| Photos (see all 173 | slideshow) | Videos (see all 8) |
Directed by | |||
| Chris Columbus | |||
Writing credits(WGA) | ||
| J.K. Rowling | (novel) | |
| Steve Kloves | (screenplay) | |
Produced by | |||
| Todd Arnow | .... | associate producer | |
| Michael Barnathan | .... | executive producer | |
| Chris Columbus | .... | executive producer | |
| Paula DuPré Pesman | .... | associate producer (as Paula Dupre-Pesman) | |
| Duncan Henderson | .... | executive producer | |
| David Heyman | .... | producer | |
| Mark Radcliffe | .... | executive producer | |
| Tanya Seghatchian | .... | co-producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Susie Figgis | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Andrew Ackland-Snow | |||
| Peter Francis | |||
| John King | (supervising art director) | ||
| Michael Lamont | |||
| Neil Lamont | (supervising art director) | ||
| Simon Lamont | |||
| Steven Lawrence | |||
| Lucinda Thomson | |||
| Cliff Robinson | (uncredited) | ||
Set Decoration by | |||
| Stephanie McMillan | (as Stephenie McMillan) | ||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Jane Body | .... | hair stylist | |
| Mark Coulier | .... | key prosthetic makeup artist | |
| Nick Dudman | .... | special makeup effects artist | |
| Eithne Fennel | .... | hair designer (as Eithné Fennell) | |
| Andrea Finch | .... | hair stylist: second unit (as Andrea Pennell) | |
| Jeanette Freeman | .... | hair stylist: second unit | |
| Betty Glasow | .... | hair stylist | |
| Amanda Knight | .... | makeup designer | |
| Clare Le Vesconte | .... | makeup artist | |
| Chris Lyons | .... | dental technician | |
| Lisa McDevitt | .... | makeup artist: second unit | |
| Sharon Nicholas | .... | hair trainee | |
| Sharon Nicholas | .... | makeup trainee | |
| Jane Royle | .... | makeup artist | |
| Zoe Tahir | .... | hair stylist | |
| Michelle Taylor | .... | makeup artist: second unit | |
| Sallie Evans | .... | makeup artist (uncredited) | |
| Jemma Scott-Knox-Gore | .... | contact lens technician (uncredited) | |
Production Management | |||
| Todd Arnow | .... | unit production manager | |
| David Carrigan | .... | assistant production manager | |
| David Carrigan | .... | assistant production supervisor | |
| Russell Lodge | .... | production supervisor: second unit | |
| Mark Marshall | .... | post-production supervisor | |
| R.J. Mino | .... | unit production manager: second unit | |
| Janine Modder | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Carreras | .... | first assistant director | |
| Jamie Christopher | .... | first assistant director: second unit | |
| Ian Dray | .... | additional third assistant director | |
| David R. Ellis | .... | second unit director (as David Ellis) | |
| Robert Grayson | .... | key second assistant director | |
| Duncan Henderson | .... | additional first assistant director | |
| Dan John | .... | second assistant director: second unit | |
| Robert Legato | .... | second unit director | |
| Michael Michael | .... | third assistant director | |
| R.J. Mino | .... | additional second assistant director | |
| David Pearson | .... | first assistant director: motion control & model unit | |
| Fiona Richards | .... | co-second assistant director | |
| Josh Robertson | .... | first assistant director: second unit | |
| Nick Shuttleworth | .... | third assistant director: second unit | |
| Michael Stevenson | .... | second assistant director | |
| Rob Burgess | .... | additional third assistant director: second unit (uncredited) | |
| Simon Emanuel | .... | set second assistant director: dailies (uncredited) | |
Art Department | |||
| Simon Alderton | .... | supervising rigger: Jim Henson's Creature Shop | |
| Ravi Bansal | .... | concept artist | |
| Jim Barr | .... | prop modeller: Jim Henson's Creature Shop | |
| Elena Biggs | .... | assistant modeller: Jim Henson's Creature Shop | |
| Hannah Biggs | .... | assistant modeller: Jim Henson's Creature Shop | |
| Rob Bliss | .... | creative designer | |
| Michael Boone | .... | set designer | |
| Mark Brady | .... | supervising carpenter: Jim Henson's Creature Shop | |
| Adam Brockbank | .... | storyboard artist | |
| Paul Burges | .... | dressing propman: Jim Henson's Creature Shop | |
| Paul Catling | .... | creative designer | |
| Peter Chan | .... | storyboard artist | |
| Bryn Court | .... | sculptor | |
| Tracey Curtis | .... | prop modeller: Jim Henson's Creature Shop | |
| Joe Dipple | .... | chargehand dressing propman: Jim Henson's Creature Shop | |
| Peter Dorme | .... | set designer | |
| Gill Ducker | .... | production buyer | |
| John Fox | .... | dressing propman: Jim Henson's Creature Shop | |
| Adrian Getley | .... | prop modeller: Jim Henson's Creature Shop | |
| Jo Graysmark | .... | assistant set decorator (as Johanna Graysmark) | |
| Glenn Haddock | .... | prop modeller: Jim Henson's Creature Shop (as Glen Haddock) | |
| Gary Handley | .... | drapes master | |
| Rosie Hardwick | .... | set designer | |
| Bernie Hearn | .... | chargehand dressing propman: Jim Henson's Creature Shop | |
| Dan Hearn | .... | dressing propman: Jim Henson's Creature Shop | |
| Andrew Holder | .... | sculptor | |
| Darren Holland | .... | stagehand: second unit | |
| Michael Howlett | .... | head metal worker: Jim Henson's Creature Shop | |
| Gary Ixer | .... | stand-by props: Jim Henson's Creature Shop | |
| Patricia Johnson | .... | set designer | |
| Dominic Masters | .... | assistant art director | |
| Christian McDonald | .... | dressing propman: Jim Henson's Creature Shop | |
| Micky Mills | .... | dressing propman: Jim Henson's Creature Shop | |
| Miraphora Mina | .... | graphic artist (as Miraphora Caruso) | |
| Stephen Morahan | .... | assistant art director (as Steven Morahan) | |
| David Nicoll | .... | scenic artist | |
| Cyrille Nomberg | .... | illustrator | |
| Gerry O'Connor | .... | dressing propman: Jim Henson's Creature Shop | |
| Eddie O'Neil | .... | supervising stagehand: Jim Henson's Creature Shop | |
| John Palmer | .... | dressing propman: Jim Henson's Creature Shop | |
| Nick Pelham | .... | storyboard artist (as Nicholas Pelham) | |
| John Robinson | .... | sculptor | |
| Steven Sallybanks | .... | scenic art director | |
| Lee Sandales | .... | assistant set decorator | |
| Gert Stevens | .... | concept artist | |
| Dan Sweetman | .... | storyboard artist | |
| Vladimir Todorov | .... | storyboard artist | |
| Gary Tomkins | .... | assistant art director | |
| Sarah 'Toad' Tozer | .... | set designer (as Toad Tozer) | |
| Lisa Turner | .... | art department coordinator | |
| Bob Walker | .... | lettering artist (as Robert Walker) | |
| Julian Walker | .... | lettering artist | |
| Paul Waller | .... | prop modeller: Jim Henson's Creature Shop | |
| John Weller | .... | senior modeller: Jim Henson's Creature Shop | |
| Dave Westcott | .... | head scenic painter: Jim Henson's Creature Shop (as David Westcott) | |
| Michael Westcott | .... | supervising scenic painter: Jim Henson's Creature Shop | |
| Brian White | .... | supervising plasterer: Jim Henson's Creature Shop | |
| Terry Whitehouse | .... | prop modeller: Jim Henson's Creature Shop | |
| Barry Wilkinson | .... | property master | |
| Ben Wilkinson | .... | dressing propman: Jim Henson's Creature Shop | |
| Jamie Wilkinson | .... | assistant property master | |
| Simon Wilkinson | .... | supervising propman: Jim Henson's Creature Shop | |
| Sydney Wilson | .... | dressing propman: Jim Henson's Creature Shop (as Sidney Wilson) | |
| Ruth Winick | .... | graphic artist | |
| Tiffany Woods | .... | assistant modeller: Jim Henson's Creature Shop | |
| Tony Wright | .... | storyboard artist | |
| Andy Aitken | .... | scenic plasterer/mould maker (uncredited) | |
| Lawrie Ayres | .... | dressing props (uncredited) | |
| Will Ayres | .... | props (uncredited) | |
| Pierre Bohanna | .... | supervising modeler (uncredited) | |
