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Directed by | |||
| Cameron Crowe | |||
Writing credits(WGA) | ||
| Cameron Crowe | (written by) | |
Produced by | |||
| Ian Bryce | .... | producer | |
| Cameron Crowe | .... | producer | |
| Marty P. Ewing | .... | associate producer (as Martin P. Ewing) | |
| Scott M. Martin | .... | associate producer | |
| Steven P. Saeta | .... | associate producer | |
| Lisa Stewart | .... | co-producer | |
| Jerry Ziesmer | .... | associate producer | |
Original Music by | |||
| Nancy Wilson | |||
Cinematography by | |||
| John Toll | (director of photography) | ||
Film Editing by | |||
| Joe Hutshing | |||
| Saar Klein | |||
Casting by | |||
| Gail Levin | |||
Art Direction by | |||
| Clay A. Griffith | |||
| Clayton Hartley | (as Clayton R. Hartley) | ||
| Virginia L. Randolph | (as Virginia Randolph-Weaver) | ||
Set Decoration by | |||
| Robert Greenfield | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Audrey L. Anzures | .... | hair stylist (as Audrey Anzures) | |
| Kathryn Blondell | .... | hair department head | |
| Lois Burwell | .... | makeup department head | |
| Carolyn Elias | .... | hair stylist (as Carolyn L. Elias) | |
| Michael Germain | .... | key makeup artist | |
| Marina Hart | .... | hair stylist | |
| Kim Messina | .... | hair stylist (as Kimi Messina) | |
| Maggie Myer | .... | makeup artist | |
| Donna Cicatelli-Lewis | .... | makeup artist (uncredited) | |
| Maggie Fung | .... | makeup artist (uncredited) | |
| Linda Grimes | .... | makeup department head: New York (uncredited) | |
| Timothy A. Miguel | .... | makeup artist (uncredited) | |
| Jennifer Saeta | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Carla Corwin | .... | unit manager: additional photography | |
| Marty P. Ewing | .... | production manager (as Martin P. Ewing) | |
| Amy Herman | .... | unit production manager: New York | |
| Lisa Dennis Kennedy | .... | post-production supervisor | |
| Steven P. Saeta | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Carla Corwin | .... | first assistant director: additional photography | |
| Stephen V. Johnson | .... | dga trainee | |
| David Kelley | .... | second assistant director | |
| Amy Lynn | .... | second assistant director: New York | |
| Jill Southern | .... | second assistant director | |
| Andrew Ward | .... | second assistant director: additional photography (as Andrew M. Ward) | |
| Laurie Webb | .... | second second assistant director | |
| Eric Yellin | .... | second second assistant director: New York | |
| Jerry Ziesmer | .... | first assistant director | |
| Jason Roberts | .... | additional second second assistant director (uncredited) | |
Art Department | |||
| Ruben Abacara | .... | drapery foreman (as Ruben Abarca) | |
| David H. Allen | .... | property master | |
| Doreen Austria | .... | graphic designer | |
| Conny Boettger | .... | set designer (as Conny Boettger-Marinos) | |
| Steve Borgese | .... | greens foreman | |
| Charisse Cardenas | .... | set designer | |
| Larry Guy Clause | .... | general foreman (as Larry Clause) | |
| Cece Destefano | .... | art department coordinator (as Cecele M. De Stefano) | |
| John R. Elliott | .... | construction coordinator (as John Elliott) | |
| David Fanderlik | .... | propmaker foreman | |
| Melissa Feinberg | .... | property assistant (as Melissa A. Feinberg) | |
| Jeannine Fenton | .... | set dresser | |
| Pete Gikas | .... | set dresser (as Peter Gikas) | |
| Carmine Goglia | .... | stand-by painter | |
| Tim Gomes | .... | paint foreman | |
| Rod Gregory | .... | set dresser | |
| Glen E. Hawbecker | .... | propmaker foreman | |
| Lee J. Jashinsky | .... | paint foreman | |
| Lisa M. Kittredge | .... | construction auditor (as Lisa M. Brooks) | |
| Mark Kusy | .... | property assistant | |
| Kim Lincoln | .... | graphic designer | |
| John Hammer Maxwell | .... | on-set dresser (as John H. Maxwell) | |
| Mike Medina | .... | labor foreman (as Michael Medina) | |
| Michael Molen | .... | propmaker foreman | |
| Chris Peterson | .... | set dresser | |
| Bart Rees | .... | plasterer foreman | |
| Eric Rosenberg | .... | assistant art director | |
| Michael Ruby | .... | supervising signwriter | |
| Dominic Sandfrey | .... | labor foreman | |
| Shana Sigmond | .... | production buyer | |
| Tim Snowber | .... | lead person | |
| Mindy R. Toback | .... | set designer (as Mindi R. Toback) | |
| Joe Viau | .... | set dresser | |
| Adam L. Barker | .... | plasterer (uncredited) | |
| David L. Bell | .... | set dresser (uncredited) | |
| Philip Canfield | .... | lead man (uncredited) | |
