The Others (2001)
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- PG-13
- 1h 41min
- Horror, Mystery
- 10 Aug 2001 (USA)
- Movie
In 1945, immediately following the end of Second World War, a woman who lives with her two photosensitive children on her darkened old family estate in the Channel Islands becomes convinced that the home is haunted.
Director:
Writer:
Awards:
- Nominated for 2 BAFTA Film Awards. Another 29 wins & 53 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Nicole Kidman | ... |
Grace
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| Fionnula Flanagan | ... |
Mrs. Mills
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| Christopher Eccleston | ... |
Charles
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| Alakina Mann | ... |
Anne
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| James Bentley | ... |
Nicholas
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| Eric Sykes | ... |
Mr. Tuttle
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| Elaine Cassidy | ... |
Lydia
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| Renée Asherson | ... |
Old Lady
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Gordon Reid | ... |
Assistant
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| Keith Allen | ... |
Mr. Marlish
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| Michelle Fairley | ... |
Mrs. Marlish
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Alexander Vince | ... |
Victor
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Ricardo López | ... |
2nd Assistant
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Aldo Grilo | ... |
Gardener
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Directed by
| Alejandro Amenábar | ||
Written by
| Alejandro Amenábar | ... | (written by) |
Produced by
| Fernando Bovaira | ... | producer |
| Eduardo Chapero-Jackson | ... | associate producer |
| Tom Cruise | ... | executive producer |
| José Luis Cuerda | ... | producer |
| Miguel Ángel González | ... | line producer |
| Emiliano Otegui | ... | line producer |
| Sunmin Park | ... | producer |
| Rick Schwartz | ... | executive producer |
| Paula Wagner | ... | executive producer |
| Bob Weinstein | ... | executive producer |
| Harvey Weinstein | ... | executive producer |
Music by
| Alejandro Amenábar | ||
Cinematography by
| Javier Aguirresarobe | ||
Editing by
| Nacho Ruiz Capillas | ||
Editorial Department
| María José Almela | ... | assistant editor (as Mª José Almela) |
| Maite Bermúdez | ... | post-production assistant |
| Alfonso Berrocal | ... | second assistant editor |
| Felisa Catalinas | ... | negative cutter |
| Yolanda Cáceres | ... | color timer |
| Manuela Díaz | ... | post-production: Sogecine |
| Eladio Fernández | ... | post-production: Sogecine |
| Marian Fernández | ... | post-production assistant |
| Ángela Iglesias | ... | second assistant editor |
| David López-Puigcerver | ... | post-production assistant |
| Carmen Mesa | ... | negative cutter |
| Javier Navasques | ... | second assistant editor |
| Guillermo Peña Jr. | ... | telecine |
| Isabel Ranz | ... | second assistant editor |
| Manuel Salgueiro | ... | telecine operator |
| Carolina Martínez Urbina | ... | assistant editor (uncredited) |
Casting By
| Shaheen Baig | ||
| Jina Jay | ||
Production Design by
| Benjamín Fernández | ||
Art Direction by
| Benjamín Fernández | ... | (uncredited) |
Set Decoration by
| Emilio Ardura | ||
| Elli Griff | ||
| Benjamín Fernández | ... | (uncredited) |
Costume Design by
| Sonia Grande | ||
Makeup Department
| Montse Boqueras | ... | makeup assistant (as Montserrat Boqueras) |
| Mara Collazo | ... | makeup assistant |
| Ana López-Puigcerver | ... | makeup artist |
| Belén López-Puigcerver | ... | hair stylist |
| Robert McCann | ... | makeup design and concept: Ms. Kidman |
| Peter Owen | ... | wigs design and concept: Ms. Kidman |
| Teresa Rabal | ... | hair stylist |
| Kerry Warn | ... | hair designer: Ms. Kidman |
Production Management
