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Directed by | |||
| Joel Zwick | |||
Writing credits(WGA) | ||
| Nia Vardalos | (written by) | |
Produced by | |||
| Paul Brooks | .... | executive producer | |
| David Coatsworth | .... | co-producer | |
| Gary Goetzman | .... | producer | |
| Tom Hanks | .... | producer | |
| Mark Hufnail | .... | co-executive producer | |
| Jim Milio | .... | co-executive producer | |
| Melissa Jo Peltier | .... | co-executive producer | |
| Steve Shareshian | .... | executive producer (as Steven Shareshian) | |
| Norm Waitt | .... | executive producer | |
| Rita Wilson | .... | producer | |
Original Music by | |||
| Alexander Janko | |||
| Chris Wilson | |||
Cinematography by | |||
| Jeff Jur | (director of photography) (as Jeffrey Jur) | ||
Film Editing by | |||
| Mia Goldman | |||
Casting by | |||
| Meg Liberman | (as Liberman) | ||
| Camille H. Patton | (as Patton) | ||
Production Design by | |||
| Gregory P. Keen | (as Gregory Keen) | ||
Art Direction by | |||
| Kei Ng | |||
Set Decoration by | |||
| Enrico Campana | |||
Costume Design by | |||
| Michael Clancy | |||
Makeup Department | |||
| Ann Brodie | .... | key makeup artist | |
| Judi Cooper-Sealy | .... | wig designer: Ms. Martin | |
| Paul R.J. Elliot | .... | key hair stylist (as Paul Elliot) | |
| Burton J. LeBlanc | .... | makeup artist (as Burton J. Leblanc) | |
| Sandra Reynolds | .... | hair stylist | |
| Beatrice Salazar | .... | hair stylist (as Beatriz Salazar) | |
| Dorota Zajac | .... | makeup artist | |
Production Management | |||
| D.J. Carson | .... | assistant production manager | |
| David Coatsworth | .... | unit production manager | |
| Isabel Henderson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Cote | .... | trainee assistant director (as Jennifer Côté) | |
| Grant Lucibello | .... | second assistant director | |
| David McAree | .... | first assistant director | |
| Effy Papadopoulos | .... | third assistant director | |
| Lorin Raine | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Brenton Brown | .... | on-set dresser | |
| Jacinta Cooper | .... | art department apprentice | |
| Rossana DeCampo | .... | scenic artist (as Rossana Decampo) | |
| Imre de Jonge | .... | assistant property master (as Imre De Jonge) | |
| Katia de Peña | .... | property buyer (as Katia De Peña) | |
| Alan Doucette | .... | property master | |
| Gary Harmer | .... | leadman (as Gary G. Harmer) | |
| Gordon Lebredt | .... | graphic artist | |
| Tim Ovans | .... | assistant head carpenter | |
| Mark Thomson | .... | construction coordinator | |
| Alan Tremaine | .... | head carpenter | |
| Martin Weinryb | .... | set buyer | |
| Wayne Wightman | .... | assistant art director | |
Sound Department | |||
| Paul Timothy Carden | .... | supervising sound editor | |
| Brian Dixon | .... | sound mix technician | |
| Dean Drabin | .... | adr mixer | |
| Kimberly Harris | .... | adr supervisor | |
| Donald Hauger | .... | foley mixer | |
| Thomas Hayek | .... | boom operator | |
| Paul Holzborn | .... | foley artist | |
| Tom Mather | .... | sound mixer | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Geoffrey G. Rubay | .... | sound effects editor | |
| Geoffrey G. Rubay | .... | sound re-recording mixer | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa Hofmann) | |
| Tulio Torrinello | .... | sound mix technician | |
| Tami Treadwell | .... | adr recordist | |
| Mark Wolfson | .... | sound recording engineer | |
| James Wright | .... | stereo sound consultant: Dolby | |
| Alfonso Calvo | .... | sound dubbing mixer (uncredited) | |
| Jeff Glueck | .... | sound engineer (uncredited) | |
| Melissa Sherwood Hofmann | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Martin Malivoire | .... | special effects supervisor | |
| Peter Sissakis | .... | special effects key (uncredited) | |
Visual Effects by | |||
| Steve Rundell | .... | digital effects supervisor | |
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Adam Howard | .... | digital compositor (uncredited) | |
Stunts | |||
| Marco Bianco | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Nick Bacon | .... | dolly grip (as Nicholas M. Bacon) | |
| Rod Benjamin | .... | key grip | |
| Andy Chmura | .... | camera operator | |
| John Colavecchia | .... | first assistant camera | |
| Sean Dawes | .... | electrician (as A. Sean Dawes) | |
| Cylvan Desrouleaux | .... | second assistant camera | |
| Michael Galbraith | .... | gaffer | |
| Sophie Giraud | .... | still photographer | |
| Greg Grainger | .... | company grip | |
| R. Jones | .... | electrician | |
