| Photos (see all 4 | slideshow) |
| Peter McDonald | ... | Frank | |
| Brian Cox | ... | George | |
| Conor Mullen | ... | Ray | |
| Laurence Kinlan | ... | Joe | |
| Brendan Gleeson | ... | Simple Simon | |
| Eva Birthistle | ... | Deborah McCeever | |
| Valerie Spelman | ... | Carmel | |
| David O'Rourke | ... | Damien Fitzgibbon | |
| Caroline O'Boyle | ... | Tara | |
| Gina Moxley | ... | Sgt Duggan | |
| Garrett Keogh | ... | Tony Regan | |
| Michael McElhatton | ... | John Traynor | |
| Pat Shortt | ... | Mr. Fanning | |
| Carl Duering | ... | Konigsberg | |
| Olwen Fouere | ... | Trish Meehan | |
| Maria McDermottroe | ... | Headmistress | |
| Alan King | ... | Charlie | |
| Mark Dunne | ... | Junior | |
| Billy Roche | ... | Larry (Old Man) | |
| Eamonn Hunt | ... | Old Man | |
| Anto Nolan | ... | Bouncer One Tony | |
| Simon Delaney | ... | Bouncer Two Darren | |
| Deirdre O'Kane | ... | Maria Beneventi | |
| Lisa Tierney Keogh | ... | Orla | |
| Hilda Fay | ... | Cloakroom Att. | |
| Nuala O'Neill | ... | Michelle | |
| Kevin Hely | ... | Barman Teddy | |
| Derry Power | ... | Old Man In Bookies | |
| Andrew Bennett | ... | Garda | |
| Sean Flanagan | ... | Lawless (as Sean O'Flanagan) | |
| Simon Jewell | ... | Duignan | |
| Peter Coonan | ... | Rooney | |
| Ciaran Delaney | ... | Hennessy | |
| Michael Coonan | ... | Logan | |
| Sean Madden | ... | Teacher | |
| Joanne Halpin | ... | Girl in chipper | |
| Eamon Murphy | ... | Bouncer | |
| Mary Kate O'Flanagan | ... | Italian radio presenter | |
| Donna Kennedy | ... | Girl in jacuzzi | |
| Tommy O'Neill | ... | Bouncer 3 | |
| Lesley Conroy | ... | Lisa |
Directed by | |||
| Conor McPherson | |||
Writing credits(in alphabetical order) | ||
| Conor McPherson | written by | |
Produced by | |||
| Dominic Dromgoole | .... | associate producer | |
| Claire Duignan | .... | executive producer (as Clare Duignan) | |
| Jan Roldanus | .... | associate producer | |
| Rod Stoneman | .... | executive producer | |
| David M. Thompson | .... | executive producer | |
| Robert Walpole | .... | producer | |
Original Music by | |||
| The Plague Monkeys | |||
Cinematography by | |||
| Oliver Curtis | (director of photography) | ||
Film Editing by | |||
| Emer Reynolds | |||
Casting by | |||
| Maureen Hughes | |||
| Deirdre O'Kane | |||
| Gail Stevens | |||
Production Design by | |||
| Luana Hanson | |||
Art Direction by | |||
| Sarah Hauldren | |||
Costume Design by | |||
| Kathy Strachan | |||
Makeup Department | |||
| Sandra Kelly | .... | hair stylist | |
| Denise Watson | .... | makeup artist | |
Production Management | |||
| Bruce Everett | .... | post-production supervisor | |
| Seamus McInerney | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Agnew | .... | first assistant director | |
| Paddy Breathnach | .... | second unit director | |
| Susan Drennan | .... | trainee assistant director | |
| Ingrid Goodwin | .... | extras co-ordinator | |
| Ray Kenny | .... | trainee assistant director | |
| Charlotte Somers | .... | second assistant director | |
| Dermot Whelan | .... | third assistant director | |
Art Department | |||
| Michael Flood | .... | property master | |
Sound Department | |||
| Jim Corcoran | .... | sound mixer | |
| Michael Crouch | .... | supervising sound editor | |
| Patrick Doyle | .... | boom operator (as Patrick J. Doyle) | |
| Craig Irving | .... | sound re-recording mixer | |
| Sam Southwick | .... | sound effects editor | |
Special Effects by | |||
| Aidan Byrne | .... | special effects | |
| Brendan Byrne | .... | special effects | |
Stunts | |||
| Brendan Condren | .... | stunts | |
| Joe Condren | .... | stunts | |
| Patrick Condren | .... | stunt coordinator | |
| Norman Kelly | .... | stunts | |
Camera and Electrical Department | |||
| Robert Cuddy | .... | best boy | |
| Adrienne Dollard | .... | focus puller | |
| Sarah Francis | .... | clapper loader | |
| Jonathan Hession | .... | still photographer | |
| Ciaran Kavanagh | .... | focus puller | |
| Davie Mayes | .... | generator operator | |
| James McGuire | .... | gaffer | |
| Anthony Meade | .... | camera trainee | |
| Howard Smith | .... | Steadicam operator | |
| Graeme Haughton | .... | electrician (uncredited) | |
Casting Department | |||
| Maureen Duff | .... | casting: UK | |
Editorial Department | |||
| Paul A. Byrne | .... | telecine colorist | |
| Jamie O'Halleron | .... | editor trainee | |
Transportation Department | |||
| Brendan King | .... | unit driver | |
| Michael Phelan | .... | unit driver | |
Other crew | |||
| Maria Collins | .... | production coordinator | |
| Lisa Drayne | .... | assistant production coordinator | |
| Eoin Holohan | .... | location assistant | |
| Rachel O'Flanagan | .... | executive: Treasure Films | |
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| I Went Down | The Actors | Gold in the Streets | The Eclipse | The General |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Ireland section | Add this title to MyMovies |
"Saltwater" is the directorial debut of Conor McPherson, the writer of the very funny film, "I Went Down". As such, "Saltwater" promises much but delivers very little. It is a disjointed and ill-conceived attempt to do for Dublin what "Short Cuts" did for Los Angeles. The main stories concern an Irish-Italian café owner in debt to the local bookie and the attempt by one of his two sons to exact revenge for his father's humiliation, the adventures of another son of the above man and his latchkey schoolfriend, and a university lecturer and friend of the above family who embarks on a fling with a college student. There are vague references to a woman who could possibly be the mother of the family who is no longer present but this is never made clear.
The separate plots barely relate to each other and have significant holes which stretch credulity. Furthermore, the story set in the university (University College Dublin, for the benefit of location freaks) seems to exist entirely for the purposes of its 'hilarious' climax. Characters are not well developed and some are almost cardboard cutouts, such as the schoolgoing son, his friend and their teacher, to name but a few. The stories do not develop logically and fail to reach any satisfactory conclusion leaving many loose ends unresolved.
Finally, the film is so blandly photographed as to be a TV film rather than a large screen motion picture. There is no appreciation of the art of cinema at all. McPherson is better known as a writer for theatre and this is patently obvious from "Saltwater". It appears that he has made the transition from stage to screen too quickly for his own good. Overall, I cannot recommend people to go and see this film.