A Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.A Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.A Honduran English literature professor who migrates illegally to Southern California with his 6-year-old daughter after his wife is killed in Hurricane Mitch.
- Awards
- 5 wins & 3 nominations
Jesus Nebot
- Pablo Fernandez
- (as Jesús Nebot)
Vernee Watson
- Detective Bryan
- (as Vernée Watson Johnson)
Ken Feinberg
- Officer Kincaid
- (as Kenneth Feinberg)
Gage Hunter Bebank
- Andrew Knight
- (as Gage Hunter Bebak)
Niki Botelho
- Sexy
- (as Niki Botelho-Pabros)
Ednita Trivino
- Sandra's Mom
- (as Ednita Triviño-Madden)
Storyline
Did you know
- TriviaChelsea Rendon's debut.
- ConnectionsFeatured in Confessions of a Superhero (2007)
Featured review
An interesting story that deserves a better written script.
The film deals with a very important issue of illegal immigrants and their daily struggle to make it through in order to give their kids a better future. The problem is with the script that even though tells a fairly interesting story, fails to deal with the issue, and instead presents us with a melodrama, in which all ends are neatly tied. The point of 'No Turning Back' is not really clear, as you never get a sense of what it is that they want to go back to. It seems like similar life to the one they main character had can be rebuild in any other state (The story takes place in California), as well as in Canada, to which they are trying to get. The story also fails to evoke the strong emotional feelings you get when you see 'Sophie's Choice,' nor be charming as 'Three Fugitives.' We do not feel any sorrow for the separation of the child from her father, as we know she is better off with her new family.
Too many issues are being resolved with no real explanation like how Soid found the hiding place of the father and his daughter? How did the police know the exact cruise line company that the father and his daughter were heading for? The movie shows the police somehow finding out that someone is selling them his green card, then showing them coming to a cruise line company, where the father applied for a job under an assumed name. Yet at the end of the movie, they know to go there and not any other place. Other issues are not dealt with like why the father didn't try and run to another state where it would be easy for him to evade the police, or why did the mail policeman decide that the policewomen is not ready for this case. Another unresolved issue is how Soid makes a living. Where does she live? Who pays her to do her documentaries, or where does she get the money to do them if not ordered by any organization?
Some of the sub plots either don't make sense or entirely unnecessary. The relationship between the two cops is poorly written and developed. They seem to have no other cases other than this one. The policewoman looks like a veteran who dealt with many cases in the past, yet the rocky policeman tell her she is not ready for this case. The grieving family seems to go back to normal life very fast. Even before the funeral the father is already back to work. When the father brings his daughter to the hospital no one seems to question the story that he found the child on the street. It is not clear how the police learned of the presence of the child in that hospital.
The relationship between the father and the daughter are very touching, though we don't really get a feeling of what their lives looked like before they relocated to the USA. Would they stay in their homeland should if the mother was still alive? What did the father used to do there? How did the child feel about moving to a different county? The child's view of where her mother is, as well as the way she presents it to the grieving father of the dead girl is well written, and it's too bad there are not enough of this type of writing throughout the script. Another well written and well played scene is when Soid reveals she sold the car.
Most of the acting is good, though I felt the policewoman was trying too hard to be Whoopi Goldberg in 'Jumping Jack Flash.' The policeman's character as a Native American who is late to work because he speaks to a spiritual adviser in the shape of an owl only ridiculed the police investigation. I especially liked the acting of Lindsay Price as the documentary film maker. All of the actors use the 'F' word. Would have been more interesting if each one had his/her own lingo and if they used profanity less often.
The sets lack credibility. In the scene where the two policemen check the computer for the green card fraud, their surrounding is bare. No other tables, policemen, or any other indication that this is a police station. The hospital seems to have no other patients other than the kid. When the father is about to board the cruise line ship, even though it is close to the time the ship is about to sail, there are no other personnel in sight.
The story moves from a drama of a father and his child trying to run away, to an action film with a daring rescue of the child from the hospital, and an attempt of the father to run from the police after being caught. It would have been a lot more interesting to either build it as a journey movie, such as 'Thelma and Louise', while showing the relationships and changes the 3 main characters go through, or build it as a drama of a tragedy hitting the two families, without the action/thriller parts.
Too many issues are being resolved with no real explanation like how Soid found the hiding place of the father and his daughter? How did the police know the exact cruise line company that the father and his daughter were heading for? The movie shows the police somehow finding out that someone is selling them his green card, then showing them coming to a cruise line company, where the father applied for a job under an assumed name. Yet at the end of the movie, they know to go there and not any other place. Other issues are not dealt with like why the father didn't try and run to another state where it would be easy for him to evade the police, or why did the mail policeman decide that the policewomen is not ready for this case. Another unresolved issue is how Soid makes a living. Where does she live? Who pays her to do her documentaries, or where does she get the money to do them if not ordered by any organization?
Some of the sub plots either don't make sense or entirely unnecessary. The relationship between the two cops is poorly written and developed. They seem to have no other cases other than this one. The policewoman looks like a veteran who dealt with many cases in the past, yet the rocky policeman tell her she is not ready for this case. The grieving family seems to go back to normal life very fast. Even before the funeral the father is already back to work. When the father brings his daughter to the hospital no one seems to question the story that he found the child on the street. It is not clear how the police learned of the presence of the child in that hospital.
The relationship between the father and the daughter are very touching, though we don't really get a feeling of what their lives looked like before they relocated to the USA. Would they stay in their homeland should if the mother was still alive? What did the father used to do there? How did the child feel about moving to a different county? The child's view of where her mother is, as well as the way she presents it to the grieving father of the dead girl is well written, and it's too bad there are not enough of this type of writing throughout the script. Another well written and well played scene is when Soid reveals she sold the car.
Most of the acting is good, though I felt the policewoman was trying too hard to be Whoopi Goldberg in 'Jumping Jack Flash.' The policeman's character as a Native American who is late to work because he speaks to a spiritual adviser in the shape of an owl only ridiculed the police investigation. I especially liked the acting of Lindsay Price as the documentary film maker. All of the actors use the 'F' word. Would have been more interesting if each one had his/her own lingo and if they used profanity less often.
The sets lack credibility. In the scene where the two policemen check the computer for the green card fraud, their surrounding is bare. No other tables, policemen, or any other indication that this is a police station. The hospital seems to have no other patients other than the kid. When the father is about to board the cruise line ship, even though it is close to the time the ship is about to sail, there are no other personnel in sight.
The story moves from a drama of a father and his child trying to run away, to an action film with a daring rescue of the child from the hospital, and an attempt of the father to run from the police after being caught. It would have been a lot more interesting to either build it as a journey movie, such as 'Thelma and Louise', while showing the relationships and changes the 3 main characters go through, or build it as a drama of a tragedy hitting the two families, without the action/thriller parts.
helpful•11
- angolan
- Aug 25, 2004
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Sin retorno
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $8,042
- Opening weekend US & Canada
- $5,521
- Jun 15, 2003
- Gross worldwide
- $8,042
Contribute to this page
Suggest an edit or add missing content