| Videos (see all 2) |
Brian Wayne Peterson (screenplay)
Jamie Babbit (story)
16 November 2000 (Australia) more
A Comedy Of Sexual Disorientation
A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian. full summary | add synopsis
2 wins & 2 nominations more
Amanda Crew and Adrianne Palick to star in 'Breaking the Girl' for Jamie Babbit.
(From Movie Jungle. 14 September 2009, 12:06 AM, PDT)
2nd Teaser Poster For All About Evil!
(From Icons of Fright. 28 July 2009, 8:41 PM, PDT)
Quite brilliant. more (174 total)
Directed by | |||
| Jamie Babbit | |||
Writing credits | ||
| Brian Wayne Peterson | (screenplay) | |
| Jamie Babbit | (story) | |
Produced by | |||
| Effie Brown | .... | line producer (as Effie T. Brown) | |
| Michael Burns | .... | executive producer | |
| Marc Butan | .... | executive producer | |
| Leanna Creel | .... | producer | |
| Andy Kaplan | .... | co-executive producer | |
| Donald Kushner | .... | executive producer | |
| Peter Locke | .... | executive producer | |
| Alexis Magagni-Seely | .... | co-executive producer | |
| Andrea Sperling | .... | producer | |
Original Music by | |||
| Pat Irwin | |||
Cinematography by | |||
| Jules Labarthe | (director of photography) | ||
Film Editing by | |||
| Cecily Rhett | |||
Casting by | |||
| Sheila Jaffe | |||
| Julia Kim | |||
| Georgianne Walken | |||
Production Design by | |||
| Rachel Kamerman | |||
Art Direction by | |||
| Macie Vener | |||
Costume Design by | |||
| Alix Friedberg | |||
Makeup Department | |||
| Walter Kenyon | .... | assistant hair stylist | |
| Walter Kenyon | .... | assistant makeup artist | |
| Rosemary Lawrence | .... | key makeup artist | |
| Michele Lewis | .... | assistant hair stylist | |
| Michele Lewis | .... | assistant makeup artist | |
| Nicholas Serino | .... | key hair stylist | |
Production Management | |||
| Effie Brown | .... | unit production manager (as Effie T. Brown) | |
| Ross Guidici | .... | post-production supervisor | |
| Wendy Kutzner | .... | production supervisor (as Wendy J. Kutzner) | |
Second Unit Director or Assistant Director | |||
| James Barrett | .... | second second assistant director | |
| Van Hayden | .... | first assistant director | |
| Linns Williamson | .... | second assistant director | |
Visual Effects by | |||
| Tony Venezia | .... | digital effects: THDX | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Camera and Electrical Department | |||
| Mike Bergstrom | .... | first assistant camera | |
| Kevin Cadwallader | .... | electrician | |
| Eric Cross | .... | best boy grip | |
| Amy Hoffecker | .... | electrician | |
| Jeffrey G. Hunt | .... | Steadicam operator (as Jeffrey Hunt) | |
| Patrick Lennon | .... | gaffer (as Packy Lennon) | |
| Mark Lipson | .... | still photographer | |
| Denis Maloney | .... | camera operator: "b" camera (as Dennis Maloney) | |
| Eamon McGillicuddy | .... | key grip | |
| Gabe Miller | .... | grip (as Gabriel Miller) | |
| John M. Plume | .... | electrician | |
| Beth Puorro | .... | second assistant camera | |
| David C. Romano | .... | grip (as David Christian Romano) | |
| David A. Seekins | .... | camera loader (as David Seekins) | |
| Jandy Sexton | .... | grip | |
| Joann Sweiven | .... | best boy electric | |
| Chris Thornton | .... | grip | |
| Michael Valenzuela | .... | grip | |
| Jon Weiner | .... | electrician (as Jonathan M. Weiner) | |
Casting Department | |||
| Sherry Aude | .... | extras casting: Millennium Casting | |
| Victor Dagan | .... | extras casting: General Casting | |
| Jessie Disla | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kimmie Furlong | .... | costume supervisor | |
| Frank Helmer | .... | set costumer | |
| Larry Karns | .... | tailor | |
| Kim Kottler | .... | wardrobe intern | |
Editorial Department | |||
| Jon Cinman | .... | post-production assistant | |
| Adam Clark | .... | color timer | |
| Bryson Jones | .... | avid technician | |
| Mike Knibbs | .... | post-production assistant | |
| Mary Nelson-Duerrstein | .... | negative cutter: Executive Cutting | |
| Joel T. Pashby | .... | assistant editor | |
Music Department | |||
| Ryan Brown | .... | assistant music supervisor | |
| William Garrett | .... | music producer | |
| William Garrett | .... | music recordist | |