| Toby Britton | .... | art department model maker (uncredited) | |
| Patrick Casey | .... | construction buyer (uncredited) | |
| Paul Cheesman | .... | dressing propman (uncredited) | |
| Pip Fox | .... | props (uncredited) | |
| Heidi Gibb | .... | junior draughtsman (uncredited) | |
| Mary Grandpré | .... | artist (uncredited) | |
| Dominic Hailstone | .... | concept modeller (uncredited) | |
| Daniel Handley | .... | supervising draper (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| P.K. MacCarthy | .... | storyboard artist (uncredited) | |
| Tony Marks | .... | carpenter (uncredited) | |
| Steve Payne | .... | dressing props (uncredited) | |
| Christian Short | .... | prop man (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
| Emma Vane | .... | junior draughtsman (uncredited) | |
| Lizzi Wilson | .... | petty cash buyer (uncredited) | |
Special Effects by | |||
| Jonathan Abbas-Klahr | .... | animatronic model designer (as Jonathan Klahr) | |
| Astrig Akseralian | .... | key animatronic model designer | |
| Jonathan Angell | .... | special effects senior technician | |
| Peter Aston | .... | special effects senior technician | |
| Daniele Auber | .... | art finisher: Jim Henson's Creature Shop (as Daniel Auber) | |
| Chris Barton | .... | key animatronic model designer | |
| Pete Bell | .... | motion bear electronics & mechanics: Jim Henson's Creature Shop | |
| Brian Best | .... | animatronics model designer | |
| Pierre Bohanna | .... | supervising modeller: Jim Henson's Creature Shop | |
| Nigel Brackley | .... | special effects senior technician | |
| Stuart Bray | .... | animatronic model designer | |
| Daniel Brunet | .... | animatronic designer: Jim Henson's Creature Shop | |
| Mark Bullimore | .... | special effects modeller | |
| Michael Clarke | .... | special effects senior technician (as Mike Clarke) | |
| Nik Cooper | .... | senior special effects technician: motion control and model unit | |
| John Coopinger | .... | animatronic model designer | |
| Jamie Courtier | .... | project supervisor: Jim Henson's Creature Shop | |
| Karl Derrick | .... | animatronic model designer | |
| Stuart Digby | .... | special effects senior technician | |
| Nick Dudman | .... | creature effects | |
| David Dunsterville | .... | motion bear electronics & mechanics: Jim Henson's Creature Shop | |
| Michael Durkan | .... | special effects technician | |
| Malcolm Evans | .... | animatronic model designer (as Malcolm Evan) | |
| John Field | .... | head rigger: Jim Henson's Creature Shop | |
| Chris Fitzgerald | .... | creature sculptor: Jim Henson's Creature Shop | |
| Steve Fitzwater | .... | assistant construction manager: Jim Henson's Creature Shop (as Steven Fitzwater) | |
| Marie Fraser | .... | skin technology supervisor: Jim Henson's Creature Shop (as Mari Fraser) | |
| Charlotte Greenwood | .... | animatronic model designer | |
| Verner Gresty | .... | motion bear supervisor: Jim Henson's Creature Shop | |
| Frank Guiney | .... | animatronic engineer | |
| Tamzine Hanks | .... | animatronic model designer | |
| Matthew Harlow | .... | special effects technician | |
| Shaune Harrison | .... | animatronic model designer | |
| Simon Hewitt | .... | animatronic designer: Jim Henson's Creature Shop | |
| Graham High | .... | creature sculptor: Jim Henson's Creature Shop | |
| Kate Hill | .... | animatronic model designer | |
| Myf Hopkins | .... | creatures producer: Jim Henson's Creature Shop | |
| Patrick Johnson | .... | special effects technician | |
| Steve Jolley | .... | creature sculptor: Jim Henson's Creature Shop | |
| Dave Kelly | .... | mold maker: Jim Henson's Creature Shop | |
| Mike Kerby | .... | special effects technician (as Michael Kerby) | |
| Tahra Kharibian | .... | fabricator: Jim Henson's Creature Shop (as Tahra Kharibian-Zafar) | |
| Tacy Kneale | .... | art finish supervisor: Jim Henson's Creature Shop | |
| John Lambert | .... | makeup effects coordinator | |
| Andrew Lee | .... | animatronic model designer | |
| Melissa Lenihan | .... | animatronic model designer | |
| Julian Manning | .... | electronic supervisor: Jim Henson's Creature Shop | |
| Jason McCameron | .... | animatronic engineer | |
| Esteban Mendoza | .... | animatronic model designer (as Esteban Mendnoza) | |
| Digby Milner | .... | special effects floor supervisor: second unit | |
| Malcolm Mister | .... | mold maker: Jim Henson's Creature Shop | |
| Tim Mitchell | .... | animatronic engineer | |
| Day Murch | .... | fabrication supervisor | |
| Stephen Murphy | .... | animatronic model designer | |
| Kate Murray | .... | sculptor | |
| Ceri Nicholls | .... | special effects technician | |
| Geoff Paige | .... | workshop supervisor: Jim Henson's Creature Shop | |
| Adrian Parish | .... | animatronic designer: Jim Henson's Creature Shop | |
| Alan Perez | .... | special effects technician | |
| Lee Phelan | .... | assistant special effects technician: second unit | |
| Tony Phelan | .... | senior special effects technician: second unit (as Anthony Phelan) | |
| Peter Pickering | .... | special effects senior technician | |
| Gary Pollard | .... | supervising animatronic model designer | |
| Anton Prickett | .... | animatronic engineer (as Anton Pricket) | |
| Martin Reid | .... | animatronic model designer | |
| John Richardson | .... | special effects supervisor | |
| Marcus Richardson | .... | special effects technician | |
| Rosie Richardson | .... | special effects technician | |
| Bobbi Roberts | .... | art finisher: Jim Henson's Creature Shop (as Bobbie Roberts) | |
| Malcolm Roberts | .... | construction manager: Jim Henson's Creature Shop | |
| Jim Sandys | .... | animatronics model designer (as James Sandys) | |
| Mike Scanlan | .... | animatronic designer: Jim Henson's Creature Shop (as Michael Scanlan) | |
| Terry Sibley | .... | mold maker: Jim Henson's Creature Shop | |
| Sharon Smith | .... | head of creatures design: Jim Henson's Creature Shop | |
| Paul Spateri | .... | key animatronic model designer | |
| Paul Stephenson | .... | special effects workshop supervisor | |
| Guy Stevens | .... | animatronic designer: Jim Henson's Creature Shop | |
| Lars Henrik Svensson | .... | mold maker | |
| Annabel Tait | .... | art finisher: Jim Henson's Creature Shop | |
| Paul Taylor | .... | special effects senior technician | |
| Rick Thompson | .... | special effects floor supervisor | |
| Robert Voysey | .... | head plasterer: Jim Henson's Creature Shop | |
| Graham Weames | .... | head carpenter: Jim Henson's Creature Shop | |
| Ian Whittaker | .... | creature sculptor: Jim Henson's Creature Shop | |
| Paul Whybrow | .... | special effects senior technician | |
| Simon Williams | .... | animatronic model designer | |
| Simon Williams | .... | special effects technician | |
| Tim Willis | .... | special effects floor supervisor | |
| Kenny Wilson | .... | mold shop supervisor: Jim Henson's Creature Shop | |
| Mark Woollard | .... | prop manufacturing coordinator: Jim Henson's Creature Shop | |
| Julie Wright | .... | art finisher: Jim Henson's Creature Shop | |
| Barry Best | .... | mold maker (uncredited) | |
| Garry Cooper | .... | special effects model senior technician (uncredited) | |
| Jim Davey | .... | digital film recording (uncredited) | |
| Benjamin M. Esterson | .... | special effects technician (uncredited) | |
| Chris 'Flimsy' Howes | .... | special effects (uncredited) | |
| Daniel Letch | .... | special effects (uncredited) | |
| Noah Meddings | .... | assistant special effects (uncredited) | |
| Charlie Olsen | .... | special effects crew (uncredited) | |
| Ben Philips | .... | special effects creature puppet assistant (uncredited) | |
| Dave Sullivan | .... | special effects technician (uncredited) | |
| Simon Webber | .... | animatronic model designer (uncredited) | |
| Grant White | .... | assistant: Jim Henson's Creature Shop (uncredited) | |
