Swordfish (2001)

Director:

Dominic Sena

Writer (WGA):

Skip Woods (written by)

Release Date:

8 June 2001 (USA)

Genre:

Action | Thriller | Crime

Tagline:

Log on. Hack in. Go anywhere. Steal everything.

Plot:

A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.

Plot Keywords:

Computer | Terrorism | Hostage | Told In Flashback | Flashback

Awards:

3 wins & 5 nominations

Cast

John Travolta	...	Gabriel Shear
Hugh Jackman	...	Stanley Jobson
Halle Berry	...	Ginger Knowles
Don Cheadle	...	Agent J.T. Roberts
Sam Shepard	...	Senator James Reisman
Vinnie Jones	...	Marco
Drea de Matteo	...	Melissa
Rudolf Martin	...	Axl Torvalds
Zach Grenier	...	Assistant Director Bill Joy
Camryn Grimes	...	Holly Jobson
Angelo Pagan	...	Torres (as Angelo Pagán)
Chic Daniel	...	SWAT Leader
Kirk B.R. Woller	...	Axel's Lawyer
Carmen Argenziano	...	Agent
Tim DeKay	...	Agent

MPAA:

Rated R for violence, language and some sexuality/nudity.

Runtime:

99 min

Country:

USA | Australia

Language:

English | German

Colour:

Colour (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R (certificate #38324) | Canada:14 (Nova Scotia) | Canada:14A (Manitoba) | Denmark:15 | Canada:18A (Alberta/British Columbia) | Canada:AA (Ontario) | Philippines:R-18 | Netherlands:12 | Argentina:13 | Australia:MA | Brazil:14 | Finland:K-15 | France:-12 | Germany:16 (w) | Hong Kong:IIB | Hungary:14 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:M18 (re-rating) | Singapore:NC-16 (original rating) | South Korea:15 | Spain:18 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | Canada:13+ (Quebec)

Filming Locations:

Belasco Theatre - 1060 S. Hill Street, Downtown, Los Angeles, California, USA

Company:

Jonathan Krane Group

Trivia:

The title comes from the classic 1932 Marx Brothers' film, Horse Feathers (1932). "Swordfish" was the password for entering the speakeasy - one of the movie's funniest scenes - and became the archetypal password (at least for older movie-goers).

Goofs:

Continuity: When Stan drops his daughter off, and the FBI agent gets in, after Stan breaks the agents nose he backs into the right door of the FBI car denting it and shattering the window. After they roll down the hill, and Stan rolls over the car, the right door is undamaged.

Quotes:

Gabriel Shear: It's kinda like masturbation without the payoff.

Movie Connections:

References The Untouchables (1987)

Soundtrack:

Get Out of My Life Now

A good time with this film.

SWORDFISH (2001) Rating: 7/10

Hell, I liked this movie. It's been a while since I've seen an enjoyable, mature action movie. With the slew of PG-13 action movies of recent years, it's refreshing to see one that at least acknowledges that many intense situations do involve language, sex, and mixed character reactions -- it wasn't just another black and white, good and bad movie where the good guy does only good things and the bad guy has only evil intentions. The good guy didn't always do the right thing, and the bad guy could hardly be accused of sinister motives.

I loved the three leads in this film. Hugh Jackman is officially a star with this movie. Hugh has proven himself once before in X-Men as a worthy actor, and he does it again in this film. He's the one that basically pulls you into this movie from the get-go and you actually feel for the poor guy. John Travolta, obviously, has a blast with yet another solid "bad guy" showing, redeeming himself after the lacklustre results of Battlefield Earth and Halle Berry must have enjoyed making this one, since it is a departure from her standard movie roles. Not to mention, she's sexier than ever.

There actually isn't as much action as you would expect in this film, but the opening and closing scenes in the film are some of the best action scenes I have ever seen and really hooks you into the film in the beginning and leaves you thoroughly entertained at the end. It's one of the first uses of "matrix-style camerawork" that I've seen that really adds to the film and isn't just something that "looks cool."

Overall, if you're looking for an "action popcorn" flick with lots of bad guys, gunplay, quick camera movements, fun action sequences and a surprisingly decent storyline that moves along at a quick pace, I'd recommend you rent this film.