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Shawn Slovo (screenplay)
Louis de Bernières (novel)
17 August 2001 (USA) more
When a fisherman leaves to fight with the Greek army during WWII, his fiancee falls in love with the local Italian commander. full summary | full synopsis
4 nominations more
Does Nic Cage have the kavorka?
(From EW.com - PopWatch. 28 October 2009, 11:40 AM, PDT)
Ten Things You Never Knew About Penélope Cruz
(From digitalspy. 25 August 2009, 10:00 PM, PDT)
Could have been better more (210 total)
| Penélope Cruz | ... | Pelagia | |
| John Hurt | ... | Dr. Iannis | |
| Christian Bale | ... | Mandras | |
| Irene Papas | ... | Drosoula | |
| Gerasimos Skiadaressis | ... | Mr. Stamatis | |
| Aspasia Kralli | ... | Mrs. Stamatis | |
| Mihalis Giannatos | ... | Kokolios | |
| Dimitris Kaberidis | ... | Father Aresenios (as Dimitris Kamperidis) | |
| Pietro Sarubbi | ... | Velisarios, The Strongman (as Pedro Sarubbi) | |
| Viki Maragaki | ... | Eleni, Pelagia's Friend | |
| Joanna-Daria Adraktas | ... | Young Lemoni | |
| Ira Tavlaridis | ... | Older Lemoni | |
| Katerina Didaskalou | ... | Lemoni's Mother | |
| Emilios Chilakis | ... | Dimitris | |
| Nikos Karathanos | ... | Spiros | |
| Antonis Antoniou | ... | Recruiting Officer | |
| Yorgos Kotanidis | ... | Mayor (as George Kotanidis) | |
| Tassos Palatzidis | ... | Town Clerk (as Tasos Palantzidis) | |
| Kostas Philippoglou | ... | Trembling Man | |
| Froso Korrou | ... | Nun | |
| Maria-Louisa Papadopoulou | ... | Mad Person | |
| Dina Kafterani | ... | Mad Person | |
| Vlassis Zotis | ... | Mad Person | |
| Panos Thanassoulis | ... | Mad Person (as Panagiotis Thanassoulis) | |
| Alexia Bouloukou | ... | Mad Person | |
| Babis Artelaris | ... | Partisan | |
| Gerasimos Iakovatos | ... | Partisan | |
| Nikos Kalogiratos | ... | Partisan | |
| Dionysis Karlis | ... | Partisan | |
| Pavlos Lalis | ... | Partisan | |
| Angelos Liberatos | ... | Partisan | |
| Panagis Polichronatos | ... | Partisan | |
| Christos Rangas | ... | Partisan | |
| Dimitris Vandoros | ... | Partisan | |
| Gerasimos Xidias | ... | Partisan | |
| Dimitris Dimoulas | ... | Musician | |
| Pantelis Filipatos | ... | Musician | |
| Ilias Theofilatos | ... | Musician | |
| Makis Filipatos | ... | Musician | |
| Nicolas Cage | ... | Captain Antonio Corelli | |
| Piero Maggiò | ... | Carlo | |
| Vincent Riotta | ... | Quartermaster (as Vincenzo Ricotta) | |
| Roberto Citran | ... | General Gandin | |
| Federico Fioresi | ... | Soldier of La Scala | |
| Sandro Stefanini | ... | Soldier of La Scala | |
| Francesco Guzzo | ... | Soldier of La Scala | |
| Germano Di Mattia | ... | Soldier of La Scala | |
| Simone Spinazze | ... | Soldier of La Scala | |
| Sergio Albelli | ... | Soldier of La Scala | |
| Davide Quatraro | ... | Soldier of La Scala | |
| Paco Reconti | ... | Soldier of La Scala | |
| Nuccio Siano | ... | Soldier of La Scala | |
| Salvatore Lazzaro | ... | Soldier of La Scala | |
| Alessandro Repossi | ... | Soldier of La Scala | |
| Massimiliano Pazzaglia | ... | Captain | |
| Tim Hardy | ... | Colonel | |
| Francesco Cabras | ... | Soldier with Cigarette | |
| Nunzio Lombardo | ... | Soldier at Dance | |
| Irini Eleftheriou | ... | Prostitute | |
| Sofia Yannioti | ... | Prostitute | |
| Marina Corelli | ... | Prostitute | |
| Evi Tzortzi | ... | Prostitute | |
| Leticia Moustaki | ... | Prostitute | |
| Angeliki Lambri | ... | Prostitute (as Angelica Lambri) | |
| Maria Philipakopoulou | ... | Prostitute | |
| Irene Christidi | ... | Prostitute | |
| Giovanni Parricelli | ... | Waterfront Band | |
| Martin Robertson | ... | Waterfront Band | |
| Ben Gant | ... | Waterfront Band | |
| Paul Spong | ... | Waterfront Band | |
| Eddie Hession | ... | Waterfront Band | |
| Mike Pickering | ... | Waterfront Band | |
| Oren Marshall | ... | Waterfront Band | |