Visual Effects by | |||
| Mimi Abers | .... | digital artist: ILM | |
| Jude Adamson | .... | lead sequence lighter: Rhythm & Hues (as Judith Adamson) | |
| Alia Agha | .... | 3D matchmove artist: ILM | |
| Dave Allum | .... | modeller: motion control & model unit (as David Allum) | |
| Alfonso Alpuerto | .... | digital character animator: SPI | |
| Ana Maria Alvarado | .... | previsualization: SPI | |
| Marilyn Anderson | .... | TA manager: Mill Film | |
| David Andrews | .... | animation supervisor: ILM | |
| Stephen Aplin | .... | animator: ILM | |
| Cynthia Aragon | .... | rotoscoping lead: SPI (as Cynthia E. Aragon) | |
| Eric Armstrong | .... | animation supervisor: SPI | |
| Dan Ashton | .... | film operator: Cinesite | |
| Nicholas Atkinson | .... | visual effects editor: Mill Film (as Nick Atkinson) | |
| Dona Ball | .... | modeller: motion control & model unit | |
| Tom Barrett | .... | visual effects editor | |
| Angela Barson | .... | sequence compositor: MPC | |
| Alistair Bell | .... | modeller: motion control & model unit | |
| Scott Benza | .... | animator: ILM | |
| Jim Berney | .... | visual effects supervisor: SPI | |
| Mark Beverton | .... | modeller: motion control & model unit | |
| Matt Blackwell | .... | digital artist: ILM | |
| Nigel Blake | .... | senior workshop technician: motion control & model unit | |
| Steven Blakey | .... | effects animator: SPI | |
| James Bluma | .... | assistant visual effects editor: SPI | |
| Rod G. Bogart | .... | software research & development: ILM (as Rod Bogart) | |
| Michael Bradley | .... | electrician: motion control & model unit | |
| Timothy Brakensiek | .... | creature developer: ILM | |
| Patrick Brennan | .... | lead digital artist: ILM | |
| Terry Bridle | .... | senior modeller: motion control & model unit | |
| Johnny Brosman | .... | coordinator: motion control & model unit | |
| Jon R. Brown | .... | visual effects matchmover (as Jon Brown) | |
| Steve Brown | .... | senior plasterer: motion control & model unit (as Steven Brown) | |
| Tom Bruno Jr. | .... | cloth & hair: SPI | |
| Andrew Bull | .... | 3D motion control previs: motion control unit (as Andy Bull) | |
| Simon Burchell | .... | assistant visual effects editor | |
| John Butiu | .... | character modeler: SPI | |
| Aimee Campbell | .... | matchmover: SPI (as Aimee E. Campbell) | |
| Grady Campbell | .... | color & lighting: SPI | |
| Jeremy Cantor | .... | lead CG character animator: SPI | |
| Brian Cantwell | .... | 3D matchmove artist: ILM | |
| Tim Caplan | .... | I/O supervisor: Mill Film | |
| Allen Cappuccilli | .... | visual effects editor: SPI (as Alan Cappuccilli) | |
| Derek Carlson | .... | lead technical assistant: SPI | |
| Anthony Ceccomancini | .... | systems research engineer: SPI | |
| Jason Chalmers | .... | modeller: motion control & model unit | |
| Alan Chan | .... | look development lead: SPI | |
| Sophia Chowdhury | .... | modeller: motion control & model unit | |
| Amy Christensen | .... | 3D matchmove artist: ILM | |
| Steve Clarke | .... | painter: motion control & model unit (as Steven Clark) | |
| Kyle Clark | .... | lead CG character animator: SPI | |
| John Clinton | .... | producer: digital visual effects, SPI (as John F. Clinton III) | |
| Allison Coit | .... | visual effects production assistant: SPI | |
| Tony Coldham | .... | plasterer: motion control & model unit | |
| Rich Cole | .... | visual effects coordinator | |
| Clint Colver | .... | color & lighting: SPI (as Clinton Colver) | |
| Ryan Cook | .... | digital artist: ILM | |
| Colin Coull | .... | colot timer: Mill Film | |
| Joyce Cox | .... | visual effects producer: Rhythm & Hues | |
| Doug Creel | .... | effects animator: SPI | |
| Beth D'Amato | .... | digital paint lead: ILM | |
| Beth D'Amato | .... | rotoscope lead: ILM | |
| Johanna D'Amato | .... | CG production technician: ILM | |
| Matthew D'Angibau | .... | motion control operator: motion control unit | |
| Bryan Davis | .... | CG production technician: ILM | |
| Nick Davis | .... | visual effects supervisor | |
| Steven Deahl | .... | modeller: motion control & model unit | |
| Lisa Deaner | .... | lead high speed compositor: SPI | |
| Rob Delicata | .... | visual effects producer: motion control unit | |
| Lou Dellarosa | .... | animator: ILM | |
| Debbie Denise | .... | visual effects executive producer: SPI | |
| Mark DeSousa | .... | cloth & hair: SPI (as Mark E.A. De Sousa) | |
| Keith Devlin | .... | compositor: Cinesite | |
| Michael Di Como | .... | lead digital artist: ILM | |
| Gavin Digby | .... | compositor: Cinesite | |
| Jenny Dodwell | .... | modeller: motion control & model unit | |
| Christina Drahos | .... | digital artist: ILM | |
| Robert Duncan | .... | digital visual effects supervisor: CFC | |
| Nika Dunne | .... | digital paint: ILM | |
| Russell Earl | .... | digital artist: ILM | |
| Dave Early | .... | lead digital matte artist: Mill Film | |
| Selwyn Eddy | .... | 3D matchmove supervisor: ILM (as Selwyn Eddy III) | |
| Curtis Edwards | .... | cloth & hair: SPI (as Curtis 'NZ' Edwards) | |
| Paul Edwards | .... | visual effects producer: Mill Film | |
| Julia Egerton | .... | compositing artist: CFC | |
| Sander Ellers | .... | modeller: motion control & model unit | |
| Mike Ellis | .... | film recording engineer: ILM | |
| Michael Elson | .... | head of production: MPC | |
| Raul Essig | .... | digital artist: ILM | |
| Ricardo Evangelista | .... | modeller: motion control & model unit | |
| Fred Evans | .... | model sculptor: motion control & model unit | |
| Trevor Eve | .... | painter: motion control & model unit | |
| Jonathan Fawkner | .... | compositing artist: CFC | |
| Daev Finn | .... | lead sequence lighter: Rhythm & Hues | |
| James Flux | .... | color & lighting: SPI | |
| Micky Flynn | .... | electrician: motion control & model unit | |
| Doug Forrest | .... | high speed compositor: SPI | |
| Crys Forsyth-Smith | .... | visual effects producer: SPI | |
| David E. Franks | .... | digital asset coordinator | |
| Derek Friesenborg | .... | digital character animator: SPI | |
| Quentin Frost | .... | color & lighting: SPI | |
| Lisa Garner | .... | digital paint and rotoscope artist: ILM | |
| Dawn Gates | .... | digital paint and rotoscope artist: ILM | |
| Marcia Gay | .... | visual effects production supervisor | |
| Joshua Geisler-Amhowitz | .... | digital matte painter: SPI | |
| Paul Giacoppo | .... | creature supervisor: ILM | |
| Tracey Gibbons | .... | visual effects post-production supervisor | |
| Scott Gibson | .... | rigger: motion control & model unit | |
| Kevin Gilmartin | .... | modeller: motion control & model unit | |
| Matthew Glen | .... | additional visual effects editor (as Matt Glen) | |
| Meher Gourjian | .... | cloth & hair: SPI | |
| Jason Greenblum | .... | lead digital compositor: Rhythm & Hues | |
| Charlotte Greenwood | .... | model sculptor: motion control & model unit | |
| Cam Griffin | .... | digital paint and rotoscope artist: ILM | |
| Sarah Jane Griggs | .... | coordinator: build unit, motion control unit, model unit | |
| Gerald Gutschmidt | .... | computer graphics supervisor: ILM | |
| Roger Guyett | .... | visual effects supervisor: ILM | |
| Joanne Hafner | .... | digital paint and rotoscope artist: ILM | |
| Jennie Hall | .... | visual effects coordinator | |
| Mark Hall | .... | look development: SPI (as Mark R. Hall) | |
| Yan Hammond | .... | motion control operator: motion control unit | |
| Emma Hanson | .... | model sculptor: motion control & model unit | |
| Jordan Harris | .... | digital character animator: SPI | |
| Philip Harrison | .... | modeller: motion control & model unit | |
| Laurence Harvey | .... | modeller: motion control & model unit | |
| Jeff Hatchel | .... | digital artist: ILM | |
| Ed Hawkins | .... | sequence compositor: MPC | |
| Christopher Hayes | .... | modeller: motion control & model unit (as Chris Hayes) | |
