Holland lets things peter out midway, but it's notably better acted -- and far less crass -- than some other recent efforts in the burgeoning genre of films about black urban professionals.
40
L.A. WeeklyErnest Hardy
L.A. WeeklyErnest Hardy
The film needs strong characters and snappy dialogue to carry it through. It has neither.
30
New Times (L.A.)Luke Y. Thompson
New Times (L.A.)Luke Y. Thompson
Mandel Holland's direction is uninspired, and his scripting unsurprising, but the performances by Phifer and Black are ultimately winning.