| David Morrissey | ... | Captain Gunther Weber | |
| Patrick Malahide | ... | Colonel Barge | |
| Martin Glyn Murray | ... | Officer | |
| Till Bahlmann | ... | Officer | |
| Renny Krupinski | ... | Officer | |
| Peter Stark | ... | Soldier | |
| rest of cast listed alphabetically: | |||
| Lucy Christofi Christy | ... | Various (voice) (uncredited) | |
| Alex Zorbas | ... | Mad Person (uncredited) | |
Directed by | |||
| John Madden | |||
Writing credits | ||
| Shawn Slovo | (screenplay) | |
| Louis de Bernières | (novel "Captain Corelli's Mandolin") | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Liza Chasin | .... | co-producer | |
| Eric Fellner | .... | producer | |
| Jane Frazer | .... | co-producer | |
| Debra Hayward | .... | co-producer | |
| Mark Huffam | .... | producer | |
| Kevin Loader | .... | producer | |
| Susie Pugh-Tasios | .... | associate producer (as Susie Tasios) | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| John Toll | |||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Gary Freeman | |||
| Chris Seagers | (supervising art director) | ||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Alexandra Byrne | |||
Makeup Department | |||
| Jo Allen | .... | prosthetic makeup artist | |
| Massimiliano Battista | .... | hair stylist | |
| Lois Burwell | .... | makeup department head | |
| Joseph Coscia | .... | hairdresser: Mr. Cage | |
| Elisabetta De Leonardis | .... | assistant hair stylist | |
| Carol F. Doran | .... | wig maker | |
| Kay Georgiou | .... | hair stylist | |
| Sian Grigg | .... | makeup artist | |
| Jennifer Hegarty | .... | crowd makeup supervisor | |
| Catherine Heys | .... | makeup artist | |
| Pauline Heys | .... | key makeup artist | |
| Conor O'Sullivan | .... | prosthetic supervisor | |
| Lisa Tomblin | .... | key hair stylist | |
| Allen Weisinger | .... | makeup artist: Mr. Cage | |
| Roisin O'Reilly | .... | makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Lisa Rodgers | .... | post production executive | |
| Kathy Sykes | .... | production supervisor | |
| Michelle Wright | .... | executive in charge of production: Working Title Films | |
Art Department | |||
| Nicholas Barringer | .... | chargehand plasterer | |
| Danny Berk | .... | stand-by props | |
| John Bohan | .... | construction coordinator | |
| Peter Bull | .... | stand-by art director | |
| Roy Chapman | .... | dressing props | |
| Justin Chappell | .... | vehicle technician | |
| Jane Clark | .... | storyboard artist | |
| Robert Cowper | .... | draughtsman | |
| Michael Finlay | .... | painter | |
| Heidi Gibb | .... | junior draughtsman | |
| Barry Gibbs | .... | property master | |
| Alan Gilmore | .... | assistant art director | |
| Martin Kingsley | .... | supervising props | |
| Thomas Martin | .... | assistant construction manager | |
| Miraphora Mina | .... | graphic designer | |
| Steve Mitchell | .... | scenic artist | |
| Wesley Peppiatt | .... | props | |
| Chris Seddon | .... | drapes master | |
| Toby Shears | .... | armoury propmaking supervisor | |
| Bob Sherwood | .... | dressing prop | |
| Christine Vlachos | .... | assistant plasterer | |
| Clive Ward | .... | hod painter | |
| Alex Warder | .... | art department runner | |
| David Weller | .... | supervising rigger | |
| Dean Coldham | .... | plasterer (uncredited) | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Neil Collymore | .... | sound re-recording mixer | |
| Mark DeSimone | .... | adr engineer | |
| John Downer | .... | supervising sound editor | |
| Michael Feinberg | .... | foley editor | |
| Ken Galvin | .... | adr recordist | |
| Matthew Gough | .... | co-sound mixer | |
| Matthew Gough | .... | sound assistant | |
| Peter Lindsay | .... | production sound mixer | |
| Paul McFadden | .... | foley editor | |
| Michael Miller | .... | adr mixer | |
| Sarah Morton | .... | adr editor | |