| José Antonio García Tapia | ... | unit manager |
Second Unit Director or Assistant Director
| Luis Casacuberta | ... | second second assistant director |
| Javier Chinchilla | ... | first assistant director |
| Guillermo Escribano | ... | second assistant director |
| Carlos Santana | ... | third assistant director |
Art Department
| Gonzalo Ansó | ... | stand-by props |
| Ángel Balaguer | ... | master plasterer |
| Salvador Comes | ... | stand-by painter |
| Pedro de la Fuente | ... | construction buyer (as Pedro De La Fuente) |
| Steve Ellis | ... | illustrator: main titles |
| Alejandro Fernández | ... | draftsman |
| José Alberto Fernández | ... | prop runner: Santander |
| Rubén Fernández | ... | prop runner: Santander |
| José García Donado | ... | master painter |
| Carlos Gil | ... | stand-by props |
| Alfonso Guitiérrez | ... | prop runner: Santander |
| Catalina Madurga | ... | art trainee |
| Julián Martín | ... | scenic artist |
| Natalia Montes | ... | storyboard artist |
| Ramón Moya | ... | construction manager |
| José Luis Navarro | ... | stand-by carpenter |
| Blas Antonio Padilla | ... | stand-by props |
| Tim Perovich | ... | assistant props |
| Sergio Pérez | ... | prop runner: Santander |
| Clemente Rivas | ... | stand-by props |
| Sergio Rozas | ... | storyboard artist |
| Germán Segovia | ... | prop runner: Santander |
| Martín Sánchez Fernández | ... | painter |
| Antonio Sánchez-Romo | ... | master carpenter |
| Juan Ignacio Viñuales | ... | stand-by props |
| Enrique Vázquez | ... | prop buyer |
| Eric Jean Weiss | ... | graphic designer (as Eric J. Cordier) |
| Sergio Ardura | ... | prop maker (uncredited) |
| Jerome Boyle | ... | prop runner (uncredited) |
Sound Department
| John Bailey | ... | assistant sound engineer |
| Chris Barrett | ... | assistant sound engineer (as Chris Barret) |
| John Bateman | ... | adr recordist |
| Les Brock | ... | stereo sound consultant: SDDS |
| Sergio Bürmann | ... | boom operator (as Sergio Burmann) |
| Tim Cavagin | ... | re-recording mixer |
| Carlos Culebras | ... | boom operator |
| Guillaume Delamare | ... | foley recordist |
| Rod Duggan | ... | stereo sound consultant: DTS |
| Isabel Díaz Cassou | ... | sound designer |
| Álex F. Capilla | ... | assistant sound editor (as Alejandro Fernández Capilla) |
| Geoff Foster | ... | sound engineer |
| Daniel Goldstein | ... | sound |
| Carlos Lidón | ... | cable person |
| Patricia Milanesi | ... | sound |
| Julien Naudin | ... | foley artist |
| Alfonso Raposo | ... | adr recordist (as Sito Raposo) |
| Maite Rivera Carbonell | ... | sound editor (as Maite Rivera) |
| James Seddon | ... | stereo sound consultant: Dolby |
| Steve Single | ... | re-recording mixer |
| María Steinberg | ... | assistant sound editor |
| Ricardo Steinberg | ... | sound |
| Robert Thompson | ... | adr recordist |
Special Effects by
| Graham Aikman | ... | special effects assistant: The Weatherman/F&P |
| Derek Langley | ... | special effects supervisor: The Weatherman/F&P |
| Pedro Moreno | ... | special effects assistant: The Weatherman/F&P |
| Bernard Newton | ... | special effects assistant: The Weatherman/F&P |
| Félix Bergés | ... | special effects (uncredited) |
Visual Effects by
| Nike Alonso | ... | special effects digital production: Daiquiri |
| John Benn | ... | scanning and recording editorial: Cinesite (as Jon Benn) |
| Félix Bergés | ... | visual effects supervisor |
| Juanjo Carretero | ... | scanning and recording: Telson |
| Carmen Díaz | ... | 3D computer animator: Daiquiri |
| Eduardo Díaz | ... | digital compositor: Daiquiri |
| Daniel Fernández | ... | 3D computer animator: Daiquiri |
| Iñaki Gil | ... | visual effects artist |
| David Guaita | ... | digital compositor: Daiquiri |
| Simon Hughes | ... | scanning and recording supervisor: Cinesite |
| Antonio Lado | ... | 3D computer animator: Daiquiri |
| Iván López | ... | digital matte painter: Daiquiri |
| Carlos Martínez | ... | optical effects: Story Film |
