Vanity Fair (2004)

User Rating:

6.2/10   

Director:

Mira Nair

Writers:

Matthew Faulk (screenplay) &
Mark Skeet (screenplay) ...

Release Date:

1 September 2004 (USA)

Genre:

Drama | Romance

Tagline:

In a time of social climbers, Becky Sharp is a mountaineer.

Plot:

Growing up poor in London, Becky Sharp (Witherspoon) defies her poverty-stricken background and ascends the social ladder alongside her best friend, Amelia.

Plot Keywords:

India | Aristocrat | Governess | Painter | Painting

Awards:

1 win & 3 nominations

Cast

Gabriel Byrne	...	The Marquess of Steyne
Angelica Mandy	...	Young Becky Sharp
Roger Lloyd-Pack	...	Francis Sharp (as Roger Lloyd Pack)
Ruth Sheen	...	Miss Pinkerton
Kate Fleetwood	...	Miss Pinkerton's Crone
Reese Witherspoon	...	Becky Sharp
Lillete Dubey	...	Ms. Green (as Lillette Dubey)
Romola Garai	...	Amelia Sedley
Tony Maudsley	...	Joseph Sedley
Deborah Findlay	...	Mrs. Mary Sedley
John Franklyn-Robbins	...	Mr. Sedley
Paul Bazely	...	Biju
Rhys Ifans	...	William Dobbin
Jonathan Rhys Meyers	...	George Osborne
Charlie Beall	...	Gambler

MPAA:

Rated PG-13 for some sensuality/partial nudity and a brief violent image.

Runtime:

141 min

Country:

UK | USA

Language:

English | French | German

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Taiwan:PG-12 | Switzerland:14 (canton of Zurich) | Argentina:13 | Brazil:12 | Finland:K-7 | Hungary:14 | Portugal:M/12 | Canada:PG (Ontario) | Iceland:10 | South Korea:15 | Australia:PG | Canada:PG (Alberta/British Columbia) | Germany:6 | Ireland:12 | Singapore:PG | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG | USA:PG-13

Filming Locations:

Bath, Somerset, England, UK

Company:

Focus Features

Trivia:

Shot in 55 days

Goofs:

Anachronisms: While trying to impress the group of women Becky sings "Now Sleeps the Crimson Petal". The song/poem was not written by Lord Alfred Tennyson until 1849.

Quotes:

Becky Sharp: [as Rawdon is about to leave for battle] You won't do anything brave, will you?

Movie Connections:

Referenced in Be Kind Rewind (2008)

Soundtrack:

El Salam

Fairly Vain

Elegant costumes, beautiful scenery, and piano playing in excess all add to the sights and sounds of Mira Nair's film 'Vanity Fair.' Her 2004 version is one of over ten tries to put William Makepeace Thackeray's novel onto the big screen. Most attempts failed miserably, lacking the magic of today's movies and failing to grasp the themes of the novel. Nair's version, with its visual and audible pleasures, has the potential to become one of the few successful attempts. With humble beginnings as a poor child with a starving artist as her father, Becky (Reese Witherspoon) was determined to overcome her circumstance. She managed to work her way into a governess position in a down-on-his-luck aristocrat. New opportunities arise, and she hastily abandons her post to become the companion to a wealthy woman known only as Miss Crawley (Eileen Atkins). Much to Miss Crawley's displeasure, Becky wastes no time in her quest to climb the social ladder and marries into the family. Becky's new husband, Crawley's nephew, is soon sent off to war. Returning after the battle of Waterloo, their marriage is rocky due to his gambling debts and her never-ending quest to raise her social status. Meeting a man who collected her late father's art, she uses his money and his influence to continue her rise in the social hierarchy, causing more distress to their marriage. Nair attempted to bring something new to the film, using her fantastic creative talents in the costuming and scenery. Her musical choices weren't overwhelming and accented the film rather than hiding behind its beautiful visual aspects. She tried to cover the expanse of the novel, but ending up making a summary of the story and leaving the characters bland and undeveloped. Nair intentionally portrays Becky as a victim of the social system, showing her as merely taking advantage of circumstantial events. This contradicts harshly with Thackeray's Becky, who is manipulative and cunning, turning circumstantial events into anything that will benefit her rise up the social ladder. This movie is beautifully made and had the potential to become something great, but Nair's overly eager attempt leaves it as nothing more than another mediocre film. Had she paid as much attention to the plot and the characters as she did to the audio and visual aspects, this would definitely be the best film of the year. But she didn't, so don't waste your seven dollars to see it in the theater. Wait for the video, or better yet, wait for that one Friday night when you are home alone and it comes on cable.