| Photos (See all 24 | slideshow) | Videos (see all 2) |
Directed by | |||
| Terence Davies | |||
Writing credits | ||
| Edith Wharton | (novel "The House of Mirth") | |
| Terence Davies | (written by) | |
Produced by | |||
| Pippa Cross | .... | executive producer | |
| Bob Last | .... | executive producer | |
| Olivia Stewart | .... | producer | |
| Alan J. Wands | .... | co-producer | |
Cinematography by | |||
| Remi Adefarasin | (director of photography) | ||
Film Editing by | |||
| Michael Parker | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Don Taylor | |||
Art Direction by | |||
| Diane Dancklefsen | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Monica Howe | |||
Makeup Department | |||
| Paul Huntley | .... | wig maker | |
| Renate Leuschner | .... | wig maker (as Renata) | |
| Eva Marieges Moore | .... | hair stylist: Gillian Anderson | |
| Eva Marieges Moore | .... | makeup artist: Gillian Anderson | |
| Dianne Millar | .... | hair stylist | |
| Dianne Millar | .... | makeup artist | |
| Christine Powers | .... | hair stylist (as Chrissie Powers) | |
| Christine Powers | .... | makeup artist (as Chrissie Powers) | |
| Jan Harrison Shell | .... | hair designer | |
| Jan Harrison Shell | .... | makeup designer | |
| Meg Speirs | .... | hair stylist (as Meg Spiers) | |
| Meg Speirs | .... | makeup artist (as Meg Spiers) | |
Production Management | |||
| Wendy Broom | .... | production manager | |
| Tony Hood | .... | unit manager | |
| Sarah Lee | .... | post-production supervisor | |
Sound Department | |||
| Tony Cook | .... | boom operator | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Stewart Henderson | .... | dialogue editor | |
| Stuart Hilliker | .... | assistant dubbing mixer | |
| Catherine Hodgson | .... | supervising sound editor | |
| Louis Kramer | .... | sound recordist | |
| Richard Lewis | .... | assistant sound re-recording mixer | |
| Sandy Miller | .... | cable person | |
| Michael Redfern | .... | foley editor | |
| James Seddon | .... | dolby consultant | |
| Ted Swanscott | .... | adr mixer | |
| Ted Swanscott | .... | foley mixer | |
| Nick Watson | .... | sound consultant: Dolby | |
| Paul Hamblin | .... | production sound mixer (uncredited) | |
| Steve Hancock | .... | studio sound technician (uncredited) | |
| Stewart Henderson | .... | adr editor (uncredited) | |
Special Effects by | |||
| Perry Costello | .... | rigging supplier | |
| Ricky Farns | .... | special effects: second unit | |
| Stuart Murdoch | .... | special effects supervisor (as Stuart Murdock) | |
| Daniel Wright | .... | special effects assistant | |
Visual Effects by | |||
| Steve Cutmore | .... | digital compositor: Peerless Camera | |
| John Paul Docherty | .... | visual effects supervisor: Peerless Camera | |
| Tim Ollive | .... | computer animator: Peerless Camera | |
| Susi Roper | .... | visual effects producer: Peerless Camera | |
| Mark Spevick | .... | digital compositor: Peerless Camera (as Mark Spevik) | |
| John Swinnerton | .... | digital compositor: Peerless Camera | |
| Marc Twinam-Cauchi | .... | computer animator: Peerless Camera | |
| Pat Wong | .... | digital compositor: Peerless Camera | |
Camera and Electrical Department | |||
| John Arnold | .... | key grip | |
| Harry Bowers | .... | clapper loader | |
| Jaap Buitendijk | .... | still photographer | |
| Stuart Bunting | .... | additional grip | |
| Ian Franklin | .... | best boy | |
| Alex Howe | .... | focus puller: second unit | |
| Joanne Lee | .... | assistant camera: second unit | |
| Charlie Macher | .... | rigger: second unit | |
| Steve Macher | .... | rigger: second unit | |
| Gordon McMillan | .... | assistant camera | |
| Gordon McMillan | .... | video assistant | |
| Mark Milsome | .... | focus puller | |
| Mark Milsome | .... | focus puller: second unit | |
| Barrie More | .... | rigging gaffer | |
| Peter Muncey | .... | grip: second unit | |
| Paul Murphy | .... | generator operator | |
| Chris Plevin | .... | photographer: second unit | |
| Freddie Polombo | .... | generator operator | |
| Esther Sellem | .... | assistant camera: second unit | |
| Robin Stone | .... | grip: second unit | |
| Brian Sullivan | .... | electrician | |
| Ian Townsend | .... | grip: second unit | |
| William Tracey | .... | rigging electrician | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| Mark Bennett | .... | casting assistant (as Marc Bennett) | |
| Deborah Maxwell Dion | .... | casting assistant | |
| Julia Duff | .... | additional casting | |
| Gemma Hancock | .... | casting assistant (as Jemma Hancock) | |
| Jennifer McNamara | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kate Burnett | .... | wardrobe assistant | |