| Gregorio Molina | ... | digital matte painter: Daiquiri |
| Fernando Morales | ... | research and development |
| Gonzalo Moure | ... | digital compositor: Daiquiri |
| Ana Nuñez | ... | optical effects: Story Film |
| Pablo Núñez | ... | optical effects: Story Film |
| Antonio Ojeda | ... | optical effects: Story Film |
| Guillermo Orbe | ... | digital compositor: Daiquiri |
| Stuart Pearson | ... | head scanning and recording: Cinesite |
| Magoga Piñas | ... | 3D computer animator: Daiquiri |
| Rafa Solorzano | ... | compositing supervisor: Daiquiri |
| Susana Suárez | ... | special effects digital production: Daiquiri |
| Carlos Trijueque | ... | digital compositor: Daiquiri |
| Rosa Ángel | ... | digital compositor: Daiquiri |
| Daniel Ashton | ... | scanning and recording (uncredited) |
| Úrsula García | ... | visual effects coordinator: pre-production (uncredited) |
| Todd Hemsley | ... | compositor (uncredited) |
| Lorraine Johnson | ... | scanning: Cinesite (uncredited) |
| Simon Johnson | ... | scanning: Cinesite (uncredited) |
| Raphaël Kourilsky | ... | digital compositor (uncredited) |
| Robert Polgar | ... | visual effects artist (uncredited) |
Stunts
| Juan Benito Cuevas | ... | assistant stunt coordinator |
| Sonia Gonzalo | ... | stunts |
| Miguel Pedregosa | ... | stunt coordinator |
| Esther Ramos | ... | stunts |
Camera and Electrical Department
| Arturo Aldegunde | ... | steadicam operator |
| Enrique Bello | ... | gaffer |
| Stanley B. Burns | ... | still photographer: post mortem original (as Stanley B. Burns M.D.) |
| Juan de Andrés | ... | clapper loader: second unit (as Juan De Andrés) |
| Gustavo de la Fuente | ... | clapper loader (as Gustavo De La Fuente) |
| Antonio Fernández Santamaría | ... | grip (as Antonio Fdez Santamaría) |
| Rafael García Martos | ... | gaffer (as Rafael Martos) |
| Carlos García | ... | electrician |
| José Luis González Jr. | ... | grip |
| José Luis González | ... | key grip |
| Ángel Granell | ... | electrician |
| Salvador Gómez Calle | ... | focus puller: second unit (as Salvador Gómez) |
| Teresa Isasi | ... | still photographer: post mortem new |
| Julio Madurga | ... | camera operator |
| Eugenio Martínez | ... | electrician |
| José Luis Molero | ... | electrician |
| Manuel Outomuro | ... | still photographer: special promotional |
| Ramiro Sabell | ... | focus puller |
| Alberto Sánchez Beltrán | ... | electrician (as Alberto Sánchez) |
Casting Department
| Camilla Evans | ... | casting assistant: Jina Jay Casting |
| Immaculada Iglesias | ... | casting: Santander stand-ins |
Costume and Wardrobe Department
| Claudia Adriazola | ... | seamstress |
| Ana Cuerda | ... | wardrobe assistant |
| Paco Delgado | ... | wardrobe assistant |
| Eva Salas | ... | seamstress |
Music Department
| Alejandro Amenábar | ... | orchestrator |
| Xavier Capellas | ... | orchestrator |
| Lucio Godoy | ... | music producer / orchestrator |
| Claudio Ianni | ... | conductor: The London Session Orchestra / orchestrator |
| Randy Spendlove | ... | music executive: Dimension Films |
| Gavyn Wright | ... | concert master: The London Session Orchestra |
| Mark Berrow | ... | musician: violin (uncredited) |
| Jonathan Snowden | ... | musician: flute (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Carmen Soriano | ... | script supervisor |
Additional Crew
| Svetlana Albitskaia | ... | double: Ms. Kidman / stand-in |
| Pablo Alfaro | ... | financial director |
| Claire Amondaray | ... | production trainee |
| Julie Austin | ... | drama coach: children |
| Miguel Balanzategui | ... | video link |
| Susan Ball | ... | chaperone |
| Irene Ballesteros | ... | stand-in |
| Jackie Bazan | ... | publicist |
| Beatriz Bodegas | ... | legal department: Sogecine |
| Felicia Bushman | ... | assistant: Ms. Kidman |
| José Ramón De La Isla | ... | stand-in |
| Sophie De Mac Mahon | ... | production: Sogecine |
| Javier de Oleza | ... | accountant: Sogecine (as Javier Oleza) / administration staff: Sogecine (as Javier Oleza) |
