| Photos (See all 64 | slideshow) | Videos (see all 4) |
| Sandra Bullock | ... | Gwen Cummings | |
| Viggo Mortensen | ... | Eddie Boone | |
| Dominic West | ... | Jasper | |
| Elizabeth Perkins | ... | Lily | |
| Azura Skye | ... | Andrea | |
| Steve Buscemi | ... | Cornell | |
| Alan Tudyk | ... | Gerhardt | |
| Mike O'Malley | ... | Oliver (as Michael O'Malley) | |
| Marianne Jean-Baptiste | ... | Roshanda | |
| Reni Santoni | ... | Daniel | |
| Diane Ladd | ... | Bobbie Jean | |
| Margo Martindale | ... | Betty | |
| Susan Krebs | ... | Evelyn | |
| Loudon Wainwright III | ... | Guitar Guy | |
| Katie Scharf | ... | Young Gwen | |
| Meredith Deane | ... | Young Lily | |
| Elizabeth Ruscio | ... | Mom | |
| Kathy Payne | ... | Aunt Helen | |
| Lisa Sutton | ... | Dr. Stavros | |
| Joanne Pankow | ... | Saleslady / Night Tech | |
| Corinne Reilly | ... | Vanessa | |
| Andrew Dolan | ... | Groom | |
| Maeve McGuire | ... | Groom's Mother | |
| Jim Moody | ... | Chauffeur | |
| Christina Chang | ... | Bridesmaid | |
| Adam Pervis | ... | Younger Boy at Gas Station | |
| Dan Byrd | ... | Older Boy at Gas Station | |
| Ric Reitz | ... | Father at Gas Station | |
| Suellen Yates | ... | Andrea's Mother | |
| Frank Hoyt Taylor | ... | Equine Therapist | |
| Brittani Warrick | ... | Traci | |
| Elijah Kelley | ... | Darnell | |
| Mike Dooly | ... | Marty | |
| Wendee Pratt | ... | Elaine | |
| Bill Anagnos | ... | NY Cabdriver | |
| Jack Armstrong | ... | Falcon in Soap Opera Cast | |
| Judith Chapman | ... | Deirdre in Soap Opera Cast | |
| Suzanne Davis | ... | Darian in Soap Opera Cast | |
| Rod McCary | ... | Dr. Griffin Hartley in Soap Opera Cast | |
| rest of cast listed alphabetically: | |||
| Matt Cedeño | ... | Bob Ramirez (uncredited) | |
| Patricia M. Fairchild | ... | Cafeteria Worker (uncredited) | |
| Bruno Gioiello | ... | Michael Anderson (uncredited) | |
| Christopher Murphy | ... | Paul (uncredited) | |
| Harsh Nayyar | ... | Newsstand Vendor (uncredited) | |
| Brent Ponder | ... | Partier (uncredited) | |
| Stan Wood | ... | Parker House Patient (uncredited) | |
Directed by | |||
| Betty Thomas | |||
Writing credits(WGA) | ||
| Susannah Grant | (written by) | |
Produced by | |||
| Celia D. Costas | .... | co-producer (as Celia Costas) | |
| Jenno Topping | .... | producer | |
Original Music by | |||
| Richard Gibbs | (music by) | ||
Cinematography by | |||
| Declan Quinn | (director of photography) | ||
Film Editing by | |||
| Peter Teschner | (edited by) | ||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Marcia Hinds | (as Marcia Hinds-Johnson) | ||
Art Direction by | |||
| Bo Johnson | |||
Set Decoration by | |||
| Debra Schutt | |||
Costume Design by | |||
| Ellen Lutter | |||
Makeup Department | |||
| Judith H. Bickerton | .... | hairstylist | |
| Dale Brownell | .... | hairstylist (as Dale E. Brownell) | |
| Colleen Callaghan | .... | key hairstylist | |
| Kymbra Callaghan | .... | makeup artist | |
| Sharon Ilson | .... | key makeup artist | |
| Stephen Kelley | .... | makeup artist | |
| Sandra S. Orsolyak | .... | makeup artist (as Sandra Orsolyak-Allen) | |
| Janine Rath | .... | key hairstylist | |
| Karen Reuter Fabbo | .... | make-up: New York | |
| Kerrie Smith | .... | hair stylist: New York | |
| Robert Steinken | .... | hair stylist: Asheville | |
| Pamela S. Westmore | .... | key makeup artist (as Pamela Westmore) | |
| Jim Beinke | .... | makeup effects producer (uncredited) | |
| Tony Gardner | .... | special makeup effects artist (uncredited) | |
| Rosanne Puchal | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Celia D. Costas | .... | unit production manager (as Celia Costas) | |
| Patricia Anne Doherty | .... | unit production manager: New York (as Patricia Doherty Hess) | |
| Monica Levinson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Chad Graves | .... | second second assistant director | |
| Richard Graves | .... | first assistant director | |
| Susan J. Hellmann | .... | second assistant director | |
| Michael Pitt | .... | second second assistant director: New York | |
| Bac DeLorme | .... | second assistant director: second unit (uncredited) | |