| Rod MacNeil | .... | electrician | |
| Keith Murphy | .... | Steadicam operator | |
| Tom O'Hara | .... | company grip | |
| Michael Plant | .... | generator operator | |
| Jesse Stanley | .... | company grip | |
| Tom Starnes | .... | best boy set lighting | |
| Robert Vigus | .... | assistant key grip (as Robert A. Vigus) | |
| Victor Vukosavljevic | .... | camera trainee | |
| Mark W. Hindle | .... | 24 frame video operator (uncredited) | |
| Greg Whiteside | .... | 24 frame video operator (uncredited) | |
| Richard Wilmot | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Luisa Cabbidu | .... | extras casting assistant | |
| Robin D. Cook | .... | casting: Canada | |
| Elizabeth Gray | .... | casting associate: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Lisa Ystrom | .... | casting associate: USA | |
| Andrea Kool | .... | casting assistant: Canada (uncredited) | |
Costume and Wardrobe Department | |||
| Carole Costello | .... | set costume supervisor | |
| Jay Du Boisson | .... | assistant costume designer (as Jay Duboisson) | |
| Jane Flanders | .... | costume shop supervisor | |
| Gisella Zomparelli | .... | assistant set costumer | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| Heather Persons | .... | additional editor | |
| Douglas Slocum | .... | apprentice editor | |
| Mike Stanwick | .... | color timer | |
| Melissa Wegman | .... | Bond Co. Post Superviser | |
| Madeleine C. Schnell | .... | post-production coordinator: Motion Picture Bond Company (uncredited) | |
Music Department | |||
| Nico Abondolo | .... | musician: bass | |
| Deva Anderson | .... | music supervisor | |
| Gary Bovyer | .... | musician: clarinet | |
| Tom Calderaro | .... | music preparation | |
| Jon Clarke | .... | musician: oboe and soprano sax | |
| Tim Comstock | .... | music assistant | |
| Franklyn d'Antonio | .... | musician: violin (as Franklyn D'Antonio) | |
| Bruce Dukov | .... | musician: violin | |
| Steve Erdody | .... | musician: cello | |
| Robert Fernandez | .... | scoring mixer | |
| Marlo Fisher | .... | musician: viola (as Marlow Fisher) | |
| Matt Funes | .... | musician: viola | |
| Armen Garabedian | .... | musician: violin | |
| Alex Gibson | .... | music editor | |
| Thomas Graham II | .... | score recordist | |
| Endre Granat | .... | concert master | |
| Endre Granat | .... | musician: violin | |
| Alan Grunfeld | .... | musician: violin | |
| Gregory Jamrok | .... | scoring supervisor | |
| Alexander Janko | .... | conductor: score | |
| Alexander Janko | .... | orchestrator | |
| Alexander Janko | .... | score producer | |
| Randy Kerber | .... | musician: piano | |
| Miran Kojian | .... | musician: violin | |
| Aimie Kreston | .... | musician: violin | |
| Armen Ksajikian | .... | musician: cello | |
| Dimitrie Leivici | .... | musician: violin | |
| Phillipe Levy | .... | musician: violin (as Phillip Levy) | |
| Rebecca R. Liddle | .... | music arranger: piano suite (as Rebecca Liddle) | |
| David Low | .... | orchestra contractor | |
| Darrin McCann | .... | musician: viola (as Darren McCann) | |
| Ed Meares | .... | musician: bass | |
| Victoria Miskolczy | .... | musician: viola (as Vicky Miskolczy) | |
| Simon Oswell | .... | musician: viola | |
| Dean Parks | .... | musician: acoustic guitar | |
| Katia Popov | .... | musician: violin | |
| Jeremy Raub | .... | co-music editor | |
| Rafael Rishik | .... | musician: violin | |
| Delphine Robertson | .... | music coordinator | |
| Mark Robertson | .... | musician: violin | |
| Mark Sazer | .... | musician: violin | |
| Haim Shtrum | .... | musician: violin | |
| Sebastian Toettcher | .... | musician: cello | |
| Cecilia Tsan | .... | musician: cello | |
| Louise Di Tullio | .... | musician: flute (as Louise DiTullio) | |
| Michael Valerio | .... | musician: bass (as Mike Valerio) | |
| Josefina Vergara | .... | musician: violin | |
| David Walther | .... | musician: viola | |
| Chris Wilson | .... | musician: electric guitar | |
| Ken Yerke | .... | musician: violin | |
| Robert Fernandez | .... | music mixer (uncredited) | |
Transportation Department | |||
| Al Donin | .... | driver | |
| Norman Foster | .... | driver (as Norm Foster) | |
| Ray Gabourie | .... | driver | |
| Bill Hagan | .... | transportation captain | |
| John Hiltz | .... | head driver | |
| Jeff Peebles | .... | driver | |
| Doug Perry | .... | driver | |
| Don Retzer | .... | transportation coordinator | |
Other crew | |||
| Brandi Andersen | .... | staff: Playtone | |
| Mardie Anderson | .... | assistant: Mr. Goetzman | |
| Trudy Artman | .... | adr group coordinator | |
