8 out of 11 people found the following comment useful :- Bizarre, disturbing, in keeping with the book, 18 June 2004
Author:
dave_w74 from Seattle, WA, USA
I saw this way back at the 2000 Seattle Film Festival and memories of
it have stuck with me since then. No idea if this film is available in
any form today. Having struggled through but been intrigued by J. G.
Ballard's book, this seems to be a fairly faithful reflection of what
the book was all about, while being somewhat easier to digest {as if I
can claim to have any idea what the book is all about!}. The merging of
the themes of sex, celebrity, architecture, and modern consumer society
somehow work on screen, even though it's a very confusing and
narrative-free picture. There's no real way to make sense of what is
happening scene by scene, but there are some fabulous location shots
and effects. If you saw Crash then this is worth trying to see.
2 out of 2 people found the following comment useful :- Most Remarkable Film I Have Ever Seen, 13 January 2007
Author:
cynthia-92 from Holland
I was simply astonished by this film. I almost think it should not be
called a film, as it is so radically different from what we are
accustomed to with feature films. This is not a piece of entertainment.
Its a piece of incredible art. The book is difficult in itself, but so
rewarding, and this film is no different. Its non narrative, and its
not supposed to pretend to be like quotidian reality, but actually it
feels MORE real than real life. The whole construction, the style of
acting, the cinematography, set design and soundtrack are a complete
departure from the usual fare. This is one of those films that can
change how you look at film, if you are game for that. If not, leave it
alone. Its not for everyone, but the best things never are.
5 out of 8 people found the following comment useful :- A visual, thought provoking feast., 22 June 2001
Author:
zenrage (zenrage@hotmail.com) from Marina del Rey, California
While definitely not for everyone, this movie effectively captures J.G.
Ballard's difficult novel of the same name. More visual than literal,
The Atrocity Exhibition forces the viewer to re-think the art of film
and of story telling. It effectively communicates in a new language
that caused some who saw it to declare that it 'changed their lives'.
It changed mine as well, although I'm not exactly sure in what way.
And while I can't say that I completely 'got ' the story, the story that I
got was fascinating and one that I can't forget. I've since read the
book and that certainly helped, but it wasn't necessary to enjoy the
film. This film stands as one of my favorites alongside the best
works of Kubrick, the Coen brothers and Hitchcock.
4 out of 11 people found the following comment useful :- High hopes dashed, 11 June 2006
Author:
p-summerhayes from United Kingdom
As a long-time Ballard fan I was looking forward to seeing this on DVD
release. The book is the densest but also most oblique setting out of
his ideas. How could this be captured on film? The director tries too
hard to remain faithful to the structure of the novel(strange that this
should be a criticism but film is just so different - I was left
wondering what a more straight-forward narrative would have brought,
compare with 'The Unforgettable Lightness Of Being' which was a
successful adaptation).
What really damns the film though is the truly appalling acting
throughout the film. Actors read lines that they obviously don't
understand and make Ballard's intriguing prose seem quite trite. I
recognise that Ballardian characters are often two dimensional - more
cipher than flesh-and-blood people - but how did the actors manage to
reduce the dimensions further?! The direction was generally dull and
plodding, like something I would have seen at the ICA back in the 80s,
ponderousness masquerading for insight.
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The Atrocity Exhibition (2000)
8 out of 11 people found the following comment useful :-

Bizarre, disturbing, in keeping with the book, 18 June 2004
Author: dave_w74 from Seattle, WA, USA
I saw this way back at the 2000 Seattle Film Festival and memories of it have stuck with me since then. No idea if this film is available in any form today. Having struggled through but been intrigued by J. G. Ballard's book, this seems to be a fairly faithful reflection of what the book was all about, while being somewhat easier to digest {as if I can claim to have any idea what the book is all about!}. The merging of the themes of sex, celebrity, architecture, and modern consumer society somehow work on screen, even though it's a very confusing and narrative-free picture. There's no real way to make sense of what is happening scene by scene, but there are some fabulous location shots and effects. If you saw Crash then this is worth trying to see.
2 out of 2 people found the following comment useful :-

Most Remarkable Film I Have Ever Seen, 13 January 2007
Author: cynthia-92 from Holland
I was simply astonished by this film. I almost think it should not be called a film, as it is so radically different from what we are accustomed to with feature films. This is not a piece of entertainment. Its a piece of incredible art. The book is difficult in itself, but so rewarding, and this film is no different. Its non narrative, and its not supposed to pretend to be like quotidian reality, but actually it feels MORE real than real life. The whole construction, the style of acting, the cinematography, set design and soundtrack are a complete departure from the usual fare. This is one of those films that can change how you look at film, if you are game for that. If not, leave it alone. Its not for everyone, but the best things never are.
5 out of 8 people found the following comment useful :-

A visual, thought provoking feast., 22 June 2001
Author: zenrage (zenrage@hotmail.com) from Marina del Rey, California
While definitely not for everyone, this movie effectively captures J.G. Ballard's difficult novel of the same name. More visual than literal, The Atrocity Exhibition forces the viewer to re-think the art of film and of story telling. It effectively communicates in a new language that caused some who saw it to declare that it 'changed their lives'. It changed mine as well, although I'm not exactly sure in what way. And while I can't say that I completely 'got ' the story, the story that I got was fascinating and one that I can't forget. I've since read the book and that certainly helped, but it wasn't necessary to enjoy the film. This film stands as one of my favorites alongside the best works of Kubrick, the Coen brothers and Hitchcock.
4 out of 11 people found the following comment useful :-

High hopes dashed, 11 June 2006
Author: p-summerhayes from United Kingdom
As a long-time Ballard fan I was looking forward to seeing this on DVD release. The book is the densest but also most oblique setting out of his ideas. How could this be captured on film? The director tries too hard to remain faithful to the structure of the novel(strange that this should be a criticism but film is just so different - I was left wondering what a more straight-forward narrative would have brought, compare with 'The Unforgettable Lightness Of Being' which was a successful adaptation).
What really damns the film though is the truly appalling acting throughout the film. Actors read lines that they obviously don't understand and make Ballard's intriguing prose seem quite trite. I recognise that Ballardian characters are often two dimensional - more cipher than flesh-and-blood people - but how did the actors manage to reduce the dimensions further?! The direction was generally dull and plodding, like something I would have seen at the ICA back in the 80s, ponderousness masquerading for insight.
Back to the book ...........
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