| Bruce Milton | .... | trainee assistant director (uncredited) | |
Art Department | |||
| C. Scott Baker | .... | set designer | |
| Diana Burton | .... | property master: New York (as Diana E. Burton) | |
| Rick Butler | .... | art director: Asheville | |
| Paul Cheponis | .... | set dresser | |
| Glen R. Feldman | .... | assistant property master (as Glen Feldman) | |
| Geoffrey S. Grimsman | .... | set designer | |
| Robert Guerra | .... | art director: New York | |
| Alan Hook | .... | assistant art director | |
| Tom Jones Jr. | .... | construction coordinator | |
| Ed Jones | .... | greensman: Asheville | |
| Bill King | .... | set designer | |
| Paul Oliver | .... | lead scenic (as Paul W. Oliver) | |
| Marthe Pineau | .... | set dresser | |
| Robert Butch Samarzich | .... | greensman | |
| 'Polar Bear' Shaw | .... | leadman (as Polar Bear Shaw) | |
| Andrea 'Drew' Sywanyk | .... | on-set dresser (as Andrea Sywanyk) | |
| Margot Therre | .... | charge scenic: New York | |
| Dick Tice | .... | leadman: New York (as Richard Tice) | |
| Dean Wilson | .... | property master | |
| Kenneth Bryant | .... | set dresser: North Carolina (uncredited) | |
| Elisabeth Clay | .... | assistant art department coordinator (uncredited) | |
| Danielle Couture | .... | painter (uncredited) | |
| Chris Crowder | .... | gang boss (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Thurston Edwards | .... | construction auditor (uncredited) | |
| Patrick Fuhrman | .... | set dresser (uncredited) | |
| Robert L. Girard | .... | propmaker (uncredited) | |
| Vincent Guarriello | .... | key construction grip (uncredited) | |
| Michael J. Hall | .... | construction foreman (uncredited) | |
| George W. Harding III | .... | greensman: Columbia (uncredited) | |
| Randy Kenan | .... | mill foreman (uncredited) | |
| Brian Kontz | .... | scenic painter (uncredited) | |
| Janet Kusnick | .... | concept artist (uncredited) | |
| Alicia Lowe | .... | art department coordinator (uncredited) | |
| Lee Nesbitt | .... | art department coordinator (uncredited) | |
| James F. Oñate | .... | scenic gang boss (uncredited) | |
| Ron Petagna | .... | construction coordinator (uncredited) | |
| Roger Scruggs | .... | general foreman (uncredited) | |
| Michael Shapiro | .... | set dresser (uncredited) | |
| John Weeks | .... | carpenter (uncredited) | |
Special Effects by | |||
| Connie Brink | .... | special effects coordinator | |
| David Hill | .... | special effects technician (uncredited) | |
| Walter Kiesling | .... | special effects technician (uncredited) | |
Stunts | |||
| Daniel W. Barringer | .... | stunt coordinator | |
| Sandy Berumen | .... | stunts (as Sandra Berumen) | |
| Vic Bucossi | .... | stunts (as Victor Bucossi) | |
| Donna Evans | .... | stunts (as Donna Evans Merlo) | |
| Don Hewitt | .... | stunts | |
| Cal Johnson | .... | stunts | |
| Jalil Jay Lynch | .... | stunts | |
| Steve Mack | .... | stunts | |
| Dean Mumford | .... | stunts | |
| Don Picard | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Manny Siverio | .... | stunts | |
| Jim Stephan | .... | stunts | |
| Dick Warlock | .... | stunts (as Richard Warlock) | |
| Amy Yanagisawa | .... | stunts | |
Casting Department | |||
| Marty Cherrix | .... | extras casting | |
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Shay Griffin | .... | regional casting (as Shay Bentley Griffin) | |
| Jon Scott Strotheide | .... | casting associate | |
| Sylvia Fay | .... | extras casting: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| John Glaser | .... | assistant costume designer | |
| Vanessa Jenik | .... | costumer (as Vanessa Carin Jenik) | |
| Jessica S. Smith | .... | costumer (as Jessica Smith) | |
| Joel Voorhies | .... | wardrobe | |
| Pauline White-Kassulke | .... | wardrobe supervisor | |
| Deirdre N. Williams | .... | wardrobe supervisor: New York (as Deirdre Williams) | |
| Kate Sawyer | .... | set costumer (uncredited) | |
Editorial Department | |||
| Matt Friedman | .... | digital assistant editor (as Matthew Friedman) | |
| Mo Henry | .... | negative cutter | |
| Nina Kawasaki | .... | first assistant editor | |
| Tamara McDonough | .... | second assistant editor | |
