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Overview
User Rating:
Director:
Writers (WGA):
Darcy Meyers (story) and
David Elliot (story) ...
more
Release Date:
8 September 2000 (USA) more
Tagline:
Don't go home alone. more
Plot:
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for... more | full synopsis
Awards:
1 nomination more
NewsDesk:
(18 articles)
It Happened In Hollywood Last Night: Bai Ling introduces Harry the Dog & the All-Star Traveling Soul Circus at the Unknown Theater
(From The Hollywood Interview. 23 April 2009, 6:29 PM, PDT)
It Happened In Hollywood Last Night: Bai Ling Introduces Harry the Dog & His All-Star Traveling Soul Circus at the Unknown Theater
(From The Hollywood Interview. 22 April 2009, 10:25 PM, PDT)
User Comments:
Binary Opposition more (163 total)
Cast
(Cast overview, first billed only)| James Spader | ... | Joel Campbell | |
| Keanu Reeves | ... | David Allen Griffin | |
| Marisa Tomei | ... | Dr. Polly Beilman | |
| Ernie Hudson | ... | Ibby | |
| Chris Ellis | ... | Hollis | |
| Robert Cicchini | ... | Mitch Casper | |
| Yvonne Niami | ... | Lisa Anton | |
| Jenny McShane | ... | Diana (as Jennifer McShane) | |
| Gina Alexander | ... | Sharon | |
| Rebekah Louise Smith | ... | Ellie | |
| Joseph Sikora | ... | Skater (as Joe Sikora) | |
| Jill Peterson | ... | Jessica (as Jillian Peterson) | |
| Michele DiMaso | ... | Rachel (as Michelle Dimaso) | |
| Andrew Rothenberg | ... | Jack Fray | |
| David Pasquesi | ... | Norton |
Additional Details
Also Known As:
Driven (USA) (working title)
more
MPAA:
Rated R for violence and language.
Parents Guide:
Runtime:
97 min
Country:
Language:
Colour:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
DTS | Dolby Digital | SDDS
Certification:
South Korea:15 | Philippines:PG-13 | Argentina:16 | Australia:MA | Chile:18 | Finland:K-15 | France:U | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:18 | Spain:13 | Sweden:15 | UK:15 | USA:R | Singapore:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
In the opening scene, Keanu Reeves dances to the Rob Zombie song "Dragula" while doing kung fu moves behind green lighting. This is a homage to his previous blockbuster, The Matrix (1999). more
Goofs:
Continuity: In the car chase, Campbell jumps into a Ford police cruiser, but in every other scene (including interiors), he is driving a Chevrolet. more
Quotes:
David Allen Griffin: [to Dr. Polly Beilman] Do you think... some of your patients might pay to come see you because... you're very pretty. more
Movie Connections:
Referenced in Not Another Teen Movie (2001) more
Soundtrack:
HOW TO MAKE A MONSTER more
FAQ
This FAQ is empty. Add the first question.more (163 total)
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Joel Campbell (James Spader) and David Griffin (Keanu Reeves) are like binary stars that revolve around a common center of gravity. Each man needs the other for a sense of identity. They function as a single entity, even though their motives are in moral opposition. Actually, it's a rather tired film concept.
In Chicago, Campbell introduces the story premise about serial killer Griffin who preys on young women, and uses his killings as a game to be played out with Campbell, who has no choice but to participate. The film's structure relies on tons of flashbacks to Campbell's previous involvement with the killer in California.
The main problem here is that the film's plot depends on multiple film clichés. You've got your standard police chase scenes with flashing lights and screeching tires. You've got your standard melodramatic TV news, repeated over and over and over. You've got a killer who can miraculously overcome every obstacle thrown at him. The film's final twenty minutes are nothing but a string of cinematic clichés.
You get the feeling that the filmmakers used a tried-and-true money making film concept as a template, hurriedly wrote a script, then attached well-known box-office actors to rev up the financial bottom line, for quick megabucks. If that was their plan, I don't think it worked. For many viewers, including myself, the film comes across as stale, insipid, and uninspired.
The acting is not convincing. Both James Spader and Keanu Reeves sleepwalk through their roles, emotionally uninvolved. The casting of lovely Marisa Tomei as a psychiatrist is not credible, in a role meant for an older intellectual. But, of course, as a beautiful young woman, Tomei fits in nicely as a handy target for the killer. And the film's contemporary pumped up rock music I found irritating and distracting. The color cinematography is adequate, if conventional.
"The Watcher" is just one more cop and killer movie in a saturated genre. The film has nothing new or original to offer viewers. Maybe the two lead actors will be a tad more discerning next time when they select screenplay roles.