| Vincent D'Aquino | .... | greensman (uncredited) | |
| Guillaume DeLouche | .... | set dresser (uncredited) | |
| Brendan C. Fenton | .... | set dresser (uncredited) | |
| Alex Hill | .... | storyboard artist (uncredited) | |
| Al Hobbs | .... | set designer (uncredited) | |
| Byron K. Lovelace | .... | props (uncredited) | |
| Bryan McBrien | .... | stand-by greens (uncredited) | |
| Jeffrey Rollins | .... | props (uncredited) | |
| Eddie Ros | .... | property assistant (uncredited) | |
| Chris Samp | .... | stand-by painter: reshoots (uncredited) | |
Sound Department | |||
| Robert Batha | .... | first assistant sound editor | |
| Kerry Ann Carmean | .... | foley editor (as Kerry Carmean) | |
| Don Coufal | .... | boom operator | |
| Dino Dimuro | .... | sound effects editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Tim Gomillion | .... | sound recordist | |
| Laura Graham | .... | adr editor | |
| Laura R. Harris | .... | dialogue editor (as Laura Harris) | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Rick Kline | .... | sound re-recording mixer | |
| Tony Lamberti | .... | sound effects editor | |
| Lee W. Lebaigue | .... | digital assistant (as Lee Lebaigue) | |
| Kimaree Long | .... | dialogue editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording stage engineer | |
| Daniel Mendez | .... | recording consultant (as Daniel Mendes) | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Scott Olson | .... | recording consultant | |
| Kelly Oxford | .... | adr supervisor | |
| LaNessa Phearson | .... | cable person (as Lanessa Phearson) | |
| Dennis Rogers | .... | sound recordist | |
| Scott Sanders | .... | sound effects editor | |
| Branden Spencer | .... | adr assistant (as Brandon Spencer) | |
| Frederick H. Stahly | .... | foley editor (as Fred Stahly) | |
| David Stanke | .... | digital assistant | |
| Wylie Stateman | .... | additional sound | |
| Greg Steele | .... | adr mixer | |
| Jon Title | .... | sound effects editor | |
| Jeff Wexler | .... | production sound mixer | |
| Jeffrey Wilhoit | .... | foley artist (as Jeff Wilhoit) | |
| Michael D. Wilhoit | .... | supervising sound editor (as Mike Wilhoit) | |
| Scott Wolf | .... | sound effects editor | |
| Greg Zimmerman | .... | foley recordist | |
| Mark Choi | .... | sound conforming editor (uncredited) | |
| Rob Disner | .... | utility sound (uncredited) | |
| Sean England | .... | sound re-recordist (uncredited) | |
| Scott Jason Farr | .... | utility sound (uncredited) | |
| Jeff Glueck | .... | sound engineer (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects supervisor | |
| Jim Jolly | .... | effects technician (as Jim Jolley) | |
| James D. Schwalm | .... | special effects coordinator (as Jim Schwalm) | |
| Steve Riley | .... | special effects foreman (uncredited) | |
| J.D. Schwalm | .... | special effects (uncredited) | |
Visual Effects by | |||
| Patrick Ballin | .... | visual effects editor: MVFX | |
| Travis Baumann | .... | compositor: MVFX | |
| John Cassella | .... | 3D artist: MVFX (as John Cassella Jr.) | |
| Robert Chapin | .... | 3D artist: MVFX | |
| Nicolle Cornute | .... | paint/roto artist: MVFX | |
| John 'D.J.' Des Jardin | .... | 3D supervisor: MVFX (as John Desjardin) | |
| Matt Dessero | .... | compositor: MVFX | |
| Phillip Feiner | .... | production executive: Pacific Title Digital (as Phil Feiner) | |
| Donald Fly | .... | general manager: MVFX (as Don Fly) | |
| Chris Flynn | .... | digital compositor: Pacific Title Digital | |
| Fortunato Frattasio | .... | compositor: MVFX | |
| Mark Freund | .... | digital effects supervisor: Pacific Title Digital | |
| Gary George | .... | technical assistant: MVFX | |
| Gilbert Gonzales | .... | paint/roto artist: MVFX | |
| Tom Gorey | .... | imaging supervisor: Pacific Title Digital | |
| Nicolle Gray | .... | technical assistant: MVFX | |
| Maureen Healy | .... | digital painter: Pacific Title Digital | |
| Rob Hodgson | .... | visual effects supervisor: MVFX | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title Digital | |
| Ed Jones | .... | visual effects supervisor | |
| David Lee | .... | technical assistant: MVFX (as Dave Lee) | |
| Mark Leo Perry | .... | 3D artist: MVFX | |
| Matt Magnolia | .... | visual effects production coordinator: MVFX | |
| Diana Miao | .... | 3D artist: MVFX | |
| Rodney Montague | .... | digital effects producer: Pacific Title Digital | |
| Devorah Petty | .... | 3D artist: MVFX | |
| Sheldon Ramones | .... | technical assistant: MVFX | |
| John E. Sasaki | .... | compositor: MVFX | |
| Jonathan F. Styrlund | .... | visual effects producer: MVFX | |