| Sarah Morton | .... | dialogue editor | |
| Kath Pollard | .... | adr recordist | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Malcolm Rose | .... | sound maintenance | |
| Oliver Tarney | .... | sound effects editor | |
| Nick Watson | .... | sound consultant: Dolby | |
Special Effects by | |||
| Terry Bridle | .... | senior special effects technician | |
| Trevor Butterfield | .... | special effects technician | |
| Justin Chappell | .... | vehicle builder/propmaker | |
| Richard Conway | .... | special effects coordinator | |
| Sam Conway | .... | special effects technician | |
| Andrew Kelly | .... | senior special effects technician | |
| Scott McIntyre | .... | special effects | |
| Ceri Nicholls | .... | special effects technician | |
| Mirko Nied | .... | special effects technician | |
| Nigel Nixon | .... | special effects technician | |
| Michalis Samiotis | .... | senior special effects technician | |
| Mark White | .... | special effects | |
| Tim Willis | .... | senior special effects technician | |
Visual Effects by | |||
| Robin Aristorenas | .... | lead digital effects artist: Double Negative | |
| Robin Aristorenas | .... | technical director: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Lloyd Lee Barnett | .... | digital compositor | |
| Pete Bebb | .... | visual effects artist | |
| Peter Chiang | .... | visual effects supervisor | |
| Ciaran Crowley | .... | digital artist | |
| Michael Bruce Ellis | .... | titles/digital compositor | |
| Paul J. Franklin | .... | 3D animator: Double Negative Ltd | |
| Gavin Graham | .... | scanning and recording: Double Negative | |
| Pete Hanson | .... | studio manager: Double Negative ltd | |
| Annick Harmel-Tourneur | .... | computer graphics artist | |
| Rudi Holzapfel | .... | compositor: Double Negative | |
| Garrett Honn | .... | digital compositor: Double Negative | |
| Elie Jamaa | .... | technical director | |
| Jody Johnson | .... | pre-visualisation | |
| Derek Ledbetter | .... | visual effects | |
| Steve MacPherson | .... | technical operations manager: Double Negative | |
| Julian Mann | .... | technical director | |
| Fay McConkey | .... | visual effects producer | |
| Jake Mengers | .... | lead 3D animator: Double Negative | |
| Paul Riddle | .... | visual effects supervisor | |
| Sarah Soulsby | .... | digital artist | |
| Giuliano Dionisio Vigano' | .... | rotoscope artist | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
Stunts | |||
| Marc Cass | .... | additional stunt coordinator | |
| Gary Connery | .... | stunts | |
| Ray De-Haan | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Neil Finnighan | .... | stunts | |
| Dave Fisher | .... | stunts | |
| Paul Herbert | .... | stunt double: John Hurt | |
| Nick Hobbs | .... | stunts | |
| Derek Lea | .... | stunts | |
| Tony Lucken | .... | stunts | |
| Seon Rogers | .... | stunts | |
| Lee Sheward | .... | stunts | |
| William Willoughby | .... | stunts | |
Camera and Electrical Department | |||
| Kenneth Atherfold | .... | key grip | |
| Matt Buchan | .... | best boy | |
| Ian Coffey | .... | clapper loader | |
| Steve Costello | .... | gaffer | |
| Chris Dale | .... | clapper loader | |
| Peter Field | .... | lighting camera operator: second unit | |
| John Gamble | .... | first assistant camera | |
| Alan Hall | .... | assistant camera | |
| Graham Hall | .... | assistant camera | |
| Brad Larner | .... | additional focus puller | |
| Brad Larner | .... | assistant camera | |
| Ron Nicholls | .... | grip | |
| John Palmer | .... | camera operator | |
| Robert Palmer | .... | second assistant camera | |
| Simos Sarketzis | .... | assistant camera | |
| Simos Sarketzis | .... | clapper loader | |
| Chris Toll | .... | first assistant camera: "a" camera | |
| Jonathan Yates | .... | electrician | |
Casting Department | |||
| Kim Coleman | .... | casting associate | |