| Carrie Puchkoff | .... | assistant editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Kelly Reese | .... | dailies colorist (uncredited) | |
Music Department | |||
| Randall Poster | .... | musical supervision by | |
| Patrick Russ | .... | orchestrator | |
| Nick South | .... | music editor | |
| Jeff Vaughn | .... | score recorded and mixed by | |
| Brian Bulman | .... | assistant music editor: temp tracking (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| James Raymond | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Steven Baldwin | .... | transportation captain: Asheville (as Steven A. Baldwin) | |
| Robert Gillis | .... | transportation co-captain | |
| Neil Hyman | .... | transportation captain (as Neil A. Hyman) | |
| Brian Maxwell | .... | transportation captain: New York | |
| Stacy Barnhill | .... | driver (uncredited) | |
| John McLaughlin | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation (uncredited) | |
| Charlie Wright | .... | driver (uncredited) | |
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| Rachel Getting Married | C.R.A.Z.Y. | Introducing Dorothy Dandridge | Igby Goes Down | Head-On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I suppose I'll lay out the positive aspects of the film first, for it does have a couple. First, and most surprising, is the fact that Sandra Bullock actually holds this film together. It is the first time she's produced a serious performance since, uh, ever. Even better is Steve Buscemi, who, unfortunately, doesn't have nearly big enough of a part. A final plus is the fact that the film's heart is in the right place, even if it is misguided.
Which leads me to the negative. 28 Days attempts to tackle an incredibly heavy topic, but only with limited success. Primarily, there is a single reason for this, and it is because the film tries to be both a comedy and a drama at once. Few films pull this feat off very well (and they are usually romantic comedies), and 28 Days isn't one of them.
For example, the film goes to great lengths to demonstrate just how bad off Bullock's character really is, but it doesn't stick with that direction. Within the first five minutes of the film, she's destroyed a house and ruined a wedding - and she doesn't seem to care. Unfortunately, this does little to foster audience sympathy for Bullock, but that's besides this particular point.
The way I see it, if the film really focused more on Bullock's dark side, it would be better. But, alas, the movie adds several one-sided stereotypes that apparently are supposed to bring comic relief; all of them are distracting and only serve to rob the film of any power it might conceivably have. There's the angry-screw-the-entire-world type, the soap-operas-are-the-key-to-happiness-teenage type, the celebrity-baseball-player-playboy type, and let's be sure not to forget the eccentric-foreign-accent-man type (I particularly hate him). In other words, I couldn't care less about any of them. In fact, the only character outside of Bullock's that is even remotely interesting is Steve Buscemi's counselor. However, Buscemi's character is introduced, given more background than any other character in the film including Bullock, then dropped by the wayside completely. In my opinion, 28 Days could have been much more interesting had it analyzed a relationship between Bullock and Buscemi, but, hey, what can you do?
A final complaint. Director Betty Thomas seems to have attended the Blair Witch Project school of directing because every time Bullock's character has a flashback (which is often - let me say that again - often), the camera shakes as if the cameraman were suddenly overtaken by some sort of seizure. This same technique occurs during the unreadable opening credits. I'm sure Thomas is trying to make some sort of statement on alcohol's effect on memory and motor function, but she's not telling me anything I don't know and IS making me noxious.
Still, overall, despite my numerous complaints, 28 Days is watchable, and this is, again, largely due to Bullock's performance. Nevertheless, though, you could walk out of this movie and decide you want a drink, and I don't think that's the effect the filmmakers were aiming for. 5/10