This unassuming noir classic can boast a strong creative pedigree and an unusual ending… which I’ll not spoil. Dan Duryea is the confused pianist helping June Vincent clear her husband of a murder charge, by infiltrating the nightclub of suspicious Peter Lorre. The outline sticks close to Cornell Woolrich’s story source, and Roy William Neill contributes a classy job of direction.
Black Angel
Blu-ray
Arrow Academy
1946 / B&w / 1:37 Academy / 81 min. / Street Date January 28, 2020 / 39.95
Starring: Dan Duryea, June Vincent, Peter Lorre, Broderick Crawford, Constance Dowling, Wallace Ford, Hobart Cavanaugh, Ben Bard, Freddie Steele, John Phillips.
Cinematography: Raoul Ivano
Film Editor: Saul A. Goodkind
Special effects: David S. Horsley
Original Music: Frank Skinner
Written by Roy Chanslor from a novel by Cornell Woolrich
Produced by Roy William Neill, Tom McKnight
Directed by Roy William Neill
The many movies made from Cornell Woolrich’s novels and stories can be a...
Black Angel
Blu-ray
Arrow Academy
1946 / B&w / 1:37 Academy / 81 min. / Street Date January 28, 2020 / 39.95
Starring: Dan Duryea, June Vincent, Peter Lorre, Broderick Crawford, Constance Dowling, Wallace Ford, Hobart Cavanaugh, Ben Bard, Freddie Steele, John Phillips.
Cinematography: Raoul Ivano
Film Editor: Saul A. Goodkind
Special effects: David S. Horsley
Original Music: Frank Skinner
Written by Roy Chanslor from a novel by Cornell Woolrich
Produced by Roy William Neill, Tom McKnight
Directed by Roy William Neill
The many movies made from Cornell Woolrich’s novels and stories can be a...
- 1/14/2020
- by Glenn Erickson
- Trailers from Hell
The fine folks over at Olive Films have been carving out quite a nice niche for themselves by distributing obscure little titles that never seem to get enough love. Well, get set, kids, because things are gonna get even better. Read on for details.
From the Press Release
Olive Films has entered into an exclusive multi-year distribution agreement with Cult Epics, the independent label known for its catalog of cult classic horror, art-house and erotica titles from the 1920s to the present.
The deal includes all North American distribution rights across all platforms including theatrical, packaged media, digital, VOD, television and more. The deal was announced by Olive Films/Martini Entertainment Senior Vice President Eric D. Wilkinson.
“I’m excited to bring the Cult Epics studio under the Olive Films family of labels that also includes our recent partnership with 108 Media,” stated Wilkinson. “Cult Epics’ catalog of titles is a...
From the Press Release
Olive Films has entered into an exclusive multi-year distribution agreement with Cult Epics, the independent label known for its catalog of cult classic horror, art-house and erotica titles from the 1920s to the present.
The deal includes all North American distribution rights across all platforms including theatrical, packaged media, digital, VOD, television and more. The deal was announced by Olive Films/Martini Entertainment Senior Vice President Eric D. Wilkinson.
“I’m excited to bring the Cult Epics studio under the Olive Films family of labels that also includes our recent partnership with 108 Media,” stated Wilkinson. “Cult Epics’ catalog of titles is a...
- 4/4/2014
- by Steve Barton
- DreadCentral.com
Above: Publicity still from John Parker's Dementia (1955).
Rep houses in San Francisco, like those in most American cities, are struggling to stay open. But for something like thirty nights a year, the clouds lift and big crowds materialize for films of the past: call it the noir exception. To be sure, one needn’t actually attend the Film Noir Foundation’s annual Noir City festival at the Castro or Elliot Lavine’s grittier programs at the Roxie to know that the generic fantasy of film noir (style, sex and violence washed together) still holds powerful allure. You could hardly miss the bus stop advert for Rockstar Games’ latest blockbuster, L.A. Noire, outside the Roxie during Lavine’s latest marathon, “I Wake Up Dreaming: The Legendary and the Lost”. For those of us still invested in the non-interactive cinema experience, however, the popularity of these series is a remarkable if curious thing.
Rep houses in San Francisco, like those in most American cities, are struggling to stay open. But for something like thirty nights a year, the clouds lift and big crowds materialize for films of the past: call it the noir exception. To be sure, one needn’t actually attend the Film Noir Foundation’s annual Noir City festival at the Castro or Elliot Lavine’s grittier programs at the Roxie to know that the generic fantasy of film noir (style, sex and violence washed together) still holds powerful allure. You could hardly miss the bus stop advert for Rockstar Games’ latest blockbuster, L.A. Noire, outside the Roxie during Lavine’s latest marathon, “I Wake Up Dreaming: The Legendary and the Lost”. For those of us still invested in the non-interactive cinema experience, however, the popularity of these series is a remarkable if curious thing.
- 6/13/2011
- MUBI
Jesus Franco is one of the most prolific filmmakers alive and one of the few that makes Miike look lazy by comparison, which is really saying something! At the 2008 Nifff (Neuchatel International Fantastic Film Festival) in Switzerland I sat down with him and went over a wide variety of topics.
In this interview we talk about:
* On Projects Like Far Out That Pay Homage to Him
* Making Films Then Versus Now
* Favorites of the Films That He Made
- Venus in Furs from 1969 aka Black Angel
* He Really Likes Jerry Bruckheimer
* On Daniel White
Interview after the link bump.
In this interview we talk about:
* On Projects Like Far Out That Pay Homage to Him
* Making Films Then Versus Now
* Favorites of the Films That He Made
- Venus in Furs from 1969 aka Black Angel
* He Really Likes Jerry Bruckheimer
* On Daniel White
Interview after the link bump.
- 8/2/2008
- by Blake
- Screen Anarchy
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