| Louis Elman | .... | adr voice casting | |
| Makis Gazis | .... | casting: Greece | |
| Kim Coleman | .... | casting: Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Mark Ferguson | .... | costume assistant | |
| Anna Lombardi | .... | costume assistant | |
| Sharon Long | .... | costume supervisor | |
| Jane Petrie | .... | assistant costume designer | |
| Sally Puttick | .... | costume assistant | |
| Sunny Rowley | .... | costume assistant | |
| Marion Weise | .... | crowd wardrobe coordinator | |
| Dominic Young | .... | costume cutter | |
| David Crossman | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Mags Arnold | .... | first assistant editor | |
| Tania Blunden | .... | post-production (as Tania Windsor Blunden) | |
| Aggela Despotidou | .... | assistant editor | |
| Paul Elman | .... | assistant editor | |
| Steve Harrow | .... | post-production consultant | |
| Carmen Morrow | .... | trainee assistant editor | |
Music Department | |||
| James Bellamy | .... | assistant music editor | |
| Chris Dibble | .... | scoring mixer | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Tony Lewis | .... | assistant music editor | |
| Nyree Pinder | .... | orchestra contractor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Other crew | |||
| Kim Armitage | .... | script supervisor | |
| Daren Bailey | .... | dive supervisor | |
| Jody Blose | .... | script supervisor | |
| Jody Blose | .... | script supervisor: pick-ups | |
| Charles Bodycomb | .... | supervising armorer | |
| Stephen Bures | .... | assistant: Nicolas Cage | |
| Jimmy Carruthers | .... | facilities manager | |
| Diane Chittell | .... | production coordinator | |
| Dale Clarke | .... | armorer | |
| Tania Clarke | .... | assistant production coordinator | |
| Sarah Clark | .... | unit publicist | |
| Ian Creed | .... | dive supervisor | |
| Sara Curran | .... | legal advisor | |
| Nikos Doukas | .... | location manager: pre-production | |
| Ian Dray | .... | military coordinator | |
| Tina Ellis | .... | assistant accountant | |
| Simon Fraser | .... | production coordinator | |
| Paul Goldsmith | .... | military trainer | |
| Paul Goldsmith | .... | military advisor | |
| Christopher K. Grap | .... | assistant production coordinator: Los Angeles | |
| Bill Greenfield | .... | office production assistant: re-shoots | |
| Terri Greening | .... | accountant: re-shoot | |
| Andrew Haddock | .... | video coordinator | |
| Barbara Efthymiou Harris | .... | production assistant | |
| Andy Hennigan | .... | financial controller | |
| Rachel Holroyd | .... | head of business affairs | |
| Sammy Horton | .... | post-production accounts | |
| Aliza James | .... | assistant: Eric Fellner | |
| Marco Kyris | .... | stand-in: Mr. Cage | |
| Despina Ladi | .... | stand-in: Ms. Cruz | |
| Sylvia Mackintosh | .... | assistant accountant | |
| Sharon Mansfield | .... | script supervisor: second unit | |
| Panagis Mourikis | .... | stand-in: Mr. Hurt | |
| Roger Phillips | .... | end titles | |
| Valerie Bleth Sharp | .... | production coordinator: Los Angeles (as Valerie Ann Bleth) | |
| Daniel Shepherd | .... | assistant to producers | |
| Lorraine Sklavounou | .... | assistant: Mr. Cage | |
| Kelly Spearman | .... | rushes runner | |
| Annia Spiliopoulos | .... | assistant: Mr. Bevan and Mr. Loader | |
| Gerry Taylor | .... | location projectionist | |
| James Wakeford | .... | marine coordinator | |
| Joan Washington | .... | voice coach | |
| Lisa Williams | .... | assistant: Mr. Madden | |
| Harrison Cheung | .... | assistant: Christian Bale (uncredited) | |
| Vanessa Grayson | .... | stand-in: Penelope Cruz (uncredited) | |
Thanks | |||
| Sebastian Born | .... | the producers wish to thank | |
| Peter Chiang | .... | the producers wish to thank | |
| Nick Garbis | .... | the producers wish to thank | |
| Roger Michell | .... | special thanks | |