| Ann Taylor Cowan | .... | wardrobe supervisor | |
| Tom Hornsby | .... | wardrobe assistant | |
| Anna Lau | .... | crowd wardrobe coordinator | |
| Adrian Ratley | .... | wardrobe assistant | |
| Guy Speranza | .... | wardrobe assistant | |
| Jackie Thomas | .... | wardrobe assistant | |
Editorial Department | |||
| Martin Brinkler | .... | additional editor | |
| Steve Farman | .... | negative cutter | |
| Celia Haining | .... | first assistant editor | |
| Lea Morement | .... | second assistant editor | |
| Anita M. Patel | .... | post-production coordinator | |
| Dan Roberts | .... | lightworks assistant | |
| Michael Solinger | .... | post-production consultant | |
Music Department | |||
| Nigel Acott | .... | music recording engineer | |
| Heather Bownass | .... | music supervisor | |
| Terry Davies | .... | conductor | |
| Isobel Griffiths | .... | music contractor | |
| Adrian Johnston | .... | musical director | |
| Adrian Johnston | .... | music adaptor (uncredited) | |
Transportation Department | |||
| Andy Bell | .... | unit driver | |
| Jas Brown | .... | unit driver | |
| Tommy Bryce | .... | unit driver | |
| Jimmy Coutts | .... | facilities driver | |
| Jeff Derby | .... | transportation captain | |
| Robert Etherson | .... | driver: camera car | |
| Graham Gordon | .... | driver: props | |
| William Laidler | .... | unit driver | |
| Neil McMahon | .... | unit driver | |
| Charlie Morris | .... | facilities driver | |
| Bill Stevenson | .... | unit driver | |
| Vick Todd | .... | driver: props (as Vic Todd) | |
| Scott Weir | .... | unit driver | |
| Keith West | .... | driver: props | |
Other crew | |||
| Brian Adams | .... | additional crew | |
| Nicky Agnew | .... | caterer: Thistle Catering | |
| Anne Maria Antzac | .... | additional crew | |
| Lucy Aronica | .... | assistant to producer | |
| Candice Banks | .... | additional crew | |
| Heather Bownass | .... | assistant to executive producer | |
| Mark Brennan | .... | additional crew | |
| Mhairi Brennan | .... | assistant to producer | |
| Valerie Bresso | .... | location manager: second unit | |
| Neil Cairns | .... | assistant production accountant | |
| Kim Roper Caldbeck | .... | trainee location assistant | |
| John Cameron | .... | additional crew | |
| Billy Campbell | .... | additional crew | |
| Fraser Campbell | .... | additional crew | |
| Lorna Carmichael | .... | additional crew | |
| Brian Carrington | .... | additional crew | |
| Steve Casey | .... | additional crew | |
| Carol Chambers | .... | additional crew | |
| Victoria Christensen | .... | crowd coordinator | |
| Denise Coombes | .... | additional crew | |
| Louise Coulter | .... | production accountant | |
| Luke Coulter | .... | accounts trainee | |
| Gloria Delmonte | .... | additional crew | |
| Brendan Diver | .... | caterer: Thistle Catering (as Brendan Divers) | |
| Alan Doyle | .... | additional crew | |
| Polly Duncan | .... | additional crew | |
| Lloret Dunn | .... | location scout | |
| Sonya Dunwoodge | .... | production secretary | |
| Kate Elliot-Muir | .... | additional crew (as Kate Elliot Muir) | |
| John Ferguson | .... | additional crew | |
| Claire Finlay | .... | additional crew | |
| Jacky Fitt | .... | assistant to executive producer | |
| Graham Gardener | .... | additional crew | |
| Diana Gehriger | .... | assistant: Gillian Anderson | |
| Robert Gillan | .... | additional crew | |
| Gary Grey | .... | additional crew | |
| Tarn Harper | .... | post-production accountant | |
| Roddy Hogg | .... | additional crew | |
| Tony Hood | .... | location manager: second unit | |
| Penny Hunt | .... | additional crew | |
| Jessica Hurles-Laws | .... | production runner (as Jessica Hurles) | |
| Steve Hutton | .... | stand-in | |
| Debbie Kaye | .... | horses and carriages | |
| Johanna Kenyon | .... | crowd coordinator | |
| Dennis Knotts | .... | additional crew | |
| Joanne Lee | .... | runner: second unit | |
| Sarah Lee | .... | location manager | |
| Sarah Lee | .... | second unit supervisor | |
| Delia Letham | .... | additional crew | |
| Ella MacLean | .... | continuity trainee | |
| Duncan McAllister | .... | additional crew | |
| Charles Mcdonald | .... | publicist: McDonald & Rutter (as Charles McDonald) | |
| Mark McGuiness | .... | additional crew | |
| Mandy McKay | .... | production coordinator | |
| Lou McLoughlan | .... | additional crew | |
| James Miller | .... | additional crew | |
| Sonia Moore | .... | additional crew | |
| Catherine Muir | .... | additional crew | |
| David Murray | .... | additional crew | |
| Rosalind Nashashibi | .... | stand-in | |
| Glen O'Brien | .... | additional crew | |
| Gerry Ogden | .... | additional crew | |
| Danny Oji | .... | additional crew | |
