, were chancy, a gold-rush business. There was...
The first time I met Hanif Kureishi it was the mid-80s, and we talked about writing fiction for Faber and Faber whose list I was directing. Kureishi came into my office like a rock star and I remember thinking that he did not seem in need of a career move. He was already riding high on the international success of his screenplay, My Beautiful Laundrette.
In fact, Kureishi was cannily pondering his next step. He was on the lookout for a means of self-expression that might sustain a way of life and over which he could have some control. Movies, he said, were chancy, a gold-rush business. There was...
- 1/19/2014
- by Robert McCrum
- The Guardian - Film News
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