| Jane Headford | .... | sculptor/modeller | |
| Wendy Hendrickson | .... | 3D matchmove artist: ILM (as Wendy Hendrickson-Ellis) | |
| Nick Hendy | .... | electrician: motion control & model unit | |
| Jenny Heppenstall | .... | modeller: motion control & model unit | |
| Garman Herigstad | .... | cloth & hair: SPI | |
| Rebecca Heskes | .... | viewpaint artist: ILM | |
| Christopher Hobbs | .... | modeller: motion control & model unit | |
| Martin Hobbs | .... | visual effects producer: MPC | |
| Sofia Hodges | .... | visual effects coordinator | |
| Richard E. Hollander | .... | visual effects supervisor: Rhythm & Hues | |
| Katja Hollmann | .... | scanning and recording operator: Cinesite | |
| Greg Horswill | .... | modeller: motion control & model unit | |
| Peter Seymour Howell | .... | modeller: motion control & model unit (as Peter Seymour-Howell) | |
| Kevin Hudson | .... | CG character modelling lead: SPI | |
| Angela Hunt | .... | visual effects producer: Mill Film | |
| Antony Hunt | .... | visual effects executive producer: Mill Film | |
| Peg Hunter | .... | digital artist: ILM | |
| Greg Hyman | .... | visual effects editor: ILM | |
| Sean Hyun-In Lee | .... | lead sequence compositor: Rhythm & Hues (as Sean Lee) | |
| Sho Igarashi | .... | cloth lead: SPI | |
| Chas Jarrett | .... | CGI animation supervisor: MPC | |
| Paul Jessel | .... | lead CG character animator: SPI | |
| Drew Jones | .... | visual effects executive producer: CFC | |
| Robert Jones | .... | modeller: motion control & model unit | |
| Peter Joslin | .... | electrician: motion control & model unit | |
| Jennifer Juen | .... | visual effects digital coordinator: SPI | |
| Ross Kameny | .... | software developer: SPI | |
| Michael Kanfer | .... | associate visual effects supervisor (as Michael D. Kanfer) | |
| Joanie Karnowski | .... | lead matchmover: SPI | |
| Paul Kavanagh | .... | animator: ILM | |
| Ian Kerr | .... | modeller: motion control & model unit | |
| Marvin Kim | .... | character modeller: SPI | |
| MacDuff Knox | .... | look development lead: SPI | |
| Hilmar Koch | .... | CG sequence supervisor: ILM | |
| Susan Kornfeld | .... | texture painter: SPI | |
| Zsolt Krajcsik | .... | effects animator: SPI | |
| Marshall Richard Krasser | .... | compositing supervisor: ILM (as Marshall Krasser) | |
| Daniel Kuehn | .... | visual effects animation production manager: SPI | |
| Daniel La Chapelle | .... | cloth & hair: SPI (as Daniel Lachapelle) | |
| Mark Lambert | .... | CG supervisor: SPI | |
| Paul Lambert | .... | Inferno artist: Cinesite | |
| Harry Lam | .... | 2D compositing supervisor: Rhythm & Hues (as Hoiyue 'Harry' Lam) | |
| David C. Lawson | .... | look development lead: SPI | |
| James Do Young Lee | .... | rotoscoping: SPI (as James Doyoung Lee) | |
| Simon Lee | .... | modeller: motion control & model unit | |
| Robert Legato | .... | visual effects supervisor | |
| Lyndon Li | .... | color & lighting: SPI | |
| Benjamin Lishka | .... | color & lighting: SPI (as Benjamin F. Lishka) | |
| Lauren A. Littleton | .... | visual effects production manager: SPI (as Lauren Ann Littleton) | |
| Francis Liu | .... | look development (as Francis P. Liu) | |
| John Lockwood | .... | compositor: Cinesite | |
| Roger Lofting | .... | financial liaison: Mill Film | |
| Roger Lofting | .... | legal liaison: Mill Film | |
| David Lomax | .... | CG supervisor: Mill Film | |
| Steve Loveday | .... | modeller: motion control & model unit | |
| Darren Lurie | .... | hair lead: SPI | |
| Skye Lyons | .... | visual effects digital coordinator: SPI | |
| Jodie Maier | .... | 3D matchmove artist: ILM | |
| Jay Mallet | .... | motion control operator: motion control unit | |
| Jennifer Mangan | .... | previsualization editor | |
| Alyson Markell | .... | digital modeller: ILM | |
| Tia L. Marshall | .... | digital artist: ILM (as Tia Marshall) | |
| Seth Maury | .... | CG supervisor: SPI | |
| Jason McDade | .... | digital character animator: SPI | |
| Paul McGhee | .... | digital color timer: SPI | |
| M. Scott McKee | .... | color & lighting: SPI | |
| James McKeown | .... | modeller: motion control & model unit (as James McGowan) | |
| Jeff McLean | .... | lead sequence compositor: Rhythm & Hues | |
| Jim 'Cerberus' McLean | .... | color & lighting: SPI | |
| Ian McWilliams | .... | modeller: motion control & model unit | |
| Jon Meakins | .... | modeller: motion control & model unit | |
| Bob Mercier | .... | 3D sequence lead: Rhythm & Hues | |
| Mark Michaels | .... | composite supervisor: Cinesite | |
| Ray Moody | .... | motion control operator: motion control unit | |
| Karl Mooney | .... | visual effects supervisor: Mill Film | |
| Sarah Moore | .... | color & lighting: SPI | |
| Raquel Morales | .... | texture painter: SPI | |
| Greg Morgan | .... | senior workshop technician: motion control & model unit | |
| Lauren Morimoto | .... | digital paint and rotoscope artist: ILM | |
| David Manos Morris | .... | 3D matchmove artist: ILM | |
| Michelle Motta | .... | digital paint and rotoscope artist: ILM | |
| Duncan Mude | .... | modeller: motion control & model unit | |
| Michael Mulholland | .... | 3D modelling & lighting animator: Cinesite (as Mike Mulholland) | |
| Del Murphy | .... | stagehand: motion control & model unit | |
| John Murphy | .... | modeller: motion control & model unit | |
| Karen M. Murphy | .... | visual effects producer | |
| Peter Muyzers | .... | lead technical director: MPC | |
| Maks Naporowski | .... | CG character set-up: SPI (as Maksymillan Naporoski) | |
| Craig Narramore | .... | modeller: motion control & model unit | |
| Ronald Nash | .... | plasterer: motion control & model unit | |
| Jonathan Neill | .... | 3D modelling & lighting animator: Cinesite | |
| Peter Nicolai | .... | animation coordinator: ILM | |
| Peter Nicolai | .... | visual effects coordinator: ILM | |
| Digna Nigoumi | .... | encoding crane operator: motion control unit | |
| Digna Nigoumi | .... | motion control operator: motion control unit | |
| Richard Northcroft | .... | sculptor/modeller | |
| Samuel Nunez | .... | lead matchmover: Rhythm & Hues | |
| Matt Oakley | .... | modeller: motion control & model unit | |
| Pete Oldroyd | .... | compositor: Cinesite | |
| Jeff Olm | .... | high speed compositor: SPI | |
| Khatsho John Orfali | .... | digital artist: ILM (as Kahtsho Orfali) | |
| Carolyn Oros | .... | character modeller: SPI | |
| Julie Orosz | .... | production manager: Rhythm & Hues (as Julie Orszo) | |
| Andrea Lackey Pace | .... | technical assistant: SPI | |
| David Palmer | .... | texture painter: SPI | |
| Dominic Parker | .... | supervising CG animator: CFC | |
| David Parrish | .... | color & lighting: SPI (as David A. Parrish) | |
| Jamie Peters | .... | rigger: motion control & model unit | |
| Aaron Pfau | .... | lead creature developer: ILM | |
| Cary Phillips | .... | software research & development: ILM | |
| David Phillips | .... | digital compositor | |
| Franco Pietrantonio | .... | visual effects digital production manager: SPI | |
| Todd Pilger | .... | CG character set-up lead: SPI | |
| Bruce Powell | .... | digital artist: ILM | |
| Andrew Proctor | .... | modeller: motion control & model unit | |
| Derrick Quarles | .... | lead film recordist: SPI (as Derrick Troy Quarles) | |
| Leigh Raby | .... | filmout manager: Mill Film | |
| Denise Ream | .... | animation producer: ILM | |
| Denise Ream | .... | visual effects producer: ILM | |
| Kevin Reuter | .... | lead digital artist: ILM | |
| Mark Rodahl | .... | visual effects producer: Rhythm & Hues | |
| Adam Rogers | .... | electrician: motion control & model unit | |
| John Rogers | .... | gaffer: motion control & model unit | |
| Tomás Rosenfeldt | .... | lead effects artist: Rhythm & Hues (as Tomas Rosenfeldt) | |
| Jason Rosson | .... | digital artist: ILM | |
