A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is an addict.
A modern day look at America's war on drugs told through four separate stories that are connected in one way or another. A conservative politician who's just been appointed as the US drug czar learns that his daughter is a drug addict. A trophy wife struggles to save her husband's drug business, while two DEA agents protect a witness with inside knowledge of the spouse's business. In Mexico, a corrupt, yet dedicated cop struggles with his conscience when he learns that his new boss may not be the anti-drug official he made himself out to be.
Written by <MonkeyKingMA@aol.com>
To achieve a distinctive look for each different vignette in the story, Steven Soderbergh used three different film stocks (and post-production techniques), each with their own color treatment and grain for the print. The "Wakefield" story features a colder, bluer tone to match the sad, depressive emotion. The "Ayala" story is bright, shiny, and saturated in primary colors, especially red, to match the glitzy surface of Helena's life. The "Mexican" story appears grainy, rough, and hot to go with the rugged Mexican landscape and congested cities.
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Goofs
Audio/visual unsynchronized:
When Arnie Metzger shows up at Helena Ayala's house, at one point he quickly turns around and points to her. Clearly his mouth movements do not match up with the dialog.
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