The Jack of Diamonds (1949) Poster

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7/10
Decent low-budget Thriller
gordonl5630 December 2013
Warning: Spoilers
JACK OF DIAMONDS – 1949

This one is a low budget UK thriller from director, Vernon Sewell's own production company.

A fairly wealthy couple have their finances go in the toilet. They lose everything but an old steam yacht. Rather than sell the yacht, the couple, Cyril Raymond and Joan Carroll, decide to open a charter service. They spruce up the boat and then put an advert in the papers.

They soon have someone interested in hiring the yacht. The man, Nigel Patrick, has a slight problem though, he is broke. He proceeds to tell Raymond and Carroll a tale of lost treasure. It seems that Patrick had been caught in Belgium in 1940 as the Germans were advancing. He had gotten on the last fishing boat out of a small port on the coast. The boat had barely left the harbour when the nasty German type dive bombers paid the place a visit. His boat was sunk with all aboard except for Patrick. The deal here is, that also on board, was a strongbox a wealthy family was shipping to England for safe keeping. The boat has never been recovered and Patrick knows the location.

Patrick proposes that Raymond and Carroll join him in a partnership to recover the jewels. Patrick will keep two thirds and the couple the rest. Patrick estimates the jewels were worth at least 100,000 pounds. Patrick will supply the diver and an engineer to run the yacht's engines and power room. The couple see this as a great way to get out of the money pit they are in.

The diver, John Basings, and the engineer, Vernon Sewell, are soon on board and they set sail for the wreck site. They spend two weeks with the diver combing the location Patrick has. They are about to give up when they find out they have been using the wrong landmark on shore. The right landmark had been destroyed during the war.

The wreck is now quickly found and the loot brought up. Now of course the flies in the ointment start to appear. The grand-daughter of the strongbox's owner, Dolly Bouwmesster, shows up. She quite by accident bumps into Raymond and Carroll who are ashore on business. Soon stories are exchanged and Raymond and Carroll know something is bent here.

They take Bouwmesster back to the yacht for a talk with Patrick. Dear Nigel has no intension of forking over the Jewels to the rightful owner. Out comes a handy automatic which he holds on the three. The diver, Basings and Sewell the engineer are called. It turns out that both work for Patrick. Raymond and Carroll now realize that Patrick never had any intention of sharing the loot. Basings locks the trio up and the ship weighs anchor.

Patrick might be a cad, but he is no killer. Mid Channel, he places Raymond and the two women in a lifeboat and sets them adrift. He then heads the yacht for port. Not long afterwards, another small yacht with two men comes up on the castaways. They are soon picked up and packed on-board. Raymond tells the pair what has happened.

After a quick round of drinks, they set off in pursuit of Patrick and company. The faster boat soon catches up with Patrick's mob. By use of the old fake fire ruse, Raymond and the two men, Darcy Conyers and Ed Richfield board and take Patrick's bunch by surprise. They use a collection of monkey wrenches to subdue the villains.

After taking his yacht back, Raymond gives Patrick and gang the same treatment he got. They are set adrift in a small lifeboat and pointed in the direction of the coast.

The story was knocked together by the lead actors, Nigel Patrick and Cyril Raymond. The idea is not bad by any means, but suffers from a bit too much filler content. Obviously the need to keep costs down was the reason for all the travelogue footage used to pad the runtime. Director Sewell doing an acting bit probably helped as well to keep production cost low. Having said this, the film is by no means a waste of time. All involved would go on to make better films down the line.
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5/10
Vernon Sewell messing about in boats
malcolmgsw19 March 2014
Warning: Spoilers
Vernon Sewell was so fond of his boat that he often managed to feature it in his films.Another example is The Ghost Ship.The story here is fairly slight and is padded out with tourist views of France and an extended sequence in a restaurant where each of the characters vies to be the one who is able best to speak French to the waiters.The sequence where Nigel Patrick sets the couple adrift is quite funny.He makes out as if Raymond and his wife are in the middle of the Atlantic instead of in one of the busiest shipping lanes in the world and likely to be run down at any moment.When the tables are reversed it is a rather funny scene where Raymond suggests that Patrick gets one of his henchmen to use his teeth to bit the rope off.
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5/10
Low budget fare
Leofwine_draca25 March 2021
Warning: Spoilers
THE JACK OF DIAMONDS (1949) is another low rent Hammer thriller, this time around directed by Vernon Sewell who you might remember from later fun fare such as CURSE OF THE CRIMSON ALTAR and THE BLOOD BEAST TERROR. This one's about a couple sailing their yacht around the English Channel and taking on urbane passenger Nigel Patrick, who thinks he knows the location of a treasure chest that was lost during WW2. They agree to help him recover the chest in return for a share of the loot, but there's a twist in store...

This is an extremely cheap film that offers a bit of location photography but mainly centres things on the yacht, so it has something of a claustrophobic feel. The two main characters are an extremely dull married couple who come across as tedious in the extreme but the supporting cast is much better, Patrick in particular excelling as a gent with a glint in his eye. There aren't a huge amount of thrills here, but then the running time is quite brief, and at least things pick up for an acceptable climax.
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4/10
Passable little drama.
gerry10193 May 2006
A couple, Cyril Raymond and Joan Carroll are down on their luck and decide to try and make some money by chartering their last remaining asset, a yacht.

They are approached by Nigel Patrick (who also co-wrote the screenplay his only such endeavor) who wishes to hire the boat to search for treasure.

It seems that when evacuating Belgium when it was being occupied in 1940 he had been entrusted with taking a family's jewels to safekeeping until the war was over.His boat was sunk with the jewels but he was able to get an accurate bearing before escaping.

From then on there are some twists and turns which keep the movie interesting until it's conclusion.

The whole of the movie is filmed on location which adds to the authenticity. The tape I watched ran 65mins.
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5/10
Down To Their Last Yacht
boblipton4 October 2020
Cyril Raymond and Joan Carroll are broke. Instead of selling the yacht, they decide to lease it, and up comes Nigel Patrick with a yarn about some jewelry sunk off France. He offers them a third share, and they take him up on it.... but first they can't find it, and when they do, collecting is also a problem.

It's a nice light-hearted adventure story with very little depth and lots of double-crosses under the direction of Vernon Sewall. There's nothing in particular that's outstanding, but also nothing to say against it; and 65 minutes, it's entertaining enough to not leave your theater seat.
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4/10
Jack needs a facelift.
mark.waltz16 December 2020
Warning: Spoilers
Time hasn't been kind to this odd adventure with a warbly soundtrack that comes off like an old record left out in the sun, with a grainy print that has little depth of focus because of poor photography outside on the water on an obviously sunny day. The prints are edited by a reel as well. For British Cinema which seemed rather advanced in the late 1940's that makes this a disappointment.

The pacing of this quota quickie is bizarrely slow with little character development for the four principals: Cyril Raymond and Joan Carroll as a rich couple down on their luck renting out their yacht, Nigel Patrick as their first client who is involved in diving for mysterious treasure in France, and Dolly Bouwmeester as a young lady whose past association with missing diamonds leads to a non-surprising revelation about Patrick whose scheme puts Raymond and Carroll in jeopardy.

This is a convoluted little caper that left me befuddled although there's some interesting location photography and some amusing bits at a French cafe where the customers seem to be massively fowling up their attempts at getting the language right. But there's something missing that pulls this out of its perplexing structure, and I'm not about to search for the missing 10 minutes to put it all together.
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