| Sally Ross | .... | coordinator: motion control & model unit | |
| Susan Ross | .... | viewpaint supervisor: ILM | |
| Cherie Rye | .... | cloth & hair: SPI | |
| Gregory Salter | .... | supervising compositor: MPC (as Greg Salter) | |
| Nicole Samarron | .... | CG production technician: ILM | |
| Brian Schindler | .... | digital character animator: SPI | |
| Laura Scholl | .... | look development lead: SPI | |
| Eric Scott | .... | visual effects production coordinator: SPI | |
| Robbie Scott | .... | model unit supervisor (as Robert Scott) | |
| Jules Senior | .... | film editor & library: Cinesite | |
| Ralph Sevazlian | .... | cloth & hair: SPI | |
| Naz Shams | .... | cloth & hair: SPI | |
| Chad Shattuck | .... | lead sequence animator: Rhythm & Hues | |
| Chris Shaw | .... | 3D motion control previs supervisor: motion control & model unit | |
| Andy Sheng | .... | lead effects artist: Rhythm & Hues | |
| Rick Shick | .... | high speed compositor: SPI (as Richard Shick) | |
| Karen N. Sickles | .... | animation coordinator: ILM (as Karen Sickles) | |
| Karen N. Sickles | .... | visual effects coordinator: ILM (as Karen Sickles) | |
| Dominic Sidoli | .... | visual effects producer: CFC | |
| Alex Smith | .... | compositor: Cinesite | |
| David A. Smith | .... | CG supervisor: SPI (as Dave A. Smith) | |
| Brian Smithies | .... | senior modeller: motion control & model unit | |
| Keith W. Smith | .... | digital character animator: SPI | |
| Kenneth Smith | .... | digital timing supervisor: ILM | |
| Evan Smyth | .... | software developer: SPI | |
| Alexander E. Sokoloff | .... | digital character animator: SPI (as Alexander Sokoloff) | |
| Aliza Sorotzkin | .... | color & lighting: SPI | |
| Natalie Staniforth | .... | sculptor/modeller | |
| Simon Stanley-Clamp | .... | compositing supervisor: Mill Film (as Simon Stanley Clamp) | |
| David Stephens | .... | effects lead: SPI (as David J. Stephens) | |
| Sam Stewart | .... | digital paint and rotoscope artist: ILM | |
| Nigel Stone | .... | director of photography: motion control & model unit | |
| Dee Storm | .... | assistant visual effects editor: SPI | |
| Steve Street | .... | 3D modelling & lighting animator: Cinesite | |
| Baudouin Struye | .... | look development lead: SPI | |
| Sebastian Sue | .... | modeller: motion control & model unit | |
| Doug Sutton | .... | lead digital artist: ILM | |
| David Takemura | .... | visual effects plate supervisor | |
| Craig Talmy | .... | senior animation supervisor: Rhythm & Hues | |
| Paul Tappin | .... | plasterer: motion control & model unit | |
| Will Telford | .... | lead animation set-up: Rhythm & Hues | |
| Bill Tessier | .... | digital character animator: SPI | |
| George Theophanous | .... | motion control cameraman: motion control & model unit | |
| Bill Thomas | .... | model sculptor: motion control & model unit | |
| Cari Thomas | .... | visual effects producer | |
| Richard Thomas | .... | modeller: motion control & model unit | |
| Brian Thompson | .... | CG character set-up: SPI | |
| Simon Thorpe | .... | graphic artist: motion control & model unit | |
| Gavin Toomey | .... | compositing artist: CFC | |
| Mark Topping | .... | modeller: motion control & model unit | |
| Donna Tracy | .... | texture painter: SPI | |
| Peter G. Travers | .... | CG supervisor: SPI | |
| Michael Trujillo | .... | senior video/hardware engineer: SPI | |
| Pauline Ts'o | .... | co-senior lighting supervisor: Rhythm & Hues (as Pauline T-so) | |
| Alex Tysowsky | .... | digital character animator: SPI | |
| Darren Urbaszewski | .... | character modeller: SPI | |
| Pepe Valencia | .... | lead co-character animator: SPI | |
| James Van Der Keyl | .... | digital character animator: SPI | |
| Tom Vane | .... | modeller: motion control & model unit | |
| Omz Velasco | .... | digital modeller: ILM | |
| Anthony Vice | .... | plasterer: motion control & model unit | |
| Heide Waldbaum | .... | visual effects digital coordinator: SPI | |
| Jan Walker | .... | modeller: motion control & model unit | |
| Tara Walker | .... | digital lab operator | |
| Tania Wanstall | .... | sculptor/modeller | |
| Gina Warr | .... | color & lighting: SPI (as Gina Warr-Lawes) | |
| Roland Watson | .... | visual effects production coordinator: Mill Film | |
| Simon Wearne | .... | previsualization editor | |
| David Weitzberg | .... | digital artist: ILM | |
| Ken Wesley | .... | lead digital artist: ILM | |
| Erin West | .... | digital paint and rotoscope artist: ILM | |
| Kelly Wilcox | .... | CG character set-up: SPI | |
| Todd Wilderman | .... | lead CG character animator: SPI | |
| Marc Wilhite | .... | creature developer: ILM | |
| Caroline Wilson | .... | motion control operator: motion control unit | |
| Chris Winters | .... | color & lighting: SPI | |
| Jonathan Wood | .... | look development: SPI | |
| Malcolm Woolridge | .... | cameraman: motion control unit (as Malcolm Wooldridge) | |
| Malcolm Woolridge | .... | supervisor: motion control unit (as Malcolm Wooldridge) | |
| David Worman | .... | matchmover: SPI | |
| Gregory Yepes | .... | lead sequence lighter: Rhythm & Hues (as Greg Yepes) | |
| Kent Yoshida | .... | lead sequence animator: Rhythm & Hues | |
| Gary Abrahamian | .... | previs animation and final animation (uncredited) | |
| Erik Akutagawa | .... | scan/record manager (uncredited) | |
| Rob Allman | .... | technical director (uncredited) | |
| Hani AlYousif | .... | digital compositor (uncredited) | |
| Stewart Anderson | .... | technical support: MPC (uncredited) | |
| Christopher Anthony | .... | visual effects (uncredited) | |
| Hunter Athey | .... | CG animator: Rhythm & Hues (uncredited) | |
| John Attard | .... | digital effects artist (uncredited) | |
| Kenneth Au | .... | digital compositor (uncredited) | |
| Chris Bailey | .... | gaffer: visual effects (uncredited) | |
| Leslie Baker | .... | senior technical director (uncredited) | |
| Steve Baker | .... | CG animator: Rhythm & Hues (uncredited) | |
| Giacomo Bargellesi | .... | technical assistant: Mill Film (uncredited) | |
| Dave Barnard | .... | systems engineer: Smoke & Mirrors, UK (uncredited) | |
| Steve Barnes | .... | digital compositor: MillFilm (uncredited) | |
| Keith Barton | .... | technical services: Cinesite (uncredited) | |
| Yakov Baytler | .... | senior technical director (uncredited) | |
| Susanne Becker | .... | digital artist (uncredited) | |
| John Bennett | .... | technical support: MPC (uncredited) | |
| Sara Bennett | .... | digital compositor (uncredited) | |
| Kevin Bertazzon | .... | CG animator: Rhythm & Hues (uncredited) | |
| Lloyd Bettell-Higgins | .... | motion control operator (uncredited) | |
| Hitesh Bharadia | .... | digital artist: Mill Film (uncredited) | |
| Christian Boudman | .... | digital compositor (uncredited) | |
| David A.T. Bowman | .... | digital compositor (uncredited) | |
| Sam Breach | .... | previsualisation (uncredited) | |
| Jonah Brennan | .... | visual effects (uncredited) | |
| Will Broadbent | .... | CG artist: Mill Film (uncredited) | |
| Sean Broughton | .... | digital effects artist (uncredited) | |
| Simon Brown | .... | visual effects (uncredited) | |
| Andy Burrow | .... | digital lab operator: CFC (uncredited) | |
| Scot Byrd | .... | publicist: Rhythm & Hues (uncredited) | |
| Timothy Michael Cairns | .... | roto artist: SPI (uncredited) | |
| Sean Callan | .... | technical assistant (uncredited) | |
| Beau Cameron | .... | digital artist (uncredited) | |
| Aimee Campbell | .... | cloth artist: SPI (uncredited) | |
| Kevin Campbell | .... | software developer (uncredited) | |
| Martin Chamney | .... | digital artist (uncredited) | |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Zachary Cole | .... | technical support: ILM (uncredited) | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues (uncredited) | |
| Grant Connor | .... | digital compositor (uncredited) | |
