Directed by
| Terry Bourke | ||
Writing Credits
| Terry Bourke | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
| Chard Hayward | ... | Gordon Mason | |
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Louise Howitt | ... | Jenny Nolan |
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Deborah Coulls | ... | Marie Coleby |
| Roger Ward | ... | Officer Clyde Collings | |
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Les Foxcroft | ... | Billy Shepherd |
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James Elliott | ... | Patrolman Rex Dunbar |
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Brian Hinzlewood | ... | TV Director (as Brian Hinlsewood) |
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George Murray | ... | Businessman / Client |
| Barry Donnelly | ... | Security Man at Crash | |
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James Moss | ... | Security Man at Crash |
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Allen Scholz | ... | Chauffeur |
Produced by
| Terry Bourke | ... | producer |
| Eric Cook | ... | associate producer |
| John Hipwell | ... | associate producer |
| Alex Hopkins | ... | executive producer |
Music by
| Bob Young | ||
Cinematography by
| Ray Henman | ||
Editing by
| Ron Williams | ||
Art Direction by
| Bob Hill | ||
Makeup Department
| Cheryl Coil | ... | wig maker (as Cherly Cole) |
| Ziggy Golden | ... | hair stylist (as Jan Zeigenbein) |
| Sally Gordon | ... | makeup department head |
Second Unit Director or Assistant Director
| Eddie Prylinski | ... | first assistant director |
Art Department
| Bevan Childs | ... | stand-by props |
| Nicholas McCallum | ... | stand-by props (as Nick McCallum) |
| John Murch | ... | prop maker |
| Victor Ramon | ... | prop maker |
| Sandy Wingrove | ... | props buyer |
| George Zammit | ... | stand-by props (as George Zammitt) |
Sound Department
| Bob Clayton | ... | sound recordist |
| Gethin Creagh | ... | sound mixer |
| Peter Fenton | ... | sound mixer |
| Peter Foster | ... | assistant sound editor |
| Paul Maxwell | ... | sound editor |
| Keir Welch | ... | boom operator |
Special Effects by
| Reece Robinson | ... | special effects |
Stunts
| Dee Arlen-Jones | ... | stunts (as Dee Jones) |
| Zenda Graves | ... | stunts |
| Chris Hession | ... | stunts |
| Frank Lennon | ... | stunt coordinator |
| Grant Page | ... | stunts |
Camera and Electrical Department
| Wally Glover | ... | still photographer |
| Bud Howell | ... | electrician |
| Peter Mardell | ... | key grip |
| Rob Marriott | ... | camera operator |
| Chick McDonald | ... | gaffer |
| Alleyn Mearns | ... | best boy |
| David Miller | ... | still photographer |
| Peter M. Morley | ... | camera assistant: additional unit / focus puller: additional unit |
| Mike Nelson | ... | grip |
| Stuart Quin | ... | assistant camera |
| Peter Rogers | ... | camera operator |
| Conrad Slack | ... | camera operator |
| Douglas Wood | ... | electrician |
Costume and Wardrobe Department
| Catriona Brown | ... | wardrobe |
| Pierre Volz | ... | wardrobe: Louise Howitt |
| Mark Warren | ... | wardrobe: Louise Howitt |
Editorial Department
| Moira MacLaine-Cross | ... | edge numbering |
| Antoinette Wheatley | ... | assistant editor |
Location Management
| Ross Bourke | ... | location security |
| Roy Harries-Jones | ... | location liaison |
Music Department
| Martin Benge | ... | music mixer |
Script and Continuity Department
| June Henman | ... | continuity |
Additional Crew
| Pamela Brown | ... | production secretary |
| Brian Burns | ... | armorer |
| Greg Doherty | ... | lab liaison: Atlab |
| Jeremy Halpin | ... | unit runner |
| Mary-Anne Halpin | ... | office secretary |
| Evanne Harris | ... | trainer/handler: Cilla |
| Lloyd Hart | ... | legal consultant |
| Roger Hilton | ... | lab liaison: Kodak |
| Ross Lane | ... | production accountant |
| Alex Pollak | ... | unit runner |
| Oscar Scherl | ... | moviecam consultant |
| Joe Scruse | ... | helicopter pilot |
Thanks
| Des Dawson | ... | special thanks |
| Jim Jenner | ... | special thanks |
| John Lewis | ... | special thanks |
| Paddy McIlroy | ... | special thanks |
| Eric Oakes | ... | special thanks |
| Bob Wenzel | ... | special thanks |
| Frank Wilkie | ... | special thanks |
