IMDb > Big Momma's House (2000)
Big Momma's House
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Overview

User Rating:
4.7/10   19,711 votes
MOVIEmeter: ?
Down 20% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Darryl Quarles (story)
Darryl Quarles (screenplay) ...
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Contact:
View company contact information for Big Momma's House on IMDbPro.
Release Date:
2 June 2000 (USA) more
Genre:
Tagline:
This FBI agent is going undercover... and he's concealing more than a weapon. more
Plot:
An FBI agent disguises himself as an old lady to protect a beautiful federal witness and her son. full summary | add synopsis
Plot Keywords:
Awards:
1 win & 8 nominations more
NewsDesk:
(70 articles)
Martin Lawrence To Be Honored At Foster Youth Gala
 (From The Humor Mill. 4 December 2009, 12:23 AM, PST)

Paul Giamatti: 'I'm clearly not Brad Pitt'
 (From The Guardian - Film News. 12 November 2009, 1:27 AM, PST)

User Comments:
Offers exactly what we expect from this kind of movie; nothing new here. **1/2 out of **** more (136 total)

Cast

  (Cast overview, first billed only)

Martin Lawrence ... Malcolm Turner

Nia Long ... Sherry Pierce

Paul Giamatti ... John

Jascha Washington ... Trent Pierce

Terrence Howard ... Lester Vesco (as Terrence Dashon Howard)

Anthony Anderson ... Nolan
Ella Mitchell ... Hattie Mae Pierce (Big Momma)
Carl Wright ... Ben Rawley
Phyllis Applegate ... Sadie

Starletta DuPois ... Miss Patterson
Jessie Mae Holmes ... Miss Other Patterson

Nicole Prescott ... Lena

Octavia Spencer ... Twila (as Octavia L. Spencer)
Tichina Arnold ... Ritha

Cedric the Entertainer ... Reverend
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Create a character page for: ?

Additional Details

Also Known As:
Big Mamas Haus (Germany)
more
MPAA:
Rated PG-13 for crude humor including sexual innuendo, and for language and some violence.
Runtime:
98 min
Country:
Language:
Colour:
Aspect Ratio:
1.33 : 1 more
Sound Mix:

Fun Stuff

Trivia:
Screenwriter Darryl Quarles came up with the idea for the name "Big Momma" because it was what the neighborhood kids used to call his own real life mother. more
Goofs:
Revealing mistakes: In the scene where the other woman meet up with Big Momma (Malcolm) and tell her she is losing weight , you can clearly tell that she is wearing a fat suit under her dress when she starts dancing. more
Quotes:
Sherry: Oh, it's so good to see you, Big Momma. I thought you may forgotten all about me.
Malcolm Turner: Shut your mouth, child. Oh, Big Momma could never forget that ass...
Sherry: What?
Malcolm Turner: ...ma. Asthma. Do you remember you had asthma?
more
Movie Connections:
Spoofed in "30 Rock: Pilot (#1.1)" (2006) more
Soundtrack:
I Want to Kiss You more

FAQ

Why is it that in the thunderstorm scene when Sherry gets into bed they call it a mistake of having the mustache show up on what sherry thinks is big momma.
What are the differences between the British BBFC-12 version and the uncut US version?
more
6 out of 14 people found the following comment useful.
Offers exactly what we expect from this kind of movie; nothing new here. **1/2 out of ****, 27 June 2000
6/10

BIG MAMMA'S HOUSE / (2000) **1/2 out of ****

"Big Mamma's House" offers exactly what you would expect in a comedy featuring Martin Lawrence dressing up as an old, grossly obese granny; this is a one-joke movie in which an undercover cop disguises himself as Big Mamma and participates in things we anticipate Big Mamma normally would not do. There are some big laughs involved with the size of the title character, as well as her with breasts, attitude, sexuality, and ignorance, but there are also some obvious audience pleasers that feel contrived. Although the make-up effects are astonishing and amusing, there are no surprises found within this material. We have already seen this film's punch line in better parodies like "Some Like It Hot," "Tootsie," and "Mrs. Doubtfire." This movie is predictable, over-enthusiastic, and does not take off with its ideas.

Martin Lawrence stars as a cop named Malcolm, who, with his partner John (Paul Giamatti), is assigned to investigate the jail bust of a convicted criminal named Laster (Terrence Dashon Howard). They suspect the murderer is after his ex-girlfriend, Sherry (Nia Long), and her son Trent (Jascha Washington), who may unknowingly own the stolen loot of a bank heist years ago. Sherry is somewhat aware of the danger she may be in, thus moves immediately to her relative's house, whom everyone calls Big Mamma (Ella Mitchell). Before Sherry arrives, however, Big Mamma leaves town for an engagement. John and Malcolm see potential involved with Big Mamma, thus they determine that having Malcolm go undercover as this character might originate information on Sherry's involvement with Laster's criminal actions.

Martin Lawrence, reprising his "Blue Streak" character, is perfect for the fast talking Mamma in which he disguises himself. The actor is in nearly every scene and is basically what the movie structures upon: one excessive comic situation after another featuring the concealed Malcolm participating in activities from karate class to a joyful church service and from the kitchen baking goodies to sleeping with the unknowing Sherry. Lawrence makes the movie succeed to the level that it does, however, his high spirits and willing energy only carry the film so far. It is only a matter of time before he wares out his welcome and becomes the only thing holding the story together.

The film does not stay focused on the plot of Laster attempting to reach Sherry; if a comedy makes the misconception to take its plot seriously, then it requires consistence. Here, although the setup contains potential, the only tension involved is when Sherry will discover her Big Mamma is an undercover cop. Essentially the movie's story is just an excuse to have Martin Lawrence play a funny character who does funny things.

The film's director is Raja Gosnell, whose "Never Been Kissed" and "Home Alone 3" provided trifling laughs, just like "Big Mamma's House" does. In this film, he and screenwriters Darryl Quarles and Don Rhymer attempt to do too much with too little like developing a romantic subplot that feels trite and predictable. No matter how much make-up or covering the filmmakers provide for their characters, beyond an occasional laugh there is simply nothing new here.



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