The carefully crafted Everything Put Together is unpredictably venturesome, and cinematographer Roberto Schaefer makes virtuoso use of digital video to create the images and movements that play so large a part in the film's success.
80
L.A. WeeklyChuck Wilson
L.A. WeeklyChuck Wilson
Mitchell -- gives a harrowing, beautifully conceived performance, the depth and arc of which can't be fully appreciated until the film's final scene.
75
San Francisco ChronicleEdward Guthmann
San Francisco ChronicleEdward Guthmann
A tale of yuppie conformity and domestic angst that quickly turns into a horror film.
70
TV Guide MagazineKen Fox
TV Guide MagazineKen Fox
In the end it all comes down to Mitchell. She turns in a truly harrowing performance that will leave you shaking.
67
Entertainment WeeklyOwen Gleiberman
Entertainment WeeklyOwen Gleiberman
The movie is ''Rosemary's Suburban Baby'' without a witch in sight.
50
Village VoiceDennis Lim
Village VoiceDennis Lim
Seeks to portray loss as a literal, convulsive nightmare, and it's not above resorting to horror-movie tropes and Grand Guignol trickery.
50
New York PostLou Lumenick
New York PostLou Lumenick
Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character.
40
Chicago ReaderLisa Alspector
Chicago ReaderLisa Alspector
Instead of a credible main character this 1999 button pusher has lots of showy cinematography and generic dread.
Roberto Schaefer's cinematography keeps things visually interesting, but spending an hour and a half with a gloomy, static lunatic hardly makes for a scintillating evening out, no matter how pretty she may be.