| Anthony Minghella | .... | the producers wish to thank | |
| Tim Morley | .... | the producers wish to thank | |
| Sarah Owens | .... | the producers wish to thank | |
| Francesca Paduano | .... | the producers wish to thank | |
| Kostas Philippoglou | .... | the producers wish to thank | |
| Robyn Slovo | .... | thanks | |
| Andreas Theodosiou | .... | the producers wish to thank | |
| Lavinia Trevor | .... | the producers wish to thank | |
| Lilian Vergotis | .... | the producers wish to thank | |
Capitaine Corelli (France)
more
Rated R for some violence, sexuality and language.
131 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Iceland:12 | Brazil:12 | South Korea:15 | Philippines:PG-13 | Singapore:M18 | Argentina:13 | Australia:MA | Canada:14A | Chile:TE | Finland:K-15 | Germany:12 (bw) | Hungary:14 | Italy:T | Netherlands:16 | New Zealand:R13 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:PG (edited for re-rating) | Singapore:R(A) (original rating) | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R (certificate #37955)
Katie Holmes auditioned for the role of Pelagia. more
Factual errors: The German bombers which raid the island are Ju-87 Stukas. Stukas were dive-bombers, which start from thousands of feet in the air, diving straight down until they are almost on top of their target. They would not fly so close to the island, straight and level, bombing from a few hundred feet, as we see them do. more
Captain Weber:
Heil Hitler!
Corelli:
Heil Puccini!
more
Referenced in "Big Bang: (#1.1)" (2007) more
O'Mio Babbino Caro more
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When I was watching this movie one thought had come to my mind for several times: "It's not really what I expected, I thought it would be better", but now that I finished watching it I realize: why should I expect a better result from this movie? Isn't it just a "love story" made up in Hollywood show's standards? Of course, it is! If so, why expect more?
Captain Corelli's mandolin is a romance story in war time (WWII) and the plot which I was noticed about before watch the movie seemed very interesting to me. All that I didn't count was the "Hollywood standard's" touch... What I mean by this is that I expected a story a bit more realistic and with a stronger plot (which was not full of "plot holes" as this one is!) instead of this "sweet story romance, with the perfect ending", which we're used to watch in a great part of Hollywood's movies! Another Hollywood standard's gaffe which is very common is the natives' languages issue. The differences between Italian, Greek and German languages were all done just by a stupid accent, and all people seem to understand each other very well. The Italian and the German army arrive to a "forgotten" Greek island and they all understand each other very well as they all speak the same language! Of course it's just little technical details that don't even matter to the plot, but are all this little details which separate a good from a bad production!
But the movie has not just bad-sided arguments! On the good side, I can find the original idea (which comes from a book), and the thought that is possible to be Human, and have Human feelings, even inside a War. It's possible to sing and be happy, have good feelings, to love and to be loved in a War time! Was because of that main idea that I wanted to watch this movie, and at this particular point I wasn't disappointed! I just was dissatisfied about the way it was made! Another good-sided argument is History's knowledge The movie is not very deep at that issue, but it's good enough to have a little idea how was the WWII in the Eastern-South Europe.
Globally Captain Corelli's mandolin is not a bad movie but it's not as good as I initially though either, mostly because of the "Hollywood show's standards" up-mentioned.