| Carlos Del Hoyo | ... | press and public relations |
| Luis Dorado | ... | press and public relations |
| Elizabeth Every | ... | chaperone / tutor |
| Paula Farias | ... | unit doctor |
| Daya Fernandez | ... | press and public relations (as Daya Fernández) |
| Marian Fernández | ... | production assistant |
| Montserrat Fernández | ... | stand-in |
| Sandra Frieze | ... | dialogue coach |
| Luis Fernando Garrido | ... | stand-in |
| Brian Gibbs | ... | production accountant |
| Antonio Giménez | ... | marketing: Sogecine |
| Montserrat González | ... | legal department: Sogecine |
| Flora Herránz | ... | press and public relations |
| Didi Hopkins | ... | drama coach: children |
| Rafael Hostelería | ... | caterer |
| Gracy Hunter | ... | press and public relations |
| Alejandro Jiménez | ... | stand-in |
| Javier Leal | ... | manager: laboratory |
| Walter Leonard | ... | translator |
| Mark R. Lindsay | ... | sales representative (as Mark Lindsay) |
| Ángeles López Lobatón | ... | legal department: Sogecine (as Ángeles López) |
| Sol López | ... | assistant: Mr. Bovaira |
| Gaynor Victoria Mann | ... | chaperone |
| Javier Martín | ... | accountant: Sogecine / administration staff: Sogecine |
| Luis Martín | ... | accountant: Sogecine / administration staff: Sogecine |
| Gloria Menchacatorre | ... | public relations assistant |
| Eva Muslera | ... | controller |
| Laura Muñoz-Rojas | ... | craft service |
| Trilby Norton | ... | production coordinator |
| Juan Pando | ... | consultant: historical |
| J. Ethan Park | ... | production: Maxmedia |
| Matt Pascale | ... | production: Maxmedia |
| Maite Payero | ... | secretary: Las Producciones del Escorpión |
| Juan Luis Pedrero | ... | assistant accountant |
| Guillermo Peña | ... | manager: laboratory |
| Luis Pérez Dávila | ... | security coordinator |
| Juana Ramos | ... | accountant: Sogecine / administration staff: Sogecine |
| Orly Ravid | ... | production: Maxmedia |
| Luis Revuelta | ... | stand-in |
| Nuria Rodríguez | ... | unit doctor |
| Nicholas Roe | ... | assistant: Ms. Wagner (as Nick Roe) |
| Verónica Roldán | ... | production: Sogecine |
| Cecilia Rubio | ... | legal department: Sogecine |
| Andrea Ruiz | ... | stand-in |
| Jonathan Sanger | ... | production consultant |
| Charo Santamaría | ... | accountant: Sogecine / administration staff: Sogecine |
| Germán Sela | ... | marketing: Sogecine |
| Michael Soppelsa | ... | security supervisor |
| Sandra Sousa | ... | stand-in |
| Francisco Sánchez Ortiz | ... | marketing: Sogecine (as Francisco Sanchez) |
| Jennifer Sánchez | ... | stand-in |
| Daniel Villalba | ... | production runner |
| Jeffrey Winter | ... | assistant: Ms. Park / production: Maxmedia |
| Pablo Zorilla | ... | production trainee |
| Urko Errazquin | ... | marketing (uncredited) |
| Christopher Hanada | ... | assistant: Ms. Wagner (uncredited) |
| Amy Israel | ... | studio executive (uncredited) |
| Lumumba Mosquera | ... | Loeb & Loeb: production counsel (uncredited) |
| Jay Sheveck | ... | premiere and release (uncredited) |
| Gary Anthony Sturgis | ... | trailer voice over (uncredited) |
| Garson Yu | ... | title designer (uncredited) |
Thanks
| Antonio Buenaga | ... | special thanks |
| Vicki Cherkas | ... | special thanks |
| Michael Doven | ... | special thanks |
| Laurent Dupreche | ... | special thanks |
| Geoffrey Gilmore | ... | special thanks |
| Diego González-Longoria | ... | special thanks |
| Michèle Grignon | ... | special thanks |
| Elaine Haggis | ... | special thanks: Bow Street Magistrates |
| Pat Kingsley | ... | special thanks |
| Elliot Kleinberg | ... | special thanks |
| Kenneth Kleinberg | ... | special thanks |
| Rick Nicita | ... | special thanks |
| Emanuel Nunez | ... | special thanks |
| Catherine Olim | ... | special thanks |
| Carmen Prieto | ... | special thanks |
| Joaquín Samperio | ... | special thanks |
| Robert Seidenberg | ... | special thanks |
