Bread and Roses (2000)

Director:

Ken Loach

Writer:

Paul Laverty (screenplay)

Release Date:

22 September 2000 (Greece)

Genre:

Drama

Tagline:

The Balance Of Power Is About To Change.

Plot:

Two Latina sisters work as cleaners in a downtown office building, and fight for the right to unionize.

Plot Keywords:

Janitor | Justice | Supervisor | Mexican | Rose

Awards:

5 wins & 10 nominations

Cast

Pilar Padilla	...	Maya
Adrien Brody	...	Sam Shapiro
Elpidia Carrillo	...	Rosa
Jack McGee	...	Bert
Monica Rivas	...	Simona
Frankie Davila	...	Luis (as Frank Davila)
Lillian Hurst	...	Anna
Mayron Payes	...	Ben
Maria Orellana	...	Berta
Melody Garrett	...	Cynthia
Gigi Jackman	...	Dolores
Beverly Reynolds	...	Ella
Eloy Méndez	...	Juan (as Eloy Mendez)
Elena Antonenko	...	Maria
Olga Gorelik	...	Olga

Also Known As:

Bread & Roses (alternative spelling)
Bread and Roses (France)
Brot und Rosen (Germany)
Pan y rosas (Spain)

MPAA:

Rated R for strong language and brief nudity.

Runtime:

110 min

Country:

UK | France | Germany | Spain | Italy | Switzerland

Language:

English | Spanish

Colour:

Colour

Sound Mix:

Dolby Digital

Certification:

Iceland:L | USA:TV-MA (cable rating) | Argentina:13 | Canada:14A | France:U | Germany:12 | Hong Kong:IIB | Netherlands:AL | South Korea:18 | Spain:T | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Doheny Library - 3550 Trousdale Parkway, University of Southern California, Los Angeles, California, USA

Company:

Parallax Pictures

Trivia:

Prior to filming, Adrien Brody did undercover research as a union member in Los Angeles. He went to conventions and sat in on strike talks. A couple of the members recognized him, but Brody persuaded them not to blow his cover.

Quotes:

Sam: We want bread. But we want roses too.

Movie Connections:

Referenced in Ocean's Thirteen (2007)

This movie IS complex and smart, funny, and totally moving, IF you're truly open to it

Yes, this film is about a "dreary" topic, labor organizing and workers struggling for a living wage. Yes, it is political in taking the point of view of the workers. Yes, the "heroes" are janitors, some of whom are "illegal" immigrants. These might be reasons why you might be "turned off" by the movie. BUT, if these are your reasons to refuse to see it or give the movie a bad review, then you are only judging this film with your HEAD, not your HEART or your GUT. I agree

with the reviewer who said that if you are not totally moved by the relationship of Maya and Rosa and what happens to them and the other workers, you need a

pulse check.

First of all, the movie, the characters, and the conflicts ARE complex, but the complexity is complicated and sometimes very subtle, just like in real life.

Just because it doesn't "show" you the life of the mean boss (played brilliantly by comedian George Lopez, whose humor about being Mexican in America is as

sharp as Chris Rock's about being Black in America) outside of his work doesn't mean that he is "one-dimensional." It's not hard to understand why he would be such an asshole at work, towards other "brown" people who are immigrants like him (or perhaps his parents or grandparents; he does speak Spanish but it's not clear whether he himself is an immigrant). Think about it! This is a guy who has probably sucked a lot of ass himself to get where he is--a brown manager in a large American corporation, working in one of the largest buildings in downtown L.A. Don't you think he's got a lot at stake himself to keep his job? Is he going to let a bunch of unruly janitors working under his thumb threaten his position as king of the hill of working colored people? Isn't he ultimately just as vulnerable as the janitors themselves?--the coporation probably sees him as a dime a

dozen too, if he doesn't do his job--which is to protect the corporation. Of course he's going to be ruthless and therefore "one-dimensional" in this environment. As for the other "corporate" workers, lawyers, etc.--they are ambushed by the workers in an environment where they expect them to be invisible and meek. I don't think it would be realistic for them to have any other initial response than shock and disbelief. This would also come across as "one dimensional" for

those who are only interested in seeing the "other side" get some sort of "equal play".

This is NOT a simplistic illegal immigrant-as-saint -and-totally-triumphant hero movie. Maya IS punished at the end for robbing a gas station and is deported on a bus to Tijuana. The INS officer tells her she is lucky to get off so lightly and indeed she is. Her sister Rosa does have to whore her way to the U.S. and is a traitor to her fellow workers. Maya comes across as young and impulsive and

morally a little questionable at times (she steals to help her friend get his scholarship), which is what she is. It's both what makes her charming and

vulnerable. Her Mexican immigrant boyfriend accuses her of ditching him for

the labor organizer (Sam, played by Adrien Brody) because he's white, and she denies it a little too vehemently.

I found that Adrien Brody was a far less powerful presence in the film than the actors who played the workers. His zeal as a labor organizer was legitimately questioned--by Maya, who asks him, what does he have at stake, as a college- educated worker whose $22,000 organizer salary is still almost double that of the janitors and who doesn't have to support extended relatives like they do? And his supervisor in the union also becomes upset that his risky

confrontational antics will jeopardize the union and wants him to back off the entire fight. That scene displays enough of the intra-union politics to show that unions themselves are imperfect crusader agents--they also pick and choose

battles, often choosing the ones that they think they can win. And self- righteousness is probably an easy trap to fall into for union organizers when the odds against their victories are so high; they gotta find some reason to continue this hard work!

I agree that the scenes of Sam, confronting the building manager, and the

ending where the corporation all of a sudden bows down and decides to settle

w/ the striking workers and reinstate all of them, are unrealistic and less than convincing. But on the whole, this a movie that punches you in the gut, has

good humorous moments and good pacing, and characters that make you care

about them, IF you are open to it and pay attention to subtleties that are there.