| Photos (see all 13 | slideshow) |
| Celia Imrie | ... | Lady Gertrude | |
| John Sessions | ... | Dr. Prunesquallor | |
| Warren Mitchell | ... | Barquentine | |
| George Yiasoumi | ... | Bookman | |
| Ian Richardson | ... | Lord Groan | |
| Neve McIntosh | ... | Lady Fuchsia | |
| June Brown | ... | Nannie Slagg | |
| Christopher Lee | ... | Flay | |
| Richard Griffiths | ... | Swelter | |
| Jonathan Rhys Meyers | ... | Steerpike | |
| Zoë Wanamaker | ... | Clarice Groan | |
| Lynsey Baxter | ... | Cora Groan | |
| Fiona Shaw | ... | Irma Prunesquallor | |
| Olga Sosnovska | ... | Keda | |
| Eric Sykes | ... | Mollocks | |
| Sean Hughes | ... | Poet | |
| Windsor Davies | ... | Rottcodd | |
| Cameron Powrie | ... | Titus (12 years) | |
| Stephen Fry | ... | Professor Bellgrove | |
| Tim Barlow | ... | Boatman | |
| Lewis Rose | ... | Doggit | |
| Mark Williams | ... | Professor Perch | |
| James Dreyfus | ... | Professor Fluke | |
| Phil Cornwell | ... | Professor Shred | |
| Steve Pemberton | ... | Professor Mule | |
| Martin Clunes | ... | Professor Flower | |
| Spike Milligan | ... | De'Ath | |
| Gregor Fisher | ... | The Fly | |
| Caroline Nelson | ... | Wild Girl | |
| Andrew Robertson | ... | Titus (17 years) (as Andrew N. Robertson) | |
| Daniela Zocchi | ... | Wild girl (17 years) |
Directed by | |||
| Andy Wilson | |||
Writing credits | ||
| Mervyn Peake | (novels "Titus Groan" and "Gormenghast") | |
| Malcolm McKay | (screenplay) | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Gavin Finney | |||
Film Editing by | |||
| Paul Tothill | |||
Casting by | |||
| Marilyn Johnson | |||
Production Design by | |||
| Christopher Hobbs | |||
Art Direction by | |||
| David Hindle | |||
| Andrew Munro | (senior art director) | ||
Costume Design by | |||
| Odile Dicks-Mireaux | |||
Makeup Department | |||
| Diane Chenery-Wickens | .... | makeup artist | |
| Julie Dartnell | .... | makeup artist | |
| Christine Greenwood | .... | makeup designer | |
| Joan Hills | .... | makeup designer | |
| Liz Michie | .... | hair stylist | |
| Sandra Shepherd | .... | makeup artist | |
| David White | .... | prosthetics | |
Production Management | |||
| David Mason | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Giles Butler | .... | second assistant director | |
| Matthew Cope | .... | second unit director | |
| Alexander Gibb | .... | third assistant director (as Alex Gibb) | |
| Ryan Green | .... | additional assistant director | |
Art Department | |||
| Robert Betts | .... | stand-by painter | |
| Paul Bradburn | .... | storeman | |
| Christine Buttner | .... | graphic designer | |
| Alan Chesters | .... | construction supervisor | |
| Mark Copeland | .... | model maker | |
| Joshua Critcher | .... | stand-by props | |
| Jenny Edwards | .... | art department assistant | |
| Trisha Edwards | .... | set dresser | |
| Danny Evans | .... | dressing props | |
| Paul Garner | .... | storyboard artist | |
| Ned Kelly | .... | supervising carpenter | |
| Ron King | .... | scenic artist | |
| Terence Meadows | .... | stand-by stagehand (as Terry Meadows) | |
| Wesley Peppiatt | .... | stand-by props | |
| Raymond Perry | .... | property master (as Ray Perry) | |
| Steve Rogers | .... | stand-by carpenter | |
| Annushka Russell | .... | art assistant | |
| Ben Smith | .... | assistant art director | |
| Zoe Smith | .... | art department runner | |
| Tom Still | .... | set designer | |
| Tom Wales | .... | assistant art director | |
| Ian Young | .... | dressing props | |
Sound Department | |||
| Keith Batten | .... | boom operator | |
| Paul Carr | .... | dubbing mixer | |
| Lee Crichlow | .... | dubbing editor | |
| Alistair Crocker | .... | sound recordist | |
| Jon Hemming | .... | dubbing editor | |
| Ben Norrington | .... | adr editor | |
| Michael Redfern | .... | dubbing editor | |
Special Effects by | |||
| Tom Harris | .... | special effects | |
| Nicky O'Sullivan | .... | special effects technician | |
| Graham Riddell | .... | animatronics designer | |
| Chris Watson | .... | shatterglass effects | |
Visual Effects by | |||
| Angela Bailey | .... | visual effects editor | |
| Serena Cacciato | .... | special effects animator | |
| Alan Church | .... | visual effects producer | |
| Virginie Degorgue | .... | assistant scenic artist/prop painter | |
| Simon Giles | .... | visual effects supervisor | |
| Diane Kingston | .... | visual effects production coordinator | |
| Alan Maiden | .... | visual effects | |
| Jason McDonald | .... | lead animator | |
| Chris Petts | .... | special effects animator | |
| Nigel Stone | .... | model photography | |