| Pat Irwin | .... | musician: guitars, keyboard | |
| Sara J. Seiver | .... | musician: cellist | |
| Stephen E. Smith | .... | music supervisor | |
| Greg Vossberg | .... | music editor | |
| David Falzone | .... | music consultant (uncredited) | |
Transportation Department | |||
| Tom Calzia | .... | transportation captain | |
| Jeffrey F. Jones | .... | driver (as Jeff Jones) | |
| Luis Mata | .... | driver | |
| Manuel Ruiz | .... | driver | |
| Steve Shoemaker | .... | driver | |
| Kevin Simmons | .... | driver | |
| Darcy Souza | .... | driver | |
| Travis Stake | .... | driver | |
| Vaughn Wahlen | .... | driver | |
| Greag Waldrop | .... | transportation coordinator | |
Other crew | |||
| Ray Amador | .... | location intern | |
| Jose Avitia | .... | titles and opticals: Title House | |
| Michael Back | .... | set production assistant | |
| Blake Busby | .... | titles and opticals: Title House | |
| Genevieve Chalom | .... | assistant: Ms. Creel | |
| Lara Cody | .... | adr loop group | |
| Nicole Colombie | .... | production secretary | |
| Robert Darwell | .... | legal counsel: Troup, Steuber, Rasich, Reddick & Tobey (as Robert A. Darwell) | |
| Shawn Davis | .... | production coordinator | |
| Karen Marls Dimwiddie | .... | assistant accountant | |
| Michael Enriquez | .... | set production assistant | |
| Kai Ephron | .... | location manager | |
| Ted Gidlow | .... | production executive: Ignite | |
| Kent Hamilton | .... | production insurance | |
| Candice Hinds | .... | choreographer: cheerleaders | |
| Ben Hines | .... | set production assistant | |
| Heather Jones | .... | choreographer: cheerleaders | |
| Nikki Kelber | .... | unit publicist: MPRM | |
| Nikki LaRosa | .... | office production assistant | |
| Sandy Laureno | .... | craft service | |
| Michael Lawson | .... | unit publicist: MPRM | |
| Monika Lowe | .... | set production assistant | |
| Bernice Moschini | .... | production accountant (as Bernice B. Moschini) | |
| Jonathan Nichols | .... | adr loop group | |
| Mark Patterson | .... | key set production assistant | |
| Jennifer Rae Smith | .... | titles and opticals: Title House | |
| Irwin M. Rappaport | .... | production attorney (as Irwin M. Rappaport Esq.) | |
| Kristi Reed | .... | epk: Farm Fresh Productions | |
| Michael Reisz | .... | adr loop group | |
| Dan Riley | .... | legal assistant | |
| Ian Root | .... | assistant location manager | |
| Tino Sage | .... | epk: Farm Fresh Productions | |
| Marcia Scanlon | .... | office production assistant | |
| Pat Scanlon | .... | production coordinator | |
| Eddie Schmidt | .... | hot gluer | |
| Marianne Shiffrar | .... | payroll accountant | |
| Michael Sipes | .... | post-production accountant (as Michael D. Sipes) | |
| Robert 'Skid' Skidmore | .... | set production assistant | |
| Winnie Tanaka | .... | script supervisor (as Carrie 'Winnie' Tanaka) | |
| Daisy Tormé | .... | adr loop group | |
| Truman Van Dyke | .... | production insurance | |
Thanks | |||
| Keith Allan | .... | thanks | |
| Mark Allan | .... | thanks | |
| Gregg Araki | .... | thanks | |
| Harold Babbit | .... | thanks | |
| Nikki Babbit | .... | thanks | |
| Jen Baers | .... | thanks: Digital Soup | |
| Scott Bernstein | .... | thanks | |
| Tom Bianchi | .... | thanks | |
| Ridge Blackwell | .... | thanks | |
| L.D. Brinkman | .... | thanks | |
| Pete 'The Chairman' Burns | .... | thanks | |
| Melissa Busby | .... | thanks | |
| Fernando Cardenas | .... | thanks | |
| Chic Chaldu | .... | thanks: Sony Pictures Studios, Property | |
| Morty Coyle | .... | thanks | |
| Winston Creel | .... | thanks | |
| Rachel deBrier | .... | thanks | |
| David Drake | .... | thanks | |
| Julia Drumheller | .... | thanks (as Julie Drumheller) | |
| Clea DuVall | .... | thanks | |
| Melissa Etheridge | .... | thanks: Island/Polygram Records & WF Leopold Management | |
| Keythe Farley | .... | thanks | |
| Robert Farrior | .... | thanks (as Rob Farrior) | |
| Michael Fisher | .... | thanks | |
| Molly Fitzsimons | .... | thanks (as Molly FitzSimons) | |
| R. Lee Fleming Jr. | .... | thanks (as Lee Fleming) | |
| Matt Frauman | .... | thanks | |
| Morgan J. Freeman | .... | thanks | |
| Ari Gold | .... | thanks | |
| Kal Gowdy | .... | thanks | |
| Enid Graddis | .... | thanks | |