| Daniel Sunwoo | .... | 3D artist: MVFX | |
| Sean White | .... | runner: MVFX | |
| Chris Wood | .... | paint/roto artist: MVFX | |
| Roger Dorney | .... | visual effects supervisor: Pacific Title Digital (uncredited) | |
Stunts | |||
| Joey Box | .... | stunt double (uncredited) | |
| Charles Croughwell | .... | stunt coordinator (uncredited) | |
| Thomas DuPont | .... | stunts (uncredited) | |
| David Loitz | .... | precision driver (uncredited) | |
| Gregg Sargeant | .... | stunts (uncredited) | |
| Sonny Tipton | .... | utility stunts (uncredited) | |
| Mark Aaron Wagner | .... | stunt double: Billy Crudup (uncredited) | |
| Darlene Ava Williams | .... | stunt double: Kate Hudson (uncredited) | |
Casting Department | |||
| Andrew S. Brown | .... | casting associate | |
| Rich King | .... | extras casting | |
| Rudy Quintanilla | .... | local extras casting | |
| Niki Boyle | .... | extras casting (uncredited) | |
| Tina Real | .... | extras casting: local (uncredited) | |
Costume and Wardrobe Department | |||
| Alice S. Awad | .... | seamstress | |
| Betty Besio | .... | cutter/fitter (as Elizabeth Besio) | |
| Melissa Binder | .... | costumer (as Melissa F. Binder) | |
| Lisa Buchignani | .... | costumer | |
| Brian Callahan | .... | costumer | |
| Michael Dennison | .... | costume supervisor | |
| Jorge J. González | .... | costumer (as Jorge J. Gonzalez) | |
| Linda Henrikson | .... | key costumer | |
| Nisa Kellner | .... | costumer | |
| Francisco Mares | .... | tailor | |
| Leslie Miller | .... | cutter/fitter | |
| Jonny Pray | .... | costumer | |
| Patia Prouty | .... | costumer | |
| Nava R. Sadan | .... | costumer (as Nava Sadan) | |
| D. Barak Stribling | .... | cutter/fitter | |
| James P. Cullen | .... | costumer (uncredited) | |
| Erin Lenk | .... | assistant to costume designer (uncredited) | |
| Nancy Smytka | .... | set costumer (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Richard Conkling | .... | assistant editor (as Rich Conkling) | |
| Daniel Fair | .... | editorial assistant | |
| Heather Goodwin | .... | apprentice editor | |
| Cecilia Hyoun | .... | first assistant editor: avid | |
| Mark Livolsi | .... | associate editor | |
| David Orr | .... | color timer | |
| Lisa Marie Serra | .... | post-production coordinator | |
| Ofe Yi | .... | first assistant film editor (as Ofelia Jimenez) | |
Music Department | |||
| Jon Bayless | .... | additional musician | |
| Danny Bramson | .... | music supervisor | |
| James Eric | .... | music playback operator | |
| Peter Frampton | .... | additional musician | |
| Todd Homme | .... | executive in charge of music | |
| Carlton Kaller | .... | music editor | |
| Gordon Kennedy | .... | additional musician | |
| Mike McCready | .... | additional musician | |
| Gary Raymond | .... | music playback mixer | |
| Ben Smith | .... | additional musician | |
| Nancy Wilson | .... | music producer: original songs | |
| Peter Frampton | .... | musician: Stillwater music (uncredited) | |
| Bud Raymond | .... | music playback assistant (uncredited) | |
| Greg Townley | .... | music engineer (uncredited) | |
Transportation Department | |||
| Ted Basso | .... | production van driver | |
| Rudolf Beilecke | .... | driver (as Rudolf Beilicke) | |
| Bobby Bress | .... | driver | |
| Ronald Brown | .... | driver | |
| Rose Echeverria | .... | driver | |
| James Fanning | .... | transportation captain: New York (as Jim Fanning) | |
| Robert Garcia Jr. | .... | driver | |
| Lee Garibaldi | .... | transportation captain | |
| Ronald Hooker | .... | driver | |
| Linda Johnson | .... | driver | |
| Pete Johnson | .... | driver | |
| Sandra Powell | .... | driver | |
| George Power | .... | driver | |
| John Sullivan | .... | mechanic: picture vehicles | |
| Tommy Tancharoen | .... | transportation coordinator | |
| Tom Whelpey | .... | driver (as Tom Whelpley) | |
| John Wiser | .... | picture vehicle coordinator | |
| Kristen Dolan | .... | transportation office coordinator (uncredited) | |
| William Hogue | .... | driver (uncredited) | |
Thanks | |||
| Lawrence Kasdan | .... | special thanks | |
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| Factory Girl | Sid and Nancy | Across the Universe | 24 Hour Party People | River's Edge |
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"Almost famous" is so great that I don't know where to begin. It means so much to me; personally, cinematographically, visually It means so much when it comes to acting and wonderful performances, when it comes to fantastic original screenplays that come from a person's mind without being taken from anything we already know.