| Trevor Young | .... | 3D effects coordinator: The Film Factory at VTR (uncredited) | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
| Steve Griffin | .... | stunts | |
Camera and Electrical Department | |||
| Tommy Brown | .... | electrician | |
| Dick Conway | .... | electrician | |
| Robert Diebelius | .... | stand-by rigger | |
| Graham Driscoll | .... | electrician | |
| Jack English | .... | still photographer | |
| Danny Espey | .... | electrician | |
| Simon Finney | .... | focus puller | |
| Amy Gilliam | .... | assistant camera: second unit | |
| Tony Hannington | .... | rigging gaffer | |
| Pip Hare | .... | assistant camera | |
| Terry Hunt | .... | gaffer | |
| Dick Lee | .... | crane grip | |
| Rod Marley | .... | clapper loader | |
| Karl Morgan | .... | focus puller: second/model unit | |
| Phil Penfold | .... | electrician | |
| Richard Potter | .... | best boy | |
| Mike Proudfoot | .... | camera operator | |
| Tony Turner | .... | camera grip | |
Editorial Department | |||
| Mark Gravil | .... | assembly editor | |
Music Department | |||
| Jake Arditti | .... | musician | |
| John Tavener | .... | composer: choral music | |
| John Wilson | .... | orchestrator | |
Other crew | |||
| Phyl Allarie | .... | production coordinator | |
| Maggie Anson | .... | contracts executive | |
| Richard Bonehill | .... | sword master | |
| Sue Clark | .... | animal consultant | |
| Peter Eardley | .... | assistant production accountant | |
| Sarah Fisher | .... | production accountant | |
| Steve Harty | .... | animal consultant | |
| Nick Hopkins | .... | floor runner (as Nicholas Hopkins) | |
| Andrew Jack | .... | voice coach | |
| Karen Jones | .... | script supervisor | |
| Howard Kingston | .... | production executive | |
| Ashley Russell | .... | assistant to producer | |
| Mark Sparrow | .... | script editor | |
| Eleanor Watmore | .... | secretary to producer | |
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| Harry Potter and the Goblet of Fire | Stardust | O Brother, Where Art Thou? | "Dune" | Candy |
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i happened to see the last episode of gormenghast in the middle of the night one day and was instantly intrigued. although i had no idea what was going on i was glued to my seat by the surreal sets and costumes and, above all, by the intense and brilliant acting!
i bought the books and dvd at once and soon realized the difference. the books are beautifully written and have a life of their own that does indeed compare to tolkiens middle earth. but the tv-series is marvelous. i think the whole story is very close to the books and all the actors are amazing.
jonathan rhys meyers as steerpike is the main focus of attention, every time hes onscreen the whole story gets incredibly dynamic and his villain is the most attractive person ive seen in a film in a long time. his characters brilliance, but also suffering, are the main themes of the film, since titus doesnt really seem convincing. most of the other characters are rather one dimensional, but thats intended, since no one wants to change in gormenghast except steerpike. even fuchsia, who is so miserable cant overcome her prejudices in the end.
whats strange in the film is that, given rhys meyers steerpikes attraction and intelligence and force, still everybody is unwilling to accept his qualities. he stays forever the kitchen boy, even when the whole castle couldnt do without him anymore. his despair and ultimate madness are the result of that constant rejection.
the books especially, but also the film, are ultimately a description of a world without love, compassion or warmth. everyone is doomed to remain unhappy within the strict hierarchy and no talents whatsoever will elevate you.
steerpike in the books is primarily a monster and sadistic murderer, whose motive is simply to gain power. why mervyn peake wrote him as the one to propel the whole story forward and at the same time didnt make him into a positive figure, i dont understand. i know its criticising the british monarchy, but thats what makes the books so depressing, in my opinion.
in the film steerpike is the central character, hes extremely good looking and has plenty of emotions, mostly rage and the supressing of rage, (contrary to the books i think, where hes always cold). still the ending is inevitable, because in gormenghasts world no one is allowed to succeed.
the film itself is beautifully shot, the music is great, the sets a little disappointing, but the costumes are truly beautiful. what does outshine most other tv-productions however, is the brilliant acting from the entire cast, but mainly rhys meyers powerful performance.