Bella Martha (2001)

User Rating:

7.3/10   

Director:

Sandra Nettelbeck

Writer:

Sandra Nettelbeck (writer)

Release Date:

18 April 2002 (Germany)

Genre:

Comedy | Romance | Drama

Tagline:

In Martha's enchanted kitchen, more than the food is starting to simmer. With some special ingredients they just might discover a recipe for passion.

Plot:

When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount... until an Italian sous-chef arrives to lighten the mood.

Plot Keywords:

Chef | Cooking | Restaurant | Car Accident | Italian

Awards:

14 wins & 5 nominations

Cast

Martina Gedeck	...	Martha Klein
Maxime Foerste	...	Lina Klein (Martha's niece)
Sergio Castellitto	...	Mario
August Zirner	...	Martha's Therapist
Sibylle Canonica	...	Frida
Katja Studt	...	Lea
Antonio Wannek	...	Carlos
Idil Üner	...	Bernadette
Oliver Broumis	...	Jan
Ulrich Thomsen	...	Sam Thalberg
Gerhard Garbers	...	Herr Steinberg
Angela Schmidt	...	Frau Steinberg
Diego Ribon	...	Giuseppe Lorenzo
W.D. Sprenger	...	Noisy customer
Victoria Trauttmansdorff	...	Companion (as Victoria von Trautmannsdorf)

Also Known As:

Mostly Martha (International: English title) (UK) (USA)
Drei Sterne (Germany) (working title)
Martha (Germany) (working title)
Ricette d'amore (Italy)

MPAA:

Rated PG thematic material and mild language.

Runtime:

109 min | Japan:105 min

Country:

Italy | Germany | Austria | Switzerland

Language:

German | Italian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Argentina:13 | Australia:PG | Finland:S | Germany:o.Al. | Hong Kong:I | Netherlands:AL | Norway:A | Spain:T | UK:PG | USA:PG | Singapore:PG

Filming Locations:

Hamburg, Germany

Company:

Arte

Trivia:

Sergio Castellitto's German wasn't good enough so Frank Glaubrecht was brought in to dub his voice for the German version.

Goofs:

Continuity: When Mario and Lina get ready to cook dinner at Martha's apartment, Lina puts on her apron twice.

Quotes:

Mario: Why would she want to stay with her family in sunny Italy when she can return to cold and grey Germany to live there with a nut case like you?

Movie Connections:

Featured in Le cinéma passe à table (2005) (TV)

Soundtrack:

Let's Do It In A-Flat

Thoughtful, moving, rewarding

A few rhetorical questions:

a. Why are there no great English-language food/romance movies? Whenever you see a movie that truly ravishes you with food preparation and recipes as part of the atmosphere of the movie, it comes from France or Mexico or Hong Kong - or, if it is in English, it's borrowed culturally from another country (e.g. Chocolat, or the Mexican-American adaptation of Ang Lee's Eat Drink Man Woman). I think it's because the English speaking societies of the world have a relatively unsophisticated approach to food preparation and dining, manifest in our great contributions to world culinary arts - fast food and industrial agriculture, plus cooking technologies that take art out of the equation. You can't have a sexy drama set amidst a world of force-fed veal or microwave dinners.

b. Why do we never talk about German comedy? The Germans do have a comedic tradition, but the movies that are released in the US tend to be solemn dramas, violent or shocking action pieces or grim experimental works. On the rare instances that I see a German comedy, I'm always pleasantly surprised, and I have the feeling I'm missing out.

c. Why are European movies so much better than American films at showing sexiness and desirability in 30- or 40-something year-old women? I have a pet theory, that European sensibilities about marriage and commitment are sufficiently different from American norms that there is the expectation that a 35-year old woman may yet be actively and happily single, or perhaps a single mom who isn't stigmatized to feel that she had best find some sucker to marry her and get out of the dating pool.

d. Why isn't jazz used in American soundtracks anymore? In this film set in Germany, the score is assembled by Manfred Eicher (founder of ECM, the acclaimed modern-jazz label), and it's all good. Some nice German lieder, classic vocal jazz, and instrumental pieces by Keith Jarrett and others. We Americans appear to have forgotten jazz as soundtrack music.

In any case, Mostly Martha is a fine little movie set in contemporary Köln, starring Martina Gedeck as the title character. Martha is a neurotic, workaholic chef at a high-end restaurant, whose control freak tendencies keep her at a distance from everyone. When her boss insists that she go to therapy, she replies by preparing recipes for the hapless shrink. Both lonely and a loner (a tricky combination), she throws herself into her work to the point of exhaustion.

Martha's single-minded life is thrown upside down when she suddenly becomes the guardian to her niece Lina (Maxime Foerste). As she struggles to take on this new role, the arrival of a competitor in the form of a brash Italian chef (Sergio Castellitto) threatens her supremacy in the kitchen.

Any viewer of romantic comedies knows where this is going, but I have no complaints about the plot line. The performances were all good; the dialogue is thoughtful; the food looks delicious. It's not a great movie, but it's a good one and would be an admirable effort by any studio.