| Danielle Conroy | .... | director of digital production: SPI (uncredited) | |
| Paul Conway | .... | digital compositor: MPC (uncredited) | |
| Martin Cook | .... | rotoscope artist: MPC (uncredited) | |
| Simon Cox | .... | data operator: MPC (uncredited) | |
| Brandon Craig | .... | render supervisor: Rhythm & Hues (uncredited) | |
| Stuart Cripps | .... | digital compositor (uncredited) | |
| Todd Daugherty | .... | render support: Rhythm & Hues (uncredited) | |
| Richard Davenport | .... | digital artist (uncredited) | |
| Alan Davidson | .... | senior technical director: SPI (uncredited) | |
| Yves De Bono | .... | special effects coordinator: CGI unit (uncredited) | |
| Virginie Degorgue | .... | model maker (uncredited) | |
| Neyda E. Dejesus | .... | visual effects senior technical assistant: SPI (uncredited) | |
| Michael Deming | .... | digital lab operator: CFC (uncredited) | |
| Thomas R. Dickens | .... | design lead: designed Norbert the Dragon for another studio, SPI (uncredited) | |
| Brian Dowrick | .... | CG animator: Rhythm & Hues (uncredited) | |
| Ditch Doy | .... | CG animator: MPC (uncredited) | |
| Stefan Drury | .... | visual effects coordinator: MPC (uncredited) | |
| Simon Dunsdon | .... | animatics artist: Mill Film (uncredited) | |
| Paddy Eason | .... | digital compositor: MPC (uncredited) | |
| Hayley Easton | .... | digital artist (uncredited) | |
| Areito Echevarria | .... | digital compositor (uncredited) | |
| Chris Elson | .... | rotoscope artist: MPC (uncredited) | |
| Richard Etchells | .... | data operator: MPC (uncredited) | |
| Greg Fisher | .... | digital artist (uncredited) | |
| Thomas F. Ford IV | .... | Inferno digital production (uncredited) | |
| Ben Forster | .... | 3D digital artist: MillFilm (uncredited) | |
| Martin Foster | .... | color and lighting: SPI (uncredited) | |
| Kayser Foyz | .... | data operator: MPC (uncredited) | |
| Pawl Fulker | .... | previsualisation supervisor (uncredited) | |
| James Furlong | .... | matchmover: Framestore CFC (uncredited) | |
| Andrew Garnet-Lawson | .... | matte painter: MPC (uncredited) | |
| Andy Gauvreau | .... | digital effects: Rhythm & Hues (uncredited) | |
| Adam Glasman | .... | digital colourist: CFC (uncredited) | |
| Sally Goldberg | .... | computer animator (uncredited) | |
| John Goodman | .... | digital artist (uncredited) | |
| Davina Gottschalk | .... | digital compositor (uncredited) | |
| Katherine Granger | .... | digital compositor (uncredited) | |
| Steve Gray | .... | rotoscope artist: MPC (uncredited) | |
| Jeff Grebe | .... | technical assistant: ILM (uncredited) | |
| Peter Grecian | .... | technical support: MPC (uncredited) | |
| Phil Green | .... | data operator (uncredited) | |
| Darrel Griffin | .... | data aupport: CFC (uncredited) | |
| Metin Gungor | .... | roto/prep artist (uncredited) | |
| Rosanne Gunn | .... | visual effects (uncredited) | |
| David Gutman | .... | digital compositor: Rhythm & Hues (uncredited) | |
| Andy Hague | .... | visual effects editorial: CFC (uncredited) | |
| Robert Hall | .... | digital paint artist: CFC (uncredited) | |
| Anthony Harris | .... | digital color timer (uncredited) | |
| Joey Harris | .... | technical assistant (uncredited) | |
| Nic Hatch | .... | CG artist: Mill Film (uncredited) | |
| Kieron Helsdon | .... | digital artist (uncredited) | |
| Robert Hemmings | .... | digital artist (uncredited) | |
| Charley Henley | .... | digital compositor: MPC (uncredited) | |
| Nicole Herr | .... | senior digital artist: SPI (uncredited) | |
| Grant Hewlett | .... | digital artist: tracking (uncredited) | |
| Jep Hill | .... | technical director: SPI (uncredited) | |
| Jan Hogevold | .... | digital lab producer: CFC (uncredited) | |
| Phil Holland | .... | scanning & recording operator (uncredited) | |
| Ivo Horvat | .... | matte painter: SPI (uncredited) | |
| Adam Howarth | .... | visual effects: practical effects elements for post production inclusion (uncredited) | |
| Robin Huffer | .... | CG artist (uncredited) | |
| Simon Hughes | .... | scanning and recording supervisor (uncredited) | |
| Ian Hulbert | .... | digital artist: Rhythm & Hues (uncredited) | |
| Michael Illingworth | .... | digital artist (uncredited) | |
| Adam Inglis | .... | digital lab operator: CFC (uncredited) | |
| Elie Jamaa | .... | technical director: MPC (uncredited) | |
| Merrin Jensen | .... | digital lab operator: CFC (uncredited) | |
| Pete Jopling | .... | digital compositor (uncredited) | |
| Matt Kasmir | .... | digital compositor (uncredited) | |
| Theano Kazagli | .... | digital I/O: Cinesite (uncredited) | |
| Elizabeth Maxwell Keith | .... | shader writer (uncredited) | |
| Laurent Kermel | .... | technical director (uncredited) | |
| Laurent Kermel | .... | texture supervisor (uncredited) | |
| Lance Kimes | .... | visual effects (uncredited) | |
| Andy Kind | .... | visual effects (uncredited) | |
| Stephen Kowalski | .... | senior systems engineer (uncredited) | |
| Paul Ladd | .... | visual effects coordinator: Cinesite (uncredited) | |
| James Lamb | .... | digital effects producer: Smoke and Mirrors Productions Ltd, UK (uncredited) | |
| Douglas Larmour | .... | digital compositor: MPC (uncredited) | |
| Aaron M. Lawn | .... | production services technician (uncredited) | |
| Phillip Leonhardt | .... | rotoscope artist (uncredited) | |
| John Leonti | .... | CG animator: MPC (uncredited) | |
| Raymond K.L. Liu | .... | digital artist (uncredited) | |
| Nick Lloyd | .... | digital artist (uncredited) | |
| Charlotte Loughnane | .... | data operator: MPC (uncredited) | |
| Roz Lowrie | .... | visual effects editorial: CFC (uncredited) | |
| Veronica Luthcke | .... | matte monkey (uncredited) | |
| Alasdair MacCuish | .... | data operations manager: Cinesite, UK (uncredited) | |
| Joe Mancewicz | .... | animation setup (uncredited) | |
| Joe Mandia | .... | previsualization artist (uncredited) | |
| Julian Mann | .... | technical director: MPC (uncredited) | |
| Ethan Marak | .... | CG animator: Rhythm & Hues (uncredited) | |
| Scott Marriott | .... | digital paint artist: CFC (uncredited) | |
| Jeffrey Martin | .... | digital artist: SPI (uncredited) | |
| Jason McDonald | .... | animator (uncredited) | |
| Jason McDonald | .... | digital artist (uncredited) | |
| Adam McInnes | .... | digital compositor: Mill Film (uncredited) | |
| Joel Meire | .... | digital artist: CFC (uncredited) | |
| Gustav Melich | .... | digital artist: SPI (uncredited) | |
| Joel Román Mendías | .... | production executive: Rhythm & Hues (uncredited) | |
| Ivor Middleton | .... | lead animator (uncredited) | |
| Rob Moggach | .... | digital compositor (uncredited) | |
| Amanda Morrison | .... | digital artist (uncredited) | |
| Jake Morrison | .... | senior lighting technical director (uncredited) | |
| Steve Murgatroyd | .... | digital artist (uncredited) | |
| Mike Murphy | .... | character animator (uncredited) | |
| Jeremy Nelligan | .... | digital compositor (uncredited) | |
| Ian Nichols | .... | Lidar operator (uncredited) | |
| Jessica Norman | .... | digital compositor: MPC (uncredited) | |
| Dylan Owen | .... | data aupport: CFC (uncredited) | |
| Matthew Packham | .... | data operator: MPC (uncredited) | |
| Martin Parsons | .... | technical support: MPC (uncredited) | |
| Steve Parsons | .... | senior data operator (uncredited) | |
| Simon Payne | .... | digital artist (uncredited) | |
| Craig Penn | .... | cloth dynamics: Mill Film (uncredited) | |
| Antoinette Perez | .... | visual effects coordinator: Cinesite (uncredited) | |
| Ian Plumb | .... | digital compositor (uncredited) | |
| Susan Polk Little | .... | senior cloth technical director (uncredited) | |
| Ryan Pollreisz | .... | visual effects production assistant: Rhythm & Hues (uncredited) | |
| Alan Precourt | .... | technical director (uncredited) | |
| Rudy Raijmakers | .... | CG animator (uncredited) | |