| Sebastian Bauer | .... | staff: Playtone | |
| Lesia Capone | .... | assistant production coordinator | |
| Louise Casey | .... | craft service | |
| Don Cornelius | .... | assistant location manager | |
| Christopher G. Cowen | .... | staff: Playtone | |
| Marco Di Flaviano | .... | location assistant | |
| Greg Eby | .... | production accountant | |
| Pablo Ferro | .... | titles and graphics | |
| Nancy Vardalos Ginakes | .... | choreographer | |
| Katharine Gray | .... | clearance coordinator | |
| Leah Holmes | .... | post-production accountant | |
| David Hutkin | .... | vice president: The Lewis Horwitz Organization | |
| Monica Ionson | .... | payroll accountant | |
| John Kenyon | .... | location manager (as John M. Kenyon) | |
| Helen Lucas | .... | stand-in | |
| Amy McKenzie | .... | assistant: Mr. Hanks | |
| Lara McMahon | .... | set production assistant | |
| John Nelles | .... | dialogue coach | |
| Eric E. Paulson | .... | production associate | |
| Kostas Petsis | .... | choreographer | |
| J.R. Powell | .... | set production assistant | |
| Breigh Radford | .... | assistant production accountant | |
| JoAnne Rivers | .... | production coordinator (as Joanne A.C. Rivers) | |
| Marsha Robertson | .... | unit publicist | |
| Marissa Roman | .... | financial legal services: Akin, Gump, Strauss, Hauer and Feld L.L.P. | |
| Daniela Saioni | .... | script supervisor | |
| Patricia Satok | .... | craft service | |
| Tom Tobin | .... | production assistant | |
| John Von Atzigen | .... | stand-in | |
| David Zikovitz | .... | production assistant | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Michelle Dunton | .... | script researcher (uncredited) | |
| Jeanne Van Cott | .... | production executive (uncredited) | |
Thanks | |||
| Jon Anderson | .... | in memory of | |
| Eric Brooks | .... | thanks | |
| Diana Choi | .... | thanks | |
| Josh Clayton-Felt | .... | in memory of | |
| Madeline Cripe | .... | thanks | |
| Father Paul Drakos | .... | thanks | |
| Christine Paulos Dulat | .... | in memory of | |
| Alan Hergot | .... | thanks | |
| Kirk Saduski | .... | thanks | |
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My Big Fat Greek Wedding is a very simple, funny romance story that would probably be most appreciated by female audiences.
Nia Vardalos (the film's writer and star) is Toula Portokalos, a quiet young woman from a zany Greek family. As she explains in the great flashback introduction, all her life she has been brought up to be strictly Greek. But, the same upbringing also contains some traditional absuridites that she can't understand, although her parent's wish that she would adhere to. Toula's upbringing has only allowed her to look forward to one thing at this point in her life: get married to a nice Greek boy and have lots of babies.
This is not something Toula wants to here, and eventually, she gains the courage to break out of her introverted shield and gradually change herself into a bold, lovely woman. She stops working at her family's resturaunts and starts taking computer classes at the local college, which lead her not only to a better appreciation for herself, but leads to a job at her aunt's travel agency where she meets Ian Miller (Jon Corbet), and that is where our story begins.
Toula and Ian are in love, really very much so. But, this troubles Toula's mother and father, with her father (Michael Constantine) being more strict in traditional Greek upbringing than her mother (Lanie Kazan), when Ian proposes to Toula. For Toula's father, it is bad enough that she quit the family business to go to school and everything. But it is simply out of the question for him that she marry a non-Greek. So, Toula is torn between the two. This is a movie very much in the spirit of films like Bend it Like Beckham and somewhat like the Joy Luck Club in addressing roles of tradition in future generations of immigrants and the possibility and reason for preservation of such traditions.
Of course the film is a very simple movie, a simple love story, but a funny one nonetheless. We see the contrast between Toula's Greek upbringing, and Ian's very quiet, conservative family. Everyone was fantastic in this film, especially Lainie Kazan as Toula's mom, Michael Constantine as her father, and the wonderfully hilarious Andrea Martin as Toula's Aunt Voula.
I don't know the reason for so many negative reviews for this movie. I would say it was probably the best movie I saw in 2002, and one that I have seen many times since just because it a lovely little (and funny) story about a girl in love.