| Linda Smith | ... | special thanks: Bow Street Magistrates |
| Greg Trattner | ... | special thanks |
| Kurt Woolner | ... | special thanks |
Production Companies
- Cruise/Wagner Productions
- Sogecine
- Las Producciones del Escorpión
- Dimension Films (in association with)
- Canal+ (in assocation with)
- StudioCanal (in association with)
- Miramax
Distributors
- Sogepaq Distribución (2001) (Spain) (theatrical)
- Mars Distribution (2001) (France) (theatrical)
- Dimension Films (2001) (United States) (theatrical)
- Buena Vista International (2001) (United Kingdom) (theatrical)
- Central Partnership (2001) (Russia) (theatrical)
- Frenetic Films (2001) (Switzerland) (theatrical)
- Lucky Red (2001) (Italy) (theatrical)
- Medyavizyon (2001) (Turkey) (theatrical)
- Moonlight Films (2001) (Netherlands) (theatrical)
- Prooptiki (2001) (Greece) (theatrical)
- RCV Film Distribution (2001) (Belgium) (theatrical)
- Warner Sogefilms A.I.E. (2001) (Spain) (theatrical)
- Buena Vista International (2001) (Argentina) (theatrical)
- Buena Vista Home Entertainment (Mexico) (DVD)
- RCV Home Entertainment (Netherlands) (video)
- Vídeo Mercury Films (2001) (Spain)
- Angel Films (2002) (Denmark) (theatrical)
- Cinema Mondo (2002) (Finland) (theatrical)
- Europafilm AS (2002) (Norway) (theatrical)
- Golden Screen Cinemas (2002) (Malaysia) (theatrical)
- Senator Film (2002) (Germany) (theatrical)
- Triangelfilm (2002) (Sweden) (theatrical)
- Gativideo (2002) (Argentina) (DVD)
- Gativideo (2002) (Argentina) (VHS)
- Prooptiki Video (2002) (Greece) (DVD)
- Universal Pictures Home Entertainment (2002) (Germany) (DVD) (and VHS)
- Pan Vision (2003) (Finland) (DVD) (VHS)
- Mainostelevisio (MTV3) (2005) (Finland) (tv)
- SubTV (2005) (Finland) (tv)
- Fox Crime (2007) (Japan) (tv)
- Senator Home Entertainment (2010) (Germany) (Blu-ray)
- Transeuropa Video Entertainment (TVE) (2011) (Argentina) (DVD)
- Zima Entertainment (2012) (Mexico) (Blu-ray)
- Zima Entertainment (2012) (Mexico) (DVD)
- Rai Movie (2016) (Italy) (tv)
- HBO Max (2020) (United States) (video) (VOD)
- Dutch FilmWorks (DFW) (2023) (Netherlands) (theatrical) (re-release) (4K restored version)
- Rialto Pictures (2023) (United States) (theatrical) (reissue)
- Arthaus (2023) (Germany) (Blu-ray)
- Arthaus (2023) (Germany) (DVD)
- Arthaus (2023) (Germany) (Ultra HD Blu-ray)
- The Criterion Collection (2023) (United States) (Ultra HD Blu-ray) (4k UHD/BD combo)
- Imagem Filmes (Brazil) (DVD)
- Imagem Filmes (Brazil) (VHS)
- United King Films
Special Effects
- Cinesite (scanning and recording: London)
- Daiquiri (digital visual effects)
- F & P S.L. (atmospheric and mechanical)
- Telson (scanning and recording: Spain)
- The Weatherman (atmospheric and mechanical)
Other Companies
- A.M. Hire Ltd. (props)
- AIR Studios (music recording and mixing)
- Aguas de Cabreiroá (thanks)
- Almirall (props)
- Antonio Tabernero (stills processing)
- Asesores De Relaciones Públicas Y Comunicación (production: public and press relations)
- Autos Cadenas (production cars)
- Ayuntamiento de Arena de Iguña (thanks)
- Ayuntamiento de Corrales de Buelna (thanks)
- Ayuntamiento de El Álamo (thanks)
- BBC Costume Store (wigs)
- Bapty and Co. (props)
- C.B.A. (extras casting)
- Car & Crane (grip equipment)
- Caser (insurance)
- Central Eléctrica de Bárcena de Pie de Concha (thanks)
- Centro Cultural 'La Vidriera de Maliaño' (thanks)
- Centro de Jardinería de Cartes (greens)
- Cinesol (portable generators)
- Cinetel (lighting equipment)
- Classical & Contemporary (props)
- Comunidad de Vecinos de las Fraguas (thanks)
- Consejería de Cultura del Gobierno de Cantabria (thanks)
- Construcciones Moya (construction)
- Copra Films (foley recording)
- Cosprop (costumes)
- Coupe (camera car)
- Crisol (travel agency)
- Delphoss (thanks)
- Dirección Gral de Carreteras del Gobierno de Cantabria (thanks)
- Dirección Gral de Turismo e Industria de Cantabria (thanks)
- Domenech Foto S.A. (photographic material)
- Equipos Profesionales Cinematográficos (EPC) (camera equipment provided by)
