Erin Brockovich (2000)

User Rating:

7.2/10   

Director:

Steven Soderbergh

Writer (WGA):

Susannah Grant (written by)

Release Date:

17 March 2000 (USA)

Genre:

Biography | Drama | Romance

Tagline:

She brought a small town to its feet and a huge corporation to its knees.

Plot:

An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.

Plot Keywords:

Single Mother | Lawsuit | Chromium | Toxic Waste | Car Accident

Awards:

Won Oscar. Another 26 wins & 42 nominations

US TV Schedule:

Thur. Nov. 19

8:30 AM

USA

Cast

Julia Roberts	...	Erin Brockovich
David Brisbin	...	Dr. Jaffe
Dawn Didawick	...	Rosalind
Albert Finney	...	Ed Masry
Valente Rodriguez	...	Donald
Conchata Ferrell	...	Brenda
George Rocky Sullivan	...	Los Angeles Judge
Pat Skipper	...	Defending Lawyer
Jack Gill	...	Defendant
Irene Olga López	...	Mrs. Morales
Emily Marks	...	Beth Brockovich - 8 Months
Julie Marks	...	Beth Brockovich - 8 Months
Scotty Leavenworth	...	Matthew Brockovich
Gemmenne de la Peña	...	Katie Brockovich (as Gemmenne De la Peña)
Erin Brockovich-Ellis	...	Julia, the Waitress

MPAA:

Rated R for language.

Runtime:

130 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS (8 channels)

Certification:

USA:R (certificate #37146) | Iceland:L | Brazil:Livre | Malaysia:U | Italy:T | South Korea:15 | Argentina:13 | Australia:M | Canada:14A | Chile:14 | Finland:S | France:U | Germany:6 | Hong Kong:IIB | Ireland:15 | Netherlands:AL | New Zealand:M | Norway:A | Peru:14 | Portugal:M/12 | Singapore:PG | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | Philippines:G

Filming Locations:

Baker, California, USA

Company:

Jersey Films

Trivia:

The amazing car-crash in the opening sequence was done by digitally compositing shots of Julia Roberts taking off with the car and a radio-controlled car being hit by a stunt driver.

Goofs:

Continuity: The coffee stain on Masry's shirt after tripping over the box of files appears, then disappears when he goes to talk to Erin.

Quotes:

Erin Brockovich: Don't be too nice to me, OK?
George: Why?
Erin Brockovich: It makes me nervous.

Movie Connections:

Referenced in "Undeclared: The Assistant (#1.5)" (2001)

Soundtrack:

Two Shots Of Rye

Enjoyable

Out of work, out of hope, trashy, twice divorced single mother Erin fails to get another job due to her lack of experience. On her way home she is hit by another car. She goes to lawyer Ed Masry who spectacularly fails to win her any damages. Erin demands he gives her a job and he begrudgingly does. Doing some of his pro-bono work, Erin uncovers evidence that suggests that manufacturing firm PG&E had poisoned the local water supply and lie to residents about the content. As she looks deeper she finds a legacy of illness and a small bit of research turns into a mammoth case.

I don't know how much of this drama is factual and how much of it is changed to add to dramatic effect but regardless the story is involving, funny and moving. At the time there was a rash of 'environmental damage' legal films of which this is one of the more polished and classy. The film focuses as much on Erin as it does on the case and at times it risked failing as a legal drama/thriller. However it still grips as the facts pretty much speak for themselves – the film adds to this by creating a real sense of PG&E as a monster without scruples or concern for the residents. As a result the events feel more powerful and involving. It feels slow at times, but if you're into it then it feels patient rather than slow and deliberate rather than laboured.

The biggest reason that the focus on Erin works is because Roberts really does very well giving her Erin a down to earth, trashy feel that could have been hammy or unbelievable (she is a multimillion pound actress after all), but it wasn't. Instead it was realistic and quite warm – where she could have been annoying. The grumpy Finney is also good value and seems natural in the role. Eckhart is almost too good to be true but gives a likable performance and is a winning non-distraction.

The film benefits from the style that Soderbergh brings to it. It glides with the grace that he brought to Ocean's 11 and has the rich colouring that parts of Traffic had. His direction really adds to the film and makes the sum feel a little greater that the parts put together.

Overall this may not be the legal thriller that you hoped for and it may move a great deal slower that I thought a Hollywood film would, but it is worth it. The film is patient and worth baring with and Roberts is actually pretty good in the lead! Enjoyable.