| David Hagberg | .... | thanks (as Dave Hagberg) | |
| Martha Haight | .... | thanks | |
| Christopher Johnson | .... | thanks | |
| Mark Kaplan | .... | thanks | |
| Heather Kindberg | .... | thanks | |
| Josh Kramon | .... | thanks | |
| Steven Levy | .... | thanks | |
| Patty Long | .... | thanks | |
| Christopher Makos | .... | thanks | |
| Tony Maxwell | .... | thanks | |
| Jeffrey Nicholson | .... | thanks | |
| Narween Otto | .... | thanks | |
| Christine Palczynski | .... | thanks | |
| Julie Pearce | .... | thanks | |
| Jodi Peikoff | .... | thanks | |
| Angela Robinson | .... | thanks | |
| Victoria Robinson | .... | thanks | |
| Matt Saver | .... | thanks (as Matthew Saver) | |
| Joan Scheckel | .... | thanks | |
| Jenny Shimizu | .... | thanks | |
| Parker Shipp | .... | thanks | |
| Debi Shockley | .... | thanks | |
| Ione Skye | .... | thanks | |
| Kelly Sounders | .... | thanks | |
| Lara Spotts | .... | thanks | |
| Sean O. Strub | .... | thanks (as Sean Strub) | |
| Joel Unangst | .... | thanks | |
| Scott Valentine | .... | thanks: Sony Pictures Studios, Property | |
| Andrew Volk | .... | thanks: B. Black and Sons | |
| Barney Volk | .... | thanks: B. Black and Sons | |
| Jan Watkin | .... | thanks | |
| Kim Welsh | .... | thanks | |
Make Me Over (USA) (working title)
more
Rated R for strong language and sexual content involving teens.
85 min
1.85 : 1 more
Canada:18A (Manitoba) | New Zealand:M | Australia:M | Canada:14A | Germany:12 | UK:15 | USA:R
The song that Rock is dancing to, is "Party Train" by RuPaul. RuPaul plays Mike, one of the counselors, in this film. more
Continuity: During the bar scene, Megan removes her sweater on the bar. She goes to dance, and then leaves through the back door in a huff, whereupon her sweater magically reappears. more
Featured in This Film Is Not Yet Rated (2006) more
Chick Habit (Laisse Tomber Les Filles) more
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| News articles | IMDb Comedy section | IMDb USA section |
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Although on paper this might seem quite offensive to some people, But I'm A Cheerleader is actually a stunning film. A film based around a homosexual rehabilitation commune may be a sensitive and distressing issue, but this film handles it perfectly, by not taking sides and making it a comedy. It plainly shows you the ridiculousness of such a situation but also shows you how people can become so engulfed by it and their own beliefs, and also making it one of the funniest films I've seen for a long while.
Natasha Lyonne is excellent as Megan, a girl who isn't given a chance to fully realise she is a lesbian, and is carted off to "True Directions", led by the rather scary Mary .J. Brown. There, with other "confused" teenagers, she goes on a quest to find her "true destiny" as a happy heterosexual. Although, things do not go to plan, and Megan falls in love with fellow resident Graham, who sees the horror of the whole place. The film has many nice touches that make it all the more enjoyable, such as Mary having an extremely camp son (played by the rather damn gorgeous Eddie Cibrian) and also having her colleague played by the legendary RuPaul, in a rare dragless turn.
This film excels in having both humorous and heartbreaking moments. It intertwines classic comedy and tearful reality with ease. You'll have the boys salivating over Mary's son Rock one moment and a rather devastating scene where student Jan tries to convey that she isn't really gay at all, but was forced here. When this film wants to put it's message across it does, and scenes such as Graham's father telling her graduate or she's on her own really do have an impact. But where this film really wins is in it's way that it does not take sides. Mary does not see the error of her ways throughout the film and remains firm in her homophobic beliefs.
This film isn't about trying to change people's opinions, it's simply presenting a situation and leaving people to make up their own minds. It's also a comedy, and a very funny one at that, with some glittering performances from all, especially, Lyonne, Clea DuVall and Cathy Moriarty. This film may not be to everyone's taste, but it's perfect for whatever mood you find yourself in. Definitely a triumph.