- Escuela Pública Leopoldo Torres Quevedo (thanks)
- Escuela de Teatro de Santander (thanks)
- Estudios Exa (adr studio)
- Europcar (rental cars)
- FedEx (courier service)
- Film Finances (completion bond)
- Fontal-Lázaro (transportation)
- Fotosíntesis (stills processing)
- Fremap Asistencia (insurance)
- GS B (courier service)
- Goldstein & Steinberg (supervising sound editing)
- Great Northern Brokerage Services (insurance)
- Guardia Civil de Tráfico de Cantabria (thanks)
- H.J. Spiller Hire Ltd. (props)
- InSync Plus (marketing and advertising)
- Instituto Meteorológico Santander (meteorology)
- Jefatura de Tráfico de Cantabria (thanks)
- Jina Jay Casting (casting)
- Ken Paul Ltd. (props)
- Kleinberg Lopez Lange Brisbin and Cuddy (production counsel)
- Legiscine (payroll company)
- Madrid Film S.A. (laboratory)
- Mateos (props)
- Mengíbar (props)
- Motion Control Cameras (visual effects)
- Moviecam (camera equipment provided by)
- Nereo Hnos. (ambulance provided by)
- Newman Hire (props)
- Noble Denton Group (meteorology)
- Oxigen Estudios (stage)
- PMK Public Relations (publicity)
- Perios Props (props)
- Procoex (customs broker)
- Props Galore (props)
- Prosegur (PSG) (security)
- Protección Civil de Corrales de Buelna (thanks)
- Safeguard Investigation and Security Services (security)
- Sastreria Cornejo (costumes)
- Sony Classical (soundtrack published by)
- Story Film (end credits)
- Story Film (optical effects)
- Stuart Learmonth Hire (props)
- The Burns Archive (post mortem original photographs)
- The London Session Orchestra (music performed by)
- Top Class (production cars)
- Twickenham Film Studios (adr studio)
- Twickenham Film Studios (sound mixing)
- Viuda de Ruiz (wigs)
- Vázquez Hermanos (props)
- dB Post Production (adr studio)
- yU+Co. (main title design and production)
- Ángel Megino (generators)
- Ángel Megino (motorhomes)
Storyline
| Plot Summary |
A woman named Grace retires with her two children to a mansion on Jersey, after the end of the Second World War, where she's waiting for her husband to come back from battle. The children have a disease which means they cannot be touched by direct sunlight without being hurt in some way. They will live alone there with oppressive, strange and almost religious rules, until she needs to hire a group of servants for them. Their arrival will accidentally begin to break the rules with unexpected consequences. Written by ahmetkozan |
| Plot Keywords | |
| Taglines | Sooner or later she'll see them, then everything will be different. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $17,000,000 (estimated) |
| Opening Weekend Spain | EUR3,649,947, 09 Sep 2001 |
| Cumulative Worldwide Gross | $209,947,037 |
Did You Know?
| Trivia | Nicole Kidman originally tried to persuade Alejandro Amenábar and the Weinstein brothers to find another actress for the part. Coming off the bright and exuberant Moulin Rouge! (2001), the actress was initially reluctant to do a film that explored such dark places. See more » |
| Goofs | When Grace is eagerly trying to conceal her children from the sunlight, she takes them to a room located in a narrow corridor decorated with pictures and a statue of the Virgin, near their bedroom. Grace opens the door into the room but, when we see out to the corridor from inside the room, the pictures are gone, the wallpaper has different pattern and color, and there is an electric lighting fixture on the wall not previously seen. See more » |
| Movie Connections | Featured in The 59th Annual Golden Globe Awards (2002). See more » |
| Soundtracks | I Only Have Eyes for You See more » |
| Crazy Credits | Before the opening credits or music begin, we hear Grace's voice over a black screen; she says (in the manner of a mother about to tell a bedtime story), "Are you sitting comfortably? Then I'll begin." See more » |
| Quotes |
Mrs. Mills:
Death of a loved one can lead people to do the strangest things. See more » |