| Dean Rasmussen | .... | digital artist (uncredited) | |
| John Roberts-Cox | .... | CG modeller: Mill Film (uncredited) | |
| Keith Roberts | .... | CG animator: Rhythm & Hues (uncredited) | |
| Chad Rogers | .... | data support: CFC (uncredited) | |
| Craig Rowe | .... | technical assistant: Mill Film (uncredited) | |
| Amy Ryan | .... | visual effects (uncredited) | |
| Mike Sanders | .... | digital artist (uncredited) | |
| Olivier Sarda | .... | digital compositor (uncredited) | |
| Michael Q. Schmidt | .... | CG model: mountain troll, SPI (uncredited) | |
| Sean Schur | .... | visual effects supervisor (uncredited) | |
| Lopsie Schwartz | .... | texture painter: Rhythm & Hues (uncredited) | |
| Nick Seresin | .... | digital compositor: MPC (uncredited) | |
| Jeff Shank | .... | digital effects: SPI (uncredited) | |
| Toby Shears | .... | modeler (uncredited) | |
| Ben Shepherd | .... | CG animator: MPC (uncredited) | |
| Jennifer Simonds | .... | digital lab operator: CFC (uncredited) | |
| Dan Smiczek | .... | technical animator: Rhythm & Hues (uncredited) | |
| Jason Snyman | .... | visual effects (uncredited) | |
| Richard Stammers | .... | digital compositor: MPC (uncredited) | |
| Mark Stannard | .... | digital compositor: MPC (uncredited) | |
| Kev Stenning | .... | laser scanning (uncredited) | |
| Andy Stevens | .... | visual effects camera assistant: Millfilm (uncredited) | |
| Jelena Stojanovic | .... | digital compositor: MPC (uncredited) | |
| Maria Stroka-Robinson | .... | digital lab operator: CFC (uncredited) | |
| Jonathan Stroud | .... | technical director: MPC (uncredited) | |
| Lee F. Sullivan | .... | technical director: SPI (uncredited) | |
| David Sweeney | .... | Inferno assistant: Rhythm & Hues Studios (uncredited) | |
| Evan S. Tallas | .... | technical assistant (uncredited) | |
| Olcun Tan | .... | renderman software development (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
| Joseph Thomas | .... | matchmover (uncredited) | |
| Andrew Titcomb | .... | digital artist (uncredited) | |
| Vincent Toscano | .... | software development (uncredited) | |
| Simon Trafford | .... | data operator: MPC (uncredited) | |
| Ben Turner | .... | digital compositor (uncredited) | |
| Matthew Twyford | .... | compositing artist: CFC (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Van Phan | .... | animator (uncredited) | |
| Victor Wade | .... | digital paint artist: CFC (uncredited) | |
| Mark Wallman | .... | digital artist (uncredited) | |
| Daniel Walton | .... | data operator: MPC (uncredited) | |
| Val Wardlaw | .... | digital artist: Mill Film (uncredited) | |
| Darrin Wehser | .... | digital artist (uncredited) | |
| Barry Weiss | .... | senior staff: SPI (uncredited) | |
| Gabriel White | .... | 3D digital artist: Mill Film (uncredited) | |
| Royston Willcocks | .... | head of CG modelling: Mill Film (uncredited) | |
| Corrina Wilson | .... | digital paint artist: CFC (uncredited) | |
| Kathy Wise | .... | data operater (uncredited) | |
| Tom Wood | .... | digital compositor: MPC (uncredited) | |
| Dylan Wyn Owen | .... | data aupport: CFC (uncredited) | |
| Aviv Yaron | .... | 2D technical director: Cinesite (uncredited) | |
| Tsz 'Gee' Yeung | .... | digital effects artist (uncredited) | |
| Dustin Zachary | .... | modeler (uncredited) | |
| Serkan Zelzele | .... | digital artist (uncredited) | |
| Ziggy Zigouras | .... | digital compositor: MPC (uncredited) | |
Stunts | |||
| Henry Allen | .... | stunts | |
| Martin Bayfield | .... | stunts | |
| Aaron Cartwright | .... | stunts | |
| Abbi Collins | .... | stunts | |
| Daniel Godbold | .... | stunts | |
| Joss Gower | .... | stunts | |
| Ben Jacobs | .... | stunts | |
| Tolga Kenan | .... | stunts | |
| Jake Lambe | .... | stunts | |
| Lucien Lawrence | .... | stunts | |
| Greg Powell | .... | stunt coordinator | |
| Daniel Pyers | .... | stunts | |
| Connor Ray | .... | stunts | |
| Sam Rickard | .... | stunts | |
| Heathcote Ruthven | .... | stunts | |
| Leila Stewart | .... | stunts | |
| Felicity Walker | .... | stunts | |
| Paul Walker | .... | stunts | |
| Thomas Wilson-Leonard | .... | stunts | |
| Marc Cass | .... | assistant stunt coordinator (uncredited) | |
| Bradley Farmer | .... | utility stunts (uncredited) | |
| Paul Herbert | .... | stunts (uncredited) | |
| David Holmes | .... | stunt double: Daniel Radcliffe (uncredited) | |
| Theo Kypri | .... | stunt double: Voldermort (uncredited) | |
| Ray Nicholas | .... | stunts (uncredited) | |
| Peter Pedrero | .... | utility stunts (uncredited) | |
| Gary Powell | .... | stunt double (uncredited) | |
| Kiran Shah | .... | stunts (uncredited) | |
Animation Department | |||
| Jason McDonald | .... | animator (uncredited) | |
| Bill Tessier | .... | animator (uncredited) | |
Casting Department | |||
| Elizabeth Kirkpatrick | .... | casting assistant | |
| Louis Elman | .... | adr voice casting (uncredited) | |
| Amy McKee | .... | casting assistant (uncredited) | |
| Carolyn McLeod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | assistant costume designer | |
| Graham Churchyard | .... | costume supervisor | |
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Isobel Denton | .... | wardrobe assistant | |
| Colleen Kelsall | .... | assistant costume designer | |
| Martin Mandeville | .... | costume buyer | |
| Martin Mandeville | .... | costume coordinator | |
| Sally Puttick | .... | wardrobe assistant | |
| Sarah Touaibi | .... | wardrobe fitting supervisor (as Sarah Toubai) | |
| Jeeda Barford | .... | costume buyer (uncredited) | |
| Alex Carey | .... | costume breakdown artist (uncredited) | |
| Lucy Denny | .... | costumer (uncredited) | |
| David J. Evans | .... | costume assistant (uncredited) | |
| Tom Hornsby | .... | wardrobe assistant (uncredited) | |
| Sunny Rowley | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Jo Dixon | .... | second second assistant film editor | |
| Peter Hunt | .... | color timer | |
| Jennifer Mangan | .... | first assistant editor | |
| Julian Pryce | .... | second assistant film editor | |
| Mark Sale | .... | first assistant film editor | |
| John Stanborough | .... | color timer | |
| Jessie Thiele | .... | post-production coordinator | |
| Jane Winkles | .... | second assistant film editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Claus Wehlisch | .... | assistant editor (uncredited) | |
Music Department | |||
| Terry Edwards | .... | chorus supervisor | |
| Edward Karam | .... | orchestrator (as Eddie Karam) | |
| Peter Myles | .... | music editor | |
| Conrad Pope | .... | orchestrator | |
| Simon Rhodes | .... | music scoring mixer | |
| Kenneth Wannberg | .... | supervising music editor (as Ken Wannberg) | |
| Steve Browell | .... | assistant temp music editor (uncredited) | |
| Mark Graham | .... | music copyist (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Randy Kerber | .... | musician: celeste (uncredited) | |
| Jon Olive | .... | music editing technical consultant (uncredited) | |
| Larry Rench | .... | additional orchestrator (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
Transportation Department | |||
| Terry Abel | .... | transportation: second unit | |
| Murray Burnett | .... | assistant transportation co-captain | |
| Brian Estabrook | .... | transportation co-captain | |
| Brian Hathaway | .... | transportation coordinator | |
| Martin Lewis | .... | transportation: second unit | |
| Maurice Newsome | .... | transportation coordinator | |
| David Rosenbaum | .... | transportation coordinator | |
| Chris Streeter | .... | transportation co-captain | |
| Harry Taylor | .... | assistant transportation co-captain | |
| Alan Watts | .... | assistant transportation co-captain | |
| Glen Carroll | .... | driver (uncredited) | |
| Jimmy Carruthers | .... | unit driver (uncredited) | |