| Karen Osterburgh | .... | additional crew | |
| Martin Palmer | .... | additional crew | |
| John Parks | .... | additional crew | |
| Chris Paton | .... | unit publicist: McDonald & Rutter | |
| Roger Phillips | .... | title designer | |
| Samantha Print | .... | additional crew | |
| Alex Purbrick | .... | assistant to director | |
| Pat Rambaut | .... | script supervisor | |
| Derrick Ritchie | .... | additional crew | |
| Patsy Rodenburg | .... | voice coach | |
| David Roy | .... | additional crew | |
| Paul Roy | .... | additional crew | |
| Esther Sellem | .... | runner: second unit | |
| Steve Senior | .... | additional crew | |
| Brian Shemmings | .... | health and safety: H & S Advisory Services | |
| Dave Sherwyn | .... | additional crew | |
| Catherine Shirley | .... | additional crew | |
| Paul Shirley | .... | additional crew | |
| James Shovlen | .... | additional crew | |
| Kenny Skey | .... | caterer: Thistle Catering | |
| Paul Smythe | .... | floor runner (as Paul Smyth) | |
| Elaine Stewart | .... | additional crew | |
| Stef Swiatek | .... | unit nurse | |
| Beverley Syme | .... | assistant location manager (as Bev Syme) | |
| George Tarbuck | .... | additional crew | |
| Thomas Urquart | .... | caterer: Thistle Catering | |
| John Watt | .... | additional crew | |
| Julia Wilson Dickson | .... | dialect coach (as Julia Wilson Dixon) | |
| Andy Younger | .... | additional crew | |
Thanks | |||
| David Alwin | .... | thanks | |
| Kerry Barden | .... | thanks | |
| Hercules Bellville | .... | thanks (as Hercules Belville) | |
| Laurie Borg | .... | thanks | |
| Helen Boyes | .... | thanks | |
| Nigel Britten | .... | thanks | |
| Leonard Crooks | .... | thanks (as Lenny Crooks) | |
| Graham Easton | .... | thanks | |
| Connie Freiberg | .... | thanks | |
| Karen Friedman | .... | thanks | |
| Neil Harris | .... | thanks | |
| Norma Heyman | .... | thanks | |
| Lorraine Jarvie | .... | thanks: Arthouse Hotel, Glasgow | |
| Terry Lansbury | .... | thanks | |
| Peter Levine | .... | thanks | |
| Lilene Mansell | .... | thanks | |
| Cate Marvin | .... | thanks | |
| Scott Meek | .... | thanks | |
| Kevin O'Shea | .... | thanks | |
| Lady Palmer | .... | thanks: Manderston House | |
| Lord Palmer | .... | thanks: Manderston House | |
| Vanessa Pereira | .... | thanks | |
| Kenny Skey | .... | thanks: Arthouse Hotel, Glasgow | |
| Julian Slomon | .... | thanks | |
| Sue Bruce Smith | .... | thanks | |
| Lady Wemyss | .... | thanks: Gosford House | |
| Jenny Wilkes | .... | thanks | |
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| Madame Bovary | A Good Woman | Isadora | Mildred Pierce | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
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I'm not sure how this movie could get a bad review. Of course, there are those people who find its pace too slow. However, one must realize that this is a period drama; it's not meant to be an action-packed suspense thriller. Everything is subtle, but it is so beautifully prepared, thought out, and executed by all.
1. Were it for nothing else, the technical aspects of this film would have kept me watching until the very end. The music was perfectly placed to rise and fall with the internal emotions of the characters - especially Lily and Lawrence - and to express the turmoil of the social downfall of Lily. On top of that, you have phenomenal costumes and set with the most lavish colors. Lastly, and possibly what I found most fascinating about the film, was the lighting. it always seemed just bright enough or just dark enough to reflect the romance or dreariness. In addition, there is just not denying that the way the light fell upon Gillian Anderson in every, single scene is something I have never seen before.
2. The all-star cast! Gillian Anderson. Eric Stolz. Laura Linney. Anthony LaPaglia. Dan Akroyd. Do I have to go on? I can almost guarantee that you'll find yourself, at one point or another, yelling at the screen. These characters are so manipulative and deceitful and malicious. And Lily is so naive and just won't accept love when it's given!! I think the best thing about the cast and performances in this film is that watching the film and listening to it are 2 completely opposite experiences. The actors convey one thing with their faces and another with their voices; it's pure talent. I was amazed.
3. If nothing else, this film should watched purely for Gillian Anderson. This project was so different than her 'X Files' persona - and such a success, at that. The way she uses her eyes to express 5 different emotions in a matter of seconds blew me away. Her acting and utter vulnerability was awe-inspiring.