This was probably one of the first movies to ever blow me away. When I was getting and idea of what cinema meant and which where the good films; this one left me impressed for more than a week. The same occurred later with "Traffic", "The Truman Show", "Big Fish" and others. It was with this film that I understood that to like a movie it has to mean something to you; besides meaning something for the ones who did it or the ones involved in it.
It meant something for me mainly because of the music. It was during the main credits written by hand in a paper that I felt something, but then, when William's (Patrick Fugit) sister Anita (Zooey Deschanel) leaves the house to become a stewardess, and tells him: "Look under your bed; it will set you free"; I was introduced to a new world.
William's mother Elaine (an excellent Frances McDormand) raised him and her sister forbidding them to use bad words, making them go to school, making them religious, but most importantly not letting them listen to rock music. This all changes when William plays The Who's "Tommy" a the light of a candle. Some years later he is writing rock articles and he knows enough to talk with the best music critic in the United States: Lester Bangs (a brilliant and Oscar-caliber supporting performance by the great Phillip Seymour Hoffman).
They talk for a while and the critic says: "Well, I've got to go; I can't spend my whole day talking to my fans". But then, with a lot of intelligence, a camera shoots a restaurant, and they are both still talking. Bangs gives the kid an assignment: to write about Deep Purple. The kid goes to the concert in his home town and tries to enter backstage saying he's a reporter of "Creem".
His multiple attempts fail and he is called by some girls who are laughing constantly. These are the Band Aids, and that is the moment in the film during which I fell in love with Kate Hudson. She plays Penny Lane (although that's not her real name), the girl who said women should be with musicians just for the love of the music, not sex or free rides.
She plays her as an enigmatic and mysterious person who actually is lost and doesn't know or have another place to be in. And I'm talking, personally, about one of the best performances I've witnessed in my whole life. This personal list of best performances is short, and Hudson's Penny Lane is in it, and she deserved an Oscar for it; and many will agree.
Because of how life goes, William stays alone outside Until Stillwater arrives, the kid uses his musical knowledge and he is inside backstage before he knows it. Then, before we know, he forgets about Deep Purple, he is touring with Stillwater and writing an article for Rolling Stone magazine that could be considered for the cover; and William is only 15 years old.
During the tour I felt what they called the "buzz". It was very inspiring to watch the band, each of its members, all the time with a guitar in their hands. Sometimes they were playing together; sometimes each of them was doing his own things. There were pianos and keyboards in each room they stepped foot in; there were good and bad live moments, just as good offstage moments and horrible fights; probably mended with just singing "Tiny Dancer".
Music is the main factor, as this band travels through the country. All of the members of the band we get to identify, but the one that obligatorily highlights is the guitarist Russell Hammond, played superbly by Billy Crudup. The lead singer is also important and he is played by a long-haired Jason Lee, with the guts of a rock persona.
The regretful moments we can't be without...Like Russell's party in Topeka and his last lines if he would die: "I'm on drugs"; or the plain about to crash and confessions like: "I'm gay". This was all perfectly crafted by the hand of Cameron Crowe's peaceful camera and the fantastic screenplay he wrote going back in time to his own similar experience. The man got the best from Tom Cruise, that's already a lot: and "Almost Famous" is his legacy; a gem and one of the best films I've seen in my life.