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| Harry Potter and the Chamber of Secrets | Harry Potter and the Prisoner of Azkaban | Harry Potter and the Goblet of Fire | Harry Potter and the Order of the Phoenix | The Lord of the Rings: The Return of the King |
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I enjoyed this movie immensely. But, like "The Phantom Menace," I've had a very hard time viewing it objectively. There was so much anticipation leading up to its release, I simply enjoyed the experience of being there. Having read all four books in the series a few times each, I am overly familiar with the events in the story. As I watched the movie, my continuing thought was "How well will the next part of the story be translated to the screen?" rather than "How entertaining is this film overall?" I have trouble answering the latter question because I was already entertained by watching a wonderful story dramatized, so I'll never know how I'd have reacted had I seen this movie without having read the books.
Critics talk about how incredibly faithful the movie is to the book, and perhaps I'd have had an easier time detaching the two in my mind had the movie set off on its own course. Indeed, many classic children's movies, like "The Wizard of Oz" and "Mary Poppins," are so successful partly because they're so different from the books that inspired them. But these are exceptions; in my experience, most children's movies reveal their weaknesses in how they diverge from the books upon which they're based. And much of what makes the Harry Potter phenomenon unique is that it is the first time in ages that a children's book, without a movie accompanying it, has generated this much popularity. According to an article I read a year ago, the universe of Harry Potter has become as real in the minds of youngsters and adults as that of a popular movie series like Star Wars. Therefore, it will be very hard for any film based upon it to compete with it. In the minds of die-hard fans, any changes made to the story will be seen as desecrating the fantasy world that Rowling created. That's why it's easy to understand why the filmmakers were so reluctant to change anything.
As a faithful rendering of the book squeezed into a two-and-a-half hour period, the movie is beautifully done. I don't have a single complaint about any of the actors, who successfully bring to life, with the aid of costume design and special effects, the many colorful characters from the book. My favorite character, the giant Hagrid, is played by Robbie Coltrane, and I say with no exaggeration that he is exactly how I imagined him while reading the book. It's as if they took the image in my mind and transferred it to the screen. While I had my own personal image of Snape (for some reason, I always imagined him as the head villain from another Chris Columbus film, "Adventures in Babysitting"), Alan Rickman is perfect in the role. I usually expect to have words of criticism for some performances, but I just don't. The remaining adult actors, including Maggie Smith as Professor McGonagall and Richard Harris as Albus Dumbledore, are as good as they possibly could be, and the kids do an excellent job of holding their own against these veterans. Some have criticized Daniel Radcliffe for appearing too subdued in the title role, but that's exactly how the character is portrayed in the book: modest, unassuming, and laid-back. The kids who play Harry's two best friends are flawless.
I had a lot of worries about the fact that it was being directed by Chris Columbus, whose entire directorial career so far has consisted of over-the-top slapstick films. I was pleasantly surprised that he did not direct the Harry Potter film in this way. Except for brief moments like the children's delayed reaction to a giant three-headed dog they encounter and Harry's swallowing the quaffle ball, there is nothing here to remind us that this film is directed by the same person who gave us films like "Home Alone" and "Mrs. Doubtfire." Indeed, I think Columbus may have gone just a tad bit too far in trying not to make the film seem cartoony. I would have liked to see a little more emotion on the actors' faces at certain times. Overall, however, his restraint works nicely in giving the film the kind of believability the book possesses.
But much is left out. Harry's caretaker Uncle Vernon, a prominent character in the book, is given less attention in the movie than some of the bit characters. The gently satirical aspects of Hogwarts School aren't in the movie at all. We never see the ghostly history teacher who died several years back but kept on teaching. Lines like the following--"Professor McGonagall watched [her students] turn a mouse into a snuffbox--points were given for how pretty the snuffbox was, but taken away if it had whiskers"--find no equivalent in the movie. The movie does include platform nine-and-three-quarters, though the way the kids disappear into the wall isn't as mysterious as I had visualized, and the sorting hat is there, minus the great poem explaining the differences between the four schools.
Not that I'm blaming the movie for omitting some details. Some things from the book would not have translated easily to the screen, and it would have been very difficult to stick everything in. Had Columbus done so and allowed the film to be as long as necessary (eight hours, maybe?), like a BBC miniseries, the film might have been a masterpiece, but few kids would ever have had the patience or attention span to sit through it.
The problem is that the amusing details are much of what make Harry Potter such a special story. A whole universe is created in Rowling's series, in which a magical society exists within our own ordinary "muggle" world and is kept secret by a bureaucracy with its own rules, history and politics. The way magic is treated in her books, not as something medieval but as very similar to the way our own contemporary world works, is a large part of their charm. Take away these details, and you're left with a fairly conventional tale of a young wizard fighting an evil sorcerer.
Although the audience I was with broke into applause as soon as the movie ended (something I've never seen happen before, though I don't go to the theater that often), some people have complained about the movie dragging at certain points. I didn't have that problem, but, as I said, I wasn't really trying to get involved in the movie's story. After thinking about it, it does seem like parts of the movie fail to convey a sense of urgency. Why should this be? I never felt that way when reading the books, and this is without a doubt the very same story.
The answer, I think, is that the books portray much of Harry's anxiety in trying to succeed in school (for if he's kicked out, he'll go straight back to his horrible uncle) and fit in with the kids there. The movie doesn't tap into these anxieties enough, so why should we care whether he wins the Quidditch match (other than that he survives in one piece) and gets through the school year? The only real suspense in the movie after he arrives at Hogwarts comes from the story of Lord Voldemort returning, which in the book is almost secondary. Harry's adventures getting along in the school are fun and interesting, but as they are presented to us in the film, there isn't enough tying them all together.
What we have here is a serviceable dramatization of a wonderful children's series, but it doesn't entirely succeed in standing on its own. Perhaps it should have diverged from the book just a little, to compensate for the difficulties in translating some of the book's delights to the screen. In its current form, it's almost like a preview of the book. Its lack of fullness, and its dependence on the book, might actually increase the popularity and endurance of Rowling's series by making those who see the film yearn for more, which they can get from the real thing.